World tour by Whitney Houston | |
Location | North America • Europe • Oceania • Asia |
---|---|
Associated album | Whitney |
Start date | July 4, 1987 |
End date | November 20, 1988 |
Legs | 4 |
No. of shows |
|
Box office | $20 million ($51.53 in 2023 dollars) [1] (North America leg) |
Whitney Houston concert chronology |
The Moment of Truth World Tour was the second worldwide tour by American recording artist Whitney Houston and supported her multi-platinum hit album Whitney . The trek started on July 4, 1987 in North America and continued overseas during 1988 in Europe, Asia and Australia.
Pollstar Magazine's reported that it was the seventh-highest grossing tours in 1987, and the highest grossing tour by a female artist that year. The North American leg tour alone grossed over $20.1 million. [2]
The name of the tour, Moment of Truth, was a track that was to be on the Whitney album and subsequently left off and was replaced with "You're Still My Man". The song "Moment of Truth" was featured on the B-side to the US 7-inch single for "I Wanna Dance With Somebody (Who Loves Me)". It was also released on the CD single for "Exhale (Shoop Shoop)".
Following the release of Whitney, Houston began promoting the album with a world tour. She began on July 4 in Tampa, Florida, where she played to over 70,000 people. She returned to Florida, ending the North American leg of the tour at Orange County Convention Center in Orlando, Florida, on December 8, 1987.
In Europe, Houston visited 12 countries, playing to over half a million fans. Houston played nine consecutive nights at Wembley Arena in London. She also broke The Beatles' record of seven consecutive number one singles in the U.S., which she celebrated with a party including Elton John, Fleetwood Mac, and Clive Davis. Houston cancelled an Italian concert date after agreeing to fly back to London to pay tribute to a then-imprisoned Nelson Mandela, who was celebrating his birthday. Houston performed a set at Wembley Stadium, playing to over 72,000 fans during the event. [3] Following this, Houston resumed her tour in Italy. In 1988, Houston returned from the European leg to perform a benefit concert for the United Negro College Fund on August 28 at Madison Square Garden in New York City. It was Houston's only North American date during 1988 after playing 89 dates the previous year. The concert raised over $300,000 for the UNCF. [4]
The tour was one of the top ten highest-grossing tours of 1987. [5] The North American leg of the tour alone grossed over $24 million, helping make Houston the second highest-earning female entertainer of the year, according to Forbes . [6] Every date of the European leg of the tour was sold out. [4]
Like her previous tour, Houston again performed on a round stage in the center of the arena or auditorium so that everyone could see her. The seven-piece band was situated below her. There were two outfit changes; no stage props. However, unlike her previous tour, Houston called upon three backup dancers during the uptempo songs. The dance routines were choreographed by Damita Jo Freeman and Khandi Alexander. Jonathan Butler opened for select dates, and Kenny G was featured as the main opening act the North American leg. [7]
With two albums under her belt, the singer had more material to choose from. She included most of the songs from Whitney, the biggest hits from her debut, as well as the gospel song "He/I Believe". Houston also performed songs from her peers during various concerts, interpreting Aretha Franklin, Chaka Khan, Luther Vandross, Anita Baker, and Janet Jackson. [8] Like her debut tour, Houston proved herself to be a creative musician. She rearranged most of the songs into soulful jazzy numbers and did a lot of improvisation. The Montreal Gazette said, "Whatever faults the 24-year-old singer has, she is first and foremost a creative musician." [9] The pop hit "How Will I Know" was given a jazzy beginning and gospel-like ending. "You Give Good Love" was slowed down into a steamy and sensual slow jam. Houston often scatted with sax player Jay Davidson on "Just the Lonely Talking Again". [8] Most critics noted "He/I Believe" and "Greatest Love of All" as being the show's highlights.
Despite the praise for her voice and arrangements, many critics noted her lack of dancing and movements. The Richmond Times said "she is about as stiff as a cardboard box." [10] Some noted that she lacked a true personality. Others complained that despite the name of the tour, she followed the same formula as her previous tour. [8] Jon Pareles of the New York Times reviewed her Madison Square Garden concert and said, "Ms. Houston may be a new kind of pop singer for the video era: an encyclopedic, restless virtuoso. She has absorbed the soul and pop styles of everyone from Aretha Franklin to Barbra Streisand to Diana Ross to Al Green; she can deliver a gospel rasp, a velvety coo, a floating soprano and a cheerleader's whoop." [11]
This set list is representative of the concert on September 5, 1987 at Providence Civic Center in Providence, Rhode Island. [12] It does not represent all concerts for the duration of the tour.
This set list is representative of the concert on April 27, 1988 at NEC Arena in Birmingham, England. [13] It does not represent all concerts for the duration of the tour.
Date | City | Country | Venue | Attendance | Revenue |
---|---|---|---|---|---|
North America [15] | |||||
July 4, 1987 | Tampa | United States | Tampa Stadium | 49,659 / 55,000 | $883,551 |
July 5, 1987 | Milwaukee | Marcus Amphitheater | 23,178 / 23,178 | — | |
July 7, 1987 | Canandaigua | Finger Lakes Performing Arts Center | 12,500 / 12,500 | $186,280 | |
July 8, 1987 | Lake Placid | Olympic Center Complex Arena | 8,000 / 8,000 | $131,291 | |
July 9, 1987 | Providence | Providence Civic Center | 13,342 / 13,342 | $240,546 | |
July 11, 1987 | Columbia | Merriweather Post Pavilion | — | — | |
July 12, 1987 | |||||
July 14, 1987 | Cuyahoga Falls | Blossom Music Center | 18,723 / 18,723 | $254,101 | |
July 17, 1987 | Indianapolis | Market Square Arena | 14,000 / 14,000 | $231,682 | |
July 18, 1987 | Saint Paul | Harriet Island Pavilion | — | — | |
July 19, 1987 | |||||
July 21, 1987 | Hoffman Estates | Poplar Creek Music Theater | — | — | |
July 22, 1987 | |||||
July 24, 1987 | Peoria | Peoria Civic Center | 11,206 / 11,206 | $196,105 | |
July 25, 1987 | St. Louis | St. Louis Arena | 10,491 / 19,398 | $194,084 | |
July 26, 1987 | Cincinnati | Riverbend Music Center | — | — | |
July 27, 1987 | |||||
July 30, 1987 | Pittsburgh | Civic Arena | 16,908 / 16,908 | $317,153 | |
July 31, 1987 | Clarkston | Pine Knob Music Theatre | 28,287 / 28,287 | $481,680 | |
August 1, 1987 | |||||
August 2, 1987 | Pittsburgh | Civic Arena | — | — | |
August 5, 1987 | Charlotte | Charlotte Coliseum | 11,737 / 11,737 | $198,783 | |
August 7, 1987 | Birmingham | Birmingham–Jefferson Civic Center | 16,000 / 16,000 | $255,658 | |
August 8, 1987 | Atlanta | Omni Coliseum | 16,062 / 16,062 | $305,185 | |
August 9, 1987 | Greensboro | Greensboro Coliseum | 12,624 / 15,781 | $219,981 | |
August 12, 1987 | Richmond | Richmond Coliseum | 10,386 / 10,386 | $175,945 | |
August 13, 1987 | Hershey | Hersheypark Stadium | 22,000 / 22,000 | $377,055 | |
August 14, 1987 | Philadelphia | The Spectrum | 18,800 / 18,800 | $348,674 | |
August 16, 1987 | Wantagh | Jones Beach Marine Theater | 20,480 / 20,480 | $409,600 | |
August 17, 1987 | |||||
August 19, 1987 | Holmdel Township | Garden State Arts Center | 21,356 / 21,356 | $366,276 | |
August 20, 1987 | |||||
August 21, 1987 | Hartford | Hartford Civic Center | 30,613 / 30,613 | $561,088 | |
August 22, 1987 | |||||
August 24, 1987 | Boston | Boston Common | 36,000 / 36,000 | $732,478 | |
August 25, 1987 | |||||
August 26, 1987 | |||||
August 28, 1987 | Montreal | Canada | Montreal Forum | 16,348 / 16,348 | $287,395 |
August 29, 1987 | Ottawa | Lansdowne Park | — | — | |
August 30, 1987 | Toronto | CNE Grandstand | 24,568 / 24,568 | $436,315 | |
September 2, 1987 | Saratoga Springs | United States | Saratoga Performing Arts Center | — | — |
September 3, 1987 | Syracuse | Onondaga War Memorial | 15,000 / 15,000 | $217,146 | |
September 5, 1987 | Providence | Providence Civic Center | 13,415 / 13,415 | $240,934 | |
September 8, 1987 | New York City | Madison Square Garden | 58,800 / 58,800 | $862,000 | |
September 9, 1987 | |||||
September 12, 1987 | Lexington | Rupp Arena | 16,625 / 16,625 | $290,938 | |
September 13, 1987 | Champaign | Assembly Hall | — | — | |
September 18, 1987 | Austin | Frank Erwin Center | 16,966 / 16,966 | $281,731 | |
September 19, 1987 | Houston | The Summit | 17,000 / 17,000 | $294,591 | |
September 20, 1987 | Dallas | Reunion Arena | 15,984 / 15,984 | $292,863 | |
September 23, 1987 | Albuquerque | Tingley Coliseum | 10,626 / 10,626 | $189,583 | |
September 26, 1987 | Irvine | Irvine Meadows Amphitheatre | 14,555 / 14,555 | $281,453 | |
September 27, 1987 | Mountain View | Shoreline Amphitheatre | 16,113 / 16,113 | $280,089 | |
September 29, 1987 | Las Vegas | Thomas & Mack Center | 11,787 / 14,000 | $224,071 | |
October 1, 1987 | Oakland | Oakland–Alameda County Coliseum Arena | 14,803 / 14,803 | $273,856 | |
October 2, 1987 | Inglewood | The Forum | 15,600 / 15,600 | $289,192 | |
October 9, 1987 | Seattle | Seattle Center Coliseum | 29,417 / 29,417 | $535,249 | |
October 10, 1987 | |||||
October 11, 1987 | Vancouver | Canada | Pacific Coliseum | 16,500 / 16,500 | $279,720 |
October 12, 1987 | Portland | United States | Memorial Coliseum Complex | 12,725 / 12,725 | $231,270 |
October 27, 1987 | Denver | McNichols Sports Arena | 13,673 / 16,000 | $262,277 | |
October 29, 1987 | Kansas City | Kemper Arena | 12,799 / 13,105 | $206,316 | |
October 30, 1987 | Ames | Hilton Coliseum | 12,500 / 12,500 | $212,853 | |
October 31, 1987 | Iowa City | Carver–Hawkeye Arena | 14,000 / 14,000 | $243,828 | |
November 3, 1987 | Omaha | Omaha Civic Auditorium | 10,859 / 10,859 | $197,118 | |
November 4, 1987 | Oklahoma City | Myriad Convention Center Arena | 9,530 / 9,530 | $160,738 | |
November 9, 1987 | Worcester | Centrum in Worcester | 12,430 / 12,430 | $264,319 | |
November 10, 1987 | East Rutherford | Brendan Byrne Arena | 17,257 / 17,257 | $335,818 | |
November 14, 1987 | Morgantown | WVU Coliseum | 14,060 / 14,060 | $224,174 | |
November 17, 1987 | Charleston | Charleston Civic Center | — | — | |
November 20, 1987 | Knoxville | Stokely Athletic Center | 13,478 / 13,478 | $207,553 | |
November 21, 1987 | Chapel Hill | Smith Center | 9,633 / 20,991 | $168,578 | |
November 23, 1987 | Murfreesboro | Murphy Center | — | — | |
November 27, 1987 | New Orleans | Louisiana Superdome | |||
December 2, 1987 | Jacksonville | Jacksonville Veterans Memorial Coliseum | |||
December 4, 1987 | Tampa | USF Sun Dome | 6,492 / 8,400 | $103,950 | |
December 5, 1987 | Pembroke Pines | Hollywood Sportatorium | — | — | |
December 8, 1987 | Orlando | Orange County Civic Center | |||
Oceania | |||||
January 7, 1988 | Gold Coast | Australia | Village Theatre Sanctuary Cove | — | — |
Europe [16] | |||||
April 17, 1988 | Brussels | Belgium | Forest National | — | — |
April 19, 1988 | Rotterdam | Netherlands | Rotterdam Ahoy | ||
April 21, 1988 | |||||
April 23, 1988 | |||||
April 24, 1988 | |||||
April 27, 1988 | Birmingham | England | NEC Arena | ||
April 28, 1988 | |||||
April 30, 1988 | |||||
May 1, 1988 | |||||
May 2, 1988 | |||||
May 4, 1988 | London | Wembley Arena | |||
May 5, 1988 | |||||
May 7, 1988 | |||||
May 10, 1988 | |||||
May 11, 1988 | |||||
May 12, 1988 | |||||
May 15, 1988 | |||||
May 16, 1988 | |||||
May 18, 1988 | Paris | France | Palais omnisports de Paris-Bercy | ||
May 20, 1988 | Frankfurt | West Germany | Festhalle Frankfurt | ||
May 21, 1988 | |||||
May 24, 1988 | Copenhagen | Denmark | Valby-Hallen | ||
May 25, 1988 | Drammen | Norway | Drammenshallen | ||
May 27, 1988 | Stockholm | Sweden | Johanneshovs Isstadion | ||
May 28, 1988 | |||||
May 29, 1988 | Gothenburg | Scandinavium | 14,606 / 14,606 | ||
June 2, 1988 | West Berlin | West Germany | Waldbühne | — | |
June 4, 1988 | Dortmund | Westfalenhallen | |||
June 8, 1988 | Rome | Italy | Palazzo dello Sport | ||
June 9, 1988 | |||||
June 12, 1988 | Milan | Palatrussardi | |||
June 13, 1988 | |||||
June 16, 1988 | Vienna | Austria | Wiener Stadthalle | ||
June 18, 1988 | Basel | Switzerland | St. Jakobshalle | ||
June 19, 1988 | |||||
June 21, 1988 | |||||
June 23, 1988 | Munich | West Germany | Olympiahalle | ||
June 24, 1988 | |||||
June 26, 1988 | |||||
June 28, 1988 | Barcelona | Spain | Plaça de Toros La Monumental | ||
June 29, 1988 | Madrid | Plaza de Toros de Las Ventas | |||
North America [17] | |||||
August 27, 1988 | New York City | United States | Madison Square Garden | 17,702 / 17,702 | $482,681 |
Asia | |||||
September 21, 1988 | Hiroshima | Japan | Hiroshima Green Arena | — | — |
September 22, 1988 | Fukuoka | Fukuoka Kokusai Center | |||
September 26, 1988 | Tokyo | Nippon Budokan | |||
September 27, 1988 | |||||
September 28, 1988 | |||||
October 1, 1988 | Osaka | Osaka-jō Hall | |||
October 2, 1988 | |||||
October 5, 1988 | Nagoya | Nagoya Rainbow Hall | |||
October 6, 1988 | |||||
October 7, 1988 | Shizuoka | Kusanagi Athletic Stadium | |||
October 11, 1988 | Sapporo | Makomanai Indoor Stadium | |||
October 13, 1988 | Sendai | Sendai Gymnasium | |||
October 15, 1988 | Yokohama | Yokohama Cultural Gymnasium | |||
October 16, 1988 | Tokyo | Nippon Budokan | |||
October 17, 1988 | |||||
Oceania | |||||
October 22, 1988 | Melbourne | Australia | National Tennis Centre | — | — |
October 25, 1988 | Canberra | National Indoor Sports Centre | |||
October 31, 1988 | Perth | Perth Entertainment Centre | |||
November 7, 1988 | Sydney | Sydney Entertainment Centre | |||
November 8, 1988 | |||||
November 11, 1988 | Brisbane | Brisbane Entertainment Centre | |||
Asia | |||||
November 18, 1988 | Kowloon | British Hong Kong | Hong Kong Coliseum | — | — |
November 19, 1988 | |||||
November 20, 1988 | |||||
Total | 900,419 / 935,936 | $15,925,795 |
Band
Choreography
Dancers
Tour management
The Joshua Tree Tour was a concert tour by Irish rock band U2. Staged in support of their 1987 album The Joshua Tree, it comprised 109 shows over three legs, spanning from April to December that year. The first and third legs visited North America, while the second leg toured Europe. Although it featured minimal production like the group's previous tours, the Joshua Tree Tour was the first to involve larger venues in arenas and stadiums as a result of the album's breakthrough. Much like U2 did on The Joshua Tree, on tour the group explored social and political concerns, along with American roots and mythology, collaborated with American guest musicians and opening acts such as B. B. King. U2 also recorded new material; these songs and their experiences on tour were depicted on the 1988 album and documentary film Rattle and Hum and on the 2007 video and live album Live from Paris. Territories that this tour missed would later be covered by Rattle and Hum's Lovetown Tour.
The Wildest Dreams Tour is the ninth concert tour by singer Tina Turner. The tour supported her ninth studio album Wildest Dreams (1996). The tour is Turner's biggest outing to date, performing over 250 shows in Europe, North America and Australasia—surpassing her Break Every Rule Tour. Lasting nearly 16 months, the tour continued her success as a major concert draw. The European leg alone sold 3 million tickets and generated an estimated US$100 million. The tour further grossed around US$30 million in North America. It was sponsored by Hanes, as Turner became the spokesperson for their new hosiery line.
The Let's Talk About Love World Tour was the eighth concert tour by Canadian recording artist Celine Dion. Visiting North America, Asia and Europe; the trek supported Dion's fifth English and fifteenth studio album Let's Talk About Love (1997). and her eleventh French and sixteenth studio album, S'il suffisait d'aimer (1998). The tour marks Dion's last worldwide tour until her Taking Chances World Tour in 2008–2009. Initially planned for 1998, the success of the tour continued into 1999. In 1998, the tour earned nearly $30 million from its concerts in North America alone. In Japan, tickets were immediately sold out on the first day of public sale. It was also nominated for "Major Tour of the Year" and "Most Creative Stage Production" at the Pollstar Industry Awards. According to Pollstar, the tour grossed about $91.2 million from 69 reported shows. The total gross for its overall 97 dates is estimated at $133 million, making it the highest-grossing female tour of the 1990s.
A New Day... was the first concert residency performed by Canadian singer Celine Dion in The Colosseum at Caesars Palace in Las Vegas, Nevada, United States. It was created and directed by Franco Dragone to support her seventh English-language and eighteenth studio album A New Day Has Come (2002). The show premiered on 25 March 2003 and ended on 15 December 2007.
Break Every Rule World Tour is the sixth concert tour by singer Tina Turner. The tour supported her sixth solo album Break Every Rule (1986). It was sponsored by Pepsi-Cola and broke box office records in 13 different countries: United Kingdom, Germany, Netherlands, Switzerland, Belgium, Norway, Sweden, Spain, Italy, Austria, France, Ireland and Denmark. It was the third highest-grossing tour by a female artist in North America in 1987 and the highest-grossing female tour of the 1980s with a total of $11.3 million . Her show in Rio de Janeiro remains the largest paying concert audience by a female artist with 180,000 spectators.
The Jersey Syndicate Tour was the fourth concert tour by American band Bon Jovi, that ran from 1988 to 1990. The massive, highly successful world tour was put on in support of the band's fourth studio album New Jersey (1988).
The 5150 Tour was a concert tour by American hard rock band Van Halen in support of their seventh studio album, 5150.
The Hide Your Sheep Tour was a concert tour by hard rock band Van Halen in support of their fifth studio album Diver Down.
The Alive/Worldwide Tour was a concert tour by American rock band Kiss which began on June 28, 1996 in Detroit, United States and concluded on July 5, 1997 in London, England. It was the first tour with original members Peter Criss and Ace Frehley since the Dynasty Tour in 1979.
The Couldn't Stand the Weather Tour was a worldwide concert tour by blues rock band Stevie Ray Vaughan and Double Trouble. Produced in support of their 1984 album Couldn't Stand the Weather, the tour visited North America, Europe, Australasia and Japan from 1984 to 1985. To reflect the new musical direction that the group took with Couldn't Stand the Weather, the tour was aimed to differ from their past and surpass expectations of the band. In comparison to Vaughan and Double Trouble's modest stage setup from the previous Texas Flood Tour, the Couldn't Stand the Weather Tour involved a slightly more elaborate production. It utilized grander amplifier setups and sound systems to take advantage of the larger venues in which they performed. To avoid their renowned strictly blues material, Vaughan and Double Trouble embodied a more expanded and varied repertoire during performances. In disparity to the previous tour, each of the Couldn't Stand the Weather shows opened with mostly the same three songs before other material was played. The album and the tour were the beginnings of the group's mid-eighties musical development.
Cher was the second concert residency by American singer-actress Cher at Caesars Palace in Las Vegas, Nevada. For the three-year engagement, Cher received $60 million. Performing at The Colosseum at Caesars Palace, the first show occurred on May 6, 2008 and the last show was on February 5, 2011. The show included 14 dancers and four aerialists, with a total of 17 costumes designed by Bob Mackie. The residency grossed over $97 million during its three-year run.
The I'm Your Baby Tonight World Tour was a concert tour by American singer Whitney Houston, in support of her multi-platinum third studio album I'm Your Baby Tonight (1990). Prior to Houston performing two dates in Japan early-March, the official tour started on April 18, in North America. Houston's performed nearly 100 concert dates throughout 1991 in North America and Europe.
The Greatest Love World Tour was the debut worldwide concert tour by American singer Whitney Houston, in support of her debut studio album Whitney Houston. The four-month tour began in North America on July 26, 1986 at the Merriweather Post Pavilion with an itinerary that included visits in Europe, Japan and Australia.
The Rapture Tour was the first headlining concert tour by American recording artist Anita Baker in support of her second studio album Rapture (1986). The tour started in mid-March 1986, visiting several cities throughout North America and Europe. In 1987, Baker kicked off a North America second leg trek, which included seven dates in Los Angeles at the Beverly Theatre in January, including two and three-night dates in Merrillville, Indiana, New York City and Miami, Florida. The outing included four sold-out shows scheduled in Washington, D.C., and three consecutive dates for the second visit in Merrillville, Indiana.
The Bodyguard World Tour is the fifth concert tour by American recording artist, Whitney Houston. The tour was in support of her multi-platinum soundtrack album, The Bodyguard, and also of the movie of the same name. Following the success of the album and worldwide hit singles "I Will Always Love You", "I Have Nothing" and "I'm Every Woman", Houston started the extensive world tour that lasted through the fall of 1994.
The Who Made Who Tour was a concert tour by Australian hard rock band AC/DC, in support of their soundtrack album, Who Made Who, which was released on 26 May 1986.
The Slippery When Wet Tour, by American hard rock band Bon Jovi, ran from 1986 to 1987. It supported the band's multi-platinum 1986 album Slippery When Wet and was their first major worldwide tour, visiting places such as Australia and Canada for the first time.
The videography of American recording artist Whitney Houston, nicknamed “The Voice”, consists of fifty-five music videos, four music video compilations, a concert tour video and three music video singles. In 1983, Houston signed a recording contract with Arista Records and two years later released her eponymous debut album. Houston's first music video was for the single "You Give Good Love", which was selected to establish her in the black marketplace first. Houston then released the video of her worldwide hit "Saving All My Love for You". The following video, for the song "How Will I Know", helped introduce the singer to a wider audience when it became one of the first videos by a black female singer to earn heavy rotation on MTV, and it won MTV Video Music Award for Best Female Video at its 3rd ceremony of 1986. "Greatest Love of All", the final single released from Houston's debut album, helped cement the M.O. for the classic Whitney video. In June 1986, Houston released her first video compilation The No. 1 Video Hits, containing her four music videos off the Whitney Houston album. It reached number-one on the Billboard Top Music Videocassettes chart and stayed there for 22 weeks, which remains the all-time record for a video collection by a female artist, it was also certified Platinum for shipments of 100,000 units by the Recording Industry Association of America (RIAA) on July 15, 1986. In 1987, Houston released the music video for "I Wanna Dance with Somebody ", the first single from her second album Whitney (1987), which depicts Houston in one of her iconic looks, the clip―towering curly wig, colorful dangly earrings and a series of going-to-the-club outfits. In 1988, the music video for the song "One Moment in Time", the title track off the 1988 Summer Olympics Album: One Moment in Time, was released.
The Fun Tour was a concert tour by American recording artist Cyndi Lauper in support of her debut album She's So Unusual. It was her first major headlining tour, with over 90 dates in various cities across North America. The tour kicked off in Poughkeepsie, New York, on November 22, 1983, and ended in St. Paul, Minnesota, on December 9, 1984. Lauper also performed shows in Paris, London and Switzerland.
The Power Windows Tour was a concert tour by Canadian rock band Rush, in support of the band's eleventh studio album Power Windows.