Building at 561 W. 200 South | |
Location | 561 W. 200 South, Salt Lake City, Utah |
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Coordinates | 40°45′54″N111°54′24″W / 40.76500°N 111.90667°W Coordinates: 40°45′54″N111°54′24″W / 40.76500°N 111.90667°W |
Area | less than one acre |
Built | 1910 |
MPS | Salt Lake City Business District MRA |
NRHP reference No. | 82004848 [1] |
Added to NRHP | December 27, 1982 |
The Building at 561 West 200 South in Salt Lake City, Utah, is a 2-story brick commercial building constructed about 1910 in the city's ethnic Greek neighborhood. Four second floor windows are separated by brick pilasters below a wide, denticulated cornice. The windows form an arcade with a recessed, segmented horizontal course of brick at the springer level and with arches bisected by prominent, narrow keystones. The Building at 561 West 200 South was added to the National Register of Historic Places in 1982. [2]
The Building at 561 West 200 South was constructed for real estate speculator John J. Corum, and it contained a boarding house and saloon, both operated by Peter Fotis. In 1914 Anast Koulis ran a coffeehouse and saloon at the site, and Frank Manos owned the boardinghouse. Peter Zaharias operated a barbershop in the building at the time. In the late 1920s the building functioned as a warehouse; it then became home to Alder Sales Corporation, and then home to Fishler Furniture and Hardware Company. [3]
Temple Square is a 10-acre (4.0 ha) complex, owned by The Church of Jesus Christ of Latter-day Saints, in the center of Salt Lake City, Utah. The usage of the name has gradually changed to include several other church facilities that are immediately adjacent to Temple Square. Contained within Temple Square are the Salt Lake Temple, Salt Lake Tabernacle, Salt Lake Assembly Hall, the Seagull Monument, and two visitors' centers. The square was designated a National Historic Landmark District in 1964, recognizing the Mormon achievement in the settlement of Utah.
The Avenues is an affluent neighborhood in Salt Lake City, Utah. It is named after the perfectly gridlike, closely laid out roads called Avenues and Streets. First surveyed in the 1850s, the Avenues became Salt Lake City's first neighborhood. Today, the Avenues neighborhood is generally considered younger, more progressive, and somewhat "artsy" when compared to other neighborhoods. Many young professionals choose to live there due to the culture and easy commute to downtown.. It is also one of the most important strongholds of the Democratic political party in Utah.
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The Warenski-Duvall Commercial Building and Apartments, built in 1915, is a two-story brick, two part commercial block that is listed in National Register of Historic Places. The building is significant for its role in the early urbanization of Murray, Utah. The Warenski-Duvall building represents a building-type common during the early-twentieth century development of Murray's commercial business district and it is also part of the Murray Downtown Historic District. The building's owner was Edward J. Warenski, an early resident of Murray who owned a saloon and grocery store on State Street. Warenski and his family lived just north of the store. In 1923, the Duvall family purchased the building and divided the upper floor into apartments where family members and other workers in downtown Murray lived.
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The Riepe Drug Store/G. Ott Block was located in downtown Davenport, Iowa, United States. It was listed on the National Register of Historic Places in 1983.
Richard Karl August Kletting was an influential architect in Utah. He designed many well-known buildings, including the Utah State Capitol, the Enos Wall Mansion, the original Salt Palace, and the original Saltair Resort Pavilion. His design for the Utah State Capitol was chosen over 40 competing designs. A number of his buildings survive and are listed on the U.S. National Register of Historic Places including many in University of Utah Circle and in the Salt Lake City Warehouse District.
The Knight–Mangum House is a historic house located in Provo, Utah, United States. It is listed on the National Register of Historic Places. The mansion was built in the old English Tudor style, completed in 1908. It was built for Mr. W. Lester Mangum and his wife Jennie Knight Mangum. Mrs. Mangum was the daughter of the famous Utah mining man, Jesse Knight. The lot was purchased for $3,500 and the home was built at a cost of about $40,000. The Mangum family was able to afford the home due to the fact that they had sold their shares in Jesse Knight's mine located in Tintic, Utah, for eight dollars a share. They had purchased the shares for only twenty cents a share, so the excess allowed them enough funds to purchase the home. The contractors for the home were the Alexandis Brothers of Provo.
The Joseph H. Frisby House is a historic house located at 209 North 400 West in Provo, Utah. It is listed on the National Register of Historic Places.
The John R. Twelves House is a historic house located in Provo, Utah, United States. It is listed on the National Register of Historic Places.
The Startup Candy Factory is a historic building located in Provo, Utah that is listed on the National Register of Historic Places. The first candy bars in the United States were produced here.
The Albert Fisher Mansion and Carriage House, at 1206 West 200 South in Salt Lake City, Utah, United States, was designed by architect Richard K.A. Kletting and was built in 1893. It was listed on the National Register of Historic Places in 2008.
The Warehouse District of Salt Lake City, Utah, is a historic district on the city's west side. The area has been occupied by artists, and worked on by developers. A small portion of its area was added to the National Register of Historic Places in 1982, and the listing was greatly enlarged by a boundary increase in 2016.
The Daft Block, also known as the Daynes Jewelry Building, in Salt Lake City, Utah, is a 4-story Richardsonian Romanesque commercial building designed by Elias L. T. Harrison and H.W. Nichols and constructed 1887–1889. The brick building is trimmed with sandstone sills and lintels, and it features a prominent, two-story bay window. Above the bay window is a decorative sandstone pediment. The building was added to the National Register of Historic Places in 1976.
The Building at Rear, 537 West 200 South in Salt Lake City, Utah, is a 2-story brick building constructed about 1910 in the city's ethnic Greek neighborhood. It is one of only three buildings along 200 South between 500 and 700 West to retain its historic integrity, and the Building at Rear, 537 West 200 South was added to the National Register of Historic Places in 1982.
The Karrick Block in Salt Lake City, Utah, is a 3-story, brick and stone commercial building designed by Richard K.A. Kletting and constructed in 1887. The building is Kletting's earliest work to survive in the city, and it was added to the National Register of Historic Places in 1976. Architectural historian Allan D. Roberts described the building as "essentially a Victorian work."
The Lollin Block, at 238 S. Main St. in Salt Lake City, Utah, is a three-story brick and stone commercial building designed by Richard K.A. Kletting and constructed in 1894. The building includes a plaster facade "scored to give the appearance of smooth, cut stone," with a denticulated cornice and Classical Revival features. It was added to the National Register of Historic Places in 1977.
The Broadway Hotel in Salt Lake City, Utah, is a 3-story building designed by Bernard O. Mecklenburg and constructed in 1912. Original owners were Samuel and David Spitz. The brick building features a denticulated cornice and a prominent portico above the hotel entrance. The hotel was added to the National Register of Historic Places in 1982, and it is now a contributing resource of the Warehouse District.
The Salt Lake Stock and Mining Exchange Building in Salt Lake City, Utah, is a 2-story Classical Revival building designed by John C. Craig and constructed in 1909. The sandstone, brick, and cement building includes four large Ionic columns supporting a pediment above a denticulated cornice, and the pedimental imagery is reflected in lintels above the six central door and window fenestrations. The building was added to the National Register of Historic Places in 1976. It is also a contributing resource in the Exchange Place Historic District.
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