"Love Will Save the Day" is a song recorded by American singer Whitney Houston from her second diamond studio album Whitney (1987). The song was released in May 1988 by Arista Records as the album's fifth single. It did not have a music video but was still successful, climbing into the US top ten. Written by Toni C. and produced by John "Jellybean" Benitez, it is one of the uptempo singles on the album that also includes "I Wanna Dance with Somebody" and "So Emotional".
Prior to being assigned by Davis, Benitez had achieved success by producing and remixing many of Madonna's early hit singles. Houston was just the second major recording artist after Madonna that Benitez worked with.
Seeking a message song with a dance beat, Benitez brought in his frequent collaborator, songwriter Toni Colandreo, (known as Toni C.) to be the song's lyricist.
The song was notable for being the only song on the Whitney album to not be helmed by Houston's previous collaborators including Narada Michael Walden and Michael Masser, as well as one of the earliest songs in her catalog where Houston sang both lead and background vocals.
The song received mixed reception from critics following the release of the Whitney album.
Los Angeles Times editor Robert Hilburn described the song as a "hollow dance track that tries to mix social comment with dance-floor vigor."[1]
In a positive review, Rolling Stone's Vince Alleti wrote: "Jellybean clicks neatly with 'Love Will Save the Day,' the only song to even remotely acknowledge the problems of the world at large and the most vivaciously percussive track on the record."[3]
A Whitney fanpage described this song as Latin influenced, sparkling song.[4]
St. Petersburg Times editors Eric Snider and Annelise Wamsley described Love Will Save the Day as "a unique tune on an extremely mainstream album. Its lively Afro-Cuban flavor, driven by a wall of clattering percussion, is truly joyous."[5]
Chart performance
"Love Will Save the Day" made Houston the third female artist after Janet Jackson(pictured in 1995) and Madonna(pictured in 1987) to produce five top ten singles off a single album.
At the time, Houston had achieved a record-breaking string of seven consecutive number-one hits, with four of those number-ones from her current album Whitney, a record the singer still holds.
"Love Will Save the Day" did not become Houston's eighth consecutive number one, but continued her trend of hit singles by peaking in the US top ten.
The song also made the top 10 without an accompanying music video. With five top ten singles off the same album, Houston joined Madonna and Janet Jackson as just the third female artist to achieve this milestone.
On the Billboard Hot 100, the song debuted at number 52 on the July 2, 1988 issue.[6] The following week on the July 9 issue, it became Houston's ninth top 40 single, moving up to number 40.[7]
Seven weeks later, on the August 27, 1988 issue, it peaked at number 9, becoming her ninth consecutive top ten single, making her just the fifth female artist after Brenda Lee, the Supremes, Aretha Franklin and Madonna to achieve this.[8]
It would remain in that position for two weeks and spent four entire weeks in the top ten overall. Spending 16 cumulative weeks on the chart, it stayed inside the top 40 for 11 of those weeks.
It reached number five on the Hot Black Singles chart, becoming her eleventh consecutive top ten single on that chart as well as her tenth top five single; in doing this, Houston became the first recording artist to produce five top five R&B singles off two or more albums.
It reached number ten on the Hot Adult Contemporary chart, becoming her tenth consecutive top ten single on that chart.
It topped the Hot Dance Club Play chart for the week of August 20, 1988, becoming Houston's third number one single on that chart as well as her third consecutive number one single there following "I Wanna Dance with Somebody (Who Loves Me)" and "So Emotional". It joined those songs as well as "How Will I Know" as Houston's fourth single to hit the top ten on the pop, R&B, dance and adult contemporary charts.
It reached the top 20 of the Cash Box Top 100 Singles chart, peaking at number 11 for two weeks in August 1988.[9] On the CHR Pop Radio & Records chart, it spent ten weeks, peaking at number 7 there.[10]
Outside the United States, the song achieved success as well, peaking at number 8 on the Canadian RPM singles chart. In the UK, it entered the OCC Singles chart at number 27 on May 28 before peaking at number 10 the following week (June 4), becoming Houston's sixth top ten single.[11]
In Ireland, it reached number 8. It also reached the top ten in Belgium, France, Luxembourg, Spain and the Netherlands, where it peaked at number 6 while reaching the top 20 in Switzerland. It also reached the top 40 on the West Germany charts and landed on the Australian charts as well.
Legacy
After her death in 2012, Entertainment Weekly ranked the song #20 on its "Whitney Houston: Her 25 Best Songs" list and stated: "the Miami bass and spicy horns on this high-BPM (beats per minute) dance-pop workout pointed to Houston's willingness to experiment and evolve."[12]
BET ranked it 18th place on their list of the 40 best Whitney Houston songs.[13]
In his obituary on Houston, Clay Cane of The Advocate cited the song among two other Houston songs -- "Where Do Broken Hearts Go" and "One Moment in Time" -- as songs that were part of the gay community's playlist "for a horrific moment in the lives of gays".[14]
The single has been covered 17 times, sampled 17 times and remixed 5 times according to the sample database site, WhoSampled.[15]
↑ Molanphy, Chris (May 20, 2021). "Blame It on the Feign Edition". Hit Parade | Music History and Music Trivia (Podcast). Slate. Retrieved February 11, 2024.
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