Established | 1843 |
---|---|
Location | Hobart, Tasmania, Australia |
Visitors | 400,000 |
Director | Ms Mary Mulcahy [1] |
Website | www |
Place ID | 6,648 [2] |
Status | Permanently Registered |
The Tasmanian Museum and Art Gallery (TMAG) is a museum located in Hobart, Tasmania. The museum was established in 1846, by the Royal Society of Tasmania, the oldest Royal Society outside England. The TMAG receives 400,000 visitors annually. [3]
The museum was officially created in 1848, though the collections it housed were much created earlier. It merged a number of disparate collections, including that of the Royal Society of Tasmania. The Mechanics' Institution of Hobart, Van Diemen's Land Agricultural Society and Van Diemen's Land Scientific Society had each attempted to found a museum earlier than this date, the most successful of these being the Mechanics' Institution, but little record remains of what happened to these efforts. [4]
Sir John Eardley-Wilmot, 1st Baronet, during his period was Lt. Governor of Tasmania, did much of the work that led to the modern museum. The museum was noted as first being an established institution in the 1848 minutes of the Royal Society of Tasmania, though Wilmot had done most of the work in 1843 and had attempted to set up a museum in the cottage of the Secretary of the Governor, in what is now the Royal Tasmanian Botanical Gardens. In 1838 the Mechanics' Institution received an agreement from the government for a room to be constructed in the Customs House for use as a museum. Customs House was later requisitioned by the Legislative Council of Tasmania and became Parliament House, Hobart. The Royal Society of Tasmania later founded TMAG in the sub-committee room of the Parliament, possibly the same room. [4]
The museum moved to Harrington St in 1852, where it paid £60 a year in rent for a hall there. In 1853 the governor placed before the Legislative Council a debate on the state granting a plot of land for the building of a permanent museum building. In 1854 the museum attracted over 1000 visitors in a year for the first time. In 1855 the Lady Franklin Museum, founded in 1842 at Acanthe Park (now Lenah Valley), sold its fittings and collection to the Royal Society and these were added to the TMAG. The acquisition was driven by the donation of a large geology collection by Joseph Milligan. [4]
In 1861 after a number of years, funding was acquired from the state government to construct a museum on the corner of Argyle and Macquarie Streets, and the Royal Society hosted an architectural contest. Henry Hunter won and was awarded the contract to design a permanent building for the museum. Henry Young, Governor of Tasmania, laid the cornerstone in that year. The Museum was completed by 1862 and a celebratory art exhibition was hosted by Morton Allport, Henry Hunter and a Captain F. E. Chesney. The art exhibition's objective was to raise money for internal fittings of the building, as the money allocated by the state had only covered construction of the building. In 1884 Alexander Morton, previously Assistant Curator of the Australian Museum, was appointed curator. [5]
In 1885 the museum was passed from the Royal Society of Tasmania to the a board of trustees under the state government, with a yearly endowment of £500. Until this point it was officially named The Royal Society's Museum. The Royal Society granted the Royal Botanical Gardens, Hobart to the state government at the same time, and they became known as the Tasmanian Museum and Botanical Gardens in that year. [5] Adye Douglas, Premier of Tasmania, was elected Chair of the Board and Alexander Morton was reelected curator and secretary [5] with an annual salary of £200. [4]
In 1889 a new wing was opened by R Hamilton to extend the museum. In 1890 Betsey Island, then Franklin Island, was granted to the Trustees of the Museum. [6] Since then the Museum has expanded to occupy all the buildings in the block, including the 1810 Commissariat Store, and the 1902 Customs House facing Davey Street. [7]
In 1952 the boards of the Botanical Gardens and the Museum were split and the museum assumed its modern name. An act of Parliament was passed to make this so. [4]
In 1885, TMAG became a Government authority under the control of a board of trustees that also controlled the Royal Tasmanian Botanical Gardens. By statute, it is now controlled by a board of trustees, and is currently part of the Department of State Growth.
TMAG has a number of associated bodies. The Foundation of the Tasmanian Museum and Art Gallery serves as the primary fundraising body for the TMAG. [8] The Friends of the Tasmanian Museum and Art Gallery works to encourage community engagement with the museum, along with its youth-focused counterpart TMAGgots. [9] The Royal Society of Tasmania founded the museum, donating much of its collection, and continues to loan a significant number of pieces. [10]
In addition to the main campus, TMAG includes three external sites: a herbarium, a storage and research facility, and the Moonah Workshop.
The museum and art gallery reopened to the public on 15 March 2013, after a four-month closure for redevelopment works.
The Parliament of Tasmania is the bicameral legislature of the Australian state of Tasmania. It follows a Westminster-derived parliamentary system and consists of the King, the Tasmanian House of Assembly, and Tasmanian Legislative Council. Since 1841, both Houses have met in Parliament House, Hobart. The Parliament of Tasmania first met in 1856.
John Glover was an English-born artist. In later life he migrated to Van Diemen’s Land and became a pastoralist during the early colonial period. He has been dubbed "the father of Australian landscape painting."
Parliament House, Hobart, located on Salamanca Place in Hobart, Tasmania, Australia, is the meeting place of the Parliament of Tasmania. The building was originally designed as a customs house but changed use in 1841 when Tasmania achieved self-government. The building served both purposes from 1841 to 1904, when the customs offices were relocated.
The Tasmanian emu is an extinct subspecies of emu. It was found in Tasmania, where it had become isolated during the Late Pleistocene. As opposed to the other insular emu taxa, the King Island emu and the Kangaroo Island emu, the population on Tasmania was sizable, meaning that there were no marked effects of small population size as in the other two isolates.
Benjamin Duterrau was an English painter, etcher, engraver, sculptor and art lecturer who emigrated to Tasmania. There he became known for his images of Indigenous people and Australian history paintings.
Leonard Rodway was an English-born Australian dentist and botanist.
The Royal Society of Tasmania (RST) was formed in 1843. It was the first Royal Society outside the United Kingdom, and its mission is the advancement of knowledge.
The Queen Victoria Museum and Art Gallery (QVMAG) is a museum located in Launceston, Tasmania, Australia. The QVMAG is the largest museum in Australia not located in a capital city.
Maritime Museum Tasmania is a privately operated maritime museum dedicated to the history of Tasmania's association with the sea, ships, and ship-building, and is located at Carnegie House in Sullivans Cove, Hobart, Tasmania.
William Charles Piguenit was an Australian landscape painter.
Norman James Brian Plomley regarded by some as one of the most respected and scholarly of Australian historians and, until his death, in Launceston, the doyen of Tasmanian Aboriginal scholarship.
Henry Hunter (1832–1892) was a prominent architect and civil servant in Tasmania and Queensland, Australia. He is best known for his work on churches. During his life was also at various times a state magistrate of Tasmania, a member of the Tasmanian State Board of Education, the Hobart Board of Health, a Commissioner for the New Norfolk Insane Asylum and President of the Queensland Institute of Architects.
Alan Cameron Walker (1865–1931) was an Australian architect and philanthropist, born in Hobart, Tasmania. The grandson of John Walker, he was educated at Hutchins School and apprenticed to Henry Hunter. He produced many Tasmanian government and other buildings during his career, and was also a keen silversmith, serving as President of the Tasmanian Arts and Crafts Society for 25 years. He was the first President of the Tasmanian Architect's Registration Board.
The Tasmanian Heritage Register is the statutory heritage register of the Australian state of Tasmania. It is defined as a list of areas currently identified as having historic cultural heritage importance to Tasmania as a whole. The Register is kept by the Tasmanian Heritage Council within the meaning of the Tasmanian Historic Cultural Heritage Act 1995. It encompasses in addition the Heritage Register of the Tasmanian branch of the National Trust of Australia, which was merged into the Tasmanian Heritage Register. The enforcement of the heritage's requirements is managed by Heritage Tasmania.
Mary Morton Allport was an English Australian artist who is thought to be Australia's first professional female artist, lithographer, etcher and engraver. Allport painted landscapes and portrait miniatures.
Benjamin Law (1807-1882) was an English sculptor who worked in Australia.
Julie Gough is an artist, writer and curator based in Tasmania, Australia.
Violet Emma Vimpany was an Australian painter and etcher, and in later life also a master stonemason. She was an active member of, and regular exhibitor with, the Art Society of Tasmania. Her work is held in the permanent collection of the Tasmanian Museum and Art Gallery.
The Lady Franklin Gallery and Ancanthe Park is a historic sandstone museum and 2.96-hectare (7.3-acre) parkland in Lenah Valley, Tasmania, Australia. When it opened on 26 October 1843, it became the first privately funded museum in Australia.
Alexander Morton was an American-born Australian naturalist and museum curator.