List of operas by Donizetti

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This is a list of the operas by the Italian composer Gaetano Donizetti (1797–1848).

Gaetano Donizetti 19th-century Italian opera composer

Domenico Gaetano Maria Donizetti was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi.

Title [1] GenreSub­divi­sionsLibrettoPremiere date [2] Place, theatreNotes
Pigmalione Il Pigmalione scena drammatica1 act 1960-10-1313 October 1960, completed 1816 Bergamo, Teatro Donizetti  
Olimpiade   Metastasio's L'Olimpiade 1817-00-00incomplete, composed 1817 [3]  
IraL'ira di Achille 1 act 1817-00-00incomplete, composed 1817 [4]  
Enrico di Borgogna melodramma 2 actsMerelli01 Bartolomeo Merelli 1818-11-1414 November 1818Venice, Teatro San Luca  
Follia Una follia farsa 1 actMerelli02 Bartolomeo Merelli 1818-12-1717 December 1818, lostVenice, Teatro San Luca
PiccioliI piccioli virtuosi ambulantiopera buffa1 act 1819-00-001819 [5]   pasticcio performed by Mayr's students
Falegname Il falegname di Livonia, o Pietro il grande, czar delle Russie opera buffa2 actsBevilacquaGherardo Bevilacqua-Aldobrandini1819-12-2626 December 1819Venice, Teatro San Samuele  
Nozze Le nozze in villa opera buffa2 actsMerelli03 Bartolomeo Merelli 1820-12-00carnival 1820–1821, completed 1819Mantua, Teatro Vecchio 
Zoraida di Granata melodramma eroico2 actsMerelli04 Bartolomeo Merelli; revised for Rome 1824 by Jacopo Ferretti [6] 1822-01-2828 January 1822Rome, Teatro Argentina, rev. 7 January 1824 at the same theatre 
Zingara La zingara dramma2 actsTottola01 Andrea Leone Tottola 1822-05-1212 May 1822Naples, Teatro Nuovo  
Lettera La lettera anonima farsa1 actGenoino Giulio Genoino  (it )1822-06-2929 June 1822Naples, Teatro del Fondo  
Chiara e Serafina, o Il piratamelodramma semiserio2 actsRomani01 Felice Romani, after Pixérécourt's La cisterne1822-10-2626 October 1822Milan, La Scala  
Alfredo il grande dramma per musica2 actsTottola02 Andrea Leone Tottola 1823-07-022 July 1823Naples, Teatro di San Carlo  
Fortunato Il fortunato inganno dramma giocoso2 actsTottola03 Andrea Leone Tottola 1823-09-033 September 1823Naples, Teatro Nuovo 
Ajo L'ajo nell'imbarazzo
[see also Don Gregorio]
melodramma giocoso2 actsFerretti01 Jacopo Ferretti, after Giovanni Giraud's comedy1824-02-044 February 1824Rome, Teatro Valle  
Emilia di Liverpool
[see also L'eremitaggio di Liverpool]
dramma semiserio2 actsanonymous, after S. Scatizzi's Emilia de Laverpaut1824-07-2828 July 1824Naples, Teatro Nuovo 
Alahor in Granata dramma2 actsAM. A.1826-01-077 January 1826Palermo, Teatro Carolino 
Don Gregorio
[rev of L'ajo nell'imbarazzo]
melodramma giocoso2 actsFerretti02 Jacopo Ferretti 1826-06-1111 June 1826Naples, Teatro Nuovo 
Elvida dramma1 actGiovanni F. Schmidt [7] 1826-07-066 July 1826Naples, Teatro di San Carlo  
Gabriella di Vergy tragedia lirica3 actsTottola04 Andrea Leone Tottola, after Pierre de Belloy 1869-11-2929 November 1869, completed 1826Naples, Teatro di San Carlo  
Olivo e Pasquale melodramma giocoso2 actsFerretti03 Jacopo Ferretti, after Simeone Antonio Sografi1827-01-077 January 1827Rome, Teatro Valle  
Otto mesi in due ore, ossia Gli esiliati in Siberiaopera romantica3 actsGilardoni01 Domenico Gilardoni, after Pixérécourt's La fille de l'exilé1827-05-1313 May 1827Naples, Teatro Nuovo 
Borgomastro Il borgomastro di Saardam melodramma giocoso2 actsGilardoni02 Domenico Gilardoni, after Mélesville, Jean-Toussaint Merle and Eugène Cantiran de Boirie 1827-08-1919 August 1827Naples, Teatro del Fondo  
Convenienze teatrali Le convenienze teatrali
[see also Le convenienze ed inconvenienze teatrali]
farsa1 actDonizetti01Gaetano Donizetti, after Simeone Antonio Sografi1827-11-2121 November 1827Naples, Teatro Nuovo 
Esule L'esule di Roma, ossia Il proscrittomelodramma eroico2 actsGilardoni03 Domenico Gilardoni, after Luigi Marchionni's Il proscritto romano1828-01-011 January 1828Naples, Teatro di San Carlo  
Eremitaggio L'eremitaggio di Liverpool
[rev of Emilia di Liverpool] [8]
melodramma semiserio [9] 2 actsCheccheriniGiuseppe Checcherini, after Scatizzi1828-03-088 March 1828Naples, Teatro Nuovo 
Alina, regina di Golconda melodramma2 actsRomani02 Felice Romani, after Sedaine's libretto for Monsigny's opera-ballet Aline, reine de Golconde [10] 1828-05-1212 May 1828Genoa, Teatro Carlo Felice  
Gianni di Calais melodramma semiserio3 actsGilardoni04 Domenico Gilardoni, after a novel by Arlincourt [11] 1828-08-022 August 1828Naples, Teatro del Fondo  
Paria Il paria melodramma2 actsGilardoni05 Domenico Gilardoni, after Delavigne 1829-01-1212 January 1829Naples, Teatro di San Carlo  
Giovedi Il giovedì grasso, o Il nuovo Pourceaugnacfarsa [12] 1 actGilardoni06 Domenico Gilardoni 1829-02-2626 February 1829Naples, Teatro del Fondo  
Castello Elisabetta al castello di Kenilworth melodramma3 actsTottola05 Andrea Leone Tottola, after Scribe's Leicester and Hugo's Amy Robsart1829-07-066 July 1829Naples, Teatro di San Carlo  
Alina, regina di Golconda [rev]melodramma2 actsRomani03 Felice Romani, after Sedaine1829-10-1010 October 1829Rome, Teatro Valle [10]  
Pazzi I pazzi per progetto farsa [13] 1 actGilardoni07 Domenico Gilardoni 1830-02-066 February 1830Naples, Teatro di San Carlo  
Diluvio Il diluvio universale azione tragica-sacra3 actsGilardoni08 Domenico Gilardoni, after Byron's Heaven and Earth and Francesco Ringhieri's tragedy Il diluvio1830-03-066 March 1830 [14] Naples, Teatro di San Carlo  
Imelda de' Lambertazzi melodramma tragico2 actsTottola06 Andrea Leone Tottola 1830-09-055 September 1830Naples, Teatro di San Carlo  
Anna Bolena tragedia lirica2 actsRomani04 Felice Romani, after Pindemonte's tragedy Enrico VIII, ossia Anna Bolena and Alessandro Pepoli's Anna Bolena [15] 1830-12-2626 December 1830Milan, Teatro Carcano  
Gianni di Parigi melodramma comico [16] 2 actsRomani05 Felice Romani, after Saint-Just's libretto for Boieldieu's opéra-comique Jean de Paris1831-04-9910 September 1839, composed c. 1828–1831 [17] Milan, La Scala  
Convenienze ed Le convenienze ed inconvenienze teatrali
[rev of Le convenienze teatrali]
dramma giocoso2 actsDonizetti01bDonizetti, after Sografi1831-04-2020 April 1831Milan, Teatro alla Canobbiana  
Francesca di Foix melodramma1 actGilardoni09 Domenico Gilardoni, after a libretto by Jean-Nicolas Bouilly and Emmanuel Mercier-Dupaty for Henri Montan Berton's 3-act opéra-comique Françoise de Foix. [18] 1831-05-3030 May 1831Naples, Teatro di San Carlo  
Romanziera La romanziera e l'uomo nero
(or La romanzesca e l'uomo nero)
farsa1 actGilardoni10 Domenico Gilardoni 1831-06-1818 June 1831Naples, Teatro del Fondo (arias and ensembles survive but spoken dialogue is lost) 
Fausta melodramma2 actsGilardoni11 Domenico Gilardoni and Donizetti1832-01-1212 January 1832Naples, Teatro di San Carlo  
Ugo, conte di Parigi tragedia lirica4 actsRomani06 Felice Romani, after Hippolyte-Louis-Florent Bis: Blanche d'Aquitaine1832-03-1313 March 1832Milan, La Scala  
Elisir L'elisir d'amore melodramma giocoso2 actsRomani07 Felice Romani, after Scribe's libretto for Auber's Le philtre1832-05-1212 May 1832Milan, Teatro alla Canobbiana  
Sancia di Castiglia tragedia lirica2 actsSalatinoPietro Salatino1832-11-044 November 1832Naples, Teatro di San Carlo  
Furioso Il furioso all'isola di San Domingo melodramma2 actsFerretti04 Jacopo Ferretti, after an anonymous play on Cervantes' Don Quixote 1833-01-022 January 1833Rome, Teatro Valle  
Otto mesi in due ore [rev]opera romantica3 actsAlcozerAntonio Alcozer after Domenico Gilardoni 1833-01-991833Livorno 
Parisina melodramma3 actsRomani08 Felice Romani, after Byron 1833-03-1717 March 1833Florence, Teatro della Pergola  
Torquato Tasso melodramma3 actsFerretti05 Jacopo Ferretti 1833-09-099 September 1833Rome, Teatro Valle  
Lucrezia0 Lucrezia Borgia melodramma2.1prologue & 2 actsRomani09 Felice Romani, after Victor Hugo 1833-12-2626 December 1833Milan, La Scala  
DiluvioIl diluvio universale [rev]azione tragico-sacra3 actsGilardoni08banonymous, after Domenico Gilardoni 1834-01-1717 January 1834Genoa, Teatro Carlo Felice  
Rosmonda d'Inghilterra melodramma serio2 actsRomani10 Felice Romani 1834-02-2727 February 1834Florence, Teatro della Pergola  
Maria Maria Stuarda tragedia lirica2 acts (or 3)Bardari Giuseppe Bardari, after Andrea Maffei's translation of Schiller [19] 1835-12-3030 December 1835 (in 3 acts), completed August 1834Milan, La Scala  
BuondelmonteBuondelmonte
[rev of Maria Stuarda]
tragedia lirica2 actsSalatinoPietro Salatino1834-10-1818 October 1834Naples, Teatro di San Carlo  
Gemma di Vergy tragedia lirica2 actsBidera01 Giovanni Emanuele Bidera  (it ), after the play Charles VII by Dumas [20] 1834-12-2626 December 1834Milan, La Scala  
Marino Faliero tragedia lirica3 actsBidera02Giovanni Emanuele Bidera with revisions by Agostino Ruffini, after Casimir Delavigne's adaptation of Byron's play Marino Faliero, Doge of Venice [20] 1835-03-1212 March 1835Paris, Théâtre-Italien  
Lucia di Lammermoor
[see also Lucie de Lammermoor ]
dramma tragico3 actsCammarano01 Salvadore Cammarano, after Walter Scott's The Bride of Lammermoor 1835-09-2626 September 1835Naples, Teatro di San Carlo  
Belisario tragedia lirica3 actsCammarano02 Salvadore Cammarano, after Eduard von Schenk as translated by Luigi Marchionni1836-02-044 February 1836Venice, La Fenice  
Campanello Il campanello di notte melodramma giocoso1 actDonizetti02Donizetti, after the vaudeville La sonnette de nuit by Léon Levy Brunswick (Léon Lhérie), Mathieu-Barthélmy Troin, and Victor Lhérie 1836-06-011 June 1836Naples, Teatro Nuovo 
Betly0 Betly, o La capanna svizzera dramma giocoso1 actDonizetti03Donizetti, after Scribe's and Mélesville's libretto for Adam's Le chalet 1836-08-2121 August 1836Naples, Teatro Nuovo 
assedio L'assedio di Calais dramma lirico3 actsCammarano03 Salvadore Cammarano, after Pierre de Belloy 1836-11-1919 November 1836Naples, Teatro di San Carlo  
Pia0 Pia de' Tolomei tragedia lirica2 actsCammarano04a Salvadore Cammarano, after Bartolomeo Sestini, and Dante's La commedia 1837-02-1818 February 1837Venice, Teatro Apollo  
Pia1Pia de' Tolomei [rev]tragedia lirica2 actsCammarano04b Salvadore Cammarano, after Bartolomeo Sestini, and Dante's La commedia 1837-07-3131 July 1837 Sinigaglia  
Betly1Betly [rev]dramma giocoso2 actsDonizetti03bDonizetti1837-09-2929 September 1837Naples, Teatro del Fondo  
Roberto Devereux tragedia lirica3 actsCammarano04 Salvadore Cammarano, after François Ancelot's tragedy Elisabeth d'Angleterre1837-10-2828 October 1837Naples, Teatro di San Carlo  
Maria de Rudenz dramma tragico3 actsCammarano05 Salvadore Cammarano, after the play La nonne sanglante by Auguste Anicet-Bourgeois, Cuvelier and Maillan1838-01-3030 January 1838Venice, La Fenice  
Gabriella di Vergy [rev]tragedia lirica2 actsTottola04b Andrea Leone Tottola, after Pierre de Belloy 1978-08-00August 1978 recording, composed 1838London 
Poliuto1 Poliuto
[see also Les Martyrs ]
tragedia lirica3 actsCammarano06 Salvadore Cammarano, after Pierre Corneille 1838-01-9130 November 1848, completed July 1838Naples, Teatro di San Carlo  
Pia2Pia de' Tolomei [rev 2]tragedia lirica2 actsCammarano04canonymous revision of Cammarano's libretto1838-05-00May 1838 [21] Rome, Teatro Argentina [21]  
Lucie de Lammermoor
[rev of Lucia di Lammermoor, in French]
grand opéra [22] 3 acts (or 4) [22] Royer01 Alphonse Royer and Gustave Vaëz, after the Italian libretto1839-08-066 August 1839Paris, Théâtre de la Renaissance  
Duc1 Le duc d'Albe
[see also Il duca d'Alba]
grand opéra4 actsDuveyrierCharles Duveyrier and Eugène Scribe 1839-10-00incomplete, composed 1839 [23]   
Ange L'ange de Nisida
[see also La favorite ]
opera semiseria4 partsRoyer02 Alphonse Royer and Gustave Vaëz1839-12-27unperformed, completed 27 December 1839 [24]   
Lucrezia1Lucrezia Borgia [rev]dramma per musica2.1prologue & 2 actsRomani11 Felice Romani, after Victor Hugo 1840-01-1111 January 1840Milan, La Scala  
Poliuto2 Les Martyrs
[rev of Poliuto, in French]
grand opéra4 actsScribe01 Eugène Scribe's revision and expansion of Cammarano's original libretto1840-04-1010 April 1840 Paris Opera, Salle Le Peletier  
Fille La fille du régiment opéra comique 2 actsBayardJean-François-Alfred Bayard and Jules-Henri Vernoy de Saint Georges1840-02-1111 February 1840Paris, Opéra-Comique  
Lucrezia2Lucrezia Borgia [rev 2]dramma per musica2.1prologue & 2 actsRomani12 Felice Romani, after Victor Hugo 1840-10-3131 October 1840Paris, Théâtre-Italien  
Favorite La favorite
[rev of L'ange de Nisida]
grand opéra4 actsRoyer03 Alphonse Royer, Gustave Vaëz and Eugène Scribe 1840-12-022 December 1840 Paris Opera, Salle Le Peletier  
Adelia melodramma serio3 actsRomani13 Felice Romani (Acts 1 & 2) and Girolamo Marini (Act 3), after an anonymous French play [25] 1841-02-1111 February 1841Rome, Teatro Apollo  
Rita
(Deux hommes et une femme)
opéra comique1 actVaezGustave Vaëz1860-05-077 May 1860, completed 1841Paris, Opéra-Comique  
Maria Padilla melodramma3 actsRossi01 Gaetano Rossi and Donizetti, after François Ancelot 1841-12-2626 December 1841Milan, La Scala  
Linda di Chamounix melodramma semiserio3 actsRossi02a Gaetano Rossi 1842-05-1919 May 1842Vienna, Kärntnertortheater  
Linda di Chamounix [rev]melodramma semiserio3 actsRossi02b Gaetano Rossi 1842-11-1717 November 1842Paris, Théâtre-Italien  
Caterina Cornaro tragedia lirica2 actsSaccheroGiacomo Sacchèro, after Jules-Henri Vernoy de Saint-Georges' libretto for Halévy's La reine de Chypre 1844-01-1818 January 1844Naples, Teatro di San Carlo  
Don Pasquale dramma buffo3 actsRuffini Giovanni Ruffini and Donizetti, after Angelo Anelli's Ser Marcantio; published with credit to "M.A." [26] 1843-01-033 January 1843Paris, Théâtre-Italien  
Maria di Rohan melodramma tragico3 actsCammarano07 Salvadore Cammarano, after Lockroy (J. P. Simon) and Badon's Un duel sous le Cardinal de Richelieu1843-06-055 June 1843Vienna, Kärntnertortheater  
Dom Sébastien, roi de Portugalgrand opéra5 actsScribe02 Eugène Scribe, after the play by Paul Foucher 1843-11-1313 November 1843 Paris Opera, Salle Le Peletier  
Dom Sebastian von Portugal
[rev of Dom Sébastien]
große Oper [27] 5 actsHerzLeo Herz's translation of Scribe's libretto1845-02-066 February 1845Vienna, Kärntnertortheater  
Duc2 Il duca d'Alba [completion by Matteo Salvi of original Le duc d'Albe]opera4 acts [28] ZanardiniAngelo Zanardini's revision of the original libretto by Duveyrier and Scribe 1882-03-2222 March 1882Rome, Teatro Apollo  

Related Research Articles

<i>Il campanello</i> opera by Gaetano Donizetti

Il campanello or Il campanello di notte is a melodramma giocoso, or opera, in one act by Gaetano Donizetti. The composer wrote the Italian libretto after Mathieu-Barthélemy Troin Brunswick and Victor Lhérie's French vaudeville La sonnette de nuit. The premiere took place on 1 June 1836 at the Teatro Nuovo in Naples and was "revived every year over the next decade".

<i>Alahor in Granata</i> opera

Alahor in Granata is an opera in two acts by Gaetano Donizetti to an anonymous Italian libretto after Jean-Pierre Claris de Florian's text Gonzalve de Cordoue, ou Granade reconquise (1793). However, it seems that the original basis of the libretto goes back to one by Felice Romani written for Meyerbeer in 1821, which in turn can be traced back through another iteration to begin with the de Florian version.

<i>Olivo e Pasquale</i> opera by Gaetano Donizetti

Olivo e Pasquale is a melodramma giocoso, a romantic comedy opera, in two acts by Gaetano Donizetti. Jacopo Ferretti wrote the Italian libretto after Antonio Simeone Sografi's play.

<i>Ugo, conte di Parigi</i> opera by Gaetano Donizetti

Ugo, conte di Parigi is a tragedia lirica, or tragic opera, in two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Hippolyte-Louis-Florent Bis's Blanche d'Aquitaine. It premiered on 13 March 1832 at La Scala, Milan.

<i>Emilia di Liverpool</i> opera

Emilia di Liverpool is a dramma semiserio, ("half-serious") dramatic opera, in two acts with music by Gaetano Donizetti. Giuseppe Checcherini wrote the Italian libretto after the anonymous libretto for Vittorio Trento's Emilia di Laverpaut, itself based on Stefano Scatizzi's play of the same name. It premiered on 28 July 1824 at the Teatro Nuovo in Naples.

<i>Il diluvio universale</i> opera by Gaetano Donizetti

Il diluvio universale is an azione tragico-sacra, or opera, by Gaetano Donizetti. The Italian libretto was written by Domenico Gilardoni after Lord Byron's Heaven and Earth and Francesco Ringhieri's tragedy Il diluvio (1788).

<i>Pia de Tolomei</i> (opera) opera by Gaetano Donizetti

Pia de' Tolomei is a tragedia lirica in two acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after Bartolomeo Sestini's verse novella Pia de' Tolomei, which was based on Canto V, vv. 130-136 from Dante's narrative poem The Divine Comedy part 2: Purgatorio. It premiered on 18 February 1837 at the Teatro Apollo in Venice.

<i>Maria de Rudenz</i> opera by Gaetano Donizetti

Maria de Rudenz is a dramma tragico, or tragic opera, in three parts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, based on "a piece of Gothic horror", La nonne sanglante by Auguste Anicet-Bourgeois and Julien de Mallian, and The Monk by Matthew Gregory Lewis. It premiered at the Teatro La Fenice in Venice, on 30 January 1838.

<i>Marino Faliero</i> (opera) opera by Gaetano Donizetti

Marino Faliero is a tragedia lirica, or tragic opera, in three acts by Gaetano Donizetti. Giovanni Emanuele Bidéra wrote the Italian libretto, with revisions by Agostino Ruffini, after Casimir Delavigne's play. It is inspired by Lord Byron's drama Marino Faliero (1820) and based on the life of Marino Faliero (c.1285-1355), the Venetian Doge.

<i>Torquato Tasso</i> (opera) �

Torquato Tasso is a melodramma semiserio, or 'semi-serious' opera, in three acts by Gaetano Donizetti and based on the life of the great poet Torquato Tasso. The Italian libretto was written by Jacopo Ferretti, who used a number of sources for his text, including works by Giovanni Rosini, Goethe, Goldoni, and Lord Byron as well as Tasso's actual poetry. It premiered on 9 September 1833 at the Teatro Valle, Rome.

<i>Il Pigmalione</i> opera by Gaetano Donizetti

Il Pigmalione (Pygmalion) is a scena lirica in one act by Gaetano Donizetti. The librettist is unknown, but it is known that the libretto was based on one by Antonio Simeone Sografi for Giovanni Battista Cimador's Pimmalione (1790), in turn based on Jean-Jacques Rousseau's Pygmalion and ultimately based on Book X of Ovid's Metamorphoses. Sografi's libretto was also used for an opera by Bonifacio Asioli (1796).

<i>Imelda de Lambertazzi</i> opera by Gaetano Donizetti

Imelda de' Lambertazzi is a melodramma tragico or tragic opera in two acts by Gaetano Donizetti from a libretto by Andrea Leone Tottola, based on the tragedy Imelda by Gabriele Sperduti. It received its first performance on 5 September 1830 at the Teatro San Carlo, Naples.

<i>Gianni di Calais</i> opera

Gianni di Calais is a melodramma semiserio, a "semi-serious" opera in three acts by Gaetano Donizetti (1828), from a libretto by Domenico Gilardoni, based on Jean de Paris by Louis-Charles Caigniez.

<i>Alfredo il grande</i> opera

Alfredo il grande is a melodramma serio or serious opera in two acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto, which may have been derived from Johann Simon Mayr's 1818 opera of the same name. The opera tells the story of the Anglo-Saxon king Alfred the Great.

Giovanni Ruffini Italian poet and opera librettist

Giovanni Ruffini was an Italian writer and patriot of the early 19th century. He is chiefly known for having written the draft of the libretto of the opera Don Pasquale for its composer Gaetano Donizetti.

<i>Sancia di Castiglia</i> opera

Sancia di Castiglia is an Italian opera seria in two acts by Gaetano Donizetti to a libretto by Pietro Salatino. It was first performed at the Teatro San Carlo in Naples, on 4 November 1832 conducted by Nicola Festa.

<i>Adelia</i> (opera) opera by Gaetano Donizetti

Adelia, o La figlia dell'arciere is an opera in three acts by Gaetano Donizetti. The Italian libretto was written partly by Felice Romani and by Girolamo Maria Marini, a part-time poet who had achieved notability the previous year with Otto Nicolai's Il templario. The opera premiered at the Teatro Apollo, Rome on 11 February 1841.

<i>Una follia</i> opera

Una follia is a farsa in one act by composer Gaetano Donizetti. The work premiered on 15 December 1818 at the Teatro San Luca in Venice. The opera uses the same Italian-language libretto by Bartolomeo Merelli after August von Kotzebue's Der Graf von Burgund that Donizetti used for his Enrico di Borgogna a month earlier, but with different music. It was given one performance and "never performed again, and its score has never been found."

<i>La lettera anonima</i> opera

La lettera anonima is a farce in one act composed by Gaetano Donizetti in 1822 to a libretto by Giulio Genoino, a former monk and the official censor of the Kingdom of the Two Sicilies. Genoino based his libretto on his own farce which, in turn, had been based on Mélite, ou Les fausses lettres by Pierre Corneille in 1630.

References

Notes

  1. The information in the table is taken from Smart and Budden 2001, unless otherwise noted.
  2. Operas are initially listed by date of completion of composition, which usually correlates closely with the date of the premiere. When the date of completion is significantly earlier than the date of the premiere (or there was no premiere), the date of composition is given. However, the column rows sort by the date of the premiere (or by the date of composition, if there is no premiere). To restore the initial state use the browser refresh button.
  3. Olimpiade: Donizetti composed the one duet from Metastasio's famous libretto, probably during his student days for his friends. A copyist full score is located in the Museo Donizettiano, Bergamo (Ashbrook 1982, pp. 580–581).
  4. L'ira di Achille: Donizetti set the first act and a duet from Act 2 scene v. The libretto, probably by Felice Romani, had previously been set by Giuseppe Nicolini (Milan, 1814). A copyist full score of a bass aria with chorus is listed in the catalog of the Museo Donizettiano, Bergamo (Ashbrook 1982, p. 580).
  5. I piccioli virtuosi ambulanti was the title of one of the annual end-of-term pasticcios that were organized by the Bergamo music school's director, the composer Simon Mayr. Donizetti contributed an introduzione and a scene with aria and chorus, which he also used in Le nozze in villa (Ashbrook 1982, p. 581).
  6. Allitt 1991, p. 26
  7. Weinstock 1963 , p. 36: He notes that Schmidt "wrote more than one hundred librettos"
  8. Osborne 1994, p. 158.
  9. OCLC   498281465
  10. 1 2 Ashbrook 1982, p. 544.
  11. Steiner-Isenmann 1982, p. 503; Smart and Budden 2001.
  12. Ashbrook 1982, p. 547.
  13. Ashbrook 1982, p. 548.
  14. Smart and Budden 2001.
  15. Ashbrook 1982, p. 549.
  16. OCLC   40787703 , 82723197
  17. Osborne 1994, p. 198.
  18. Ashbrook 1982, p. 551, and Osborne 1994, p. 200. Smart & Budden 2001 and Ashbrook 1992 say Gilardoni's libretto was based on Charles Simon Favart's libretto Ninette à la cour as adapted for Louis Joseph Saint-Amans' 2-act 1791 opéra-comique.
  19. Ashbrook & Hibberd 2001, p. 235.
  20. 1 2 Ashbrook & Hibberd 2001, p. 236.
  21. 1 2 Osborne 1994, p. 257.
  22. 1 2 Lucie de Lammermoor. OCLC   71624699 , 18597094.
  23. Le duc d'Albe: composed April–October 1839 (Ashbrook 1982, p. 567). See also OCLC   63909833.
  24. Ashbrook 1982, p. 569.
  25. Ashbrook 1982, p. 571.
  26. Weinstock 1963, pp. 188—189
  27. Dom Sebastian von Portugal. OCLC   79789205.
  28. Il duca d'Alba. OCLC   174363469.

Sources

International Standard Book Number Unique numeric book identifier

The International Standard Book Number (ISBN) is a numeric commercial book identifier which is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.

Amanda Juliet Holden is a British musician, librettist and translator.

International Music Score Library Project project for the creation of a virtual library of public domain music scores

The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based project for the creation of a virtual library of public-domain music scores. Since its launch on February 16, 2006, over 370,000 scores and 42,000 recordings for over 110,000 works by over 14,000 composers have been uploaded. Based on the wiki principle, the project uses MediaWiki software. Since June 6, 2010, the IMSLP has also included public domain and licensed recordings in its scope, to allow for study by ear.