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Blood, Sweat & Tears | ||||
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Studio album by | ||||
Released | December 11, 1968 | |||
Recorded | October 7–22, 1968 | |||
Studio | Columbia 30th Street, New York City | |||
Genre | ||||
Length | 45:36 (Original) | |||
Label | Columbia | |||
Producer | James William Guercio | |||
Blood, Sweat & Tears chronology | ||||
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Singles from Blood, Sweat & Tears | ||||
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Blood, Sweat & Tears is the second album by the American band Blood, Sweat & Tears, released on December 11, 1968. It was the most commercially successful album for the group, rising to the top of the U.S. charts for a collective seven weeks and yielding three successive Top 5 singles. It received a Grammy Award for Album of the Year in 1970. The album has been certified quadruple platinum by the RIAA, with sales of more than four million units in the U.S. In Canada, the album enjoyed a total of eight weeks at number 1 on the RPM national album chart.
Al Kooper, Randy Brecker and Jerry Weiss had left BS&T after the first album. Founding members Bobby Colomby and Steve Katz searched for a replacement singer and selected David Clayton-Thomas. Three more musicians joined to bring the band to a total of nine members. Columbia assigned James William Guercio as producer for the album. Guercio was simultaneously working with the band Chicago.
"More and More", "Smiling Phases", and "You've Made Me So Very Happy" were among the songs that Kooper had arranged before leaving the group. Other arrangements were contributed by Fred Lipsius. The song selection was more pop oriented than the first album, with more compositions from outside the band.
The album was recorded at CBS's then state-of-the-art 30th Street Studio in New York City. The studio had just taken delivery of one of the first Ampex model MM-1000 16-track tape recorders. The new technology allowed for far more flexibility in overdubbing and mixing than the four and eight-track studio recorders which were standard in 1968. This was among the first 16-track recordings released to the public.[ citation needed ]
An additional song, "Children of the Wind", was recorded at these sessions but left off the album. It later appeared on the compilation The Very Best of Blood, Sweat and Tears: What Goes Up!
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
The Rolling Stone Record Guide | [3] |
In his AllMusic retrospective review, music critic William Ruhlmann called the players a "less adventurous unit" than on the debut album, but called the album "more accessible... It was a repertoire to build a career on, and Blood, Sweat & Tears did exactly that, although they never came close to equaling this album." [1] In his lengthy contemporary review, Jon Landau of Rolling Stone dismissed the album, writing; "The listener responds to the illusion that he is hearing something new when in fact he is hearing mediocre rock, OK jazz, etc., thrown together in a contrived and purposeless way." [4]
The album was voted number 660 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). [5] It was selected for the 2006 book 1001 Albums You Must Hear Before You Die . [6]
No. | Title | Writer(s) | Recorded | Length |
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1. | "Variations on a Theme by Erik Satie" (1st and 2nd Movements) | adapted from Trois Gymnopédies ; arranged by Dick Halligan | October 9, 1968 | 2:35 |
2. | "Smiling Phases" | Steve Winwood, Jim Capaldi, Chris Wood | October 15, 1968 | 5:11 |
3. | "Sometimes in Winter" | Steve Katz | October 8, 1968 | 3:09 |
4. | "More and More" | Vee Pee Smith, Don Juan | October 15, 1968 | 3:04 |
5. | "And When I Die" | Laura Nyro | October 22, 1968 | 4:06 |
6. | "God Bless the Child" | Billie Holiday, Arthur Herzog Jr. [7] | October 7, 1968 | 5:55 |
Total length: | 23:50 |
No. | Title | Writer(s) | Recorded | Length |
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7. | "Spinning Wheel" | David Clayton-Thomas | October 9, 1968 | 4:08 |
8. | "You've Made Me So Very Happy" | Berry Gordy Jr., Brenda Holloway, Patrice Holloway, Frank Wilson [8] | October 16, 1968 | 4:19 |
9. | "Blues – Part II" | Blood, Sweat & Tears; interpolating "Sunshine of Your Love" (Jack Bruce, Pete Brown, Eric Clapton), "Spoonful" (Willie Dixon) and "Somethin' Goin' On" (Al Kooper) | October 22, 1968 | 11:44 |
10. | "Variations on a Theme by Erik Satie" (1st Movement) | adapted from Trois Gymnopédies; arranged by Dick Halligan | October 9, 1968 | 1:49 |
Total length: | 22:00 |
No. | Title | Writer(s) | Recorded | Length |
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11. | "More and More" (Live at the Cafe Au Go Go) | Vee Pee Smith, Don Juan | August 2, 1968 | 4:38 |
12. | "Smiling Phases" (Live at the Cafe Au Go Go) | Steve Winwood, Jim Capaldi, Chris Wood | August 2, 1968 | 18:44 |
Album – UK Albums Chart (United Kingdom)
Year | Chart | Position |
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1969 | Top 40 Albums | 15 [9] |
Blood, Sweat & Tears is an American jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles. Their sound has merged rock, pop and R&B/soul music with big band jazz.
Child Is Father to the Man is the debut album by Blood, Sweat & Tears, released in February 1968. It reached number 47 on the Billboard pop albums chart in the United States.
David Clayton-Thomas is a Grammy Award-winning Canadian musician, singer, and songwriter, best known as the lead vocalist of the American band Blood, Sweat & Tears. Clayton-Thomas has been inducted into the Canadian Music Hall of Fame and in 2007 his jazz/rock composition "Spinning Wheel" was enshrined in the Canadian Songwriter's Hall of Fame. In 2010, Clayton-Thomas received his star on Canada's Walk of Fame.
Robert Wayne Colomby is a jazz-fusion drummer, record producer and television presenter. He is best known as an original member of the group Blood, Sweat & Tears, which he co-founded in 1967. He has also played with many other musical artists.
Blood, Sweat & Tears 3 is the third album by the band Blood, Sweat & Tears. It was released in June 1970.
B, S & T; 4 is the fourth album by the band Blood, Sweat & Tears, released in June 1971. It peaked at number 10 on the Billboard Pop albums chart.
Greatest Hits is a compilation album by the band Blood, Sweat & Tears, initially released in February 1972.
Al's Big Deal – Unclaimed Freight is a compilation album by American musician Al Kooper. It was released as a double-LP in 1975.
"You've Made Me So Very Happy" is a song written by Brenda Holloway, Patrice Holloway, Frank Wilson and Berry Gordy, and was released first as a single in 1967 by Brenda Holloway on the Tamla label. The song was later a huge hit for jazz-rock band Blood, Sweat & Tears in 1969, and became a Gold record.
New Blood is the fifth album by the band Blood, Sweat & Tears, released in October 1972.
No Sweat is the sixth album by the band Blood, Sweat & Tears, released in 1973.
New City is the eighth album by the band Blood, Sweat & Tears, released by Columbia Records in April 1975. It peaked at Number 47 on the Billboard Pop Albums charts.
Steven Katz is an American guitarist, singer, and record producer who is best known as a member of the rock-pop-jazz group Blood, Sweat & Tears. Katz was an original member of the rock bands the Blues Project and American Flyer. As a producer, his credits include the 1979 album Short Stories Tall Tales for the Irish band Horslips, and the Lou Reed albums Rock 'n' Roll Animal and Sally Can't Dance and the Elliott Murphy album Night Lights.
More Than Ever is the ninth album by the band Blood, Sweat & Tears, released in July 1976. This was the band's ninth studio album and their last for Columbia Records. The album peaked at number 165 on the Billboard albums chart. It contained one charting single, "You're the One".
Brand New Day is the tenth album by the band Blood, Sweat & Tears, released in November 1977. This was the band's only release on ABC Records. It was produced by Roy Halee and the band's former drummer Bobby Colomby. Colomby and Halee had also co-produced the group's fourth album, Blood, Sweat & Tears; 4, in 1971. Brand New Day failed to reach the Billboard 200 chart, peaking at #205.
In Concert is a double live album by the band Blood, Sweat & Tears, that was released in Europe and Japan in 1976. This album was remixed and released in the United States as Live and Improvised in 1991 by Columbia/Legacy and again in 2012 as "In Concert" by Wounded Bird. This collection was recorded live at four different venues over five nights during the summer of 1975. The lineup for this album is the same as the New City album they were supporting on that tour with the exception of Steve Khan and Mike Stern on guitar.
Live and Improvised is a two compact disc live album by the band Blood, Sweat & Tears, that was originally released in 1976 as a live album entitled In Concert by Columbia Records in Europe and Japan. This album was later remixed and released in the United States as Live and Improvised in 1991 by Columbia/Legacy and again as "In Concert" in 2012 by Wounded Bird, with a different cover. This collection was recorded live at four different venues over five nights during the summer of 1975. The lineup for this album is the same as the New City album they were supporting on that tour with the exception of Steve Khan and Mike Stern on guitar.
Rare, Rarer & Rarest is a compilation album by the band Blood, Sweat & Tears released by Wounded Bird Records/Sony Music on July 2, 2013. The songs here were recorded over an eight-year period and include mono single mixes, previously unreleased songs, and the music the band recorded for a film soundtrack from 1970.
Super Hits is a budget compilation album by the band Blood, Sweat & Tears released by Columbia Records in 1998. This ten song collection draws four songs from each of the band's first two albums Child Is Father to the Man and Blood, Sweat & Tears.
Woodstock – Back to the Garden: 50th Anniversary Experience is a live album by various artists, packaged as a box set of ten compact discs. Released by Rhino Records during the summer leading up to the fiftieth anniversary of the Woodstock Music and Art Fair, it contains selections from every performance at the music festival, which took place on August 15–18, 1969, in Bethel, New York. The discs also include stage announcements and miscellaneous audio material. The package contains essays by producer Andy Zax and Jesse Jarnow, details about the performers and notable festival figures, and photographs. This box set is a compilation derived from its limited edition parent box set. A smaller three-CD or five-LP sampler was also released.