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Elocution is the study of formal speaking in pronunciation, grammar, style, and tone as well as the idea and practice of effective speech and its forms. It stems from the idea that while communication is symbolic, sounds are final and compelling. [1] [2] It came into popularity in England in the eighteenth and nineteenth centuries and in America during the nineteenth century. It benefitted both men and women in different ways but overall the concept was there to teach both how to become better, more persuasive speakers, standardize errors in spoken and written English, as well as the beginnings of the formulation of argument were discussed here.
In Western classical rhetoric, elocution was one of the five core disciplines of pronunciation, which was the art of delivering speeches. Orators were trained not only on proper diction, but on the proper use of gestures, stance, and dress. There was a movement in the eighteenth century to standardize English writing and speaking and elocution was a part of this movement, with the help of Sheridan and Walker. [3] (Another area of rhetoric, elocutio, was unrelated to elocution and, instead, concerned the style of writing proper to discourse.)
Elocution emerged as a formal discipline during the eighteenth century. One of its important figures was Thomas Sheridan, actor and father of Richard Brinsley Sheridan. Thomas Sheridan's lectures on elocution, collected in Lectures on Elocution (1762) and his Lectures on Reading (1775), provided directions for marking and reading aloud passages from literature. Another actor, John Walker, published his two-volume Elements of Elocution in 1781, which provided detailed instruction on voice control, gestures, pronunciation, and emphasis. Sheridan had a lot of ground to cover with having to be one of the first to establish great ideas about this subject, speaking more vaguely on subjects, but promising to explain them further. While Walker's approach was an attempt to put in place rules and a system on the correct form of elocution. A reason these books gained traction was that both authors took a scientific approach and made rhetorically-built arguments in a time period where manual-styled, scientific, how-to books were popular. [4] Including these were "over four hundred editions" of grammar and "two hundred fifteen editions" of dictionary books that became available to the public in the 1700s, "five times more ... after 1750" than prior. [4] This was because education held a heavier weight in social status so therefore upper-class, higher educated people were reading these books as well as whoever else wanted to have the appearance of more gentleman or lady-like class than they may have been from. [5]
With the publication of these works and similar ones, elocution gained wider public interest. While training on proper speaking had been an important part of private education for many centuries, the rise in the nineteenth century of a middle class in Western countries (and the corresponding rise of public education) led to great interest in the teaching of elocution, and it became a staple of the school curriculum. American students of elocution drew selections from what were popularly deemed "Speakers." By the end of the century, several Speaker texts circulated throughout the United States, including McGuffey's New Juvenile Speaker, the Manual of Elocution and Reading, the Star Speaker, and the popular Delsarte Speaker. Some of these texts even included pictorial depictions of body movements and gestures to augment written descriptions.[ citation needed ]
The era of the elocution movement, defined by the likes of Sheridan and Walker, evolved in the early and mid-1800s into what is called the scientific movement of elocution, defined in the early period by James Rush's The Philosophy of the Human Voice (1827) and Richard Whately's Elements of Rhetoric (1828), and in the later period by Alexander Melville Bell's A New Elucidation of Principles of Elocution (1849) and Visible Speech (1867).
In her recent book The Elocutionists: Women, Music, and the Spoken Word (University of Illinois Press, 2017), Marian Wilson Kimber addresses the oft-forgotten, female-dominated genre of elocution set to musical accompaniment in the United States.
In his recent article, "The Artful Woman": Mrs. Ellis and the Domestication of Elocution" (Rhetoric Review39, 2020), Don Paul Abbott writes about Sarah Stickney Ellis and her work Young Ladies Reader (1845) and its impact on women's lives in the nineteenth century. Ellis' work, as well as others that were published around the same time, had compilations of other authors' works. Ellis had intended her work to be for other women, therefore she compiled a number of women's writings in her work, as did other authors more or less dependent on specific ones. [6] This was still during a time when it was well believed that women and men lived in "separate spheres". [6] Ellis had not gone to the lengths that Sheridan and Walker did when it came to developing theories and rules for elocution but she made it clear through her writing that she believed that the spoken word was powerful and mastering it "deserves the attention" of ladies all around. [6] She comes to this idea of "The Artful Woman", a concept of a lady who is able to persuade others, specifically mentioning her husband. According to Abbott, Ellis believes that she had empowered women in their own sphere, so much so he argues in his journal article that it is possible she delayed women stepping "from the parlor to the podium". [6]
An example can be seen in the Table of Contents of McGuffey's New Sixth Eclectic Reader of 1857:
Jason Munsell, a communications and speech professor, theorizes that part of elocution is strategic movement and visuals. This is suggested due to a major portion of communication occurring digitally. [7] In his journal article from 2011, he wrote that the writings of elocution during the mid-nineteenth century aided women in becoming rhetorically empowered. [8] Munsell, when examining a bulletin from the time period, makes an argument that elocution may have been the beginning of the rhetoric concept of Literary theory, "The bulletin also explained that the function of elocution was to discover possible meanings of a reading, to learn how to express those meanings, then to discover the intended purpose." [8]
Rhetoric is the art of persuasion, which along with grammar and logic is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style, memory, and delivery.
Thomas Sheridan was an Irish stage actor, an educator, and a major proponent of the elocution movement. He received his M.A. in 1743 from Trinity College in Dublin, and was the godson of Jonathan Swift. He also published a "respelled" dictionary of the English language (1780). He was married (1747) to Frances Chamberlaine. His son was the better known Richard Brinsley Sheridan, while his daughters were also writers - Alicia, a playwright, and Betsy Sheridan a diarist. His work is very noticeable in the writings of Hugh Blair.
Madeleine de Scudéry, often known simply as Mademoiselle de Scudéry, was a French writer.
Ethos is a Greek word meaning "character" that is used to describe the guiding beliefs or ideals that characterize a community, nation, or ideology; and the balance between caution, and passion. The Greeks also used this word to refer to the power of music to influence emotions, behaviors, and even morals. Early Greek stories of Orpheus exhibit this idea in a compelling way. The word's use in rhetoric is closely based on the Greek terminology used by Aristotle in his concept of the three artistic proofs or modes of persuasion. It gives credit to the speaker, or the speaker is taking credit.
Performance studies is an interdisciplinary academic field that uses performance as a lens and a tool to study the world. The term performance is broad, and can include artistic and aesthetic performances like concerts, theatrical events, and performance art; sporting events; social, political and religious events like rituals, ceremonies, proclamations and public decisions; certain kinds of language use; and those components of identity which require someone to do, rather than just be, something. According to Mary S. Strine, Beverly W. Long, and Mary Frances HopKins, "scholars in interpretation and performance... recognize and expect disagreement not only about the qualities that make a performance "good" or "bad" in certain contexts, but also about what activities and behaviors appropriately constitute performance and not something else." Consequently, performance studies is an interdisciplinary field, drawing from theories and methods of the performing arts, anthropology, sociology, literary theory, cultural studies, speech communication, and others.
Aristotle's Rhetoric is an ancient Greek treatise on the art of persuasion, dating from the 4th century BCE. The English title varies: typically it is titled Rhetoric, the Art of Rhetoric, On Rhetoric, or a Treatise on Rhetoric.
Gilbert Austin (1753–1837) was an Irish educator, clergyman and author. Austin is best known for his 1806 book on chironomia, Chironomia, or a Treatise on Rhetorical Delivery. Heavily influenced by classical writers, Austin stressed the importance of voice and gesture to a successful oration.
Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms.
John Thelwall was a radical British orator, writer, political reformer, journalist, poet, elocutionist and speech therapist.
William Russell was an educator and elocutionist. He was formally educated in the Latin school and in the university of Glasgow; and, he came to the US in 1819, wherein that year, he took charge of Chatham Academy in Savannah, Georgia. He moved to New Haven, Connecticut, a few years later, and there he taught in the New Township Academy and also in the Hopkins Grammar School. He then devoted himself to the instruction of classes in elocution in Andover, Harvard, and Boston, Massachusetts. He edited the American Journal of Education 1826–1829. In 1830, he taught in a girls' school in Germantown, Pennsylvania, for a time with Bronson Alcott. He resumed his elocution classes in Boston and Andover in 1838, and he lectured extensively in New England and in New York State. He established a teachers' institute in New Hampshire in 1849, which he then moved to Lancaster, Massachusetts, in 1853. His subsequent life was devoted to lecturing, for the most part, before the Massachusetts teachers' institutes, under the guidance and instruction of the state board of education.
Debating societies emerged in London in the early eighteenth century, and were a prominent feature of society until the end of the century. The origins of the debating societies are not certain, but by the mid-18th century, London fostered an active debating culture. Topics ranged from current events and governmental policy, to love and marriage, and the societies welcomed participants from all genders and all social backgrounds, exemplifying the enlarged public sphere of the Age of Enlightenment.
Declamation is an artistic form of public speaking. It is a dramatic oration designed to express through articulation, emphasis and gesture the full sense of the text being conveyed.
George Vandenhoff was an English actor and elocutionist who performed in Britain and the United States.
William Cockin was an English schoolmaster and versatile author.
Feminist rhetoric emphasizes the narratives of all demographics, including women and other marginalized groups, into the consideration or practice of rhetoric. Feminist rhetoric does not focus exclusively on the rhetoric of women or feminists, but instead prioritizes the feminist principles of inclusivity, community, and equality over the classic, patriarchal model of persuasion that ultimately separates people from their own experience. Seen as the act of producing or the study of feminist discourses, feminist rhetoric emphasizes and supports the lived experiences and histories of all living beings and in all manner of experiences, and it redefines traditional delivery sites to include the non-traditional locations such as demonstrations, letter writing, and digital processes. An important distinction is made between "feminist rhetoric" and "rhetorical feminism": rhetorical feminism is a strategy that counters traditional forms of rhetoric, favoring dialogue over monologue and seeking to redefine the way audiences define rhetorical appeals. Rhetorical feminism also values listening and silence as dynamic rhetorical practices.
Maria Brace Kimball was an American elocutionist who taught, lectured, and wrote on the subject. She was an instructor in elocution and lecturer on dramatic literature in the American Academy of Dramatic Arts; lecturer on French theatre and dramatic literature in schools; teacher of elocution in Brearley School, New York City, 1883–92. She was the author of A Text Book of Elocution (1892) and A Soldier-doctor of our army, James P. Kimball (1917), as well as various contributions to periodicals.
John Celivergos Zachos was a Greek-American physician, literary scholar, elocutionist, author, lecturer, inventor, and educational pioneer. He was an early proponent of equal education rights for African Americans and women. He advocated and expanded the Oratory systems of François Delsarte and James Rush.
Nancie Schermerhorn Struever is an American historian of the Renaissance. She is a professor emerita in the department of comparative thought and literature at the Johns Hopkins Zanvyl Krieger School of Arts and Sciences where she joined the faculty in 1974. Struever was previously a professor at the Hobart and William Smith Colleges.
Richard Leo Enos is an American rhetorician noted for his contributions to the history of rhetoric. Since the 1970s he has promoted primary research on rhetoric by examination of archaeological materials and epigraphical evidence.
National School of Elocution and Oratory was an American school for speech arts, focused on rhetoric and elocution. It was established by Jacob and Rachel H. Shoemaker in Philadelphia, 1873. Attention was given to conversation and oratory, vocal culture, reading, and recitation. It awarded Bachelor's and master's degrees. From 1915, their daughter, Dora Adele Shoemaker, served as principal, renaming the school "Shoemaker School of Speech and Drama" and adding coursework in journalism and radio technique. The school closed in the late 1930s.
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