A haunted house, spook house or ghost house in ghostlore is a house or other building often perceived as being inhabited by disembodied spirits of the deceased who may have been former residents or were otherwise connected with the property. Parapsychologists often attribute haunting to the spirits of the dead who have suffered from violent or tragic events in the building's past such as murder, accidental death, or suicide.
Yūrei are figures in Japanese folklore analogous to the Western model of ghosts. The name consists of two kanji, 幽 (yū), meaning "faint" or "dim" and 霊 (rei), meaning "soul" or "spirit". Alternative names include Bōrei (亡霊), meaning ruined or departed spirit, Shiryō (死霊), meaning dead spirit, or the more encompassing Yōkai (妖怪) or Obake (お化け). Like their Chinese, Korean, and Western counterparts, they are thought to be spirits barred from a peaceful afterlife.
Taira no Masakado was a Heian period provincial magnate (gōzoku) and samurai based in eastern Japan, notable for leading the first recorded uprising against the central government in Kyōto.
In Japanese traditional beliefs and literature, onryō are a type of ghost believed to be capable of causing harm in the world of the living, injuring or killing enemies, or even causing natural disasters to exact vengeance to "redress" the wrongs it received while alive, then taking their spirits from their dying bodies. Onryō are often depicted as wronged women, who are traumatized by what happened during life and exact revenge in death.
Ikiryō, also known as shōryō (しょうりょう), seirei (せいれい), or ikisudama (いきすだま), is a disembodied spirit or ghost in Japanese popular belief and fiction that leaves the body of a living person and subsequently haunts other people or places, sometimes across great distances. The term(s) are used in contrast to shiryō, which refers to the spirit of those who are already deceased.
Hoichi the Earless is the name of a well-known figure from Japanese folklore. His story is well known in Japan, and the best-known English translation first appeared in the book Kwaidan: Stories and Studies of Strange Things by Lafcadio Hearn.
Banchō Sarayashiki is a Japanese ghost story (kaidan) of broken trust and broken promises, leading to a dismal fate. Alternatively referred to as the sarayashiki tradition, all versions of the tale revolve around a servant, who dies unjustly and returns to haunt the living. Some versions take place in Harima Province or Banshū (播州), others in the Banchō (番町) area in Edo.
Ayakashi: Samurai Horror Tales, known in Japan as Ayakashi: Japanese Classic Horror, is a Japanese anime horror anthology television series produced by Toei Animation.
In a broad sense, Goryō[ɡoɾʲoː] is an honorific for a spirit, especially one that causes hauntings, and the term is used as a synonym for onryō. In a narrower sense, it refers to a person who was a noble or accomplished person in his or her lifetime, but who lost a political power struggle or died prematurely from an epidemic or other disease, becoming a onyō that brings pestilence or famine and is later enshrined as a kami in Shinto shrines. For example, the "Sandai Jitsuroku" mentions that six Shinto shrines were dedicated to the worship of goryō, which were the spirits of those who died from non-natural causes. Later on, two more shrines were added, bringing the total to eight.
A White Lady is a type of female ghost. She is typically dressed in a white dress or similar garment, reportedly seen in rural areas and associated with local legends of tragedy. White Lady legends are found in many countries around the world. Common to many of these legends is an accidental death, murder, or suicide, and the theme of loss, betrayed by a husband or fiancé, and unrequited love.
Yurei otoko is a 1954 film directed by Motoyoshi Oda. It was distributed theatrically by Toho on October 13, 1954.
Yūreizaka (幽霊坂) is a hill road located in Mita 4-chome in Minato, Tokyo. The slope climbs the promontory from east to west, and climbs along busy Sakurada Avenue and terminates at the intersection with Hijiri zaka. There are two possible sources for the name of the avenue: "Yūrei" meaning ghost, due to the presence of numerous temples along the street, giving it a desolate atmosphere such that ghosts might appear and "Yūrei," an alternate reading for the given name of the first Minister of Education in Japan, and scholar Mori Arinori, who lived in the vicinity.
Mei Kurokawa is a Japanese actress and singer. Her given name Mei originates from her birth month (May) in English. She has been frequently featured in many Japanese dramas and Kaidan Shin Mimibukuro: Yūrei Mansion films.
In mythology and folklore, a vengeful ghost or vengeful spirit is said to be the spirit of a dead person who returns from the afterlife to seek revenge for a cruel, unnatural or unjust death. In certain cultures where funeral and burial or cremation ceremonies are important, such vengeful spirits may also be considered as unhappy ghosts of individuals who have not been given a proper funeral.
Female Ghost is an ukiyo-e woodblock print dating to 1852 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. Female Ghost exemplifies the nineteenth century Japanese vogue for the supernatural and superstitious in the literary and visual arts. The print is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada.
Yūrei-zu (幽霊図) are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons and other supernatural beings. They are considered to be a subgenre of fūzokuga, "pictures of manners and customs." These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century.
The Prudential Tower (プルデンシャルタワー) is a skyscraper located in Nagatachō, Tokyo, Japan. It contains offices, residences, and shops, with 38 floors above ground and a total floor area of 76,634 square meters. It is situated on the Sotobori-dōri trunk road, near the National Diet Building and other central government institutions, including the Prime Minister's Official Residence.
One Hundred Ghost Stories is a series of ukiyo-e woodblock prints made by Katsushika Hokusai (1760-1849) in the Yūrei-zu genre circa 1830. He created this series around the same time he was creating his most famous works, the Thirty-six Views of Mount Fuji series. There are only five prints in this series, though as its title suggests, the publisher, Tsuruya Kiemon, and Hokusai wanted to make a series of one hundred prints. Hokusai was in his seventies when he worked on this series, and though his most famous impressions are landscape and wild-life works, he was attune to the superstitions of the Edo period. This culminated in him creating these yokai prints of popular ghost stories being told at the time. The prints show scenes from such stories, that could be recited during the game of Hyakumonogatari Kaidankai.
