Dragon's Crown

Last updated

Dragon's Crown
Dragons Crown.png
Developer(s) Vanillaware
Publisher(s)
Director(s) George Kamitani
Producer(s) Katsura Hashino
Yousuke Uda
Designer(s) Takehiro Shiga
Programmer(s) Kentaro Ohnishi
Artist(s) George Kamitani
Emika Kida
Writer(s) George Kamitani
Wataru Nakanishi
Asahi Matsui
Composer(s) Hitoshi Sakimoto
Platform(s) PlayStation 3
PlayStation Vita
PlayStation 4
ReleasePS3, Vita
  • JP: July 25, 2013
  • NA: August 6, 2013
  • AU: October 10, 2013
  • EU: October 11, 2013
PS4
  • JP: February 8, 2018
  • WW: May 15, 2018
Genre(s) Action role-playing, beat 'em up
Mode(s) Single-player, multiplayer

Dragon's Crown [a] is a 2013 action role-playing game developed by Vanillaware for the PlayStation 3 and PlayStation Vita. The game was published in Japan and North America by Atlus and in PAL regions by NIS America. A high-definition port for PlayStation 4, Dragon's Crown Pro, was released by Atlus in 2018. Players navigate environments from a side-scrolling perspective, choosing from six character classes to fight in the style of a beat 'em up and acquiring loot through repeated dungeon exploration. The storyline follows adventurers as they journey across Hydeland and become involved in the search for the magical Dragon's Crown.

Contents

Director and lead artist George Kamitani originally planned Dragon's Crown as a Dreamcast sequel to the 1997 Sega Saturn title Princess Crown . Following Vanillaware's successes with Odin Sphere and Muramasa: The Demon Blade , Kamitani restarted the project. Originally set to be published by UTV Ignition Entertainment, that company's withdrawal from the gaming market led to Atlus taking up the project.

Upon release, Dragon's Crown received positive reviews from critics, who praised its gameplay and art style, while the story and repetitive elements drew criticism. The game also generated controversy for its exaggerated character designs and sexualized female characters. It had sold over one million units by September 2017.

Gameplay

A boss encounter from Dragon's Crown; a four-player party fight against a dragon. Dragon's Crown Pro screenshot.jpg
A boss encounter from Dragon's Crown; a four-player party fight against a dragon.

Dragon's Crown is a two-dimensional (2D) side-scrolling action role-playing game in which players take on the role of an adventurer exploring dungeons in the kingdom of Hydeland. [1] The adventurer's base is a town at the kingdom's heart. There players interact with different establishments populated by friendly non-player characters (NPCs); the Adventurers' Guild where quests are accepted and the player can unlock new Skills; Morgan's Magic Shop where equipment can be repaired and upgraded; Canaan Temple, where players can pay to resurrect bone piles found in dungeons and receive boons for dungeon runs; and Lucain's Tower, which documents rune magic unlocked by the player. [2] [3]

Outside of town, players can explore nine dungeon environments in the surrounding lands; each dungeon has two paths, one unlocked after the first run, and hidden areas. [2] [4] Dungeons are reached either through a magical portal called the Gate, or after a certain point using the stables for a fee. [2] [3] Players are always accompanied in dungeons by two NPCs; the thief Rannie who unlocks treasure chests and doors, and the fairy Tiki who helps point out hidden treasure. [5] While exploring dungeons, players move constantly from left to right, battling both standard enemies and boss monsters at the end of each stage. [4] [6] All characters have the same basic moveset of attacking, dodging and jumping similar to classic beat 'em up games. [4] During single-player, players can find bone piles in dungeons and pay to resurrect them in town, recruiting them as AI-controlled fighting companions. [7] During exploration of some dungeons, players can pacify and mount larger animals with their own health and attacks. [3] [8]

After the first half of the game, players can continue onto a random dungeon after finishing a run, which triggers a cooking minigame where the player uses ingredients and seasoning to produce meals which increase a character's statistics. [7] After completing each dungeon for the first time, a side quest is unlocked for that region. [2] Some of these are key to reaching the final boss, with later boss battles including time limits players must beat to get the item needed to progress. [7] Loot in the form of equipment and weapons is found in chests within the dungeons, and given a letter grading; gradings range from the highest "S" and then from "A" to the lowest "E". After returning to the town hub, players can spend gold to appraise the item, which gives it an altered selling value compared to its unappraised state. [7] [9] During dungeon runs, players can activate runes, magical abilities triggered using sequences of three symbols, up to two of which can be hidden in the local environment. [2] [7]

The adventurer is chosen from one of six character classes, separated by the skill level needed from players. The Knight for all players, the Amazon and Dwarf for players of average skill level, and the Elf, Wizard and Sorceress for players of high skill. [10] [11] The Knight is an armored melee fighter based around sword attacks. The Dwarf is similar, but with greater strength and more unarmed attack options. The Amazon is a complex melee class with low health, but strikes grow stronger and faster as she continues attacking. All melee-based classes can launch a powerful area of effect attack, losing their weapon for a short time. The high-speed Elf uses a mixture of archery and close-range melee attacks, replenishing her arrows by defeating enemies. The Wizard and Sorceress are both classes based around magical attacks powered by Mana, needing to replenish Mana by either using normal attacks or charging their Mana meter while stationary. All female classes (the Amazon, Elf and Sorceress) have a high luck statistic, giving players the chance of finding more valuable loot. [5] [11] Each character can unlock additional skills, divided into two skill tree types; general improvements, and class-specific skills. [4] [7]

Dragon's Crown supports co-op multiplayer; all versions have online multiplayer, but local co-op is exclusive to the home console versions. [10] [12] [13] The online multiplayer is unlocked after players have completed the first half of the story campaign when the harder alternate dungeon routes are unlocked in-game. [2] In addition to class-based difficulty modifiers, there are three difficulty settings. [10] The player begins the game on normal difficulty, and after completing the main campaign the difficulty can be raised to "Hard". After a second run, the difficulty can be raised again to "Inferno". Each difficulty has a level cap, with Inferno difficulty maxing out at level 99, and the higher "Ultimate" difficulty maxing at level 255. [14] [15] After completing the game, a tenth procedurally generated dungeon called the Labyrinth of Chaos is unlocked. [14] [16] A player-versus-player battle arena can be unlocked, accommodating up to four players. [16] An eleventh dungeon dubbed the Tower of Mirage is unlocked on the Ultimate difficulty setting, featuring a larger number of randomly generated areas and bosses. [15]

Synopsis

The adventurer arrives in Hydeland and gets involved with fights against surging monster attacks from ancient sites across the land, and a political coup attempted by the Prime Minister against the next heirs, siblings Vivian and Dean, following the disappearance of the king. The king killed himself to thwart a ritual by the malevolent Morneon religion to summon a powerful ancient dragon, sealed in the Illusionary Lands by the world's goddesses. Key to their plot is the Dragon's Crown, an artifact that was imbued with the power to control dragons. Following his ascension to the throne, Dean is sacrificed by Morneon, though the adventurer has already destroyed the existing magic to reach the Illusionary Lands. The adventurer finds nine talismans to enter the Illusionary Lands and slays the ancient dragon before it can break free. Vivian is made queen and inherits the now-powerless Dragon's Crown.

The goddesses, one of which was restored by the ancient dragon's defeat, then tasks the Adventurer with defeating two progressively stronger dragons which stole their power. Upon accomplishing these tasks, the restored goddesses declare the adventurer as the "Gate Guardian" for the Illusionary Lands, their name recorded in their mythology. Each character class also has a specific ending; the Sorceress briefly entertains the nobility before returning to an adventuring life, the Knight lives a long life full of adventure, the Elf returns to her homeland and is made Crown Regent for felling the dragon, the Dwarf leads his people into a new golden age, the Amazon is hailed by the people and recognised by a Hydeland noble family as their lost granddaughter, and the Wizard returns to undo a failed magic ritual he performed on his sister.

Development

Dragon's Crown was originally designed by George Kamitani as a Dreamcast sequel to Princess Crown , a 1997 video game for the Sega Saturn which he directed. Due to its platform and publisher pressure, Dragon's Crown would have used 3D graphics. [17] [18] This earliest version was inspired by the Wizardry and Sorcerian series. [19] Kamitani's aim was to recreate the gameplay experience of Capcom's Dungeons & Dragons: Tower of Doom , which he worked on. [20] Due to the closure of the studio he was working at following the commercial failure of Princess Crown, the concept was scrapped. Kamitani later reused the female warrior concept art for his work on Fantasy Earth: The Ring of Dominion . [17] [21] Over the next decade, he pitched to several different publishers but was always turned down. [22]

In 2009, after finishing Muramasa: The Demon Blade , Kamitani returned to the concept. As the original version had been a hard sell to publishers, he rewrote the pitch. [20] Originally planned for the Wii, Kamitani presented it to Capcom. While initially well-received, Capcom's executives decided to pass on it as it would not sell the same numbers as Monster Hunter . [19] [23] The project was next pitched and eagerly picked up by UTV Ignition Entertainment. The original target platform for the game by this point was the Xbox platform, hoping for an international audience. [23] It eventually settled onto PS3 and Vita. The Vita, with its PS3 crossplay functions, was chosen due to the success of the multiplayer-focused Monster Hunter series as UTV Ignition wanted a multiplayer experience. The original producer was UTV Ignition's Kashow Oda. [22]

During 2011, UTV Ignition ran into financial trouble, pulling first from game development and then publishing. This meant funding for Dragon's Crown dried up, threatening its existence. [17] [24] Not wanting the game to be cancelled, Kamitani went to Atlus, who had previously published Vanillaware's first title Odin Sphere . [17] As the project was well into development and had promise, Atlus agreed to take it, both becoming its publisher and lending development aid from its Persona series team. [17] [25] The game's new producers were Katsura Hashino and Yousuke Uda. [26] This did not end the game's production troubles, as it was further threatened in 2013 with the bankruptcy of Atlus's parent company Index Corporation. [17] Dragon's Crown had Vanillaware's longest development cycle at the time of four years, [27] and was its most expensive with a budget of over ¥100 million (over US$1,000,000). [28] It was also their first title designed for high-definition consoles. [29] The team put a large amount of effort into development, which left them no resources to aid in the localization of their previous title Grand Knights History . This led to its planned Western release being cancelled. [30] Kamitani described the production as being "full of twists and turns". [24]

Kamitani credited programmer Kentaro Ohnishi for steering the game into becoming a beat 'em up, something Vanillaware had never done before. He also asked veterans of those days the games they best remembered for inspiration, and typically they recalled Capcom and Sega's arcade titles of the time with fondness. [19] Ohnishi created the skill system design. [31] Kamitani included elements from games that he enjoyed. He drew direct inspiration from Dungeons & Dragons: Tower of Doom, Golden Axe and The King of Dragons . He also cited Dungeon Master , the Wizardry and Sorcerian series. [27] The loot system and its surrounding mechanics were suggested by Ohnishi, based on those in Diablo . [19] [31] Random dungeon generation similar to Diablo was dropped early in development so players could enjoy memorising and mastering each dungeon. The increased difficulty options were incorporated based on Ignition's request for elements that would appeal to the Western market. [19] Ohnishi described getting the online components to work as his biggest challenge. [31]

Scenario and art design

While the framework of the game survived from its days as a Dreamcast title, almost everything else was changed. [18] Unlike previous Vanillaware titles, emphasis was placed on gameplay rather than story. [27] As opposed to the multiple interwoven narratives of Odin Sphere and Muramasa, while there were several ancillary story threads, they all served a single narrative. Nevertheless, the total story content was greater than that of Muramasa. [19] Kamitani put in everything he possibly could into the game rather than leaving anything for a potential sequel, as he was averse to sequels on principle. [17] The earliest plan was for only a town and dungeon environments like the Wizardry series, but the background art team created exterior landscape designs and thus expanded the game's visual scope. [19] This also resulted in the initial design plan being changed to reflect the new environments. [18] Early plans for expansion packs themed after ancient Egypt and the Sengoku period were abandoned due to the extra workload. [17]

Kamitani was in charge of character designs, and also drew most of the background art and full-motion illustrations. [19] Additional artwork was created by Emika Kida. [32] During Kamitani's earliest role-playing concept, he drew on Western art for inspiration. His first experiment with this style was a 2010 New Year illustration of the game's goddesses. After positive responses, he went with this style. [19] Kamitani's artwork for Dragon's Crown drew heavy inspiration from the work of Frank Frazetta. [18] While he incorporated standard fantasy visual elements found in Dungeons & Dragons and The Lord of the Rings , he wanted to give them a unique spin. To do this, he created exaggerated body designs for men, women and monsters; each had their defining characteristics magnified "from different angles", with Kamitani noting that the designs were not intended to be taken seriously. [33]

As with Vanillaware's other titles, the game used 2D artwork. [27] Kamitani continued to be influenced in his art design work by Akira Yasuda, a Capcom artist who worked on several of the company's most iconic fighting games. [17] While the art style mimicked classic 2D arcade titles from Capcom, Vanillaware's style of animated illustrations was more difficult to manage, particularly with different movement sets for weapon types and palate swaps for each character class. As he was tied up with illustration work for the Vita remake of Muramasa, Kamitani was often late delivering his artwork. This meant that other staff members at Vanillaware, including fellow artist Shigetake, stepped in to create artworks. [19] While using the basic design of their earlier titles, the team added a pixel shader which Ohnishi compared to a gamma corrector, allowing water effects in the 2D plane. [31]

Music

Hitoshi Sakimoto composed and co-arranged the soundtrack of Dragon's Crown. Hitoshi Sakimoto.jpg
Hitoshi Sakimoto composed and co-arranged the soundtrack of Dragon's Crown.

The music was composed by long-term Vanillaware collaborator Hitoshi Sakimoto and his company Basiscape. It was Sakimoto's first solo soundtrack in many years. [17] [34] Sakimoto wanted to explore how humans confronted the forces of nature and monsters. His chosen overall focus of the music was defined by him as "affection". [35] The musical tracks were divided into three categories accompanying this theme; humans, nature and monsters. Within his score, humans lived life to the full regardless of their morals, nature was impersonal and could provide support, and monsters were supernatural things divorced from everything else. [34] [35] While many of his previous scores had been set in worlds of either dominant hope or despair, with Dragon's Crown he wanted to balance the two. He also shifted his style to incorporate more ethnic percussion. [35] The score was arranged by Sakimoto and Azusa Chiba. For the game's vocals, Sakimoto chose singer Eumyth to evoke its fantasy elements. [34]

A 3CD soundtrack album was released on November 30, 2015 through Basiscape Records. The album, which featured a jacket illustration from Vanillaware staff, included exclusive piano arrangements of the themes "World Map" and "City Street". [36] The arrangements were created by Yu Kanai. [34] The album was later released digitally worldwide through iTunes on April 1, 2016. [37] The album received positive reviews from music journalists. [38] [39]

Release

Dragon's Crown was announced in June 2011. [29] In an interview, Oda said that overseas responses to the game were strong, pointing out the positive reputation of Odin Sphere and Muramasa as reasons for this. [40] The change of publishers from UTV Ignition to Atlus was announced in April 2012, with statements from both publishers on the matter. [41] The game was released in Japan on July 25, 2013. [42] It was localised for the West by Atlus USA, who released it close to the Japanese version's release date. This meant localization had to start while the game was in production. [43] The English voice recording was handled by PCB Productions, a frequent collaborator with Atlus USA, and overseen by Valerie Arem. [26] [44] Dragon's Crown was released in North America on August 6. [45] In Europe and Australia, the game was published by NIS America, with pre-orders from selected European stores coming with a small artbook; it was released in Australia on October 10 and in Europe on October 11. [46] The PAL digital PlayStation Network (PSN) version was taken down when NIS America and Atlus ended their publishing partnership in 2016. It was later republished on PSN by Atlus. [47]

Dragon's Crown received downloadable content (DLC) post-launch, which allowed the narration to be changed to one of the six character class voice actors. [48] Five patches, which fixed issues and added new content, were released between August and December 2013. [15] [49] The patches included cross-platform play not available at launch, additional difficulty settings, and new gameplay elements. [15] [50]

A manga adaptation began serialisation in the December 2013 issue of Comptiq , a magazine published by Kadokawa Shoten. [51] The manga was written and illustrated by Yuztan, an artist then new to manga who later worked on Valkyrie Drive . [51] [52] To properly interpret the game's story into manga form, Yuztan played the game himself. He incorporated all the classes as characters and crafted their personalities based on his impression of them. [52] The manga ran from 2013 to 2014. [53] It was published in two tankōbon in June and December 2014 by Kadokawa Shoten. [54] [55] In North America, the manga volumes were published by Udon Entertainment. [53] The two volumes were released in the region in November 2017 and October 2018. [56] [57] A novelization was written by Hironori Kato, featuring a cover illustration by Kamitani, was published by Fujimi Shobo. [58] An artbook was published by Atlus on January 14, 2016. The book featured concept and character art, interviews with staff, and guest illustrations. [59] Udon Entertainment published the artbook in September 2019. [60] Figurines based on the Sorceress and Amazon characters have been released in Japan. [61] [62]

Dragon's Crown Pro

Dragon's Crown Pro was a remastered port for the PS4. It featured enhancements for the PS4's Pro model, replace/redraw hi-res sprites to support 4K resolution, English and Japanese voicetracks, a rerecorded soundtrack, cross-platform play, and all previous patches and DLC. [12] [13] [63] Originally scheduled for January 15, 2018 in Japan, it was delayed by a couple of weeks to February 8. [64] In the West, Pro was released on May 15 of the same year. [65] A limited Battle Hardened Edition was released exclusively in the West alongside its standard physical and digital editions. The Battle Hardened Edition included a steel case for the game, and seven cards themed after the in-game skill trees. [66]

Dragon's Crown Pro was the first time Vanillaware had sought to update an existing title in this way, which proved a challenge as they needed to do bug fixes and balance adjustment based on the latest patch version of the game. [63] Kamitani acted as a producer for the game, running parallel with his work on 13 Sentinels: Aegis Rim . [32] One of the biggest issues faced in development was getting all assets to show in 4K without jagged edges or distracting graphical glitches, a process which took six months. So jagged edges would not be too visible in-game, planner Wataru Nakanishi worked to put in extra graphical fuzzing to smooth the edges of colour transitions in illustrations and art assets. The final patch which enabled crossplay was the most difficult to date, as they needed to adjust for the changes made since the game's release. While they needed to reduce some in-game storage space to make room for some of the patch features, they considered it a fair trade as they included elements originally cut from the base game. [63]

The music was re-recorded for a live orchestra. [67] Chiba arranged the music, incorporating folk instruments and extensive percussion into the new versions. Recording took place in Tokyo, Hyogo and Australia. [68] A 3-disc soundtrack originally released exclusively through the limited edition of Pro. The album included an extra track dubbed "Dragon's Crown Percussion Remix", a new remix of the main theme. [67] A standalone soundtrack album was released on February 27, 2020, exclusively through Atlus's online store. The album features three discs, and has a cover art drawn by Kida. The soundtrack includes the same selection as the limited edition version. The album was also released digitally worldwide through iTunes. [69] [70]

Reception

Critical reception

Dragon's Crown received "generally favorable" reviews from critics, according to the review aggregator website Metacritic. [71] [72] [73] At the 2013 National Academy of Video Game Trade Reviewers awards, Dragon's Crown won in the "Game, Original Role-Playing" category. [83]

Japanese gaming magazine Famitsu gave a positive review to both the PS3 and Vita versions, praising the gameplay and nostalgic style. [79] Destructoid 's Chris Carter was highly positive, praising the game for reviving the beat 'em up genre. [74] Andrew Fitch, writing for Electronic Gaming Monthly , praised the game as "a love letter to the classic side-scrolling arcade brawler". [76] Martin Robinson of Eurogamer was less positive than other reviewers, praising some elements but disliking the artstyle and finding it overly long and archaic. [78] GameSpot 's Peter Brown found many elements of the visuals either distracting or offensive, but praised the gameplay design and skill system. [4]

Justin Speer of GameTrailers praised the game for breathing life into its genre, saying players who were willing to push through its repetitive aspects would find a lot to enjoy. [6] Writing for Joystiq , Danny Cowan was worried about repeating content in the late game, but praised the game's mechanics and style. [80] IGN 's Colin Moriarty was also highly positive, with his only main criticism being the narrative. [10] Danielle Riendeau of Polygon noted the repetitive nature of level design and disliked much of its art design, but said that it was an enjoyable experience. [1] RPGFan's Robert Steinman, reviewing the PS3 version, praised the game but faulted its UI design and the "obfuscation" of its multiplayer. [81]

The narrative was seen by many as either unnecessary or forced at players, though it was also praised for evoking nostalgia. [4] [10] [79] [81] Moriarty called the story "its greatest weakness", [10] while Famitsu praised the story's nostalgic style and compared it to playing a tabletop RPG. [79] The gameplay was praised or at least noted for evoking the design and experience of classic beat 'em up titles from the 1980s to 1990s. [b] The multiplayer was lauded by reviewers as superior to AI-controlled companions despite its unlocking requirements, although many complained that the number of on-screen effects obscured their characters. [4] [6] [10] [79] The original lack of cross-platform multiplayer was criticized by some journalists. [10] [74] The searching and commanding mechanic was also faulted in the PS3 version as cumbersome. [6] [10] [79] [78] [80] The artwork in general was praised by reviewers, [4] [6] [10] with Cowan calling it "unique and eye-catching". [80]

Reviewing Dragon's Crown Pro, Chris Moyse of Destructoid echoed many of Carter's comments, calling Pro the game's "definitive edition" while noting that there was little to justify buying it a second time. [75] Mollie L Patterson, writing for Electronic Gaming Monthly, admitted that the only improvements were to the graphics and audio, but felt that the gameplay and art still made it a worthwhile purchase. [77] RPGFan's Alana Hagues praised the existing upgrades and enjoyed the game, but was disappointed by the lack of additional features and content as seen in other Vanillaware re-releases. [82]

Sales

Upon its debut in Japan, Dragon's Crown sold 175,000 physical units. Due to the strong demand, a stock shortage emerged at its release. [84] Dragon's Crown had sold more than 300,000 physical retail units in Japan within the first week of release across both PS3 and Vita platforms. [85] The Vita and PS3 versions were respectively the first and second best-selling digital games on PSN in Japan during 2013. [86] By December 2013, the game had shipped 800,000 units worldwide, 100,000 units more than Atlus's Persona 4 Golden . [87] The original Dragon's Crown sold over one million units worldwide by September 2017. [88] The game's international success took Vanillaware by surprise, with it becoming much bigger than Kamitani expected. [23]

Controversy

Dragon's Crown drew significant controversy in pre-release coverage during April 2013 for its exaggerated character design, particularly the Sorceress' breasts and Amazon's buttocks. [89] Game journalist Jason Schreier of Kotaku strongly criticized the design, calling it symptomatic of the video game industry's treatment of women. [90] While many critics lauded the game's artistic achievements and Kamitani's skill, they also felt uncomfortable with his perceived over-sexualization of women. [27] [89] [90] [91] [92] Kamitani responded with artwork of three bathing dwarfs in loincloths that was interpreted as a homophobic attack on Schreier, escalating the controversy. [92] [93] Kamitani later explained both his design choices in the game and the Dwarf artwork. The latter was described as not being aimed at Schreier, but being a piece of artwork he created on his own as a "cynical" response to Japanese retailers requesting the female characters in swimwear for store artwork. [33] Atlus defended the game's artistic design. [91]

Several reviewers commented on the artstyle when the game was released. Brown described the Sorceress and Amazon designs as akin to softcore pornography. [4] Speer compared these elements to the inclusion of bodybuilding and "dirty" magazines. [6] Riendeau noted that the Amazon and Sorceress, while sexualized, were empowered and had agency compared to other in-game women being shown as damsels in distress. [1] Robinson found the sexualized female artwork one of the elements that put him off the game, also being critical of counterarguments about the male characters being equally sexualized. [78] Fitch, while noting the Amazon and Sorceress designs, felt that the controversy was overblown, as the entire cast was exaggerated and "grotesque". [76]

Related Research Articles

<i>Dragon Quest II</i> 1987 video game

Dragon Quest II: Luminaries of the Legendary Line, titled Dragon Warrior II when initially localized to North America, is a role-playing video game developed by Chunsoft and published by Enix in 1987 for the Nintendo Entertainment System as a part of the Dragon Quest series. Enix's U.S. subsidiary published the American release, Dragon Warrior II, for the Nintendo Entertainment System in 1990. Dragon Quest II is set one hundred years after the events of the first game.

An action role-playing game is a subgenre of video games that combines core elements from both the action game and role-playing genre.

A beat 'em up is a video game genre featuring hand-to-hand combat against a large number of opponents. Traditional beat 'em ups take place in scrolling, two-dimensional (2D) levels, while a number of modern games feature more open three-dimensional (3D) environments with yet larger numbers of enemies. The gameplay tends to follow arcade genre conventions, such as being simple to learn but difficult to master, and the combat system tends to be more highly developed than other side-scrolling action games. Two-player cooperative gameplay and multiple player characters are also hallmarks of the genre. Most of these games take place in urban settings and feature crime-fighting and revenge-based plots, though some games may employ historical, science fiction or fantasy themes.

<i>Fantasy Earth Zero</i> 2006 video game

Fantasy Earth Zero was a 2006 massively multiplayer online role-playing game developed for Microsoft Windows. Originally developed by Puraguru and Multiterm under the title Fantasy Earth: The Ring of Dominion, it was released by Square Enix as a paid product through its PlayOnline service. It relaunched under Gamepot as a free game, and was later handled by developers SoftGear and Ocean Frontier and was transferred back to Square Enix. Under the premise of a world where rival kingdoms engage in frequent conflicts, players choose an allied kingdom and fight against each other in groups of up to fifty players. The game closed down in September 2022.

<i>Princess Crown</i> 1997 action role-playing game

Princess Crown is an action role-playing game developed and published by Atlus in collaboration with Sega that was released only in Japan. Originally released in 1997 for the Sega Saturn, it was ported to the PlayStation Portable in 2005. Using a two-dimensional side-scrolling perspective, gameplay focuses on a beat 'em up-style fighting system, incorporating role-playing elements. Set in the fantasy kingdom of Valendia, the player controls queen Gradriel De Valendia, as her wish to aid the people in person leads into a quest to prevent the resurrection of the demon lord Lalva. Additional character scenarios are unlocked by completing Gradriel's quest, with completion of all story routes leading to the true ending.

Mystery Dungeon, known in Japan as Fushigi no Dungeon, is a series of roguelike role-playing video games. Most were developed by Chunsoft, now Spike Chunsoft since the merging in 2012, and select games were developed by other companies with Chunsoft's permission. The series began when co–creator of Dragon Quest, Koichi Nakamura, was inspired by Seiichiro Nagahata's experience with Rogue, who is also a fellow developer from the company, and a desire to create an original series. It began on the Super Famicom, progressing to almost all of Nintendo's and Sony's home and handheld consoles, WonderSwan, Dreamcast, Windows, and mobile devices.

<i>GrimGrimoire</i> 2007 video game

GrimGrimoire is a 2007 real-time strategy video game developed by Vanillaware and published by Nippon Ichi Software and Koei (Europe) for the PlayStation 2. A remaster, GrimGrimoire OnceMore was released in Japan on PlayStation 4 and Nintendo Switch in 2022 and worldwide, along with a PlayStation 5 version, in 2023. The story follows Lillet Blan, a trainee witch who is sent into a repeating cycle of five days after her school is attacked by an evil wizard seeking the hidden Philosopher's Stone. The player commands units called familiars, each having strengths and weaknesses against the other, with the goal of either destroying the opponent's bases or surviving waves of enemies.

<i>Odin Sphere</i> 2007 video game

Odin Sphere is an action role-playing game developed by Vanillaware for the PlayStation 2. It was published by Atlus in 2007, and by Square Enix in 2008. A remake, titled Odin Sphere Leifthrasir, was released on PlayStation 3, PlayStation 4, and PlayStation Vita in 2016: Atlus handled publishing duties in Japan and North America, while NIS America published the title in PAL territories.

Vanillaware Ltd. is a Japanese video game developer based in Osaka. An independent company, it was founded in 2002 under the name Puraguru by George Kamitani, a game developer who had previously worked at Capcom and Atlus, and directed Princess Crown (1997) for the Sega Saturn. Beginning as a small studio developing Fantasy Earth: The Ring of Dominion for Enix, in 2004 the company moved to Osaka, Kansai, and changed its name. Kamitani wanted Vanillaware to create successor projects to Princess Crown, beginning with Odin Sphere.

<i>Muramasa: The Demon Blade</i> 2009 action role-playing video game

Muramasa: The Demon Blade is a 2009 action role-playing game developed by Vanillaware and published for the Wii by Marvelous Entertainment (Japan), Ignition Entertainment, and Rising Star Games (Europe). An expanded PlayStation Vita version was published in 2013 by Marvelous AQL in Japan and Aksys Games in Western territories. Using a 2D side-scrolling perspective, the gameplay revolves around a beat 'em up fighting system, while incorporating role-playing elements such as leveling and questing.

<i>Dragon Nest</i> Free-to-play fantasy MMORPG developed by Eyedentity

Dragon Nest is a free-to-play fantasy MMORPG developed by Eyedentity and available in different regions and languages. Aside from boasting a non-targeting combat and skill system within instance dungeons, Dragon Nest revolves around a rich story which is told in different points of view depending on the player's chosen class. Dragon Nest receives new content, balance patches and cash shop items on a monthly basis. Major expansions that include several new dungeons, Nests, new classes, multiple new features or remake of old ones, extensive class adjustments and a raise on the level cap take place every year.

<i>Dragons Dogma</i> 2012 video game

Dragon's Dogma is a 2012 action role-playing hack and slash video game by Capcom. First released for PlayStation 3 and Xbox 360, an enhanced version subtitled Dark Arisen was later released for the same consoles in 2013, with ports releasing for Windows, PlayStation 4, Xbox One, and Nintendo Switch in the ensuing years. Set in Gransys, a high fantasy world inspired by Sicily, the player takes on the role of a human protagonist dubbed the Arisen on a quest to defeat the dragon Grigori, a being said to herald the world's end, while uncovering a deeper conspiracy along the way.

<i>Grand Knights History</i> 2011 role-playing video game

Grand Knights History is a 2011 tactical role-playing video game developed by Vanillaware and published by Marvelous Entertainment for the PlayStation Portable. Following the adventures of a mercenary group in the employ of one of three warring nations, the player engages in turn-based combat while navigating maps. The game originally featured online competitive multiplayer where chosen teams of characters fight for their nation, but this ended when servers shut down in October 2013.

<i>Kumatanchi</i> 2008 video game

Kumatanchi is a life simulation video game co-developed for the Nintendo DS by Vanillaware and doujin studio Ashinaga Oji-san. It was published on September 25, 2008, by Dimple Entertainment. The premise and gameplay revolves around the player taking care of an anthropomorphic girl based on the mascot character Habanero-tan, seeing her interactions with other anthropomorphic characters over two weeks in real-time. Due to its gameplay and subject matter, it was only released in Japan.

<i>Persona 4 Arena</i> 2012 video game

Persona 4 Arena is a fighting video game co-developed by P-Studio and Arc System Works and published by Atlus for arcades, PlayStation 3, and Xbox 360; the game is a spin-off from the Persona series, itself part of the larger Megami Tensei franchise. The game was published by Atlus in Japan and North America in 2012, and by Zen United in Europe in 2013. Gameplay follows standard fighting game conventions, with matches between two characters with individual movesets, and special expendable abilities. The storyline is told through visual novel segments.

<i>Dragons Dogma Online</i> 2015 video game

Dragon's Dogma Online was a massively multiplayer online role-playing game (MMORPG) developed and published by Capcom for PlayStation 3, PlayStation 4 and Microsoft Windows in 2015; As of 2019, the servers have been shut down. A follow-up to the 2012 action role-playing game Dragon's Dogma, the game had the player take the role of an "Arisen" in service to the White Dragon, charged with defending the land of Lestania from monster attacks. Gameplay carried over the basic battle and Pawn companion systems from Dragon's Dogma while incorporating features of the MMORPG genre.

<i>13 Sentinels: Aegis Rim</i> 2019 video game

13 Sentinels: Aegis Rim is a 2019 video game developed by Vanillaware and published by Atlus. It was released for the PlayStation 4 in Japan in November 2019 and worldwide in September 2020, with a Nintendo Switch version released in April 2022. The game is divided between side-scrolling adventure segments and real-time strategy (RTS) battles, and follows thirteen high-school students in a fictionalized 1980s Japan who are dragged into a futuristic war between mechas and hostile Kaiju in a nonlinear narrative.

Sorceress (<i>Dragons Crown</i>) Fictional character in Dragons Crown

The Sorceress is a character introduced in the 2013 side-scrolling beat 'em up roleplaying game Dragon's Crown, developed by Vanillaware. A tall redheaded woman specializing in magical attacks, she is a support character for the game, having low defense but able to conjure allies to fight on her behalf. Created by George Kamitani, her animations for the game were done by illustrator Shigatake. In English, the character is voiced by Erin Fitzgerald, while in Japanese she is voiced by Kikuko Inoue. Outside of video games, she was additionally featured in a manga novelization of Dragon's Crown.

<i>Unicorn Overlord</i> 2024 video game

Unicorn Overlord is a 2024 tactical role-playing game developed by Vanillaware and published by Atlus in Japan, and Sega worldwide, for Nintendo Switch, PlayStation 4, PlayStation 5 and Xbox Series X/S. Set on the continent of Fevrith as it is consumed by war, the story follows exiled prince Alain as he gathers allies to liberate the nations of Fevrith from the Zenoiran Empire. Gameplay follows Alain and his army units fighting in large-scale battles, with field movement and battles taking place in real-time.

Amazon (<i>Dragons Crown</i>) Fictional character in Dragons Crown

The Amazon is a character introduced in the 2013 side-scrolling beat 'em up roleplaying game Dragon's Crown, developed by Vanillaware. A tall blonde muscular woman specializing in melee attacks, she is intended to have low defense, but able to deal large amounts of damage. Created by George Kamitani, her animations for the game were done by illustrator Shigatake. She additionally appears in a manga novelization of the game, and in a comic series published in Famitsu. In Japanese the character is voiced by Atsuko Tanaka, while her English voice actress is uncredited.

References

  1. 1 2 3 4 Riendeau, Danielle (2013-07-31). "Dragon's Crown review: heavy metal". Polygon . Archived from the original on 2019-12-23. Retrieved 2019-11-24.
  2. 1 2 3 4 5 6 Juba, Joe (2013-08-06). "The Beginner's Guide To Dragon's Crown". Game Informer . Archived from the original on 2019-08-25. Retrieved 2019-12-30.
  3. 1 2 3 "Dragon's Crown Pro - System". Dragon's Crown Pro Website. Archived from the original on 2019-12-28. Retrieved 2019-12-30.
  4. 1 2 3 4 5 6 7 8 9 10 11 Brown, Peter (2013-08-01). "Dragon's Crown Review". GameSpot. Archived from the original on 2019-12-03. Retrieved 2015-01-24.
  5. 1 2 Dawson, Bryan (2013-08-05). "Dragon's Crown: Beginner's Tips". Prima Games . Archived from the original on 2019-12-24. Retrieved 2019-12-30.
  6. 1 2 3 4 5 6 7 8 Speer, Justin. "Dragon's Crown Review". GameTrailers . Archived from the original on 2013-11-11. Retrieved 2013-08-01.
  7. 1 2 3 4 5 6 Carter, Chris (2013-08-06). "How to rock the dragon". Destructoid . Archived from the original on 2014-02-10. Retrieved 2019-12-30.
  8. ↑ Yip, Spencer (2013-06-21). "The Sorceress and the Saber-Toothed Cat". Siliconera. Archived from the original on 2014-09-11. Retrieved 2019-12-30.
  9. ↑ Moriarty, Colin (2013-07-09). Dragon's Crowns Loot and Equipment Systems, Fully Explained (YouTube) (Video). IGN . Retrieved 2019-12-30.
  10. 1 2 3 4 5 6 7 8 9 10 11 12 Moriarty, Colin (2013-07-31). "Dragon's Crown Review". IGN . Archived from the original on 2014-06-04. Retrieved 2015-01-24.
  11. 1 2 Moriarty, Colin (2013-07-08). Explore the Six Character Classes of Dragons Crown (YouTube) (Video). IGN . Retrieved 2019-12-30.
  12. 1 2 "Dragon's Crown on PlayStation 3™ and PlayStation Vita™ Receiving a Patch in Preparation for Dragon's Crown Pro". Atlus . 2018-03-19. Archived from the original on 2019-04-04. Retrieved 2019-12-30.
  13. 1 2 Barnett, Brian (2017-12-06). "Dragon's Crown Pro Announced For The West". IGN . Archived from the original on 2018-02-14. Retrieved 2019-12-30.
  14. 1 2 Sato, Ike (2013-07-23). "Dragon's Crown Will Have Three Difficulties, Each With Its Own Level Cap". Siliconera. Archived from the original on 2019-12-26. Retrieved 2019-12-30.
  15. 1 2 3 4 Lien, Tracey (2013-12-20). "Dragon's Crown just got a lot harder". Polygon . Archived from the original on 2016-03-16. Retrieved 2019-12-30.
  16. 1 2 Reese, Zack (2013-08-06). "Dragon's Crown Review". RPG Site. Archived from the original on 2017-06-02. Retrieved 2020-02-04.
  17. 1 2 3 4 5 6 7 8 9 10 ヴァニラウェアは命がけでゲームを作る会社――クリエイター神谷盛治氏・ロングインタビュー (in Japanese). 4Gamer.net. 2013-05-21. Archived from the original on 2016-02-20. Retrieved 2016-10-08.
  18. 1 2 3 4 Miekle, Jason (2017-01-04). "Vanillaware's Kamitani on Keeping the 2D Flame Alive in the Age of 3D". Rolling Stone . Archived from the original on 2017-02-03. Retrieved 2017-03-24.
  19. 1 2 3 4 5 6 7 8 9 10 「ドラゴンズクラウン」は自分が一番作りたかったゲーム――ヴァニラウェアの神谷盛治氏に，完成までの道のりを聞く. 4Gamer.net (in Japanese). 2013-07-26. Archived from the original on 2014-02-23. Retrieved 2020-01-18.
  20. 1 2 Gifford, Kevin (2011-06-08). "Vanillaware's George Kamitani on Dragon's Crown". 1UP.com . Archived from the original on 2012-10-19. Retrieved 2020-01-18.
  21. ↑ Kamitani, George (2013-08-06). Dragon's Crown Artworks. Atlus. p. 56. ASIN   B007V9QKH0.
  22. 1 2 Yip, Spencer (2011-06-20). "Dragon's Crown Interview Details Creation Of Vanillaware's 13 Year Old Game". Siliconera. Archived from the original on 2012-10-13. Retrieved 2020-01-18.
  23. 1 2 3 Sato, Ike (2019-11-29). "Dragon's Crown was Initially Planned for Wii, Capcom Passed on Muramasa Pitch". Siliconera. Archived from the original on 2019-12-02. Retrieved 2019-12-09.
  24. 1 2 Kamitani, George (2013-08-06). Dragon's Crown Artworks. Atlus. p. 3. ASIN   B007V9QKH0.
  25. ↑ Jabbari, Aram (19 April 2012). "Dragon's Crown Update: Atlus Assumes Publishing Duties for PS Vita, PS3". PlayStation Blog. Archived from the original on 2012-05-05. Retrieved 2012-04-19.
  26. 1 2 Vanillaware (2013-08-06). Dragon's Crown (PlayStation 3, PlayStation Vita). Atlus. Scene: Credits.
  27. 1 2 3 4 5 Kain, Erik (2013-08-16). "'Dragon's Crown' Developer George Kamitani Talks Gameplay, Controversy". Forbes . Archived from the original on 2013-11-05. Retrieved 2019-12-09.
  28. ↑ Romano, Sal (2013-07-25). "Dragon's Crown is VanillaWare's most expensive project". Gematsu. Archived from the original on 2013-07-29. Retrieved 2019-12-09.
  29. 1 2 Pereira, Chris (2011-06-07). "Odin Sphere and Muramasa Developer's First HD Game is Dragon's Crown". 1UP.com . Archived from the original on 2012-10-19. Retrieved 2019-12-09.
  30. ↑ Yip, Spencer (2012-05-01). "Grand Knights History Canceled For North America". Siliconera. Archived from the original on 2013-05-21. Retrieved 2019-12-09.
  31. 1 2 3 4 Massey, Tom (2016-05-30). "A game developer's story with Vanillaware's Kentaro Ohnishi". Eurogamer . Archived from the original on 2016-06-06. Retrieved 2016-10-10.
  32. 1 2 かくして快作『十三機兵防衛圏』は生まれり──インタビュー・総括編。｢キラキラしたものを詰め込んだ」開発のヴァニラウェア神谷盛治氏らに訊く. Famitsu (in Japanese). 2019-12-11. Archived from the original on 2019-12-11. Retrieved 2019-12-12.
  33. 1 2 Schreier, Jason (2013-04-26). "The Artist Behind Dragon's Crown Explains His Exaggerated Characters". Kotaku . Archived from the original on 2015-09-05. Retrieved 2019-12-30.
  34. 1 2 3 4 Sakimoto, Hitoshi (2015-11-30). "Dragon's Crown Original Soundtrack booklet". (in Japanese) Basiscape Records. pp. 7-9. BSPE-1051~3. Retrieved on 2020-01-18.
  35. 1 2 3 Hughes, Sam (2016-06-25). "Interview with Dragon's Crown Composer, Hitoshi Sakimoto!". The Sound Architect. Archived from the original on 2019-12-27. Retrieved 2020-01-18.
  36. ↑ ドラゴンズクラウン オリジナル・サウンドトラック. Basiscape (in Japanese). Archived from the original on 2019-07-01. Retrieved 2020-01-18.
  37. ↑ Wilkes, Brenna (2016-04-01). "Dragon's Crown Original Soundtrack Now Out On iTunes". Original Sound Version. Archived from the original on 2017-06-02. Retrieved 2020-01-18.
  38. ↑ Huynh, Christopher (2016-04-01). "Dragon's Crown Original Soundtrack". Video Game Music Online. Archived from the original on 2019-12-27. Retrieved 2020-01-18.
  39. ↑ Urrea, Sebasitna (2015-12-05). "Dragon's Crown Original Soundtrack (Review)". Original Sound Version. Archived from the original on 2016-02-21. Retrieved 2020-01-18.
  40. ↑ PS3とPS Vitaで2DのA･RPGが究極進化！『ドラゴンズクラウン』インタビュー!!. Dengeki Online (in Japanese). 2011-07-08. Archived from the original on 2011-07-10. Retrieved 2020-01-18.
  41. ↑ Romano, Sal (2012-04-19). "Ignition, Atlus execs on Dragon's Crown switch". Gematsu. Archived from the original on 2012-07-29. Retrieved 2020-01-18.
  42. ↑ Kubba, Sinan. "Dragon's Crown reigns in new trailer, bonus art book unveiled". Joystiq. Archived from the original on 2013-10-05. Retrieved 2013-03-21.
  43. ↑ Madnani, Mikhail (2015-04-06). "Atlus Interview: Localisation, Localisation, Localisation". God is a Geek. Archived from the original on 2016-03-04. Retrieved 2015-04-07.
  44. ↑ "PCB - Credits". PCB Productions. Archived from the original on 2019-02-16. Retrieved 2019-07-16.
  45. ↑ Moriarty, Colin (2013-04-23). "This Is Dragon Crown's Release Date on PS3 and Vita". IGN. Archived from the original on 2013-07-15. Retrieved 2013-05-12.
  46. ↑ Karmali, Luke (2013-08-15). "Dragon's Crown Europe and Australia Release Dates". IGN. Archived from the original on 2014-12-30. Retrieved 2013-08-15.
  47. ↑ "UPDATED: Dragon's Crown pulled from PSN amid NIS America and Atlus fall out". MCV . 2016-06-30. Archived from the original on 2020-01-04. Retrieved 2020-01-18.
  48. ↑ Pitcher, Jenna (2013-05-30). "Dragon's Crown free DLC offers six different voice narrations". Polygon . Archived from the original on 2013-07-10. Retrieved 2020-01-18.
  49. ↑ Hilliard, Kyle (2013-08-23). "Dragon's Crown Patch Adds Diagonal Bomb Tossing Among Other Additions". Game Informer . Archived from the original on 2013-08-25. Retrieved 2020-02-04.
  50. ↑ Matulef, Jeffrey (2013-10-09). "Dragon's Crown to receive cross-play between Vita and PS3". Eurogamer . Archived from the original on 2014-02-16. Retrieved 2019-12-30.
  51. 1 2 「ドラゴンズクラウン」コミカライズ決定！. Atlus (in Japanese). 2013-10-10. Archived from the original on 2019-12-29. Retrieved 2020-01-18.
  52. 1 2 yuztanさんから発売記念イラスト＆コメントが到着！. Atlus (in Japanese). 2018-02-08. Archived from the original on 2019-09-19. Retrieved 2020-01-18.
  53. 1 2 Hodgkins, Crystalyn (2016-07-21). "Udon Ent. to Release Street Fighter Novel, Dragon's Crown Manga". Anime News Network . Archived from the original on 2018-08-18. Retrieved 2020-01-18.
  54. ↑ ドラゴンズクラウン （１）. Kadokawa Shoten (in Japanese). Archived from the original on 2019-12-29. Retrieved 2020-01-18.
  55. ↑ ドラゴンズクラウン （２）. Kadokawa Shoten (in Japanese). Archived from the original on 2019-12-29. Retrieved 2020-01-18.
  56. ↑ Ressler, Karen (2017-11-07). "North American Anime, Manga Releases, November 5–11". Anime News Network . Archived from the original on 2019-07-30. Retrieved 2020-01-18.
  57. ↑ Ressler, Karen (2018-10-16). "North American Anime, Manga Releases, October 14–20". Anime News Network . Archived from the original on 2019-05-02. Retrieved 2020-01-18.
  58. ↑ ノベライズ決定!. Atlus (in Japanese). 2016-06-23. Archived from the original on 2019-12-29. Retrieved 2020-01-18.
  59. ↑ 『ドラゴンズクラウン』アートブックがいよいよ本日（11月30日）発売！. Famitsu (in Japanese). 2015-11-30. Archived from the original on 2019-12-30. Retrieved 2020-01-18.
  60. ↑ "Dragon's Crown: Official Artworks - Pre-Order Available". Udon Entertainment . 2019-06-13. Archived from the original on 2019-12-30. Retrieved 2020-01-18.
  61. ↑ "This Dragon's Crown Statue Probably Isn't Safe For Work". Siliconera. 2013-08-15. Archived from the original on 2019-12-30. Retrieved 2020-01-18.
  62. ↑ "New Dragon's Crown Figure Is A Nightmare Of Muscles". Siliconera. 2015-11-13. Archived from the original on 2019-12-30. Retrieved 2020-01-18.
  63. 1 2 3 より美しく，遊びやすくなった「ドラゴンズクラウン・プロ」プレイレポート。グラフィックスの魅力を4K解像度の画像や制作者コメントで紹介. 4Gamer.net (in Japanese). 2018-02-05. Archived from the original on 2018-06-17. Retrieved 2020-01-18.
  64. ↑ Sato, Ike (2017-10-17). "Dragon's Crown Pro Gets Delayed A Couple Weeks In Japan But Gets A Tabletop RPG First-Print Bonus". Siliconera. Archived from the original on 2020-01-18. Retrieved 2020-01-18.
  65. ↑ Romano, Sal (2018-02-08). "Dragon's Crown Pro launches May 15 in the Americas and Europe". Gematsu. Archived from the original on 2018-02-09. Retrieved 2018-02-08.
  66. ↑ "What Is This Sorcery? See the Difference Between HD and 4K in the Dragon's Crown Pro 4K Comparison Trailer". Gamasutra . 2018-04-30. Archived from the original on 2020-01-21. Retrieved 2020-01-21.
  67. 1 2 「新録オーケストラＢＧＭ」を試聴動画にて先行公開！. Atlus (in Japanese). 2017-11-10. Archived from the original on 2019-09-19. Retrieved 2020-01-18.
  68. ↑ Chiba, Azusa (2018-02-08). 千葉梓 - 3:05 AM - 8 Feb 2018. Twitter (in Japanese). Archived from the original on 2020-01-04. Retrieved 2020-01-18.
  69. ↑ 『十三機兵防衛圏』と『ドラゴンズクラウン・プロ』のサントラが2020年2月27日に同時リリース決定！. Famitsu (in Japanese). 2019-12-16. Archived from the original on 2019-12-16. Retrieved 2020-01-18.
  70. ↑ 『十三機兵防衛圏』と『ドラゴンズクラウン・プロ』サントラCD、ヴァニラウェアによる描き下ろしジャケットが公開. Famitsu (in Japanese). 2020-01-17. Archived from the original on 2020-01-18. Retrieved 2020-01-18.
  71. 1 2 "Dragon's Crown for PlayStation 3". Metacritic . Archived from the original on 2019-01-27. Retrieved 2015-01-24.
  72. 1 2 "Dragon's Crown for PlayStation Vita". Metacritic . Archived from the original on 2019-03-28. Retrieved 2015-01-24.
  73. 1 2 "Dragon's Crown for PlayStation 4". Metacritic . Archived from the original on 2019-04-18.
  74. 1 2 3 4 Carter, Chris (2013-07-31). "Review: Dragon's Crown". Destructoid. Archived from the original on 2014-03-22. Retrieved 2015-01-24.
  75. 1 2 Moyse, Chris (2018-05-08). "Review: Dragon's Crown Pro". Destructoid . Archived from the original on 2019-10-08. Retrieved 2020-01-19.
  76. 1 2 3 4 Fitch, Andrew (2013-08-01). "Dragon's Crown review". Electronic Gaming Monthly . Archived from the original on 2019-12-29. Retrieved 2019-12-30.
  77. 1 2 Patterson, Mollie (2018-05-08). "Dragon's Crown Pro review". Electronic Gaming Monthly . Archived from the original on 2019-12-29. Retrieved 2020-01-19.
  78. 1 2 3 4 5 Robinson, Martin (2013-10-09). "Dragon's Crown review". Eurogamer . Archived from the original on 2015-06-09. Retrieved 2019-12-30.
  79. 1 2 3 4 5 6 7 Gifford, Kevin (2013-07-17). "Japan Review Check: Ace Attorney 5, Dragon's Crown". Polygon . Archived from the original on 2014-04-02. Retrieved 2016-06-12.
  80. 1 2 3 4 5 Cowan, Danny (2013-07-31). "Dragon's Crown review: King of brawlers". Joystiq. Archived from the original on 2014-02-18. Retrieved 2015-01-24.
  81. 1 2 3 Steinman, Robert (2013-07-31). "Review: Dragon's Crown". RPGFan. Archived from the original on 2014-03-30.
  82. 1 2 Hagues, Alana (2018-05-09). "Review: Dragon's Crown Pro". RPGFan. Archived from the original on 2018-10-10. Retrieved 2020-01-19.
  83. ↑ "2013 NAVGTR Winners". National Academy of Video Game Trade Reviewers. 2014-02-17. Archived from the original on 2019-09-28. Retrieved 2020-01-19.
  84. ↑ MacGregor, Kyle (2013-08-02). "Dragon's Crown had a strong opening week in Japan". Destructoid . Archived from the original on 2014-02-12. Retrieved 2020-01-20.
  85. ↑ Kubba, Sinan (2013-08-02). "Dragon's Crown ships 300K across first week in Japan". Joystiq. Archived from the original on 2013-08-10. Retrieved 2016-09-20.
  86. ↑ Hindman, Heath (2013-12-29). "Japanese PSN's Most Downloaded Games of 2013". PlayStation LifeStyle. Archived from the original on 2015-07-21. Retrieved 2013-12-29.
  87. ↑ Sinclair, Brendan (2013-12-03). "Dragon's Crown ships 800,000". GameIndustry.biz . Archived from the original on 2016-12-06. Retrieved 2020-01-20.
  88. ↑ 『ドラゴンズクラウン・プロ』PS4で完成度に磨きがかかったゲーム内容が公開. Famitsu (in Japanese). 2017-09-29. Archived from the original on 2019-12-14. Retrieved 2020-01-20.
  89. 1 2 McFerran, Damien (2014-06-24). "Soapbox: Was Dragon's Crown Just A Joke That Nobody Got?". Push Square. Archived from the original on 2019-05-30. Retrieved 2019-12-30.
  90. 1 2 Schreier, Jason (2013-04-23). "The Real Problem With That Controversial, Sexy Video Game Sorceress [UPDATE]". Kotaku . Archived from the original on 2019-11-05. Retrieved 2019-11-24.
  91. 1 2 McLaughlin, Rus (2013-06-11). "Why Dragon's Crown didn't turn me on (hands-on preview)". VentureBeat . Archived from the original on 2019-05-30. Retrieved 2019-11-24.
  92. 1 2 Nutt, Christian (2013-04-23). "Dragon's Crown, George Kamitani, and being stupid on Facebook". Gamasutra . Archived from the original on 2019-04-08. Retrieved 2019-12-30.
  93. ↑ Cunningham, James (2013-04-27). "Failure to Communicate, George Kamitani Edition". Hardcore Gamer. Archived from the original on 2019-05-30. Retrieved 2019-11-24.

Notes

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.