The traditional games of New York City are one of the notable aspects of New York City's culture; many of them were brought over by the diverse mix of immigrants that settled in New York City, particularly from Europe. [1] Many of these games used street furniture and other features of New York City's high urban density and were therefore also played in other cities of the United States. Most of these games have declined or disappeared in the modern era. [2] [3] [4]
Traditional games historically played a significant role in street life in New York City. During the 1900s, efforts were made to push children away from the dangers of street traffic and towards playing on newly built playgrounds, with the objective of avoiding certain unwanted behaviors (such as spreading glass so that cars couldn't drive on the streets). Another hope was to improve immigrant assimilation, which was considered important during a large wave of immigration to the United States. [5] There were also concerns of children being liable to become criminals or mingle too much with adults. [6] However, racial integration was not pursued as thoroughly; in the 1930s, New York City built 255 playgrounds, only 2 of which were in black neighborhoods. [7] "Play streets" were also implemented, closing off certain streets to allow children to safely play in them. [8] [9]
Double Dutch is a game in which two long jump ropes turning in opposite directions are jumped by one or more players jumping simultaneously. There is a lack of consensus regarding the early history of double Dutch, but it is said to have been traced back from Egypt, China, and even Europe, where various forms of skipping rope was quite common.
The sport's immediate origins are a matter of debate, with some believing it was brought by Dutch settlers to America and others claiming it emerged independently in USA in the early 1900s. Nonetheless, it is widely acknowledged in America that the sport reached its modern form in predominantly black urban areas of New York, such as Harlem in the 1950s. [10] On street corners, groups of girls congregated to display new tricks and repurposed clotheslines as ropes. While it had long been a popular street activity for African American girls in New York City, [11] the modern sport of Double Dutch originated in the early 1970s with NYPD officers Ulysses Williams and David Walker, who formalized the rules for competition. The first official competition was held in 1974. Competitions in Double Dutch range from block parties to the world level. During the spring of 2009, Double Dutch became a varsity sport in New York City public high schools. [12]
In the early 1980s, Double Dutch was strongly associated with New York hip hop culture. [13] It has also been recognized as an element of the genre by notable MCs such as KRS-One. [14]Baseball has historically been one of the most popular sports in New York City, and so several street variations of it appeared over time. [1] Playing street variations of baseball was a way for immigrants to assimilate and join American life without having to spend the money required to participate in regular baseball. [16]
Punchball is a sport spawned by and similar to baseball, but without a pitcher, catcher, or bat. [21] [22]
The "batter" essentially plays "fungo" without a bat, bouncing or tossing up the ball and then using a volleyball type approach to put the ball in play, punching the ball with his fist. [23] [24] [25] The ball was usually a rubber spaldeen [26] or pensie pinkie, but even a tennis ball or wad of taped-up paper can be used. [27] [a] Base stealing, foul balls, [31] and bunting are not allowed.New York City was the hotbed of stickball interest. Devised in the 1920s, for many years the game was called One-Bounce. A pitcher would bounce a spaldeen - the little pink rubber ball that cost a nickel - to the plate. When it was hit with the sawed-off broomstick handle that served as a bat without being caught, the batter advanced to impromptu bases (sewers, for instance). [...] Stickball's popularity peaked in the 1950s. By the 60s, with the increasing number of cars that clogged city streets and the mass exodus to the suburbs, the game fell into decline.
What's more quintessential New York than stickball, right? Uh, no, not right. Stickball doesn't live here anymore. At least not in the way it does in the mind's eye, how it did when a young, vibrant Willie Mays swung a broom handle in the street outside his old home in Harlem in the 1950s or when Joe Pepitone did as a stylish Yankee in Brooklyn in the '60s.
Stickball was once an integral part of the urban youth experience. Images of ragtag groups of children playing in the street became iconic depictions of New York City and helped shape the world's perception of New Yorkers as the street-smart, rough-and-tumble class of America. Slowly, like so much of Americana, it has faded from the streets, cars and buses rendering the roadways perilous, Xboxes and iPhones commandeering kids' attention.