Wingspread, also known as the Herbert F. Johnson House, is a historic house in Wind Point, Wisconsin. It was built in 1938–39 to a design by Frank Lloyd Wright for Herbert Fisk Johnson Jr., then the president of S.C. Johnson, and was considered by Wright to be one of his most elaborate and expensive house designs to date. The property is now a conference center operated by The Johnson Foundation. It was designated a National Historic Landmark in 1989.
The Round Church, also known as the Old Round Church, is a historic church on Round Church Road in Richmond, Vermont. Built in 1812–1813, it is a rare, well-preserved example of a sixteen-sided meeting house. It was built to serve as the meeting place for the town as well as five Protestant congregations. Today it is maintained by the Richmond Historical Society and is open to the public during the summer and early fall, It is also available for weddings and other events. It was declared a National Historic Landmark in 1996 for the rarity of its form and its exceptional state of preservation.
The Ecumenical Theological Seminary is a private seminary in Detroit, Michigan. Founded in 1980 as the Ecumenical Theological Center, the seminary offers graduate degrees and certificates in religious studies. It is housed in a building built in 1889 to house the First Presbyterian Church; the seminary began leasing the building in 1992 and was donated the building, lands, and endowment in 2002.
The Frederick Stearns Building is a manufacturing plant located at 6533 East Jefferson Avenue in Detroit, Michigan. The building was listed on the National Register of Historic Places in 1980 and designated a Michigan State Historic Site in 1981. It has been converted to condominiums.
The Weathersfield Center Historic District encompasses a small cluster of buildings and a historic site at the geographic center of the town of Weathersfield, Windsor County, Vermont, United States. It includes the town's second church building, the home of its first settled minister, and an early stone animal pound. It was listed on the National Register of Historic Places in 1980.
The Wolfeboro Centre Community Church is a historic church on New Hampshire Route 109 in Wolfeboro Center, New Hampshire. Built in 1841 for two separate congregations, it is a well-preserved example of a rural mid-19th century church. The building was listed on the National Register of Historic Places in 1984.
The Starksboro Village Meeting House is a historic church and town hall on Vermont Route 116 in the village center of Starksboro, Vermont. It was built in 1838 as a cooperative venture between three church congregations and the town, and is a fine local example of Gothic Revival architecture. It was listed on the National Register of Historic Places in 1985.
The Cambridge Meetinghouse, also known locally as the Old Brick Church is a historic meetinghouse at 85 Church Street in Jeffersonville, the main village of Cambridge, Vermont. Built in 1826 as a union church for several denominations, it began use as the local town hall in 1866, a use that continued to 1958. It was listed on the National Register of Historic Places in 1981. It presently houses the local post office.
The Daniel T. Newcome Double House, also known as Brady Manor, is a historic building located on the Brady Street Hill in Davenport, Iowa, United States. It has been listed on the National Register of Historic Places since 1983.
Povey Brothers Studio, also known as Povey Brothers Art Glass Works or Povey Bros. Glass Co., was an American producer of stained glass windows based in Portland, Oregon. The studio was active from 1888 to 1928. As the largest and best known art glass company in Oregon, it produced windows for homes, churches, and commercial buildings throughout the West. When the firm was founded in 1888, it was the only creative window firm in Portland, then a city of 42,000 residents.
The Howe-Quimby House is a historic house on Sugar Hill Road in Hopkinton, New Hampshire. Built about 1780, it is a well-preserved example of a rural 18th-century farmhouse with later stylistic modifications. The house was listed on the National Register of Historic Places in 1980.
The Dame School is a historic meeting house, school, and now local historical museum, on New Hampshire Route 152 in Nottingham, New Hampshire. The single story wood-frame Greek Revival structure was built in 1840 as a church; according to local legend, timbers from a 1740 church were used in its construction. Its main facade has a simple entrance topped by a transom window, and flanked by a pair of windows. The building is topped by a three-stage tower, whose second stage houses a belfry, and whose spire is topped by a weathervane in the shape of a quill pen. It was used as a meeting house until about 1878, with its dual use as a school beginning c. 1870. It was dedicated for academic use in 1878, after the local Universalist congregation which had been using for services, built its own dedicated building. This building is said to have acquired its distinctive weathervane as a gift in 1870 from schoolmaster Bartholomew Van Dame.
The Garber House is a historic house on Lempster Coach Road in Goshen, New Hampshire. Built about 1835, it is one of a cluster of plank-frame houses in the rural community, which at one time had an unusually fine Greek Revival entry surround. The house was listed on the National Register of Historic Places on June 21, 1985.
The Protectworth Tavern, also known as the Stickney Tavern, is a historic house on New Hampshire Route 4A in Springfield, New Hampshire. It is a nearly-intact example of a late-Georgian early-Federal vernacular house, dating to the time of the construction of the "Fourth New Hampshire Turnpike", a major early highway through this region of central New Hampshire whose route is followed here by Route 4A. The house was long used as a tavern, and one of its early owners was Daniel Noyes, a proprietor of the Turnpike. Meetings of the Turnpike's owners are known to have taken place here. A later owner, Nathaniel Stickney, was also a stagecoach driver on the route. The house was listed on the National Register of Historic Places in 1980.
The Edward Sewall Garrison is a historic house at 16 Epping Road in Exeter, New Hampshire. With a construction history dating to 1676, it is one of New Hampshire's oldest buildings, and is a rare example of a formerly fortified garrison house in its original location. The house was listed on the National Register of Historic Places in 1980.
The Deerfield Town House is the town hall of Deerfield, New Hampshire. Built in 1856, it is one of the state's finest examples of public Greek Revival architecture. The building was listed on the National Register of Historic Places in 1980, as "Town House".
The John Strong Mansion Museum or John Strong House is a historic house museum on Vermont Route 17W in Addison, Vermont. It was built in 1795-96 by John Strong, a Vermont politician and veteran of the American Revolutionary War. It is one of Vermont's grandest examples of late 19th-century Federal architecture. It is now operated as a museum by the Daughters of the American Revolution, open between Memorial Day and Labor Day. It is surrounded by D.A.R. State Park. The house was listed on the National Register of Historic Places in 1980.
The Dykes Sorensen House, at 2nd East St. in Ephraim, Utah, is a pair-house built around 1865–1875. It was listed on the National Register of Historic Places in 1982.
A pair-house is a three-room house found in the US built in the 19th century by Scandinavian immigrants as an adaptation of common houses from their homeland. Commonly found in the US state of Utah, pair-houses are historically significant as being representative of ethnic diversity in an area and time that favored uniformity among followers of the Church of Jesus Christ of Latter-day Saints. A number of pair-houses are listed on the National Register of Historic Places.
The Louis Fredrick House is a house designed by Frank Lloyd Wright at 19 W. County Line Road in Barrington, Illinois. The house was built in 1957 for Louis Fredrick, an affluent interior designer. The house's design is typical of Wright's later work, in which he adapted his Usonian design principles to larger homes for wealthier clients. Fredrick played a role in the design process as well, rejecting Wright's original plan on account of its concrete block walls and providing input on decisions such as coloring. The house's design includes a brick exterior, long horizontal window bands, a low roof covered with cedar shakes, and a large chimney.
