Exile on Main St. is the tenth studio album by the English rock band the Rolling Stones, released on 12 May 1972, by Rolling Stones Records. The 10th released in the UK and 12th in the US, it is viewed as a culmination of a string of the band's most critically successful albums, following Beggars Banquet (1968), Let It Bleed (1969) and Sticky Fingers (1971). Exile on Main St. is known for its murky, inconsistent sound due to more disjointed musicianship and production, along with a party-like atmosphere heard in several tracks.
Let It Bleed is the eighth studio album by the English rock band the Rolling Stones, released on 28 November 1969 by London Records in the United States and on 5 December 1969 by Decca Records in the United Kingdom. Released during the band's 1969 American Tour, it is the follow-up to Beggars Banquet (1968), and like that album is a return to the group's more blues-oriented approach that was prominent in the pre-Aftermath (1966) period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock.
Nicholas Christian Hopkins was an English pianist and organist. He performed on many popular and enduring British and American rock music recordings from the 1960s to the 1990s, most notably on songs recorded by the Rolling Stones, the Kinks, the Who, the Beatles, the Steve Miller Band, Jefferson Airplane, Rod Stewart, George Harrison, John Lennon, Paul McCartney, Ringo Starr, The Hollies, Cat Stevens, Carly Simon, Harry Nilsson, Joe Walsh, Peter Frampton, Jerry Garcia, Jeff Beck, Joe Cocker, Art Garfunkel, Badfinger, Graham Parker, Gary Moore, Quicksilver Messenger Service and Donovan. He is widely considered to be one of the greatest studio pianists in the history of popular rock music.
Between the Buttons is the fifth British and seventh American studio album by the English rock band the Rolling Stones, released on 20 January 1967 in the UK and 10 February in the US. Reflecting the band's brief foray into psychedelia and baroque pop balladry during the era, the album is among their most eclectic works; multi-instrumentalist Brian Jones frequently abandoned his guitar during the sessions in favour of instruments such as organ, marimba, dulcimer, vibraphone and kazoo. Keyboard contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor Jack Nitzsche. Between the Buttons would be the last album produced by Andrew Loog Oldham, who had, to this point, acted as the band's manager and produced all of their albums.
It's Only Rock 'n Roll is the 12th studio album by English rock band the Rolling Stones, released on 18 October 1974 by Rolling Stones Records. It was the last album to feature guitarist Mick Taylor; the songwriting and recording of the album's title track had a connection to Taylor's eventual replacement, Ronnie Wood. It's Only Rock 'n Roll combines the core blues and rock 'n' roll–oriented sound with elements of funk and reggae. It's Only Rock 'n Roll reached number one in the United States and number two in the UK.
Black and Blue is the thirteenth studio album by the English rock band the Rolling Stones, released on 23 April 1976 by Rolling Stones Records.
Emotional Rescue is the fifteenth studio album by English rock band the Rolling Stones, released on 23 June 1980 by Rolling Stones Records. Following the success of their previous album, Some Girls, their biggest hit to date, the Rolling Stones returned to the studio in early 1979 to start writing and recording its follow-up. Full-time members Mick Jagger (vocals), Keith Richards (guitar), Ronnie Wood (guitar), Bill Wyman (bass) and Charlie Watts (drums) were joined by frequent collaborators Ian Stewart (keyboards), Nicky Hopkins (keyboards), Bobby Keys (saxophone) and Sugar Blue (harmonica).
Rolling Stones Records was the record label formed by the Rolling Stones members Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman in 1970, after their recording contract with Decca Records expired. The label was initially headed by Marshall Chess, the son of Chess Records founder Leonard Chess. It was first distributed in the United States by Atlantic Records subsidiary Atco Records. On 1 April 1971, the band signed a distribution deal for five albums with Ahmet Ertegun, acting on behalf of Atlantic Records. In the US, the albums were distributed by Atlantic until 1984. In the UK, Rolling Stones Records were distributed by WEA from 1971 to 1977 and by EMI from 1978 to 1984. In 1986, Columbia Records started distributing it in the United States and CBS for the rest of the world until 1991. It was discontinued in 1992 when the band signed to Virgin Records, but the tongue and lips logo remains on all post-1970 Rolling Stones releases.
Metamorphosis is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records after the band's departure from Decca and Klein. Released in 1975, Metamorphosis centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970.
"Ventilator Blues" is a song by the English rock band the Rolling Stones that is included on their 1972 album Exile on Main St.
"No Expectations" is a song by English rock band the Rolling Stones featured on their 1968 album Beggars Banquet. It was first released as the B-side of the "Street Fighting Man" single in August 1968. The song was recorded in May 1968. Brian Jones' acoustic slide guitar on the recording represents one of his last major contributions before leaving the band.
"Midnight Rambler" is a song by English rock band The Rolling Stones, released on their 1969 album Let It Bleed. The song is a loose biography of Albert DeSalvo, who confessed to being the Boston Strangler.
"In Another Land" is a song by the Rolling Stones, released in December 1967 as the first single from the album Their Satanic Majesties Request, and credited solely to Bill Wyman. In America, London Records released it as a single a week before the album.
"You Got the Silver" is a song by the English rock and roll band the Rolling Stones from their 1969 album Let It Bleed. It was also released as the B-side to the "Let It Bleed" single in Japan.
"Memo from Turner" is a solo single by Mick Jagger, featuring slide guitar by Ry Cooder, from the soundtrack of Performance, in which Jagger played the role of Turner, a reclusive rock star. It was re-released in October 2007 on a 17-song retrospective compilation album The Very Best of Mick Jagger, making a re-appearance as a Jagger solo effort. After its original release in 1970, it was included on Rolling Stones compilations, such as Singles Collection: The London Years as a track credited to the Jagger/Richards songwriting partnership. "Memo from Turner" was ranked No. 92 in the 100 Greatest Guitar Songs list of Rolling Stone.
"Winter" is a song by the English rock and roll band the Rolling Stones featured on their 1973 album Goats Head Soup. Credited to singer Mick Jagger and guitarist Keith Richards, the song was actually composed by Jagger with the band's lead guitarist at the time, Mick Taylor. It was the first track recorded for the album and does not feature Richards.
"100 Years Ago" is a song by the English rock band the Rolling Stones featured on their 1973 album Goats Head Soup.
"Loving Cup" is a song by the Rolling Stones, which appears on their 1972 album Exile on Main St.
"Plundered My Soul" is a song by the English rock band the Rolling Stones, featured as a bonus track on the 2010 re-release of their 1972 album Exile on Main St.. It was the first song released by the band from the new recordings, limited-edition copies of the single shelved in independent stores on 17 April 2010, in honor of Record Store Day. The song charted at number 2 on Billboard's Singles Sales and number 42 on Billboard's Rock Songs Airplay. It also reached number 15 in France, and remained there for one week. The music video was directed by Jonas Odell.
The Tin Man Was a Dreamer is a studio album by English musician Nicky Hopkins, released in 1973 on Columbia Records. While Hopkins had long been well known for his distinctive, melodic style on piano and Wurlitzer electric piano, the album provided a rare opportunity to hear him sing, unlike his earlier solo releases The Revolutionary Piano of Nicky Hopkins and Jamming with Edward! The album was co-produced by Neil Young's regular producer, David Briggs, and featured contributions from George Harrison, Mick Taylor, Klaus Voormann and Hopkins's fellow Rolling Stones sidemen Bobby Keys and Jim Price.
