Supermodel (album)

Last updated

Supermodel
Foster the People - Supermodel.jpg
Studio album by
Foster the People
ReleasedMarch 14, 2014 (2014-03-14)
RecordedJanuary 2012 – December 2013
Genre
Length47:57
Label Columbia
Producer
Foster the People chronology
Torches
(2011)		Supermodel
(2014)		 III
(2017)
Singles from Supermodel
  1. "Coming of Age"
    Released: January 14, 2014
  2. "Pseudologia Fantastica"
    Released: February 25, 2014
  3. "Best Friend"
    Released: March 10, 2014
  4. "Are You What You Want to Be?"
    Released: September 8, 2014

Supermodel is the second studio album by American indie pop band Foster the People. The album was co-produced by their frontman Mark Foster and British musician Paul Epworth, and was released by Columbia Records on March 14, 2014 in Friday-release countries and March 18, 2014 in the United States. It is the follow-up to the band's 2011 debut album, Torches .

Contents

A concept album, Supermodel features common and heavy themes of negativity[ citation needed ] towards modern popular culture and consumer ideology throughout the record and its related artworks. Conceived mostly by Foster, the album deals primarily with social issues and "the ugly side of capitalism", and is described by Foster as "a conversation with God. Trying to explore who God is." [1] Recorded and produced throughout 2012 and 2013, the album also features a minor departure from the sound of Torches, importing instruments and various sounds of different cultures of the world while retaining the "perfect pop record" sound.

The album was heavily promoted by the band and Columbia Records in the lead-up to its release, with an accompanying documentary series of the same name and a 130-foot mural painted in Los Angeles, the largest on the West Coast of the United States. The album was preceded by three singles released by Columbia in 2014: "Coming of Age" released in January 2014, "Pseudologia Fantastica" in February, and "Best Friend" in March. Upon release, Supermodel received mixed reviews from critics.

Background

Forming in 2009, Foster the People released their debut album Torches in 2011. The album, produced by Paul Epworth, Greg Kurstin, Rich Costey, Tony Hoffer and Mark Foster, was released to positive reception, and peaked at number eight on the Billboard 200 in the US and number one on the ARIA Albums Chart in Australia. It has been certified platinum in Australia [2] and the US. [3] In the Philippines and Canada, Torches was certified gold. [4] The album was also nominated for the 2011 Grammy Award for Best Alternative Music Album, losing to Bon Iver's Bon Iver, Bon Iver . Capitalizing on their success following the release of Torches, six singles were released by the band across 2011 and 2012: "Pumped Up Kicks", which became a major hit worldwide, peaking at number three on the Billboard Hot 100 and topping the Australian, Canadian, Polish and Slovakian singles charts; "Helena Beat", which topped the Canadian singles chart and became the most played track on Australian radio station Triple J in 2011; "Call It What You Want", which has been certified Gold in Australia; "Don't Stop (Color on the Walls)", which has been certified gold in the United States and Canada; "Broken Jaw / Ruby", which was released exclusively on Record Store Day; and "Houdini", whose companion music video was nominated for Best Short Form Music Video at the 55th Annual Grammy Awards.

To follow up Torches, frontman Mark Foster wanted an album with "more grit" than Torches, and looked to British rock bands such as The Clash and The Kinks for inspiration. [5] He also cited influences from West African music and David Bowie, complementary to a need for the band's music to be more instrumentally based rather than electronic as additional driving factors in the creative process. [6] Foster spoke to music magazine Rolling Stone in August 2012, stating:

"One thing about Foster The People is that it's taking pieces of a lot of different genres of music and kind of melding them together. In the first record, I was looking at my vision for the project through a piece of opaque glass. This next record's going to be more evolved; it's going to be a clearer picture of what I've had in my head when it comes to that vision. Working on this project and getting deeper into electronic music is gonna help bring a deeper colour in the next Foster record." [7]

Deciding on the final name for the album, Foster "wanted it called ‘A Beginner's Guide To Destroying The Moon’" or "‘Pseudologia Fantastica’", but came to the conclusion that "these names were too hard to remember" and "too hard to say", so the band opted to go for the name "Supermodel" instead. [8] "A Beginner's Guide To Destroying The Moon" and "Pseudologia Fantastica" would later become songs on the album, with the latter being released as a single.

Concept and composition

Most of the album's themes were derived from Mark Foster's personal feelings about social issues at the time of writing. Mark Foster @ Esplande Park (23-7-2011).jpg
Most of the album's themes were derived from Mark Foster's personal feelings about social issues at the time of writing.

The themes and lyrics of Supermodel have been described by frontman Mark Foster as "angry", with most of the content dealing with personal issues and ideas he had during the recording of the album, [9] most of which revolves around a negative outlook on consumerism ideology and "the ugly side of capitalism". [10] Foster added in the Supermodel documentary series that the record's title, the record itself and its artwork were created out of the idea of how our self-worth, in a modern perspective, is judged on how many "retweets" or "likes" we get, and our need to present ourselves like supermodels, showing others who we want them to perceive us as while hiding our real selves. [11] Supermodel features a more natural sound in contrast to its electronically influenced predecessor, Torches , with a bigger focus on guitar and instruments of world culture. [6] [10]

Recording

During the latter stages of writing and recording for Supermodel, the band used a portable studio to record song demos and early takes while they were on their 2012 world tour, which lasted from January to October 2012. [12] The band recorded the album with the ideology that "uncomfortability sometimes produces the best art", where the band would record with different instruments in a different environment to what they were used to, potentially creating a multiculturally influenced sound. [5] The album was recorded in a two-step process, where the instrumentals for the songs were composed and recorded first before lyrics were written and sung. [9]

Packaging

The artwork for the album was designed by Young & Sick, the same artist who did the artwork for the band's debut studio album, 2011's Torches. [13] Supermodel's cover features an abstract surreal depiction of a model surrounded by a crowd of people and paparazzi holding up cameras and taking photographs as she poses on a stand. It also depicts the model reciting poetry, written as it streams downwards, enlarging as it reaches towards the bottom of the artwork; it reads:

I ate it all; plastic, diamonds and sugar-coated arsenic as we danced in honey and sea-salt sprinkled laxative. Coral blossomed portraits in Rembrandt light; cheekbones high and fashionable. Snap! goes the moment; a photograph is time travel, like the light of dead stars painting us with their warm, titanic blood. Parasitic kaleidoscopes and psychotropic glow worms stop me dead in my tracks. Aphids sucking the red off a rose, but for beauty I will gladly feed my life into the mouths of rainbows; their technicolor teeth cutting prisms and smiling benevolently on the pallid hue of the working class hero.

Foster later stated in the Supermodel documentary series that the artwork was created with the idea of redefining what the word "supermodel" meant. Described by Foster as "a woman vomiting in a back alleyway surrounded by photographers capturing her moment of weakness, where she doesn't want to be near anybody; vomiting a poem about consumption that she had consumed", the artwork reflects Foster's idea of the record and the title of the album. [11]

Promotion

The Supermodel mural, painted in promotion of the album, located in Los Angeles, California. Supermodel Mural.jpg
The Supermodel mural, painted in promotion of the album, located in Los Angeles, California.

After posting a teaser trailer on the band's official YouTube channel on New Year's Day, [14] Supermodel was officially unveiled on January 13, 2014. [15]

The artwork for the album, designed by Young & Sick, was painted over the facade of a building located on 539 S Los Angeles Street in Los Angeles, California with assistance from American artist Daniel Lahoda, American street artists Leba and American graffiti art groups LA Freewalls and Vyal. The mural, painted on the entire face of the 100 ft building, was executed through the night of December 29, 2013 to the morning of January 9, 2014, and took over 12 days to finish, with 16 hours being given each day by the painters. [16] The mural was officially measured at 148 ft by 126 ft, [17] making the artwork the largest mural ever constructed on the West Coast of the United States. [18] The Supermodel mural, however, was later painted over following some legal controversy with the Los Angeles government and building owners. [19] [20]

Three singles have been released by the band in promotion of Supermodel. "Coming of Age" was released in the United States on January 14, 2014 as the lead single promoting the album. Two music videos were also produced to accompany the single. "Pseudologia Fantastica" was released as album's second single on February 25, 2014. After an interview on Edmonton radio station SONiC 102.9 on February 16, 2014, where Mark Foster stated that he intended to release a third single before the album's release;[ citation needed ] "Best Friend" was released as the record's third single on March 10, 2014. [21]

A serialized documentary series eponymously titled Supermodel was produced by the band in further promotion of Supermodel. [22] The series, which has produced five episodes, documents the creation of Supermodel and the ideas and events surrounding the creative process of the album and insight into the album's different tracks. Narrated by Mark Foster, the series premiered on March 6, 2014 on Foster the People's official YouTube channel. [23]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic? 5.8/10 [24]
Metacritic 58/100 [25]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [26]
The A.V. Club B [27]
Billboard Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [28]
The Guardian Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [29]
NME 7/10 [30]
Q Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [31]
Rolling Stone Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [32]
Spin 5/10 [33]
Uncut 8/10 [34]
USA Today Star full.svgStar full.svgStar full.svgStar empty.svg [35]

Upon its release, Supermodel was met with mixed reviews from music critics. Although the majority of the reviews compare and contrast the album with the band's debut studio album Torches , critics have both praised and criticized the sound of the album, the themes of the album, and the contrast between the lighter instrumentals and the darker lyrics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 58, which indicates "mixed or average reviews", based on 25 reviews as of April 11, 2014. [25]

Brian Mansfield, writing for USA Today , described the album as "global-minded pop unspooled to ambition’s farthest edges." [35] Uncut also gave a positive review of the album, stating in their April 2014 issue that "the sound they've fashioned is glossy and supersaturated while still exhibiting the subversive impulse that yielded the supremely catchy but subtly sinister smash 'Pumped Up Kicks'". [34] Melanie Haupt of The Austin Chronicle stated that the band, "working on an epic, operatic canvas, hide the spinach of existential angst into sweetly binge-worthy dance pop". [36] John Aizlewood, writing for Q , opined that the "occasionally super Supermodel is an album of transition rather than a definitive statement". [31] PopMatters writer Jeff Koch opined that the record was "startlingly different from Torches" and a "massive surprise", but nonetheless "achingly, devastatingly beautiful." [37] Matt Collar of AllMusic wrote that Supermodel "finds Foster and company sticking to their winning pop formula, while evincing a more organic, less claustrophobic studio sound." [26] Collar stated that the record expanded on the "twenty-something angst" explored in Torches, revealing a "more introspective, enigmatic, world-weary tone." [26]

Garrett Kamps of Spin stated that Supermodel's songs "suck, which is odd, because the formula has not dramatically changed" and that the "devilishly catchy" and "very, very enjoyable" nature of Torches was "virtually impossible [to replicate]." [33] Kamps felt that the band were "behind the times", and that "Supermodel's failing is that it's copying one of the foundational records of this trend, which is, you guessed it, Torches. It's hard to think outside a box you built yourself". [33] Reed Fischer of the Alternative Press panned the album as "all flash and no substance" and wrote that the "umpteen attempts at serious lyrics topple this album right off the runway." [38] Christopher R. Weingarten, writing for Rolling Stone , wrote that Supermodel was nearly devoid of any original thoughts. [32] Benji Taylor of Clash wrote a mixed review of the record, describing it as "an unashamedly vibrant collection of variegated pop songs" but commenting that "the uplifting instrumentation is often at odds with the dark themes explored". [39]

Commercial performance

In the United States, the album debuted at number three on the US Billboard 200 with first-week sales of 54,000 copies. [40] The album also debuted at numbers 106 and 104 respectively on the Belgian Flanders and Wallonia charts, [41] [42] while it peaked at number 57 in the Netherlands. [43]

Track listing

Supermodel
No.TitleWriter(s)Producer(s)Length
1."Are You What You Want to Be?"
 4:30
2."Ask Yourself"
  • Foster
  • Kurstin
 4:23
3."Coming of Age"
  • Foster
  • Mark Pontius
  • Isom Innis
  • Jacob Fink
  • Sean Cimino
  • Paul Epworth
  • Foster
  • Epworth
4:40
4."Nevermind"
  • Foster
  • Epworth
 5:17
5."Pseudologia Fantastica"
  • Foster
  • Epworth
  • Foster
  • Epworth
5:31
6."The Angelic Welcome of Mr. Jones"Foster 0:33
7."Best Friend"
  • Foster
  • Innis
 4:28
8."A Beginner's Guide to Destroying the Moon"
 4:39
9."Goats in Trees"
  • Foster
  • Epworth
 5:09
10."The Truth"
  • Foster
  • Innis
  • Matthew Wilcox
  • Luca Venter
 4:29
11."Fire Escape"Foster 4:22
Total length:47:57
Supermodel Pre-order edition
No.TitleLength
12."Tabloid Super Junkie"6:00
Total length:53:57
Supermodel Japanese edition
No.TitleWriter(s)Length
12."Cassius Clay's Pearly Whites"
  • Foster
  • Epworth
2:37
Total length:50:34
Notes

Personnel

Foster the People

Additional musicians

Technical

Charts

Release history

RegionDateFormatLabelCatalog no.
Australia [60] March 14, 2014Digital download Columbia Records none
New Zealand [61]
France [62] March 17, 2014
United StatesMarch 18, 2014CD [63] 88883 77758 2
Digital download [64] none
Vinyl [65] C-377758
United Kingdom [66] March 24, 2014Digital downloadnone

Related Research Articles

<i>3</i> (Soulfly album) 2002 studio album by Soulfly

3 is the third studio album by American heavy metal band Soulfly released in 2002 through Roadrunner Records. 3 has sold 195,000 copies as of March 11, 2008.

<i>Talk on Corners</i> 1997 studio album by the Corrs

Talk on Corners is the second studio album by Irish pop rock band The Corrs. It was released on 17 October 1997 by 143, Lava and Atlantic Records. Preceded by lead single "Only When I Sleep", which became a top ten hit internationally, the album was an immediate commercial success in several territories, including Ireland, Spain, Sweden, Denmark, Australia, New Zealand and Japan. Its commercial performance elsewhere was initially modest, however.

<i>Something to Remember</i> 1995 compilation album by Madonna

Something to Remember is a compilation album by American singer Madonna, released by Maverick Records on November 3, 1995. The album was conceived after a highly controversial period in Madonna's career, during which many critics speculated that her career was in decline. The compilation of ballads presented a softer image for the singer and span over a decade, including a reworked version of "Love Don't Live Here Anymore" as well as three new songs: "You'll See", "One More Chance" and a cover of Marvin Gaye's "I Want You". The singles "I'll Remember" and "This Used to Be My Playground", were also included, marking the first time these songs were featured on a Madonna album.

<i>The Heart of Everything</i> 2007 studio album by Within Temptation

The Heart of Everything is the fourth studio album by Dutch symphonic metal band Within Temptation, released by GUN Records on 12 March 2007 in Europe. It was released in North America on 18 June 2007 by Roadrunner Records. The album follows the symphonic metal sound the band had been improving and deepening until then, and is considered by lead vocalist Sharon den Adel as the album in which the band finally managed to achieve this kind of sound.

<i>Plastic Beach</i> 2010 studio album by Gorillaz

Plastic Beach is the third studio album by British virtual band Gorillaz. It was released on 3 March 2010 by Parlophone internationally and by Virgin Records in the United States. Conceived from an unfinished project called Carousel, the album was recorded from June 2008 to November 2009, and was produced primarily by group co-creator Damon Albarn. It features guest appearances by such artists as Snoop Dogg, Gruff Rhys, De La Soul, Bobby Womack, Mos Def, Lou Reed, Mark E. Smith, Bashy, Kano and Little Dragon.

<i>All You Need Is Now</i> 2010 studio album by Duran Duran

All You Need Is Now is the thirteenth studio album by English new wave band Duran Duran. Produced by Mark Ronson, a truncated version of the album was released digitally on 21 December 2010. A physical package was released on 21 March 2011 in Europe on the Tape Modern label, and on 22 March 2011 in the United States and Canada on S-Curve Records.

<span class="mw-page-title-main">Foster the People</span> American indie pop band

Foster the People is an American indie pop band formed in Los Angeles, California, in 2009. Its members include founder and frontman Mark Foster, guitarist Sean Cimino, and keyboardist Isom Innis.

<span class="mw-page-title-main">Pumped Up Kicks</span> 2010 song by Foster the People

"Pumped Up Kicks" is a song by American indie pop band Foster the People. It was released as the band's debut single in September 2010, and the following year was included on their EP Foster the People and their debut album, Torches. "Pumped Up Kicks" became the group's breakthrough hit and was one of the most popular songs of 2011. The song was written and recorded by frontman Mark Foster while he was working as a commercial jingle writer. Contrasting with the upbeat musical composition, the lyrics describe the homicidal thoughts of a troubled youth named Robert.

<i>Torches</i> (album) 2011 studio album by Foster the People

Torches is the debut studio album by American band Foster the People, released on May 23, 2011, by Startime International and Columbia Records. In 2010, the group parlayed the popularity of frontman Mark Foster's song "Pumped Up Kicks" into a record deal with Startime International, and wrote the album to back the song's popularity. "Pumped Up Kicks" proved to be a sleeper hit; after receiving significant airplay on modern rock stations, the song crossed-over onto contemporary hit radio and became one of 2011's most popular songs. Four additional singles were released from the album: "Helena Beat", "Call It What You Want", "Don't Stop ", and "Houdini", which had previously been released as a promotional single in the United Kingdom prior to the album's release.

<i>The Hunter</i> (Mastodon album) 2011 studio album by Mastodon

The Hunter is the fifth studio album by American heavy metal band Mastodon. Released through Roadrunner Records on September 26, 2011, in the UK and one day later in the US via Reprise Records, The Hunter is their first release with producer Mike Elizondo. In its first week of release in the UK, the album reached number 19 on the UK Albums Chart and position number 10 on the Billboard 200 chart selling over 39,000 copies in the first week. As of December 2011, The Hunter has sold over 75,133 copies in the United States.

<span class="mw-page-title-main">Mark Pontius</span> American musician (born 1985)

Mark Andrew Pontius is an American musician who is best known as a founding member and drummer of the American alt pop band Foster the People; he left the band in 2021. Prior to joining Foster the People in 2009, Pontius was part of the now-defunct indie pop band Malbec.

<span class="mw-page-title-main">Foster the People discography</span>

The discography of American indie pop band Foster the People consists of three studio albums, five extended plays, 26 singles, and 15 music videos.

<span class="mw-page-title-main">Young & Sick</span> Musical artist

Young & Sick is an American music and art project. The solo project is the brainchild of Dutch artist Nick van Hofwegen, described as a "double threat" in art and music by the Wall Street Journal, who is responsible for the project's musical composition, production, and performance, as well as all artwork. Young & Sick is currently releasing music with Neon Gold Records and B3Sci Records and was previously signed to Harvest Records. He has created artwork for a variety of well known entertainers including Foster the People, The Velvet Teen, Maroon 5, Robin Thicke, Mikky Ekko, T. Mills, Andy Dick, Jerry Stiller, L.A. Salami and others. In 2014, Zane Lowe and BBC Radio 1 called Young & Sick the "Next Hype" and the project was named Stereogum's "Band to Watch."

<span class="mw-page-title-main">Coming of Age (Foster the People song)</span> 2014 single by Foster the People

"Coming of Age" is a song by American indie pop band Foster the People from their second studio album, Supermodel. It was written by Mark Foster, Mark Pontius and Cubbie Fink of the band, along with British music producer Paul Epworth and close collaborators Sean Cimino and Isom Innis. The song was released as the lead single from Supermodel in the United States on January 14, 2014, and in the United Kingdom on March 16, 2014.

<span class="mw-page-title-main">Pseudologia Fantastica (song)</span> 2014 single by Foster the People

"Pseudologia Fantastica" is a song by American indie pop band Foster the People. It is the fifth track on their second studio album Supermodel and was released digitally as the record's second single on February 25, 2014.

<i>V</i> (Maroon 5 album) 2014 studio album by Maroon 5

V is the fifth studio album by American band Maroon 5. The album was released on August 29, 2014, through 222 and Interscope Records. V was Maroon 5's first album to be released through Interscope after the band's previous label, A&M Octone Records, transferred them along with most of its artists to Interscope. The album also saw the return of keyboardist/rhythm guitarist/backing vocalist Jesse Carmichael, after his absence from recording, touring and promoting the band's previous album, Overexposed, which was released in 2012. It debuted at number one on the US Billboard 200 and produced with three hit singles, "Maps", "Animals", and "Sugar", peaking at numbers 6, 3 and 2 on the US Billboard Hot 100, respectively. A fourth single "This Summer's Gonna Hurt like a Motherfucker", was released on May 15, 2015, from the reissue deluxe edition of the album. "Feelings" was released as the album's fifth and final single on September 14, 2015.

<i>No Fixed Address</i> (album) 2014 studio album by Nickelback

No Fixed Address is the eighth studio album by Canadian rock band Nickelback which features a guest appearance from American rapper Flo Rida and was released on November 14, 2014, via Republic Records. The album was preceded by the lead single "Edge of a Revolution", which was released on August 18, 2014. The album marks a notable change in the band sound, combining their usual post-grunge and hard rock sound with elements of dance-pop and electronic. This also is the band's first and most likely only release on Republic Records, after leaving long-time record label Roadrunner Records in 2013, and then leaving Republic for BMG before the release of their ninth album, Feed the Machine, in 2017.

<i>Music Complete</i> 2015 studio album by New Order

Music Complete is the tenth studio album by English rock band New Order. It was released on 25 September 2015 by Mute Records, their debut on the label. The album features guest vocals from Elly Jackson of La Roux, Iggy Pop, and Brandon Flowers of The Killers.

<i>Sacred Hearts Club</i> 2017 studio album by Foster the People

Sacred Hearts Club is the third studio album by American indie pop band Foster the People, released on July 21, 2017, through Columbia Records. The album was preceded by the extended play III, which is composed of three tracks from the album. Departing from the organic, acoustic sound of their previous 2014 album, it draws upon soul, dance, and electronic genres while maintaining their signature indie pop sound. The lyrics address themes of love, politics, fame, and youth, and, similar to their previous albums, are often at odds with the upbeat musical production. This is also their first studio album to feature long-time touring musicians Isom Innis and Sean Cimino as official members. It is also the band's final album to feature drummer Mark Pontius, who left the band in October 2021. It received primarily mixed reviews upon release, with many critics praising the experimentation while disliking the album's lack of musical consistency. Despite the mixed reception, the album's single "Sit Next to Me" received positive reviews, and peaked at number 42 on the Billboard Hot 100 and sold over two million copies across North America.

<i>Rush!</i> 2023 studio album by Måneskin

Rush! is the third studio album by Italian rock band Måneskin, released on 20 January 2023 through Epic Records. It was preceded by the singles "Mammamia", "Supermodel", "The Loneliest", and "Gossip", with "Baby Said" following on 3 March 2023. In support of the album and its predecessor Teatro d'ira: Vol. I (2021), the band is embarking on the Loud Kids Tour and the Rush! World Tour throughout 2022 and 2023.

References

  1. ↑ Dekel, Jonathan (March 24, 2014). "Catching Up With Foster the People's Mark Foster". Paste Magazine . Retrieved March 24, 2014.
  2. ↑ "Accreditations – 2012 Albums". ARIA . Retrieved June 6, 2012.
  3. ↑ "Gold & Platinum: Searchable Database". Recording Industry Association of America . Retrieved June 6, 2012.
  4. ↑ "Gold and Platinum Search: Foster the People". Music Canada . Archived from the original on May 2, 2012. Retrieved June 6, 2012.
  5. 1 2 "Foster the People: 'The Clash and The Kinks will influence our next album'". NME . Retrieved February 2, 2014.
  6. 1 2 "Foster The People's Mark Foster: 'Our next album will be less digital'". NME . February 25, 2012. Retrieved February 2, 2014.
  7. ↑ Baltin, Steve (August 7, 2012). "Mark Foster: Next Foster the People Record Will Be 'More Evolved'". Rolling Stone . Retrieved February 2, 2014.
  8. ↑ "Super Vision: Foster the People Find the Answers". March 11, 2014.
  9. 1 2 "Foster The People discuss 'angry' second album". NME . January 31, 2014. Retrieved February 2, 2014.
  10. 1 2 "Foster The People discuss 'guitar driven' second album 'Supermodel'". NME . January 18, 2014. Retrieved February 2, 2014.
  11. 1 2 "Supermodel Episode (III)". FosterThePeople. YouTube, Google. Retrieved March 11, 2014.
  12. ↑ Young, Alex (December 14, 2011). "Foster the People schedules 2012 tour dates". Consequence of Sound . Retrieved February 2, 2014.
  13. ↑ "Foster The People – Coming of Age (Mural Time-Lapse)". YouTube, Google.
  14. ↑ Lipshutz, Jason (January 2, 2014). "Foster The People Announces 2014 Return in New Teaser Clip: Watch". Billboard . Retrieved January 13, 2014.
  15. ↑ Rutherford, Kevin (January 13, 2014). "Foster the People Drops New Single, Announces Second Album". Billboard . Retrieved March 10, 2014.
  16. ↑ "lift-yourhead-up: Yay it's finished!! Amazing!". Tumblr . January 9, 2014. Retrieved January 14, 2014.
  17. ↑ Edwards, Gavin (January 24, 2014). "Foster the People Unveil 'Supermodel' Mural in Los Angeles". Rolling Stone . Retrieved March 10, 2014.
  18. ↑ "Timelapse of Young and Sick's creating the biggest mural on the West Coast". Lost at E Minor. January 15, 2014. Retrieved March 10, 2014.
  19. ↑ "Foster the People's Downtown L.A. Mural Is Coming Down". L.A. Weekly. Retrieved November 20, 2015.
  20. ↑ "Downtown Foster the People Mural Painted Over". NBC Southern California. August 2014. Retrieved November 20, 2015.
  21. ↑ "Best Friend by Foster the People". Google Play . Retrieved March 11, 2014.
  22. ↑ Rivera, Melanie. "Watch: Foster the People documentary on the making of 'Supermodel'". The Dwarf. Retrieved March 11, 2014.
  23. ↑ "Supermodel Episode (I)". FosterThePeople. YouTube, Google. Retrieved March 11, 2014.
  24. ↑ "Supermodel by Foster The People reviews". AnyDecentMusic? . Retrieved December 20, 2019.
  25. 1 2 "Reviews for Supermodel by Foster the People". Metacritic . Retrieved March 15, 2014.
  26. 1 2 3 Collar, Matt. "Supermodel – Foster the People". AllMusic . Retrieved March 18, 2014.
  27. ↑ Moayeri, Lily (March 18, 2014). "Foster The People's pumped-up kicks depart the pop path for wider horizons". The A.V. Club . Retrieved March 18, 2014.
  28. ↑ Partridge, Kenneth (March 17, 2014). "Foster the People, 'Supermodel': Track-By-Track Review". Billboard . Retrieved March 20, 2014.
  29. ↑ Bakare, Lanre (March 20, 2014). "Foster the People: Supermodel review – 'Their fusion doesn't always stick'". The Guardian . Retrieved March 20, 2014.
  30. ↑ Horner, Al (March 23, 2014). "Foster The People – 'Supermodel'". NME . Archived from the original on March 25, 2014. Retrieved June 7, 2014.
  31. 1 2 Aizlewood, John (April 2014). "Lost in Translation: Pumped Up Kicks men attempt to replicate success on follow-up to global hit with mixed results". Q (333): 113. ISSN   0955-4955.
  32. 1 2 Weingarten, Christopher R. (March 18, 2014). "Supermodel". Rolling Stone . Retrieved March 18, 2014.
  33. 1 2 3 Kamps, Garrett (March 13, 2014). "Foster the People Settle for Modern-Pop Pastiche on the Bloated 'Supermodel'". Spin . Retrieved March 16, 2014.
  34. 1 2 "Foster the People: Supermodel". Uncut (203): 74. April 2014.
  35. 1 2 Mansfield, Brian (March 17, 2014). "Listen Up: Other notable releases". USA Today . Retrieved March 18, 2014.
  36. ↑ Haupt, Melanie. "Foster the People: Supermodel (Columbia)". The Austin Chronicle . Retrieved March 15, 2014.
  37. ↑ Koch, Jeff (March 21, 2014). "Foster the People: Supermodel". PopMatters . Retrieved June 27, 2014.
  38. ↑ Fischer, Reed (2014). "Foster The People – Supermodel". Alternative Press . Alternative Press Magazine. April 2014 (309): 91. ISSN   1065-1667.Star full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg
  39. ↑ Taylor, Benji (March 7, 2014). "Foster The People – Supermodel". Clash . Retrieved March 16, 2014.
  40. ↑ Caulfield, Keith (March 26, 2014). "'Frozen' Earns Its Biggest Sales Week Yet, Tops Billboard 200 a Seventh Time". Billboard . Retrieved May 9, 2014.
  41. 1 2 "Ultratop.be – Foster the People – Supermodel" (in Dutch). Hung Medien. Retrieved March 22, 2014.
  42. 1 2 "Ultratop.be – Foster the People – Supermodel" (in French). Hung Medien. Retrieved March 22, 2014.
  43. 1 2 "Dutchcharts.nl – Foster the People – Supermodel" (in Dutch). Hung Medien. Retrieved March 22, 2014.
  44. ↑ Zemler, Emily (March 26, 2014). "Foster The People On Following Up A Breakthrough: 'I Was at War with Myself'". Billboard . Retrieved July 2, 2016.
  45. ↑ "Australiancharts.com – Foster the People – Supermodel". Hung Medien. Retrieved March 22, 2014.
  46. ↑ "Foster the People Chart History (Canadian Albums)". Billboard. Retrieved March 27, 2014.
  47. ↑ "Foster the People: Supermodel" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved March 22, 2014.
  48. ↑ "Lescharts.com – Foster the People – Supermodel". Hung Medien. Retrieved April 1, 2014.
  49. ↑ "Charts.nz – Foster the People – Supermodel". Hung Medien. Retrieved March 22, 2014.
  50. ↑ "Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry.
  51. ↑ "Spanishcharts.com – Foster the People – Supermodel". Hung Medien. Retrieved March 28, 2014.
  52. ↑ "Swisscharts.com – Foster the People – Supermodel". Hung Medien. Retrieved April 1, 2014.
  53. ↑ "{{{artist}}} | Artist | Official Charts". UK Albums Chart. Retrieved April 27, 2017.
  54. ↑ "Foster the People Chart History (Billboard 200)". Billboard. Retrieved March 27, 2014.
  55. ↑ "Foster the People Chart History (Top Alternative Albums)". Billboard. Retrieved March 27, 2014.
  56. ↑ "Foster the People Chart History (Top Rock Albums)". Billboard. Retrieved March 27, 2014.
  57. ↑ "Top Billboard 200 Albums: 2014 Year-End Charts". Billboard. Retrieved January 15, 2015.
  58. ↑ "Top Rock Albums: 2014 Year-End Charts". Billboard.
  59. ↑ "Alternative Albums: 2014 Year-End Charts". Billboard. Retrieved January 16, 2015.(subscription required)
  60. ↑ "Supermodel". iTunes Store (AU). Apple Inc. Retrieved January 15, 2014.
  61. ↑ "Supermodel". iTunes Store (NZ). Apple Inc. Retrieved January 13, 2014.
  62. ↑ "Supermodel". iTunes Store (FR). Apple Inc. Retrieved January 15, 2014.
  63. ↑ "Supermodel". Amazon. Retrieved January 14, 2014.
  64. ↑ "Supermodel". iTunes Store (US). Apple Inc. Retrieved January 13, 2014.
  65. ↑ "Supermodel". Amazon. Retrieved January 14, 2014.
  66. ↑ "Supermodel". iTunes Store (GB). Apple Inc. Retrieved January 15, 2014.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.