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The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which causes a length of magnetic tape to contact a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds.
Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content.
The Beatles, also referred to colloquially as the White Album, is the ninth studio album and only double album by the English rock band the Beatles, released on 22 November 1968. Featuring a plain white sleeve, the cover contains no graphics or text other than the band's name embossed. This was intended as a direct contrast to the vivid cover artwork of the band's previous LP, Sgt. Pepper's Lonely Hearts Club Band (1967). The Beatles is recognised for its fragmentary style and diverse range of genres, including folk, country rock, British blues, ska, music hall, proto-metal and the avant-garde. It has since been viewed by some critics as a postmodern work, as well as one of the greatest albums of all time. The album was the band's first LP release on their then-recently founded Apple Records after previous albums were released on Parlophone in the United Kingdom and Capitol Records in the United States.
"Strawberry Fields Forever" is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. It was released on 13 February 1967 as a double A-side single with "Penny Lane". It represented a departure from the group's previous singles and a novel listening experience for the contemporary pop audience. While the song initially divided and confused music critics and the group's fans, it proved highly influential on the emerging psychedelic genre. Its accompanying promotional film is similarly recognised as a pioneering work in the medium of music video.
"Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide. Lennon repeatedly denied that he had intended it as a drug song, and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.
"Here, There and Everywhere" is a song by the English rock band the Beatles from their 1966 album Revolver. A love ballad, it was written by Paul McCartney and credited to Lennon–McCartney. McCartney includes it among his personal favourites of the songs he has written. In 2000, Mojo ranked it 4th in the magazine's list of the greatest songs of all time.
"Taxman" is a song by English rock band the Beatles, from their 1966 album Revolver. Written by the group's lead guitarist, George Harrison, with some lyrical assistance from John Lennon, it protests against the higher level of progressive tax imposed in the United Kingdom by the Labour government of Harold Wilson, which saw the Beatles paying a 95% supertax. The song was selected as the album's opening track and contributed to Harrison's emergence as a songwriter beside the dominant Lennon–McCartney partnership. It was the group's first topical song and the first political statement they had made in their music.
"I'm Only Sleeping" is a song by the English rock band the Beatles from their 1966 studio album Revolver. In the United States and Canada, it was one of the three tracks that Capitol Records cut from the album and instead included on Yesterday and Today, released two months before Revolver. Credited as a Lennon–McCartney song, it was written primarily by John Lennon. The track includes a backwards lead guitar part played by George Harrison, the first time such a technique was used on a pop recording.
"Rain" is a song by the English rock band the Beatles, released on 30 May 1966 as the B-side of their "Paperback Writer" single. Both songs were recorded during the sessions for Revolver, although neither appear on that album. "Rain" was written by John Lennon and credited to the Lennon–McCartney partnership. He described it as being "about people moaning about the weather all the time".
"I've Got a Feeling" is a song by the English rock band the Beatles from their 1970 album Let It Be. It was recorded on 30 January 1969 during the Beatles' rooftop concert. It is a combination of two unfinished songs: Paul McCartney's "I've Got a Feeling" and John Lennon's "Everybody Had a Hard Year". The song features Billy Preston on electric piano.
"Tomorrow Never Knows" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. It was released in August 1966 as the final track on their album Revolver, although it was the first song recorded for the LP. The song marked a radical departure for the Beatles, as the band fully embraced the potential of the recording studio without consideration for reproducing the results in concert.
"You Never Give Me Your Money" is a song by the English rock band the Beatles. It was written by Paul McCartney, and thematically documents the personal difficulties that were facing the band. The song is the first part of the medley on side two of their 1969 album Abbey Road and was recorded in stages between May and August that year.
"She Said She Said" is a song by the English rock band the Beatles from their 1966 album Revolver. Credited to Lennon–McCartney, it was written by John Lennon with assistance from George Harrison. Lennon described it as "an 'acidy' song" with lyrics inspired by actor Peter Fonda's comments during an LSD trip in August 1965 with members of the Beatles and the Byrds. "She Said She Said" was the last track recorded for Revolver. Due to an argument over the song's musical arrangement, Paul McCartney walked out of the studio during the song's recording.
"Good Day Sunshine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written mainly by Paul McCartney and credited to the Lennon–McCartney partnership. McCartney intended it as a song in the style of the Lovin' Spoonful's contemporaneous hit single "Daydream". The recording includes multiple pianos played in the barrelhouse style and evokes a vaudevillian mood.
"I'm Looking Through You" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by Paul McCartney and credited to Lennon–McCartney. McCartney wrote the song about English actress Jane Asher, his girlfriend for much of the 1960s, and her refusal to give up her stage career and focus on his needs. The line "You don't look different, but you have changed" reflects his dissatisfaction with their relationship. The lyrics also refer to his changing emotional state: "Love has a nasty habit of disappearing overnight".
"I Don't Want to Spoil the Party" is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. It was featured as the twelfth track on the 1964 album Beatles for Sale. "I Don't Want to Spoil the Party" was also released on the Beatles for Sale EP. It was later released as the B-side of the US single "Eight Days a Week", and then as the fifth track on the North America-only album Beatles VI. The song reached number 39 on the Billboard Hot 100.
"I'm Down" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was released on a non-album single as the B-side to "Help!" in July 1965. The song originated in McCartney's attempt to write a song in the style of Little Richard, whose song "Long Tall Sally" the band regularly covered.
"She's a Woman" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. It was released on a non-album single in November 1964 as the B-side to "I Feel Fine", except in North America, where it also appeared on the album Beatles '65, released in December 1964. Though it was the B-side, it charted in the US, reaching number four on the Billboard Hot 100 and number eight on the Cash Box Top 100. The song originated in McCartney's attempt to write a song in the style of Little Richard. The lyrics include the first reference to drugs in a Beatles song, with the line "turn(s) me on" referring to marijuana.
"Teddy Boy" is a song by Paul McCartney included on his first solo album McCartney, released in April 1970. According to Ernie Santosuosso of The Boston Globe, it describes the way in which a close relationship between a widow and her grown son Teddy boy is destroyed by her new romantic interest.
"Circles" is a song by the English rock musician George Harrison, released as the final track of his 1982 album Gone Troppo. Harrison wrote the song in India in 1968 while he and the Beatles were studying Transcendental Meditation with Maharishi Mahesh Yogi. The theme of the lyrics is reincarnation. The composition reflects the cyclical aspect of human existence as, according to Hindu doctrine, the soul continues to pass from one life to the next. Although the Beatles never formally recorded it, "Circles" was among the demos the group made at Harrison's Esher home, Kinfauns, in May 1968, while considering material for their double album The Beatles.
References
Citations
- 1 2 3 Margotin, Philippe; Guesdon, Jean-Michel (25 October 2016). Rolling Stones All the Songs: The Story Behind Every Track. Hachette Books. pp. 203–237. ISBN 978-0-316-31773-3. Archived from the original on 19 August 2020. Retrieved 24 July 2017.
- 1 2 3 4 5 6 7 8 9 "Top 10 Mellotron Songs". Ultimate Classic Rock. Retrieved 4 November 2015.
- ↑ "Permanent Vacation – Aerosmith | Credits | AllMusic". AllMusic. Retrieved 30 August 2018.
- ↑ Howlett, Kevin (2017). Sgt. Pepper's Lonely Hearts Club Band (50th Anniversary Deluxe Version) (book). The Beatles. Apple Records.
- ↑ MacDonald 1997, p. 270.
- ↑ MacDonald 2005, p. 324.
- ↑ "Elton John – Don't Shoot Me I'm Only The Piano Player". Discogs . Retrieved 10 August 2020.
- ↑ How Jack Antonoff creates songs from small ideas , retrieved 7 August 2022
- ↑ "Elton John – Rock Of The Westies". Discogs . Retrieved 10 August 2020.
- 1 2 Buskin, Richard (July 2009). "The Moody Blues 'Nights In White Satin'". Sound on Sound. Retrieved 4 November 2015.
- ↑ "Radiohead's 'OK Computer': An Oral History". Rolling Stone . Retrieved 30 May 2024.
- ↑ Stanley, Bob. "Manfred Mann". BBC. Retrieved 23 November 2021.
- ↑ Holm-Hudson, Kevin (2013). Progressive Rock Reconsidered. Routledge. p. 237. ISBN 978-1-135-71022-4.
- ↑ Winn 2009, p. 71.
- ↑ MacDonald 2005, pp. 212–20.
- ↑ Rodriguez 2012, p. 109.
- ↑ Thompson, Andy. "Planet Mellotron Album Reviews: S20" . Retrieved 27 February 2022.
Sources
- MacDonald, Ian (1997). Revolution in the Head: The Beatles' Records and the Sixties (First Revised ed.). Pimlico/Random House. ISBN 978-0-7126-6697-8.
- MacDonald, Ian (2005). Revolution in the Head: The Beatles' Records and the Sixties (Second Revised ed.). London: Pimlico (Rand). ISBN 1-84413-828-3.
- Rodriguez, Robert (2012). Revolver: How the Beatles Reimagined Rock 'n' Roll. Milwaukee, WI: Backbeat Books. ISBN 978-1-61713-009-0.
- Winn, John C. (2009). That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970. New York, NY: Three Rivers Press. ISBN 978-0-307-45239-9.