Biblical allusions in Shakespeare

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According to Dr. Naseeb Shaheen, Shakespeare, in writing his plays, "seldom borrows biblical references from his sources, even when those sources contain many references." [1] Roy Battenhouse notes that the Shakespearean tragedy "frequently echoes Bible language or paradigm, even when the play's setting is pagan." [2] Similarly, Peter Milward notes that despite their secular appearance, Shakespeare's plays "conceal an undercurrent of religious meaning which belongs to their deepest essence." [3] Further, Milward maintains that although Shakespeare "may have felt obliged by the circumstances of the Elizabethan stage to avoid Biblical or other religious subjects for his plays," such obligation "did not prevent him from making full use of the Bible in dramatizing his secular sources and thus infusing into them a Biblical meaning." Milward continues that, in writing his plays (in particular, the tragedies), Shakespeare "shows the universal relevance of the Bible both to the reality of human life 'in this harsh world' and to its ideal in the heart of God." [4] Steven Marx suggests "a thorough familiarity with the Scriptures" is a prerequisite to understanding the Biblical references in the plays, and that the plays' references to the Bible "illuminate fresh and surprising meanings in the biblical text." [5] Marx further notes that "it is possible that Shakespeare sometimes regarded his own role of playwright and performer as godlike, his own book as potent and capacious as 'The Book'." [6] It is important to note, as a recent study points out “The diversity of versions reflected in Shakespeare’s writing indicates that ‘Shakespeare’s Bible’ cannot be taken for granted as unitary, since it consists of a network of different translations” [7]

Contents

Specific examples

All of the foregoing examples as provided by Shaheen suggest that Shakespeare was well-acquainted with the Bible and its various themes via individual verses spread throughout its various chapters enough so that he could easily expand upon any said theme with his own continuation of such verses.

Versions of the Bible used by Shakespeare

Geneva Bible

R. A. L. Burnet states: “[A]s Professor E. P. Dickie has pointed out to me, words found in the margin [of the Geneva Bible] will not have circulated very readily nor become proverbial sayings. Shakespeare would not have heard these words either in church or in conversation; he could only have read them." [13]

Bishop's Bible

Tomson's New Testament

Rheims New Testament

Although Naseeb Shaheen's important study calls attention to three references to the Rheims translation of the New Testament, it overlooks a number of other allusions or correspondences. For example, Matthew 3.2 is translated in the Tyndale, Geneva, Great and Bishops’ translations as “Repent: for the kingdom of heaven is at hand,” but in the Rheims translation it is “Do penance: for the kingdom of heaven is at hand.” This significant difference in translation, of importance for the Catholic sacrament of penance and the theological notion of satisfaction for sins, occurs numerous times in the Rheims New Testament and nineteen times in Shakespeare's plays. There are some seventy other possible references, according to David Beauregard [14]

See also

Related Research Articles

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<span class="mw-page-title-main">King James Version</span> 1611 English translation of the Bible

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The Old Testament (OT) is the first division of the Christian biblical canon, which is based primarily upon the 24 books of the Hebrew Bible, or Tanakh, a collection of ancient religious Hebrew and occasionally Aramaic writings by the Israelites. The second division of Christian Bibles is the New Testament, written in Koine Greek.

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<span class="mw-page-title-main">Geneva Bible</span> 16th-century English translation of the Bible

The Geneva Bible is one of the most historically significant translations of the Bible into English, preceding the King James Version by 51 years. It was the primary Bible of 16th-century English Protestantism and was used by William Shakespeare, Oliver Cromwell, John Knox, John Donne and others. It was one of the Bibles taken to America on the Mayflower, and its frontispiece inspired Benjamin Franklin's design for the first Great Seal of the United States.

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<span class="mw-page-title-main">Douay–Rheims Bible</span> English-language Catholic Bible

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<span class="mw-page-title-main">Tyndale Bible</span> Early Modern English translation of the Bible

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The Dark Lady Players is a New York-based Shakespeare company who perform what they regard as the religious allegories in the Shakespearean plays. In 2007, they performed an allegorical production of A Midsummer Night's Dream at the Abingdon Theater in New York. In 2008, they performed As You Like It: The Big Flush, directed by Stephen Wisker, at the Midtown International Theatre Festival with an entirely female cast interspersing Shakespeare's As You Like It with "cultural and literary references" believed to be included by Emilia Bassano Lanier. On December 15, 2009, they produced a festival at Manhattan Theater Source of short plays written about Lanier by nine New York City playwrights. In September 2011, they presented "nine scenes from Shakespeare, divided into three thematic groups and casts" in the West-Park Presbyterian Church in Upper West Side.

Father Peter Milward, SJ was a Jesuit priest and literary scholar. He was emeritus professor of English Literature at Sophia University in Tokyo and a leading figure in scholarship on English Renaissance literature. He was chair of the Renaissance Institute at Sophia University from its inception in 1974 until it was closed down in 2014 and director of the Renaissance Centre from its start in 1984 until it was closed down in 2002. He primarily published on the works of William Shakespeare and Gerard Manley Hopkins.

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Roger A. Stritmatter is a Professor of Humanities at Coppin State University and the former general editor of Brief Chronicles, a delayed open access journal covering the Shakespeare authorship question from 2009 to 2016, now the Brief Chronicles Book series (2019-present). He was a founder of the modern Shakespeare Fellowship, an organization that promotes Edward de Vere, 17th Earl of Oxford, as the true author of the works of William Shakespeare. He is one of the leading modern-day advocates of the Oxfordian theory of Shakespeare authorship, and has been called the “first professional Oxfordian scholar”.

Naseeb Azeez Shaheen was an American scholar who specialized in Biblical allusions in the work of Shakespeare.

References

  1. Shaheen, Naseeb (2011) [1999]. Biblical References in Shakespeare's Plays. Newark: University of Delaware Press. p. 90.
  2. Battenhouse, Roy (1986). "Shakespeare's Augustinian Artistry". In Roy Battenhouse (ed.). Shakespeare's Christian Dimension: An Anthology of Commentary. Bloomington: Indiana University Press, 1994.
  3. Milward, Peter (1973). Shakespeare's Religious Background . Chicago: Loyola University Press. p.  102. ISBN   9780253352002.
  4. Milward, Peter (1987). Biblical Influences in Shakespeare's Great Tragedies. Bloomington: Indiana University Press. p. 207.
  5. Marx, Steven (2000). Shakespeare and the Bible, Oxford University Press, p. 13
  6. Marx, Steven (2000). Shakespeare and the Bible, Oxford University Press, pp. 12–13
  7. DeCook, Travis and Alan Galey, eds. Shakespeare, the Bible, and the Form of the Book. New York: Routledge (2011) p. 9.
  8. Shaheen, Naseeb (1999, 2011). Biblical References in Shakespeare's Plays, Newark: University of Delaware Press, p. 301.
  9. Shaheen, Naseeb (1999, 2011). Biblical References in Shakespeare's Plays, Newark: University of Delaware Press, pp. 324, 328–9.
  10. Shaheen, Naseeb (1999, 2011). Biblical References in Shakespeare's Plays, Newark: University of Delaware Press, p. 449.
  11. Shaheen, Naseeb (1999, 2011). Biblical References in Shakespeare's Plays, Newark: University of Delaware Press, p. 644.
  12. Shaheen, Naseeb (1999, 2011). Biblical References in Shakespeare's Plays, Newark: University of Delaware Press, pp. 670, 671.
  13. Burnet, R. A. L. (April 1979). "Shakespeare and the Marginalia of the Geneva Bible," Notes and Queries 26(2), p. 113.
  14. Beauregard, David. "Shakespeare and the Rheims New Testament (1582): Old Claims and New Evidence" Renascence XLVII.2 (2015), 107-26.

Bibliography

Zinman,Ira, ed. (2009).Shakespeare's Sonnets and the Bible. foreword by HRM Charles the Third, by the Grace of God of the United Kingdom of Great Britain and Northern Ireland and of His other Realms and Territories. Bloomington. World Wisdom. ISBN   978-1933316758