Chance Thomas | |
|---|---|
| Born | October 7, 1961 San Gabriel, California |
| Occupation(s) | Composer, author, entrepreneur |
| Website | www |
Chance Thomas is an American composer, author, and entrepreneur. As a composer, he creates original music for animation, video games, movies, television, and virtual reality. His music has received critical acclaim and commercial success, including an Oscar, an Emmy, and billions of dollars in sales worldwide. [1] [2]
Chance is best known for scoring video games like DOTA 2, The Lord of the Rings Online and James Cameron’s Avatar . [3] He also scored Columbia Pictures’ The ChubbChubbs! , which won an Academy Award for Best Animated Short Film, and the TV film Lost Treasure Hunt, which was nominated for two Daytime Emmy Awards. [4]
Chance is the author of the university textbook Composing Music for Games: The Art, Technology and Business of Video Game Scoring. The book was released in 2016 by CRC Press, a Taylor and Francis Publishing imprint. [5] As an entrepreneur, Chance founded "HUGEST" sound in 1998 and sold it in 2016 to a large and diversified entertainment conglomerate, R Legacy Entertainment. He now serves as VP of Music and Creative Development for HUGEsound Post Production. [6]
His projects have won major awards, including an Oscar, Emmy, IGN, Telly, Aurora and several G.A.N.G. awards. He is considered the father of game music Grammy eligibility and was honored in 2013 with the Game Audio Network Guild's Recognition Award. [7]
Throughout high school, Thomas formed and played in progressive rock bands until he was called to serve a mission in northern Italy for the LDS Church. When he returned home in 1982, he met his bride-to-be, Pamela, at a single's ward family home evening. [8] Thomas worked at UPS, putting his music on hold while pursuing a business degree at Central Oklahoma State University. While in rehab due to a torn shoulder, a friend informed him of a job as an entertainer at a pizza restaurant. Thomas got the job, which paid more than UPS. [8] After two and a half years in Oklahoma, he received a transfer scholarship to finish his business degree at Brigham Young University in Utah. Shortly after his transfer, he switched his scholarship to the music school and eventually graduated with a bachelor's degree in music. [8]
Chance Thomas began his professional career as a performer, singing and playing piano as well as keyboard at ski resorts in the Rocky Mountains and on cruise ships in the Caribbean. [9] In 1991, he opened a small music production company and studio in Salt Lake City, Utah, called byChance Productions and began creating music for ad agencies and corporate clients. He made several orchestral scores for public service announcements produced by non-profits like The Salvation Army, The Church of Jesus Christ of Latter-day Saints, and The United Way. [10]
He emerged into the video game industry in 1996. At the time, Sierra Online was looking for a full-time composer, and Chance moved back to California to take the job. This opportunity allowed him to write music for Quest for Glory V: Dragon Fire, creating one of the first orchestral video game scores in history. [11] In the late 1990s, Chance led a successful movement which brought game music into the Grammy Awards. The Quest for Glory soundtrack was a factor in the Academy creating three new categories — Best Score, Best Song and Best Soundtrack for Film, Television and Other Visual Media. [8]
Chance was also an innovator in video games. He led the design and implementation of one of the world's first successful adaptive music systems based on digital audio streams (1997). [12] He also pioneered new techniques for composing game music, including ambient set matrices (1996) and interactive scoring maps (2001). [5] When Sierra Online closed the doors of its California studio in 1998, Chance opened HUGEsound, located just outside Yosemite National Park. Projects scored during that time included the Oscar-winning film, The ChubbChubbs! , and games like Peter Jackson’s King Kong, Marvel Ultimate Alliance, and Lord of the Rings Online.
In 2007, Chance relocated HUGEsound to Utah and continued to compose for high-profile game titles like Avatar: the Game , Heroes of Might and Magic , and DOTA 2.
Chance Thomas' Lord of the Rings Online (LOTRO) scores are among his most acclaimed and documented work so far. He based the instrumental palettes, vocal ranges, stylistic tendencies and emotional conjuring of many pieces on direct references/inferences scattered throughout the text. [13] On June 16, 2017, Thomas released The Lord of the Rings Online: 10th Anniversary Commemorative Soundtrack through HUGEsound Records. The album contains tracks from 2007 to 2017.
In 1998, Chance launched HUGEsound in Oakhurst, California as a full-service audio development company to service clients in film and gaming. HUGEsound provided sound design, foley, original music scoring and song production for The ChubbChubbs!, among other projects, for nearly 20 years. In September 2016, Chance sold HUGEsound to R Legacy Entertainment, a privately held umbrella corporation containing a diversified portfolio of entertainment companies in Nashville, Los Angeles, and Salt Lake City. [6]
In February 2017, HUGEsound Post Production was opened as a 16,000 square foot recording and production facility. It offered a variety of post-production services in picture, music, and sound. [6]
Chance has served in volunteer capacities for community councils, universities, churches, food banks and industry organizations throughout his career. In 1994, he launched the annual Wasatch Front Frozen Turkey Hunt for the Utah Food Bank. In 1998, he helped organize the Music and Sound award review committees for the Academy of Interactive Arts and Sciences and led those committees for 2 years. [14] In 2002, he helped found the Game Audio Network Guild and served on its board of directors for 15 years. [15] In 2007, he joined the Advisory Board for the Game Developers Conference (GDC). [16] He has served on Advisory Boards for the Musicians Institute, Brigham Young University and Full Sail University.
Chance speaks regularly at universities, colleges and professional conferences on the art, craft, tech, and business of music scoring. [17] [18] He has spoken at the University of Southern California, University of Michigan, San Francisco Conservatory of Music, Cincinnati Conservatory of Music, Oklahoma City University, Berklee College of Music, Full Sail University, Musicians Institute, VRDC, FMX Animation Conference, GameSoundCon and the Game Developers Conference, among many others. [19] Chance won the Ace of Spades Award from GDC in 2010, given to the speaker with the highest rated talk of the entire conference. [20]
 | This section contains promotional content .(January 2021) |
In 2016 CRC Press released Chance's textbook, Composing Music for Games: The Art, Technology and Business of Video Game Scoring. The text is a guidebook for launching and maintaining a career as a video game composer. The book includes sections about scoring principles, specific styles for video game music, and several project assignments and simulations. [5]
The lists below show some of Thomas' most notable work in various scoring categories:
| Year | Title | Company |
|---|---|---|
| 2003 | The Bachelorette | ABC |
| 2006 | Hometown Heroes | PBS |
| 2009 | Pawn Stars | History Channel Lifetime |
| 2010 | Swamp Men | National Geographic Wild |
| 2013 | Nathan For You | Hulu |
| 2014 | Lost Treasure Hunt | American Public Television |
| Year | Title | Company |
|---|---|---|
| 1993 | Rigoletto | Feature Films For Families |
| 2002 | The ChubbChubbs! | Columbia Pictures |
| 2007 | Inspire: The Chicago Spire Art Film | Imageworks |
| 2013 | The Life Of Christ | LDS Films |
| 2016 | Driven In Detroit | LDS Films |
| 2013 | The Reason Behind Christmas | LDS Films |
| 2017 | Tales of a Time Traveler | Evans and Sutherland |
| Year | Title | Company |
|---|---|---|
| 2017 | Curse Of The Serpent's Eye | The VOID |
Koji Kondo is a Japanese composer and pianist at the video game company Nintendo. He is best known for his contributions for the Super Mario and The Legend of Zelda series, with his Super Mario Bros. theme being the first piece of music from a video game included in the American National Recording Registry. Kondo was hired by Nintendo in 1984 as their first dedicated composer and is currently a senior executive within their Entertainment Planning & Development division.
Video game music (VGM) is the soundtrack that accompanies video games. Early video game music was once limited to sounds of early sound chips, such as programmable sound generators (PSG) or FM synthesis chips. These limitations have led to the style of music known as chiptune, which became the sound of the first video games.
Basil Konstantine Poledouris was an American composer, conductor, and orchestrator of film and television scores, best known for his long-running collaborations with directors John Milius and Paul Verhoeven. Among his works are scores for the films Conan the Barbarian (1982), Red Dawn (1984), Iron Eagle (1986), RoboCop (1987), The Hunt for Red October (1990), Free Willy (1993), Starship Troopers (1997) and Les Misérables (1998).
Jeremy Soule is an American composer of soundtracks for film, television, and video games. He has composed soundtracks for over 60 games and over a dozen other works during his career, including The Elder Scrolls, Guild Wars, Icewind Dale, and the Harry Potter series.
Bear McCreary is an American composer of film, television, and video game scores. His work includes the scores of the television series Battlestar Galactica (2004), Agents of S.H.I.E.L.D., Black Sails, Outlander, The Walking Dead, The Lord of the Rings: The Rings of Power, The Serpent Queen, Percy Jackson and the Olympians, Halo, the video games Call of Duty: Vanguard, God of War and God of War Ragnarök, and the film Godzilla: King of the Monsters.
Tim Larkin is a composer and sound designer for Valve, and previously the audio director for Cyan, best known for the Myst series of video games. At Cyan, he worked as a sound designer for Riven, and as a composer for realMyst, Uru: Ages Beyond Myst and Myst V: End of Ages.
Inon Zur is an Israeli-American composer of soundtracks for film, television, and video games. He has composed soundtracks for over 80 video games, which include Dragon Age, EverQuest, Fallout, Prince of Persia, Star Trek, the Syberia series, and Starfield. He has received multiple nominations, including three BAFTAs, and has won several awards, including an Emmy. Various music awards for his soundtracks on Men of Valor (2004), Crysis (2008), Dragon Age: Origins (2009), The Elder Scrolls: Blades (2019), Syberia: The World Before (2023) and Starfield (2024).
Tetsuya Shibata is a Japanese video game music composer and sound director. He is credited for over twenty musical scores produced for Capcom's video game releases including the Monster Hunter and Devil May Cry series, as well those in the Darkstalkers, Power Stone and Resident Evil Outbreak series. His later works with the company involved organizing orchestral recordings for Resident Evil 5 and Monster Hunter Tri. In 2009, Shibata left Capcom and began his own music studio, known as Unique Note, with colleague Yoshino Aoki.
Jack Wall is an American video game music composer. He has worked on video game music for over 20 games including the Myst franchise, Splinter Cell, Jade Empire, Mass Effect, and Call of Duty. Wall earned a degree in civil engineering from Drexel University in Philadelphia, Pennsylvania, and, after a brief stint working in civil engineering, transitioned into music production. He worked with musicians such as John Cale, David Byrne, and Patti Smith, and, after performing increasingly complex production and sound engineering tasks, moved into music composition in 1995.
Halo 3 Original Soundtrack is the official soundtrack to Bungie's first-person shooter video game Halo 3. Most of the original music was composed by Martin O'Donnell and Michael Salvatori, but also includes a bonus track, "LvUrFR3NZ", which was the winning entry in a contest held before the soundtrack's release. The 2-CD set was released on November 20, 2007.
Neal Acree is an American composer of film, television, and video game music. He has scored 30 feature films, contributed music to the popular Blizzard Entertainment video game franchises StarCraft II, World of Warcraft, Diablo III, Overwatch, as well as the Chinese MMO Revelation Online. His television work includes the series Stargate SG-1, Stargate Atlantis, Witchblade and the first season of Sanctuary.
Austin Wintory is an American composer for film and video games. He is known for scoring the video games Flow and Journey, the latter of which made history as the only video game soundtrack to be nominated for the Grammy Award for Best Score Soundtrack for Visual Media.
The music for the 2010 action-adventure western video game Red Dead Redemption, developed by Rockstar San Diego and published by Rockstar Games, was composed by musicians Bill Elm and Woody Jackson. Recorded at Jackson's studio in Los Angeles, the soundtracks were produced by David Holmes. The music was intended to imitate soundtracks of 1960s Western films, such as Ennio Morricone's work on the Dollars Trilogy. In collaboration with each other, Elm and Jackson produced over fourteen hours of music across fifteen months. The composers used unconventional instruments to create unique sounds, and worked with artists such as Tommy Morgan during production. Four supplementary vocal recordings were also produced for the game.
Kenneth Young, also known as Kenneth C. M. Young or Kenny Young, is a Scottish freelance audio director, composer, sound designer and writer. He is best known for his award-winning work on the audio experiences in Media Molecule's LittleBigPlanet and Tearaway video game franchises, and the music of Sony Japan Studio's Astro Bot games.
Penka Kouneva is a Bulgarian-American composer, orchestrator and soundtrack producer. In 1999, she began working in film and television and in 2009 began to score for videogames. Her music is a blend of Bulgarian influences, classical training, rock sensibility, and modern film and game soundtracks.
Gordy Haab is an American film, video game and television composer based in Los Angeles, California. His work has been featured in works associated with franchises including Star Wars Battlefront II, for which he won Video Game Score of the Year from the American Society of Composers, Authors and Publishers. Haab is also known for his work on Microsoft's Halo Wars 2, for which he was nominated for a 2017 HMMA award. His score for Electronic Arts' Star Wars: Battlefront, won three awards at the 2016 GDC G.A.N.G. Awards: Music of the Year, Best Interactive Score, and Best Instrumental Score. Haab was also nominated for a BAFTA Games Awards for his work on Star Wars: Battlefront.
Woodrow Wilson Jackson III is an American composer and session musician. He is best known for his work with Rockstar Games, composing scores for its video games Red Dead Redemption, L.A. Noire, Grand Theft Auto V, and Red Dead Redemption 2. Born in Oil City, Pennsylvania, Jackson studied at Virginia State University for one year, taking harmonica lessons before dropping out and playing guitar in a band. He moved to Los Angeles in 1992, and eventually joined the band Friends of Dean Martinez. He later became a session musician, working on the soundtracks of films like Ocean's Twelve (2004) and The Devil Wears Prada (2006). Since 2009, he has owned and operated Electro-Vox Recording Studios, where he has recorded two original albums and much of his composing work. He is an avid collector of vintage instruments.
The music for the video game Grim Fandango was composed and produced by Peter McConnell and published by LucasArts in 1998. The soundtrack is a mix of South American folk music, jazz, swing and big band sounds, for the game story filled with adventure and intrigue set in a unique combination of film noir and Mexican folklore's Day of the Dead. The soundtrack garnered critical acclaim and remained subject of positive reviews and inclusion in critics' rankings for the two decades after its first release. The soundtrack was praised both as a stand-alone musical experience, as well as for its outstanding contribution to the overall game experience; capturing the spirit of the game, "gluing" the story together, and becoming "integral" to the success of the game.
The music of the Dead Space media franchise, created by Visceral Games and published by Electronic Arts around a series of survival horror video games, was mainly composed by Jason Graves. Graves composed the music for all mainline entries in the series and the majority of spin-off titles. Other composers have been involved in the series; Grave's recurring collaborator Rod Abernethy acted as an early advisor for the titular first game, James Hannigan co-composed the score for Dead Space 3, while the 2023 remake of the first game combined original music with contributions by Trevor Gureckis. Scores for the movies Dead Space: Downfall and Dead Space: Aftermath were respectively composed were Seth Podowitz and Christopher Tin.
The Game Audio Network Guild Awards is an award show that celebrates excellence in video game audio. The awards, which started in 2004, are arranged by the Game Audio Network Guild and held annually during the Game Developers Conference in San Francisco. The first four shows were held at the Fairmont San Jose, before moving to the Moscone Center from the fifth; due to the COVID-19 pandemic, the 18th, 19th, and 20th ceremonies were held virtually.
{{cite web}}: Missing or empty |title= (help)| International | |
|---|---|
| National | |
| Artists | |
| Other | |
