Phantasmagoria: A Puzzle of Flesh | |
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Developer(s) | Sierra On-Line |
Publisher(s) | Sierra On-Line |
Director(s) | Andy Hoyos |
Producer(s) | Matthew Thornton |
Designer(s) | Lorelei Shannon |
Writer(s) | Lorelei Shannon |
Platform(s) | MS-DOS, Microsoft Windows |
Release | |
Genre(s) | Interactive movie, point-and-click adventure |
Mode(s) | Single-player |
Phantasmagoria: A Puzzle of Flesh (also known as Phantasmagoria 2 [1] [2] ) is an interactive movie point-and-click adventure game released by Sierra On-Line. The game was released in North America on November 26, 1996. [1] Though technically a sequel to Roberta Williams' 1995 game Phantasmagoria , Puzzle of Flesh shares no connections with its predecessor in plot nor characters, as Sierra initially intended the Phantasmagoria title to be a horror anthology, with each installment of a different story and style. While not a critical or commercial success, A Puzzle of Flesh, like its predecessor, is remembered for its controversial violent and sexual content, which led the game to be heavily censored or banned outright in several European and Oceanic countries.
The player controls Curtis Craig, an introverted 26-year-old man who works at a pharmaceutical company. Curtis regularly has disturbing hallucinations at his office, seeing flashes of gore or getting odd e-mails (for example, one claims to be from Hell offering him a job as a murderer).
Curtis was released from a mental institution one year before, and following the onset of his visions, he has regular visits with a therapist. His mental health problems largely stem from childhood trauma: an abusive mother who committed suicide and a father who, before he died in an auto accident, was working on a top secret project at Wyntech, the same company where Curtis is currently employed. Curtis has repressed most of his childhood memories, and over the course of the game he remembers details that suggest his father was murdered by Wyntech for reasons related to the aforementioned project.
One day, Curtis' workplace rival, Bob, is found brutally murdered in Curtis' cubicle. Though Bob was generally disliked by the whole office, Curtis had expressed the joking desire to kill him and feels apathy towards his death, which leads Curtis to fear he may have murdered Bob in a psychotic break. This incident impacts the myriad of other relationships in the office. While Curtis has been dating his commitment-seeking coworker Jocilyn, he also becomes involved with a more adventurous coworker, Therese, who on a first date introduces him to the local S&M scene. Another coworker and best friend, Trevor, is an openly homosexual man, and Curtis admits to his therapist that he is attracted to Trevor.
After Curtis' superior Tom is murdered as well, Curtis suspects his boss, Paul Allen Warner, who had threatened Tom during an argument the previous day. The next day, Therese is found murdered after her date with Curtis, placing more suspicion upon him by the police. Curtis eventually discovers this is all connected to "Threshold," the project his father worked on with Warner. Decades prior, Wyntech discovered a rift leading to "Dimension X" in the basement of their building and sought to use it for monetary gain by selling teleportation technology to the United States government, performing experiments first with animal subjects and later mental patients supplied by the corrupt Dr. Marek, who was employed at the asylum where Curtis was later committed. Desperate for better results, Warner took advantage of Curtis' father, bringing the child to work and using Curtis as a subject—without his father's permission—although Curtis was quickly returned from the rift. The project was shut down when the military showed no interest, but reactivated when Warner discovered the inhabitants of Dimension X could synthesize any chemical desired at the cost of some components and a couple of "human specimens." Warner planned on sacrificing as many people as necessary in exchange for a highly addictive antidepressant/weight loss drug which would then be released on the market, causing the Earth's population to become reliant on the product and making Wyntech the most powerful corporation on Earth.
As Curtis comes closer to the truth, his therapist and Trevor are murdered, causing Curtis to finally confront Warner. Warner, however, is knocked out by a humanoid creature (identified in FMV scene selection as "the Hecatomb") that introduces itself as a manifestation of the "real" Curtis Craig. The child Curtis that returned from the rift is in fact an alien duplicate while the real Curtis was trapped in Dimension X, experimented upon, hideously mutated, and developed vast psychic powers—and madness—as a result. The real Curtis, acting through the Hecatomb, was responsible for the murders and hallucinations, with the purpose of driving the duplicate Curtis insane. This would allow the real Curtis to psychically take over the duplicate's body, regaining the life the duplicate unintentionally stole. The duplicate Curtis escapes the Hecatomb through the Dimension X portal, kills the real Curtis, and returns to Earth.
Jocilyn suddenly appears, revealing that she knows the truth. A message from the inhabitants of Dimension X is heard, asking Curtis to return since he doesn't belong on Earth. The player then has the choice of two endings: either Curtis chooses to leave, in which case he spends one last day with Jocilyn before departing, or he chooses to remain on Earth. If the player chooses the latter, the ending sequence shows Jocilyn happily talking about everyday life arrangements to Curtis, who curls up an anxious fist beneath the table. The fist briefly morphs into a grotesque alien shape.
Prior to either ending, the scene implies Curtis puts the still-unconscious Warner through the rift. A post-credits scene in Dimension X shows the still-living severed head of Warner suspended in bio-organic matter.
The basic aspects of a point-and-click adventure game are here; as Curtis the player travels to various locations, interact with the often strange and eccentric people in his life, and collects items and solves puzzles.
A Puzzle of Flesh's gameplay features a standard point-and-click interface, played from a third-person perspective: the cursor, when waved over an object or area that can be manipulated, will highlight, and clicking it will initiate a live-action clip that furthers the game along. Inventory is stored along the bottom of the screen and a simple click-and-drag command will cause inventory items to interact with other objects.
Due to the large amount of graphic violence and sexual content, A Puzzle of Flesh came with password-enabled parental controls that thoroughly edited out the game's offensive content.
A Puzzle of Flesh also has a large number of comedic Easter eggs, which the player can achieve on a point system, although, due to some of the complex key commands one must perform to enable them, most of them are impossible to access without outside help. These Easter eggs range from simple sight gags and messages to minigames and hidden videos.
Lorelei Shannon, who had previously served as a writer on the Roberta Williams games King's Quest VII and The Dagger of Amon Ra , was selected to take on the task of writing and designing the sequel to Williams' Phantasmagoria . [3] While the first installment was a supernatural horror in the tradition of The Shining and the works of Stephen King, Shannon redeveloped the series into a more modern, urban setting and utilized a psychological horror approach with science fiction undertones; Shannon has said the game was influenced by such authors as Edgar Allan Poe, Charles Beaumont, and Shirley Jackson, and was influenced visually by Joel-Peter Witkin and the film Seven . [4] According to Shannon, the title A Puzzle of Flesh "refers to the puzzle of who Curtis really is, and the fact that his flesh is not his own." [4]
While Phantasmagoria was shot with live actors super-imposed in bluescreen backgrounds, A Puzzle of Flesh was filmed on set and on location, not unlike a regular feature film (although the game's final scenes, in the Alien World, were shot on bluescreen). Filming took place in and around Seattle, Washington from February to September 1996. [5] Shot on Digital Betacam, nearly four and a half hours of video was shot, from a script over 200 pages long. [3] Much of Shannon's original script had to be cut due to budget constraints, including a lengthy series of puzzles in the mental hospital and some scenes on the alien world. [4]
For a while, Sierra was planning Phantasmagoria 3, and had asked Roberta Williams to return as its lead designer. [6] However, after the commercial disappointment of A Puzzle of Flesh, along with the decline of the point-and-click adventure with interactive movie genres, the project never materialized.
A Puzzle of Flesh was developed on a budget of $4.5 million. [7]
The game was banned in Singapore, and heavily censored in Australia. [8] [9] [10]
A Puzzle of Flesh's live action sequences were written by Lorelei Shannon, directed by Andy Hoyos, filmed by cinematographer Matthew Jensen and edited by Wes Plate. The cast was as follows:
Additionally, actress V. Joy Lee, who played "Harriet" in the first Phantasmagoria, returns in the sequel as "The Ratwoman", a mental patient. Lorelei Shannon makes two cameos, as a mental patient and a gas masked patron at an S&M club, and director Hoyos makes an appearance as yet another mental patient.
Aggregator | Score |
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GameRankings | 55.88% [11] |
Publication | Score |
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Computer Gaming World | [12] |
GameSpot | 3.7/10 [13] |
Next Generation | [14] |
PC Games | C+ [15] |
A Puzzle of Flesh received primarily negative reviews from mainstream game reviewers. Much criticism was targeted at the illogical puzzles, [12] [13] [15] low difficulty, [13] [14] and the lack of interactivity caused by the large amount of FMV. [12] [14] [15] Multiple reviewers made particular mention of a puzzle near the beginning of the game in which Curtis must retrieve his wallet from under his couch, not by moving the couch, but by manipulating a rat into fetching the wallet for him. [12] [13] [15]
Reactions towards the plot and cinematic production were also largely negative. A Next Generation critic commended the script and direction for being "even more dark and twisted" and "kinky" than the original Phantasmagoria, but nonetheless found Sierra's marketing the game as featuring "intense content" to be ridiculous, noting that the sex and gore are tame compared to a number of movies that one could find at the local video rental store or on late night television. [14] PC Games razed the story, citing numerous plot holes, gratuitous sex scenes, and poor pacing: "At times, Curtis seems to lurch from one crisis to another, but always recovers instantly from experiences that would send most of us shrieking back to the bin. Flesh just keeps throwing stuff at us in the hope that something will stick." [15] GameSpot called it clichéd and absurd, summarizing "As the credits rolled, all I felt was regret—regret that I had spent a good chunk of my life in this ugly world, with annoying, unappealing characters and their silly problems". [13] Game Revolution's review was similar, calling the game "a predictable, dissatisfying mess". [16] Computer Gaming World commented that while the technical aspects of the cinematics are well done, they are wasted on a storyline which suffers from an absurd plot, gratuitous sex and gore, and a "completely unsympathetic, amoral, and quite uninteresting" protagonist. [12]
The most common subject of praise for the game was the music, which even otherwise wholly negative reviews mentioned as being successfully atmospheric and dissonant. [12] [13] [15]
Response within the community was a bit more positive, with likewise criticism directed at the gameplay and structure, though more praise was given to the game's storyline. The adventure game-focused site Adventure Gamers gave A Puzzle of Flesh a rating of 2.5 out of 5, finding flaws in both its story and cinematic production, but noting that those looking for light entertainment will have "a hell of a lot of fun". [17] Similar sites, such as Adventure Classic Gaming, called the plot "intriguing and well executed", though its gameplay "falls short to qualify as a mediocre adventure game". [18] Just Adventure was a bit kinder in a way, saying that "it's trashy, it's tacky, it's badly acted, it's badly cast, it's ugly, and it's short. Also, like Phantasmagoria, it's a lot of fun", and "It's a guilty pleasure, but a pleasure nonetheless", likening it to watching a good B movie. [19]
Sierra Entertainment, Inc. was an American video game developer and publisher founded in 1979 by Ken and Roberta Williams. The company is known for pioneering the graphic adventure game genre, including the first such game, Mystery House. It is known for its graphical adventure game series King's Quest, Space Quest, Police Quest, Gabriel Knight, Leisure Suit Larry, and Quest for Glory, and as the original publisher of Valve's Half-Life series.
King's Quest is a graphic adventure game series, released between 1980 and 2016 and created by the American software company Sierra Entertainment. It is widely considered a classic series from the golden era of adventure games. Following the success of its first installments, the series was primarily responsible for building the reputation of Sierra. Roberta Williams, co-founder and former co-owner of Sierra, designed all of the King's Quest games until the series' reboot in 2015.
Roberta Lynn Williams is an American video game designer and writer, who co-founded Sierra On-Line with her husband, game developer Ken Williams. In 1980, her first game, Mystery House, became a modest commercial success; it is credited as the first graphic adventure game. She is also known for creating and maintaining the King's Quest series, as well as designing the full motion video game Phantasmagoria in 1995.
Gabriel Knight is a series of point-and-click adventure games released by Sierra On-Line in the 1990s created by Jane Jensen. The titular character is an author and book store owner in New Orleans who is investigating a strange series of murders when he learns he is descended from a long line of Schattenjäger. After undergoing a spiritual trial, Gabriel becomes the new Schattenjäger, called on to stop those who use supernatural methods to threaten others. To signify this, he wears the Ritter Talisman, a protective medallion. Not having supernatural abilities himself, Gabriel mainly opposes his enemies with cunning and insight after investigation and research. In the first game, he is assisted by Grace Nakimura. In the two sequels, the two act as partners against evil, with Grace being a playable character.
The Colonel's Bequest is a character-driven graphic adventure game by Sierra On-Line featuring the character of Laura Bow. It was developed for MS-DOS in 1989. Ports for Amiga and Atari ST were released in 1990. It was the first of the short-lived Laura Bow Mysteries series created by Roberta Williams, which used many elements from the game Mystery House. The Colonel's Bequest was created with SCI0, and employed 4-bit color and a typing interface. Its sequel The Dagger of Amon Ra was released in 1992.
Mystery House is an adventure game released by On-Line Systems in 1980. It was designed, written and illustrated by Roberta Williams, and programmed by Ken Williams for the Apple II. Mystery House is the first graphical adventure game and the first game produced by On-Line Systems, the company which would evolve into Sierra On-Line. It is one of the earliest horror video games.
King's Quest: Quest for the Crown is an adventure game developed by Sierra On-Line and published originally for the IBM PCjr in 1984 and later for several other systems between 1984 and 1989. The game was originally titled King's Quest; the subtitle was added to the games box art in the 1987 re-release, but did not appear in the game.
King's Quest VI: Heir Today, Gone Tomorrow is a point-and-click adventure game, first released in 1992 as the sixth installment in the King's Quest series produced by Sierra On-Line. Written by Roberta Williams and Jane Jensen, King's Quest VI is widely recognized as the high point in the series for its landmark 3D graphic introduction movie and professional voice acting. King's Quest VI was programmed in Sierra's Creative Interpreter and was the last King's Quest game to be released on floppy disk. A CD-ROM version of the game was released in 1993, including more character voices, a slightly different opening movie and more detailed artwork and animation.
Phantasmagoria is a point-and-click adventure horror video game designed by Roberta Williams for MS-DOS and Microsoft Windows and released by Sierra On-Line on August 24, 1995. It tells the story of Adrienne Delaney, a writer who moves into a remote mansion and finds herself terrorized by supernatural forces. It was made at the peak of popularity for interactive movie games and features live-action actors and footage, both during cinematic scenes and within the three-dimensionally rendered environments of the game itself. It was noted for its violence and sexual content.
Shivers is a single-player horror-themed PC adventure game, released on CD-ROM by Sierra On-Line in November 1995. It was developed with Sierra's Creative Interpreter. Being the first Sierra first-person adventure game, Shivers was compared to contemporary Myst and The 7th Guest, gaining praise mostly for its atmosphere. The game takes place in a fictitious haunted museum.
Torin's Passage is a point-and-click adventure game developed and published by Sierra On-Line in 1995. The game was designed by Al Lowe, author of the Leisure Suit Larry series.
The Beast Within: A Gabriel Knight Mystery is a point-and-click adventure game, created by Jane Jensen, developed and published by Sierra On-Line, and released for MS-DOS, Macintosh, and Microsoft Windows, in 1995. The sequel to 1993's Gabriel Knight: Sins of the Fathers, the game's story focuses on a new investigation for Gabriel Knight, adjusting to his new life as a "shadow hunter", as he investigates a spate of killing around Munich believed to be the work of a werewolf, with assistance in his work from Grace Nakimura, who looks into a link between the killings and the final years of a Bavarian king in the 19th century.
Gabriel Knight: Sins of the Fathers is a 1993 point-and-click adventure game, created by Jane Jensen, developed and published by Sierra On-Line, and released for MS-DOS, Macintosh, and Windows on December 17, 1993. The game's story, featuring the voices of Tim Curry, Leah Remini, and Mark Hamill in the CD-ROM version, focuses on Gabriel Knight, a struggling novelist, whose decision to use a spate of recent murders around New Orleans as material for a new novel, leads him into a world of voodoo magic and the truth about his family's past as supernatural fighters.
Police Quest: In Pursuit of the Death Angel is a 1987 police procedural adventure video game developed and published by Jim Walls and Sierra On-Line. Police Quest follows police officer Sonny Bonds as he investigates a drug cartel in the town of Lytton, California.
Police Quest III: The Kindred is a 1991 police procedural point-and-click adventure video game developed and published by Jim Walls and Sierra On-Line. It is the third installment in the Police Quest series. The game finishes the story of police officer Sonny Bonds, who seeks revenge after his wife is attacked by an unknown assailant.
Lorelei Shannon is an American writer of horror and computer games.
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