The Pueblo Revival style or Santa Fe style is a regional architectural style of the Southwestern United States, which draws its inspiration from Santa Fe de Nuevo México's traditional Pueblo architecture, the Spanish missions, and Territorial Style. The style developed at the beginning of the 20th century and reached its greatest popularity in the 1920s and 1930s, though it is still commonly used for new buildings. Pueblo style architecture is most prevalent in the state of New Mexico; it is often blended with Territorial Revival architecture.
Estherwood is a late 19th-century mansion located on the campus of The Masters School in Dobbs Ferry, New York, United States. It was the home of industrial tycoon James Jennings McComb, who supported Masters financially in its early years when his daughters attended. The house's octagonal library was the first section built. It had been attached to McComb's previous home, but he had felt it deserved a house more in keeping with its style and so had architect Albert Buchman design Estherwood built around it.
The Dodge-Greenleaf House is on NY 211 in Otisville, New York, United States. It was built circa 1855 in the Gothic Revival style. The architect is unknown but it exemplifies contemporary trends in home design popularized by the writings and pattern books of Andrew Jackson Downing of nearby Newburgh, as articulated in the Picturesque mode.
Charles William Bolsius was a Dutch-born American painter. He was born in 's-Hertogenbosch, the Netherlands, the youngest in an upper-middle-class bourgeoisie family. His father ran the regional Gas Works and Bolsius formally studied art in The Hague before emigrating to the United States and moving to New Mexico in the early 1930s. He quickly assimilated into the art communities of Albuquerque and Santa Fe showing with the significant artist of the period. Bolsius had artistically matured within Dutch - German Expressionism. His woodblock handprints, using subject matter from the American West, capitalized on flat, bold, stark patterns and rough-hewn effects that were hallmarks of the expressionist woodblock tradition. His heavy light-filled moody paintings with cloudy brooding skies combined expressionistic influences with expansive western landscapes and the optimism of American impressionism. His work was critically recognized and exhibited at major museums and galleries throughout New Mexico and Arizona.
Fort Lowell was a United States Army post active from 1873 to 1891 on the outskirts of Tucson, Arizona. Fort Lowell was the successor to Camp Lowell, an earlier Army installation. The Army chose a location just south of the confluence of the Tanque Verde and Pantano creeks, at the point where they form the Rillito River, due to the year-round supply of water during that period. The Hohokam natives had chosen the site centuries earlier, presumably for the same reason. To this day, shards of Hohokam pottery can still be found in the area. The Army claimed a military reservation that encompassed approximately eighty square miles and extended east toward the Rincon Mountains.
The Walter Merchant House, on Washington Avenue in Albany, New York, United States, is a brick-and-stone townhouse in the Italianate architectural style, with some Renaissance Revival elements. Built in the mid-19th century, it was listed on the National Register of Historic Places in 2002.
Territorial Revival architecture describes the style of architecture developed in the U.S. state of New Mexico in the 1930s. It derived from New Mexico vernacular Territorial Style, an original style from Santa Fe de Nuevo México following the founding of Albuquerque in 1706. Territorial Revival incorporated elements of traditional regional building techniques with higher style elements. The style was intended to recall the Territorial Style and was extensively employed for New Mexico state government buildings in Santa Fe.
San Pedro Chapel, located in the Fort Lowell area of Tucson, Arizona, is a historic and iconic architectural site with deep roots in the local community, dating back to the early 20th century. The adobe chapel was established by Mexican and Sicilian immigrants who settled in the area after the abandonment of Fort Lowell by the U.S. military. The center of a small settlement known as "El Fuerte," this area grew into village with rich cultural traditions. The chapel served as a cornerstone of community life and together with the Fort Lowell School House, the 1917 adobe Fort Lowell Union Church, and nearby small adobe houses made up the informal plaza and center of the community.
The Valley National Bank Building is the oldest skyscraper in Tucson, Arizona. It was built in 1929 by Percy A. Eisen (1885–1946) and Albert R. Walker (1881–1958). It has housed administrative offices on the second floor. It has been listed on the National Register of Historic Places since September 12, 2003.
Kinjockity Ranch, also known as Lanteen Ranch, is a Pueblo Revival style residence in Cochise County, Arizona, originally built in 1939-1940 for Rufus Riddlesbarger, a wealthy Chicago businessman. It is a notable example of Pueblo Revival style, executed in adobe with richly detailed interiors and hand-made hardware. The house was designed by Edward C. Morgan, an architect from Phoenix who specialized in what he called "the Mexican style." The interiors were decorated and embellished by illustrator and sculptor Raymond Phillips Sanderson, who had collaborated with Morgan on previous commissions.
The Henry M. and Annie V. Trueheart House is a residence of historic significance located in the town of Fort Davis, the seat and largest town of Jeff Davis County in the U.S. state of Texas. The house was built in 1898 and, along with the surrounding property, was added to the National Register of Historic Places (NRHP) in 1996. The Trueheart House has also been distinguished as a Recorded Texas Historic Landmark (RTHL) since 1964.
El Pueblo, also called Fort Pueblo, was a trading post and fort near the present-day city of Pueblo in Pueblo County, Colorado. It operated from 1842 until 1854, selling goods, livestock, and produce. It was attacked in 1854, killing up to 19 men and capturing three people. A recreation of the fort is located at the El Pueblo History Museum at the site of the original fort.
El Zaguan, at 545 Canyon Rd. in Santa Fe, New Mexico, is a historic complex started in 1854. It was listed on the National Register of Historic Places in 2008. The listing included two contributing buildings, three contributing structures, two contributing objects, and a contributing site on 1.8 acres (0.73 ha).
The Walter Douglas House, in Bisbee, Arizona, was built for Walter Douglas in 1908, who was the general manager for the Phelps-Dodge Company. It was the first house built in what was then Warren, Arizona, which was Arizona's first planned community, and was the largest home in the community. Designed by the architectural firm, Trost and Trost, it is a Crafts/Mission Revival Style house. The house has 11 bedrooms, a library, a billiards room, a basement, several school rooms, six fireplaces with Grueby tile, leaded-glass windowns and maple flooring. It also has three apartments ; and 10,000 square feet (930 m2) of patio space. Throughout the years, the house has served several different purposes. Initially it was a private residence for Douglas. Then it was carved into apartments and at one point served as a lodge. In the late 1900s it was renovated as a private residence once again.
Charles Bolsius House, also called "Casa Bienvenidos", is a significant example of the architectural work of artist and designer Charles Bolsius and an important example of Territorial Revival design in the American Southwest. It is located in the City of Tucson, Arizona within the Old Fort Lowell Historic District.
El Cuartel Viejo is a significant and important example of Pueblo Revival architecture in the American Southwest. Rebuilt starting in 1942 from the ruins of the 1870s Fort Lowell Quartermaster and Commissary Storehouse the design-build project was led by Dutch-born artist Charles Bolsius, with brother and sister-in-law Nan and Pete Bolsius. The project, a series of five residences, included distinctive hand-carved Bolsius doors, exposed beams, carved corbels, adobe fireplaces, hand-hammered tin, and a heightened sense of romanticism. The property like Las Saetas to the west and its transformation over a 150-year-span reflect the changing culture and economic milieu of Southern Arizona and the American West.
LeaChar House is an architectural landmark, exemplifying late 20th century Arizona Territorial Revival architecture style and serving as the final masterpiece of the architectural designer and artist, Charles Bolsius. Situated on the eastern outskirts of Tucson, Arizona, within the historically significant Tanque Verde, Arizona village area, off "Tanque Verde Loop" the LeaChar House occupies a tranquil setting amidst verdant mesquite trees part of a bosque along the banks of Tanque Verde Creek. This natural environment evokes the charm and rural landscapes surrounding Fort Lowell, where Bolsius resided prior to the urban expansion of Tucson in the mid-20th century.
El Callejón is a narrow dirt road in the heart of the Old Fort Lowell neighborhood and historic district in Tucson, Arizona, United States. This narrow lane was part of the post Fort "El Fuerte" village that was established in the 1890s and continued through the 1940s. The little road holds significant cultural, environmental, and ecological history, intertwined with the region's heritage and the families who called this place home in the 20th century. Private footpaths lead to an Acequia, an irrigation canal, called the Corbett Irrigation Ditch, which dates back to 1850s.
Juan Xavier House, is a two-room adobe building located along El Callejón, on the edge of a mesquite bosque within the Fort Lowell Historic Preservation Zone in Tucson, Arizona. Built in the early to mid-20th century, the house exemplifies late traditional Sonoran farmhouse or ranch architecture, a vernacular style prevalent in Northern Mexico and Southern Arizona. The house is closely associated with its namesake, Juan Xavier, a noted member of the Tohono O'odham tribal council and a figure involved in Tucson's cultural and artistic communities.
