"Jumpin' Jack Flash" | ||||
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Single by the Rolling Stones | ||||
B-side | "Child of the Moon" | |||
Released |
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Recorded | 20 April 1968 | |||
Studio | Olympic, London | |||
Genre | ||||
Length | 3:42 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Jimmy Miller [5] | |||
Rolling Stones UK singles chronology | ||||
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Rolling Stones USsingles chronology | ||||
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Alternative release | ||||
Music videos | ||||
"Jumpin' Jack Flash" (With Makeup) on YouTube | ||||
"Jumpin' Jack Flash" (No Makeup) on YouTube |
"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones,released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by Rolling Stone magazine, [6] the song was seen as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums Aftermath (1966) (which did feature some blues songs), Between the Buttons (1967) and especially Their Satanic Majesties Request (1967). [4] [7] One of the group's most popular and recognisable songs,it has been featured in films and covered by numerous performers,notably Thelma Houston,Aretha Franklin,Tina Turner,Peter Frampton,Johnny Winter,Leon Russell and Alex Chilton. To date,it is the band's most-performed song;they have played it over 1,100 times in concert. [8]
One of the band’s most popular songs,it was ranked number 144 on Rolling Stone 's "The 500 Greatest Songs of All Time" list in 2021.
Written by Mick Jagger and Keith Richards, [5] recording on "Jumpin' Jack Flash" began during the Beggars Banquet sessions of 1968. Regarding the song's distinctive sound,guitarist Richards has said:
I used a Gibson Hummingbird acoustic tuned to open D, six string. Open D or open E, which is the same thing – same intervals – but it would be slackened down some for D. Then there was a capo on it, to get that really tight sound. And there was another guitar over the top of that, but tuned to Nashville tuning. I learned that from somebody in George Jones' band in San Antonio in 1964. The high-strung guitar was an acoustic, too. Both acoustics were put through a Philips cassette recorder. Just jam the mic right in the guitar and play it back through an extension speaker. [9]
Richards has stated that he and Jagger wrote the lyrics while staying at Richards' country house, when they were awoken one morning by the clumping footsteps of his gardener Jack Dyer walking past the window. Surprised, Jagger asked what it was, and Richards responded: "Oh, that's Jack – that's jumpin' Jack." The lyrics evolved from there. [9] [10] Humanities scholar Camille Paglia [11] speculated that the song's lyrics might have been partly inspired by William Blake's poem "The Mental Traveller": "She binds iron thorns around his head / And pierces both his hands and feet / And cuts his heart out of his side / To make it feel both cold & heat." The main riff is similar to their song "(I Can't Get No) Satisfaction".
Jagger said in a 1995 interview with Rolling Stone that the song arose "out of all the acid of Satanic Majesties. It's about having a hard time and getting out. Just a metaphor for getting out of all the acid things." [12] And in a 1968 interview, Brian Jones described it as "getting back to ... the funky, essential essence" following the psychedelia of Their Satanic Majesties Request. [7]
In his autobiography Stone Alone, Bill Wyman has said that he came up with the song's distinctive main guitar riff, working on it with Brian Jones and Charlie Watts before it was ultimately credited to Jagger and Richards. [13] In Rolling with the Stones, Wyman credits Jagger with vocals, Richards with guitar and bass guitar, Jones with guitar, Watts with drums and himself with organ on the track with producer Jimmy Miller adding backing vocals.
According to the book Keith Richards: The Biography by Victor Bockris, the line "I was born in a crossfire hurricane", was written by Richards, and refers to his being born amid the bombing and air raid sirens of Dartford, England, in 1943 during World War II.
Two promotional videos were made that May: one of a live performance and another of the band lip syncing in makeup.
Released on 24 May 1968 in the UK by Decca Records and on 31 May in the US by London Records, [a] "Jumpin' Jack Flash" (backed with "Child of the Moon") was the band's first UK release in five and a half months – this marked the group's longest gap between releases in the country up to that point. [14] [15] A major commercial success, it reached the top of the UK Singles Chart and peaked at number three in the United States. [5] [15] It topped the US Cashbox chart for one week [16] and the WLS 890 Hit Parade for four weeks. [17] Some early London Records US pressings and Decca single in the UK of the single had a technical flaw in them: at about 2:10 about halfway through the song's instrumental bridge, the speed of the master tape slows down for a moment, before coming back to speed. The first Rolling Stones album on which the song appeared was their 1969 compilation album, Through the Past, Darkly (Big Hits Vol. 2) , one year after the single was released. Since then, it has appeared on numerous other Stones compilations, including Hot Rocks 1964–1971 (1971), Rolled Gold: The Very Best of the Rolling Stones (1975), Singles Collection: The London Years (1989), Forty Licks (2002), GRRR! (2012), and Stray Cats, a collection of singles and rarities included as part of The Rolling Stones in Mono box set (2016).
The Rolling Stones have played "Jumpin' Jack Flash" during every tour since its release. It is the song the band have played in concert most frequently, [18] [19] and has appeared on the concert albums Get Yer Ya-Ya's Out! (recorded 1969, released 1970), Love You Live (recorded 1976, released 1977), Flashpoint (recorded 1990, released 1991), Shine a Light (recorded 2006, released 2008), Hyde Park Live (2013), Totally Stripped (recorded 1995, released 2016), and Havana Moon (2016), as well as, notably, The Rolling Stones Rock and Roll Circus (recorded 1968, released 1996), featuring the only released live performance of the song with Brian Jones. Unlike most of that show, Jones is heard clearly, mixing with Richards's lead throughout the song. The intro is not usually played in concert and instead the song begins with the main riff. The open E or open D tuning of the rhythm guitar on the studio recording has also not been replicated in concert (with the possible exception of the 1968 NME awards show, no recording of which has ever surfaced). In the performance filmed for The Rolling Stones Rock and Roll Circus in December 1968, Richards used standard tuning; and ever since the band's appearance at Hyde Park on 5 July 1969, he has played it in open G tuning with a capo on the fourth fret. Richards is particularly fond of the song's main riff, often crediting it as his favorite among all of his most revered guitar riffs.
In March 2005, Q magazine placed "Jumpin' Jack Flash" at number 2 in its list of the 100 Greatest Guitar Tracks. VH1 placed it at number 65 in its show 100 Greatest Rock Songs. [20]
It has placed at 144 on Rolling Stone's list of "The 500 Greatest Songs of All Time", [21] and 7th on their list of the band's best songs. [22]
A cover version of the song, performed by Billy Fogarty, was composed to serve as the final mission of the Nintendo DS rhythm game Elite Beat Agents , in which the titular protagonists use their dancing skills to rally humanity against alien invaders who plan to outlaw all forms of music. [23]
The opening line "I was born in a crossfire hurricane" contributed the name of the FBI's 2016 Crossfire Hurricane investigation into links between Donald Trump's presidential campaign and Russia. [24]
According to authors Philippe Margotin and Jean-Michel Guesdon, [25] except where noted:
The Rolling Stones
Additional musicians
Weekly charts
| Year-end charts
Certifications
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"Jumpin' Jack Flash" | ||||
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Single by Aretha Franklin | ||||
from the album Aretha | ||||
B-side | "Integrity" | |||
Released | 9 September 1986 (US) | |||
Recorded | 1985 | |||
Genre | ||||
Length | 4:26 | |||
Label | Arista | |||
Songwriter(s) | Jagger/Richards | |||
Producer(s) | Keith Richards | |||
Aretha Franklin singles chronology | ||||
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In 1986, the song's title was used in the end credits for the Whoopi Goldberg film Jumpin' Jack Flash . In addition to the Rolling Stones' version of the song, the film features Aretha Franklin's cover version in which Ronnie Wood and Richards play guitar, and Franklin plays piano. This version is characterised by influences from the popular black music scene. Only the Rolling Stones' version is on the film's original soundtrack recording.
Chart (1986–87) | Peak position |
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US Billboard Hot 100 | 21 |
US Billboard Hot Black Singles | 20 |
UK Singles Chart [51] | 58 |
German Singles Chart | 42 |
Swiss Singles Chart | 19 |
Dutch Top 40 | 48 |
Swedish Singles Chart | 14 |
New Zealand Singles Chart | 43 |
"Street Fighting Man" is a song by the English rock band the Rolling Stones, written by the songwriting team of Mick Jagger and Keith Richards. Considered one of the band's most popular and most controversial songs, it features Indian instrumentation contributed by Brian Jones, which has led to it being characterized as a raga rock song. It also features controversial and ambiguous lyrics about armed revolution. In the United States, it was released as a single in August 1968, while it was not released in the United Kingdom until four months later on the Beggars Banquet album, where it opened side two. The B-side of the American single featured "No Expectations", considered one of the final Stones tracks in which founding member Jones played a significant role in its construction. And it was the final Rolling Stones single on which Jones performed.
"Sympathy for the Devil" is a song by English rock band the Rolling Stones. The song was written by Mick Jagger and credited to the Jagger–Richards partnership. It is the opening track on the band's 1968 album Beggars Banquet. The song has received critical acclaim and features on Rolling Stone magazine's "The 500 Greatest Songs of All Time" list, being ranked number 106 in the 2021 edition.
"Not Fade Away" is a song credited to Buddy Holly and Norman Petty and first recorded by Holly and his band, the Crickets.
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"Let's Spend the Night Together" is a song written by Mick Jagger and Keith Richards, and originally released by the Rolling Stones as a double A-sided single together with "Ruby Tuesday" in January 1967. It also appears as the opening track on the American version of their album Between the Buttons. The song has been covered by various artists, including David Bowie in 1973.
"We Love You" is a song by the English rock band the Rolling Stones that was written by Mick Jagger and Keith Richards. Their first new release of the summer of 1967, it was first released as a single on 18 August in the United Kingdom, with "Dandelion" as the B-side. The song peaked at number eight in Britain and number 50 in the United States, where "Dandelion" was promoted as the A-side and peaked at number 14.
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"Have You Seen Your Mother, Baby, Standing in the Shadow?" is a song by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, it was recorded in the late summer of 1966 during early sessions for what would become their Between the Buttons album. It was the first Stones single to be released simultaneously in both the UK and the US, and reached number five and number nine on those countries' charts, respectively.
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My bags they get a very close inspection, I wonder why it is that they suspect 'em, They're dying to add me to their collection, And I don't know, If they'll let me go
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