This article is written like a review .(February 2024) |
"Ol' Man River" | |
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Single by Paul Whiteman and His Concert Orchestra with Paul Robeson and Mixed Chorus | |
Written | 1925 |
Published | 1927 T. B. Harms Co. [1] [2] |
Released | May 1927 [3] |
Recorded | March 1, 1928 [4] |
Studio | Liederkranz Hall, New York City |
Genre | Show tune |
Label | Victor 35912 |
Composer(s) | Jerome Kern |
Lyricist(s) | Oscar Hammerstein II |
"Ol' Man River" is a show tune from the 1927 [5] musical Show Boat with music by Jerome Kern and lyrics by Oscar Hammerstein II, who wrote the song in 1925. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat, [6] [7] and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This has happened, but the river keeps rolling on anyway."[ citation needed ]
The song is notable for several aspects: the lyrical pentatonic-scale melody, the subjects of toil and social class, the metaphor to the Mississippi, and as a bass solo (rare in musicals, solos for baritones or tenors being more common).
Paul Whiteman and His Orchestra had a hit recording of the song in early 1928, in a much faster tempo than Kern and Hammerstein intended, featuring Bing Crosby on vocals and Bix Beiderbecke on cornet. [8] A second version was recorded on March 1, with Paul Whiteman and his Concert Orchestra and bass singer Paul Robeson on vocals, sung in a dance tempo. The latter was inducted into the Grammy Hall of Fame in 2006, and a 1936 rendition by Robeson also finished No. 24 in AFI's 100 Years...100 Songs 2004 survey of top tunes in American cinema. Its musical composition entered the public domain on January 1, 2023. [9]
The song was first performed in the original stage production of Show Boat on December 27, 1927, by Jules Bledsoe, who also sang it in the part-talkie 1929 film, although that film version had little to do with the stage musical. Bledsoe also recorded the song years later. However, the most famous rendition of it, one that is still noted today, was sung by Paul Robeson in James Whale's classic 1936 film version of Show Boat. The role of Joe in the musical was originally written with Robeson in mind, but Robeson declined the role in the 1927 production due to scheduling conflict. Robeson, however, accepted the role for its 1928 London production and 1932 Broadway revival. He also performed the song three times in the show instead of the one originally written. [10] In New York, Bhupen Hazarika befriended him, who influenced him. He used music as the “instrument of social change” following the path of Paul Robeson who once told him about his guitar - “Guitar is not a musical instrument, it is a social instrument.” His song Bistirno Parore which is based on the tune, imagery and theme of Robeson's Ol' Man River . This song is translated in various Indian languages, including Bengali and Hindi and sung by the artist himself, and is still popular.
The first known recording of the song was by "Kenn" Sisson and His Orchestra, recorded on December 27, 1927, with Irving Kaufman on vocals. [11] Robeson recorded the song with Paul Whiteman and his Concert Orchestra in 1928, and multiple times in the 1930s. [12]
From the show's opening number "Cotton Blossom", the notes in the phrase "Cotton Blossom, Cotton Blossom" are the same notes as those in the phrase "Ol' Man River, dat Ol' Man River," but inverted. However, "Cotton Blossom" was written first, and "Ol' Man River" was written only after Kern and Hammerstein realized they needed a song to end the first scene in the show. Hammerstein decided to use the idea of the Mississippi River as a basis for the song and told Kern to use the melody that the stevedores sang in "Cotton Blossom" but invert some of it, and slow down the tempo. This inversion gave "Ol' Man River" a tragic quality. [13] [14] [15] [16]
Beginning about 1938 to the end of his career, Paul Robeson changed a few of the lyrics of "Ol' Man River" when singing it at recitals but never in actual stage performances of Show Boat and not in the 1936 film version. [6] (In addition to the 1928 and 1932 stage productions as well as the 1936 film version, he appeared in a Los Angeles stage revival in 1940.) Except for the change of the word "niggers" to "darkies", the lyrics of the song as Robeson performed it in the 1936 film version of the show remain exactly as Oscar Hammerstein II originally wrote them in 1927. However, after 1938, Robeson would record the song only with the lyrics that he had used in his post-1936 concert recitals.
In the 1978 one-man play Paul Robeson, by Phillip Hayes Dean, there is a (perhaps fictitious) reference to the change in the lyrics - an unseen interviewer asks Robeson (played by James Earl Jones) about the original lyrics, and he responds "No, I don't sing it that way anymore". [17]
In the 1951 film version of Show Boat, as well as the 1962 studio recording and the 1966 Lincoln Center revival of the show, William Warfield sang only the introductory verse and the lyrics to the main section of the song, and omitted what could be considered a controversial section, in contrast to both Jules Bledsoe (who sang it in the prologue to the 1929 film version) and Robeson (who sang the whole song in the 1936 film). The section that Warfield omitted begins:
In the 1936 film, the word "niggers" was changed to "darkies". Ever since the 1946 revival, the term has been changed to "colored folks", although there have been revivals that change the lines to Here we all work on de Mississippi,/ Here we all work while de white folks play. Al Jolson sang a version starting with "lots of folks work on the Mississippi." Also, the phrase "feared of dyin' " (rather than "skeered of dyin' ") has been sung in some recordings, [7] notably Lawrence Tibbett's 1930s version, Gordon MacRae's 1950s version (first heard on The Railroad Hour ), and Frank Sinatra's 1946 performance, first heard in the film Till the Clouds Roll By .
Robeson's own 1938 changes in the lyrics of the song are as follows:
In recitals and in several of his many recordings of the song, Robeson also omitted the controversial section "Niggers all work on de Mississippi...", etc., with its middle portion "Don't look up/ An' don't look down/ You don't dast make / De white boss frown", etc., as well as its concluding "Lemme go ' way from de Mississippi/ Lemme go ' way from de white man boss, etc." . However, Robeson did include a portion of these lyrics in the 1932 4-record 78 rpm album of selections from Show Boat.
Gordon MacRae's version of the song, as performed on The Railroad Hour radio program (late 1940s or 1950s), changed the phrase "white man boss" to "big man boss". [19]
The Temptations, in their rendition on The Temptations in a Mellow Mood (1967), changed any references to the "white man boss" to "rich man boss", as well as "Here we all work while the white boys play" to "Here we all work while the rich boys play".
In 1988, EMI/Angel Records issued a 3-CD set of the complete score of Show Boat, starring Frederica Von Stade, Jerry Hadley, Teresa Stratas, and Bruce Hubbard, conducted by John McGlinn. On this album, the original 1927 lyrics of Ol' Man River were heard for the first time on a high fidelity stereo recording.
While Robeson's changes to the lyrics were mostly sung by himself, Leon and Eric Bibb together sang a changed version in their 2006 tribute album Praising Peace: A Tribute to Paul Robeson, and a clip exists of William Warfield singing the song with the changes that Robeson incorporated into it. [20]
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
Oscar Greeley Clendenning Hammerstein II was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
Julius Lorenzo Cobb Bledsoe was an American baritone and one of the first African-American artists to gain regular employment on Broadway.
Helen Morgan was an American singer and actress who worked in films and on the stage. A quintessential torch singer, she made a big splash in the Chicago club scene in the 1920s. She starred as Julie LaVerne in the original Broadway production of Hammerstein and Kern's musical Show Boat in 1927, as well as in the 1932 Broadway revival of the musical, and appeared in two film adaptations, a part-talkie made in 1929 and a full-sound version made in 1936, becoming firmly associated with the role. She suffered from bouts of alcoholism, and despite her notable success in the title role of another Hammerstein and Kern's Broadway musical, Sweet Adeline (1929), her stage career was relatively short. Helen Morgan died of cirrhosis of the liver at the age of 41. She was portrayed by Polly Bergen in the Playhouse 90 drama The Helen Morgan Story and by Ann Blyth in the 1957 biopic based on the television drama.
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
"Can't Help Lovin' Dat Man" with music by Jerome Kern, and lyrics by Oscar Hammerstein II, is one of the most famous songs from their classic 1927 musical play Show Boat, adapted from Edna Ferber's 1926 novel.
Gaylord Ravenal is the leading male character in Edna Ferber's 1926 novel Show Boat, in the famous Jerome Kern-Oscar Hammerstein II 1927 musical play of the same name based on the novel, and in the films made from it. He is a handsome, compulsive riverboat gambler, and he becomes leading man of the show boat Cotton Blossom at the same time that Magnolia Hawks, the captain's daughter, becomes the leading lady. In the novel, this happens after several of the company's leading men and ladies have left, including the illegally married mulatto Julie Dozier and her white husband Steve Baker. In the musical, Magnolia and Ravenal become the leading players on the boat immediately after Julie and Steve are forced to leave the show, not years later.
"I Won't Dance" is a song with music by Jerome Kern that has become a jazz standard. The song has two different sets of lyrics: the first written by Oscar Hammerstein II and Otto Harbach in 1934, and second written by Dorothy Fields in 1935.
Show Boat is a 1951 American musical romantic drama film, based on the 1927 stage musical of the same name by Jerome Kern (music) and Oscar Hammerstein II, and the 1926 novel by Edna Ferber. It was made by MGM, adapted for the screen by John Lee Mahin, produced by Arthur Freed and directed by George Sidney.
Show Boat is a 1926 novel by American author and dramatist Edna Ferber. It chronicles the lives of three generations of performers on the Cotton Blossom, a floating theater on a steamboat that travels between small towns along the banks of the Mississippi River, from the 1880s to the 1920s. The story moves from the Reconstruction Era riverboat to Gilded Age Chicago to Roaring Twenties New York, and finally returns to the Mississippi River.
Mis'ry's Comin' Aroun' is a once-neglected song from the 1927 musical Show Boat by Jerome Kern and Oscar Hammerstein II. It was cut from the production during the Washington D.C. tryout on the orders of producer Florenz Ziegfeld, supposedly because it was one of the factors that made the show too long. However, musical theatre historian Miles Kreuger and conductor John McGlinn, also suggest that it was the dark, dramatic tone of the piece that most concerned Ziegfeld. Kern was reportedly so incensed by the deletion of "Mis'ry's Comin' Aroun'" that he made it the principal motif of Show Boats original overture and asked orchestrator Robert Russell Bennett to work sections of it into the background music as well, where it is now played by the orchestra during some of the dialogue scenes involving the mixed race actress Julie La Verne.
"Bill" is a song heard in Act II of Kern and Hammerstein's classic 1927 musical, Show Boat. The song was written by Kern and P. G. Wodehouse for their 1917 musical Oh, Lady! Lady!! for Vivienne Segal to perform, but it was withdrawn because it was considered too melancholy for that show. When Kern and Hammerstein were at work on a serious and somewhat tragic production of Show Boat, however, they decided that the song would be perfect for a nightclub scene in that show. Hammerstein revised Wodehouse's original lyrics somewhat, and the song was given to real-life nightclub singer Helen Morgan to sing as she portrayed the mulatto Julie in that version of Show Boat.
"Make Believe" is a show tune from the 1927 Broadway musical Show Boat with music by Jerome Kern and lyrics by Oscar Hammerstein II.
"You Are Love" is a song by Jerome Kern and Oscar Hammerstein II from their classic 1927 musical play Show Boat. It is sung twice in the show - first, by Magnolia Hawks, the heroine, and riverboat gambler Gaylord Ravenal when they agree to marry near the end of Act I, and again in the penultimate scene of Act II by Ravenal when he returns to Magnolia after having deserted her for 23 years.
Kenneth Spencer, was an American operatic singer and actor. Spencer starred in a few Broadway musicals and musical films in the United States during the 1940s. Frustrated with the racial prejudice he experienced in the United States as a black man, Spencer moved to West Germany in 1950 where he had a successful singing career. He also appeared in a number of German films. His career was cut short when he died in the crash of Eastern Air Lines Flight 304.
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