| "Money Talks" | ||||
|---|---|---|---|---|
 | ||||
| Single by The Kinks | ||||
| from the album Preservation Act 2 | ||||
| B-side | "Here Comes Flash" | |||
| Released | April 1974 | |||
| Recorded | January - March 1974 at Konk Studios, London | |||
| Genre | Rock [1] | |||
| Length | 3:44 | |||
| Label | RCA | |||
| Songwriter(s) | Ray Davies | |||
| Producer(s) | Ray Davies | |||
| The Kinks singles chronology | ||||
| ||||
"Money Talks" is a song by the British rock band The Kinks. Written by Ray Davies, the song appeared on the band's critically panned album, Preservation Act 2 .
The lyrics of "Money Talks" are part of the story-line of Preservation Act 2 . As described by author Andrew Hickey, the track is "just a description of Flash's 'philosophy' - that no one is incorruptible and that anyone will do anything for enough money." [2]
"Money Talks" was released on the album Preservation Act 2 , where it was the fourth track on the first side. That same month, the song saw single release in America (as well as Japan and Germany), backed with "Here Comes Flash" (which had appeared on the previous album, Preservation Act 1 .) The single was not met with much success, like many Kinks singles of the period, as it did not chart in any country. [3]
Cash Box said that the Kinks "come dynamically across with a strong rocker, capturing a strong T. Rex-Rolling Stones feel throughout" also saying that "infectious as a disk can be, this one is really saying something.." [1]
"Money Talks" has generally received positive reviews from critics. Jason Josephes of Pitchfork Media called the song "one of the many standout cuts on [Preservation Act 2]" and said that "Money Talks" is an example of "[Ray Davies's] stickiness serating <sic> Preservation with a witty edge, with can't- wait- to- quote lyrics popping up all over the place." [4] Andrew Hickey called the track "one of the catchiest things on Preservation Act 2." [2]
Something Else by the Kinks, often referred to simply as Something Else, is the fifth UK studio album by the Kinks, released in September 1967. The album continued the Kinks' trend toward an eccentric baroque pop and music hall-influenced style defined by Ray Davies' observational and introspective lyrics. It also marks the final involvement of American producer Shel Talmy in the Kinks' 1960s studio recordings; henceforth Ray Davies would produce the group's recordings. Many of the songs feature the keyboard work of Nicky Hopkins and the backing vocals of Davies's wife, Rasa. The album was preceded by the singles "Waterloo Sunset", one of the group's most acclaimed songs, and the Dave Davies solo record "Death of a Clown", both of which charted in the UK top 3.
"The Village Green Preservation Society" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by the band's principal songwriter Ray Davies, the song is a nostalgic reflection where the band state their intention to "preserve" British things for posterity. As the opening track, the song introduces many of the LP's themes, and Ray subsequently described it as the album's "national anthem".
"Lola" is a song written by Ray Davies and performed by English rock band the Kinks on their 1970 album Lola Versus Powerman and the Moneygoround, Part One. The song details a romantic encounter between a young man and a possible trans woman or cross-dresser, whom he meets in a club in Soho, London. In the song, the narrator describes his confusion towards Lola, who "walked like a woman but talked like a man".
"Apeman" is a 1970 song by the English rock band the Kinks. It was written by Ray Davies and appears on the album Lola Versus Powerman and the Moneygoround, Part One.
Preservation Act 1 is a concept album and the 12th studio album by the English rock group the Kinks, released 16 November 1973 by RCA Records.
Low Budget is the eighteenth studio album by English rock group the Kinks, released in 1979. Following the minor success of their 1978 album Misfits, the band recorded the majority of the album in New York rather than London. Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, many of the album's songs allude to contemporaneous events. Musically, the album is a continuation of the band's "arena rock" phase, resulting in a more rock-based sound and more modern production techniques.
"Mr. Churchill Says" is a song written by Ray Davies and released by the Kinks. It appears on the 1969 album Arthur .
"Sunny Afternoon" is a song by the Kinks, written by chief songwriter Ray Davies. The track later featured on the Face to Face album as well as being the title track for their 1967 compilation album. Like its contemporary "Taxman" by the Beatles, the song references the high levels of progressive tax taken by the British Labour government of Harold Wilson. Its strong music hall flavour and lyrical focus was part of a stylistic departure for the band, which had risen to fame in 1964–65 with a series of hard-driving, power-chord rock hits.
"Tired of Waiting for You" is a song by the English rock band the Kinks. It was released as a single on 15 January 1965 in the UK and on 17 February 1965 in the USA. The single reached number one in the UK and number six in the US. It then appeared on their second studio album, Kinda Kinks. It was the group's highest-charting single in the US - tied with "Come Dancing", which achieved the same chart position eighteen years later in 1983.
"Come Dancing" is a 1982 song written by Ray Davies and performed by British rock group the Kinks on their 1983 album State of Confusion. The song was inspired by Davies' memories of his older sister, Rene, who died of a heart attack while dancing at a dance hall. The lyrics, sung from the perspective of an "East End barrow boy," are about the boy's sister going on dates at a local Palais dance hall.
Preservation Act 2 is a 1974 concept album by the English rock band the Kinks, and their thirteenth studio album. It sold poorly, and received a mixed response among critics. Ken Emerson, in Rolling Stone, held out the album as an "underrated" one in the Kinks' repertoire.
"I'm in Disgrace" is the opening track on the second side of The Kinks' 1975 concept album, Schoolboys in Disgrace. It was written by Ray Davies.
"(Wish I Could Fly Like) Superman" is a song written by Ray Davies that was first released on the Kinks' 1979 album, Low Budget. The song, inspired by Superman: The Movie, employs a disco beat and lyrics that describe the singer's wish to be like the fictional character Superman. The song's disco style was created as a response to Arista Records founder Clive Davis's request for "a club-friendly record," despite Ray Davies' hatred of disco.
"Sweet Lady Genevieve" is the third track from The Kinks' 1973 rock opera Preservation Act 1. It was written by Ray Davies.
"Mirror of Love" is a track from The Kinks' theatrical album, Preservation Act 2. It was written by Ray Davies. It was released as the debut single from Preservation Act 2 in the U.K. only, but a version that was rerecorded for the American release was released as a single in both America and Britain.
"No More Looking Back" is the penultimate track on The Kinks' 1975 concept album, Schoolboys in Disgrace. Like all of the other tracks on the album, it was written by Ray Davies.
"Preservation" is a non-album single written by Ray Davies and performed by The Kinks in 1974. Although it was related to the two Preservation albums lyrically, it did not appear on either album until it was added to the CD reissue of Preservation Act 1.
"Party Line" is the opening track from the Kinks' 1966 album, Face to Face. The songwriting is credited to Ray Davies. On one of the earliest covers of the album, the song is credited R.Davies - D.Davies.
"She's Got Everything" is a song written by Ray Davies and released by English rock band the Kinks. It first appeared as the B-side of the Kinks' 1968 single, "Days".
"One of the Survivors" is a song by the British rock band The Kinks. Appearing on their 1973 concept album Preservation Act 1, the song was written by the band's main songwriter, Ray Davies.
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