Christian Music in Australia has been played since the first European settlers arrived in the late 18th century, and forms part of the cultural life of religion in Australia and worldwide Christian Music. Australians have contributed to a variety of genres of Christian music including the liturgical music, classical music, hymns, Christian rock, country gospel, and Christmas music, as well as cross-over contemporary music sung by popular artists such as Johnny O'Keefe, Paul Kelly (folk rock), Nick Cave and Slim Dusty. Notable contemporary Christian music milestones in Australia include Sister Janet Mead's rock version of "The Lord's Prayer", which was the first Australian record to sell over a million copies in the United States of America; Jimmy Little's Royal Telephone , which made him the first Aboriginal to attain a No. 1 hit on the Australian charts; and Guy Sebastian's Receive the Power, which welcomed the Pope to World Youth Day 2008.
Christian liturgical music arrived in Australia with the First Fleet of British settlers in 1788. Liturgical music originating from religious ceremonies both ancient and modern is today practised within a number of Christian traditions in Australia. Historically, Christianity has been by far the predominant religion in Australia, and it remains the majority religion with 52% of the population identifying as Christian in the 2016 census, thus Christian music has been an important component of cultural life in Australia.
Post-War immigration has increased the diversity of Christian musical traditions in Australia, through the growth of denominations like the Greek Orthodox Archdiocese of Australia, though today, the Catholic Church in Australia is the largest denomination (with almost a quarter of the population), followed by the Anglican Church in Australia (13.3%). Historically, the Anglican component was higher, thus Anglican music and Catholic music along with that of smaller Protestant denominations like the Uniting Church in Australia has played an important and enduring role in the development of Australian liturgical music traditions. [1]
Anglican music was initially the pre-dominant Christian musical tradition in Australia, reflecting its privileged position in the early British colonies. Early Australian composers included clerical Anglicans like George Torrance, Alfred Wheeler and Arthur Massey, Anglican schoolmasters like Henry John King and Anglican laymen like Frederick Augustus Packer. Today, Anglican music ranges widely across genres, from Melbourne's St Paul's Cathedral Choir who sing choral evensong most weeknights; to more Contemporary styles. [2] [3]
St Mary's Cathedral Choir, Sydney, is the oldest musical institution in Australia, from origins in 1817. [4] Catholic choirmaster and conductor John Albert Delany (1852–1907)) was an early notable of Australian Christian music composition, and produced two Masses, as well as writing music for the inauguration of the Australian Commonwealth in 1901. [5] The reforms of Vatican II removed much Latin music from Catholic ritual in Australia, and folk hymns entered the Catholic Mass in the 1960s. Today, the Latin Mass is a rarity in Australia. [6] Sister Janet Mead's rock version of "The Lord's Prayer" was the first Australian record to sell over a million copies in the United States of America. [7]
Other early Roman Catholic composers include clerical figures Bishop Rosendo Salvado, Fr. Stephen Moreno and laymen such as Hugo Alpen, Raimund Pechotsch and Herbert Cosgrove.
New South Wales Supreme Court Judge George Palmer was commissioned to compose the setting of the Mass for Sydney's World Youth Day 2008 Papal Mass. The Mass, Benedictus Qui Venit, for large choir, soloists and orchestra, was performed in the presence of Pope Benedict XVI and an audience of 350,000 with singing led by soprano Amelia Farrugia and tenor Andrew Goodwin. [8]
"Receive the Power", a song written by Guy Sebastian and Gary Pinto, was chosen as the official anthem for the XXIII World Youth Day (WYD08) held in Sydney in 2008. [8]
The growing Pentecostal branches of Christianity in Australia contribute strongly to the contemporary worship music genre. From the 1960s, Pentecostal groups in Australia increasingly adopted an informal style and used music to evangelise, which assisted with growing their following particularly in outer suburbs of Brisbane, Sydney and Melbourne. Today, the singing and music is one of the hallmarks of Australian Pentecostalism. [9]
Hillsong Church is known for its worship music, with groups including Hillsong Worship, Hillsong United and Hillsong Young & Free.
Planetshakers Church is known for its worship music, with groups including Planetshakers and Planetboom. The Planetshakers have developed a large following in Christian music both within Australia and internationally, with a pop-rock musical style. [10] Pastor Nicole Yow sees music as central to youth culture, and therefore one of the main ways her church connects with the young. [11]
Australian composers from uniting church congregations include Edwin Fowles of Queensland, Ernest Edwin Mitchell and William Robert Knox of South Australia
Christmas customs have changed over time. Carol light candle services were considered quaint as gas light and electricity became widely available. [12] Carol singers were initially community or church a cappella, accompanied by volunteers. Non-profit organizations organized groups for charitable purposes [13] Tunes of migrant origin were replaced with Christmas Carols by Australian composers like Alfred Wheeler, Stephen Moreno, George Torrance, Christian Helleman, Joseph Summers, Joe Slater, Jessie Penfold, Ernesto Spagnoletti, Alfred Plumpton, Cesare Cutolo, August Juncker, George Savin De Chaneet, John Howson, William Robert Knox, Ernest Edwin Mitchell, Albert Delaney and Henry John King. Cultural cringe and technological developments (Gramophone, Radio, Talkies) rather eclipsed domestic endeavour.
Annually, Australians gather in large numbers for traditional open-air Christmas music Carols by Candlelight concerts in December, such as the Carols by Candlelight of Melbourne, and Sydney's Carols in the Domain. Australian Christmas carols like the Three Drovers or Christmas Day by John Wheeler and William G. James place the Christmas story in an Australian context of warm, dry Christmas winds and red dust. As the festival of Christmas falls during the Australian summer, Australians gather in large numbers for traditional open-air evening carol services and concerts in December, such as Carols by Candlelight in Melbourne and Carols in the Domain in Sydney. [14]
Australian country music's most successful artist Slim Dusty recorded a number of country gospel songs, with which he liked to finish his live shows. [15] In 1971, he released the Gospel album Glory Bound Train, featuring the eponymous hit Glory Bound Train, and other songs of a Christian theme. Glory Bound Train was in turn the song selected to conclude the tribute concert held at Tamworth after his death. The "Concert for Slim" was recorded live on January 20, 2004, at the Tamworth Regional Entertainment Centre, and an all star cast of Australian musicians sung out the show with Slim's Glory Bound Train. The Australian Aboriginal singer-songwriter Jimmy Little was also a successful exponent of the genre. [16]
The Christian music of the Christian missions of indigenous Australia forms an important part of the cultural history of Aboriginal and Torres Strait Islanders since White settlement. According to the Mission Songs Project, Mission Songs include church hymns, as well as the composed songs about daily life: "It was often missionaries who introduced Western instruments to Aboriginal people, although Western music could be heard in many places such as the wireless and jukeboxes, and church was one of the only places where Aboriginal people were encouraged to sing. Many Aboriginal people took advantage of this by learning to play music and adapting it to their own purposes." [17] For example, the songs written by Tom Foster whilst a resident of La Perouse.
The Ntaria Choir at Hermannsburg, Northern Territory, has a unique musical language which mixes the traditional vocals of the Ntaria Aboriginal women with Lutheran chorales (tunes that were the basis of much of Bach's music). Baba Waiyar, a popular traditional Torres Strait Islander hymn shows the influence of gospel music mixed with traditionally strong Torres Strait Islander vocals and country music. [18]
The Australian Aboriginal singer-songwriter Jimmy Little found commercial success in the genre of gospel music. His song "Royal Telephone" (1963) was the first No.1 hit by an Aboriginal artist. [16]
Pop, rock and other contemporary Australian artists from Johnny O'Keefe to Nick Cave and Paul Kelly have recorded Christian spirituals.
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.
The music of Australia has an extensive history made of music societies. Indigenous Australian music forms a significant part of the unique heritage of a 40,000- to 60,000-year history which produced the iconic didgeridoo. Contemporary fusions of indigenous and Western styles are exemplified in the works of Yothu Yindi, No Fixed Address, Geoffrey Gurrumul Yunupingu and Christine Anu, and mark distinctly Australian contributions to world music.
A Christmas carol is a carol on the theme of Christmas, traditionally sung at Christmas itself or during the surrounding Christmas holiday season. The term noel has sometimes been used, especially for carols of French origin. Christmas carols may be regarded as a subset of the broader category of Christmas music.
Contemporary Christian music (CCM), also known as Christian pop, and occasionally inspirational music, is a genre of modern popular music, and an aspect of Christian media, which is lyrically focused on matters related to the Christian faith and stylistically rooted in Christian music. It was formed by those affected by the 1960s Jesus movement revival who began to express themselves in other styles of popular music, beyond the church music of hymns, gospel and Southern gospel music that was prevalent in the church at the time. Initially referred to as Jesus music, today, the term is typically used to refer to pop, but also includes rock, alternative rock, hip hop, metal, contemporary worship, punk, hardcore punk, Latin, electronic dance music, R&B-influenced gospel, and country styles.
Contemporary worship music (CWM), also known as praise and worship music, is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic congregations incorporating it into their mass as well.
Slim Dusty, AO MBE was an Australian country music singer-songwriter, guitarist and producer. He was an Australian cultural icon, referred to universally as Australia's King of Country Music and one of the country's most awarded stars, with a career spanning nearly seven decades and producing numerous recordings. He was known to record songs in the legacy of Australia, particularly of bush life and renowned Australian bush poets Henry Lawson and Banjo Paterson that represented the lifestyle. The music genre was coined the "bush ballad", a style first made popular by Buddy Williams, the first artist to perform the genre in Australia, and also for his many trucking songs.
Christian music is music that has been written to express either personal or a communal belief regarding Christian life and faith. Common themes of Christian music include praise, worship, penitence, and lament, and its forms vary widely around the world. Church music, hymnals, gospel and worship music are a part of Christian media, and also include contemporary Christian music which itself supports numerous Christian styles of music, including hip hop, rock, contemporary worship, and urban contemporary gospel.
Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing a cappella or accompanied by an organ.
Church music is Christian music written for performance in church, or any musical setting of ecclesiastical liturgy, or music set to words expressing propositions of a sacred nature, such as a hymn.
Hillsong Music is Christian music produced by Hillsong Church in Sydney, Australia as well as offshoot churches, Hillsong London, and Hillsong Kiev. Hillsong albums are released and distributed by Hillsong Music. The main groups are Hillsong Worship, Hillsong United, Hillsong Young & Free, and Hillsong Kids.
Hillsong Church UK is a charismatic Christian Non-denominational megachurch in the United Kingdom which is a part of Hillsong Church global. Hillsong London, founded as London Christian Life Centre, was the first church planted in the UK by the Sydney-based church, in 1992.
Planetshakers is a contemporary worship music band, a central part of Planetshakers Church in Melbourne, Australia.
A sequence is a chant or hymn sung or recited during the liturgical celebration of the Eucharist for many Christian denominations, before the proclamation of the Gospel. By the time of the Council of Trent (1543–1563) there were sequences for many feasts in the Church's year.
Religion in Australia is diverse. In the 2021 national census, 43.9% of Australians identified with Christianity and 38.9% declared "no religion".
Christianity is the largest religion in Australia, with a total of 43.9% of the nation-wide population identifying with a Christian denomination in the 2021 census. The first presence of Christianity in Australia coincided with the foundation of the first British colony at New South Wales in 1788.
Hillsong Church, commonly known as Hillsong, is a charismatic Christian megachurch based in Australia. The original church was established in Baulkham Hills, New South Wales, as Hills Christian Life Centre by Brian Houston and his wife Bobbie in 1983. Hillsong was a member of the Australian Christian Churches – the Australian branch of the US-based Assemblies of God – until 2018, when they separated to form a new denomination. The church is known for its contemporary worship music, with groups such as Hillsong Worship, Hillsong United and Hillsong Young & Free with many musical credits and hits.
Together in Song: Australian Hymn Book II (ISBN 1-86371-762-5) was published in 1999. It is a book of 783 psalms, hymns and spiritual songs for use in Christian worship in Australia and elsewhere. It is a significant revision of The Australian Hymn Book published 22 years earlier.
The Peace Project is an album by Australian contemporary worship group Hillsong Worship and is the fifth Christmas-themed worship album from Hillsong Music, following We Have a Saviour (2012). Released on 20 October 2017 by Hillsong Music Australia and Capitol Christian Music Group, the album's production was spearheaded by Ben Tan and Michael Guy Chislett. The album was nominated for the GMA Dove Award for Christmas / Special Event Album of the Year at the 49th Annual GMA Dove Awards.
Planetshakers Church is an evangelical Christian Pentecostal megachurch adult and youth movement based in Melbourne, Australia, with several church campuses around the world.
Elizabeth Joyce Smith is an Australian Anglican priest and hymnist. She has published three collections of hymns, and several of her hymns have been included in the ecumenical hymnal Together in Song. Ordained a deacon in the Anglican Church in Australia in 1987, Smith became a priest in 1993. She earned a PhD from the Pacific School of Religion, where she focused on feminist hermeneutics and liturgical studies. Her doctoral thesis was published in 1999, with the title Bearing Fruit in Due Season: Feminist Hermeneutics and the Bible in Worship. She has served on the Liturgy Commission for the Anglican Church of Australia since 1997. In 2018, she was commissioned to write a hymn for the installation of Archbishop Kay Goldsworthy. In 2020, she was appointed a Member of the Order of Australia for her contributions to liturgical scholarship and to the Anglican Church of Australia.