Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989. Following the completion of the mixing, founding member Lol Tolhurst was fired from the band.
"Cruel Summer" is a song by English girl group Bananarama. It was written by Bananarama and Steve Jolley, Tony Swain, and produced by Jolley and Swain. Released in 1983, it was initially a stand-alone single but was subsequently included on their self-titled second album a year later. The song reached number eight on the UK Singles Chart in 1983 and the group performed it live on the BBC's Top of the Pops that summer, and after its inclusion in the 1984 film The Karate Kid, it reached number nine on the US Billboard Hot 100.
Mixed Up is a remix album by English rock band the Cure, released on 20 November 1990 by Fiction Records. The songs are remixes of some of their hits, reflecting the popularity of remixing of existing songs and dance culture of the late 1980s and early 1990s. In 2018, a sequel was released titled Torn Down.
Greatest Hits is a greatest hits album by English rock band the Cure. It was first released in Japan on 7 November 2001, before being released in the UK and Europe on 12 November and then in the US the day after. The band's relationship with longtime label Fiction Records came to a close, and the Cure were obliged to release one final album for the label. Lead singer Robert Smith agreed to release a greatest hits album under the condition that he could choose the tracks himself. The band also recorded a special studio album released as a bonus disc to some versions of the album. The disc, titled Acoustic Hits, consists of the eighteen songs from the North American release re-recorded using acoustic instruments.
Show is a live album released in 1993 by the British alternative rock band the Cure. It was recorded live over two nights at The Palace of Auburn Hills, Auburn Hills, Michigan in 1992, during the successful Wish tour. Show was also released as a concert video.
"Don't You Want Me" is a song by British synth-pop group the Human League. It was released on 27 November 1981 as the fourth single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the best selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.
"Lovesong" is a song by English rock band the Cure, released as the third single from their eighth studio album, Disintegration (1989), on 21 August 1989. The song saw considerable success in the United States, where it reached the number-two position in October 1989 and became the band's only top-10 entry on the Billboard Hot 100. In the United Kingdom, the single charted at number 18, and it peaked within the top 20 in Canada and Ireland.
"Rock with You" is a song by American singer Michael Jackson, written by Rod Temperton and produced by Quincy Jones. It was first offered to Karen Carpenter, while she was working on her first solo album, but she turned it down. It was released in October 1979, by Epic Records as the second single from Jackson's fifth solo studio album Off the Wall (1979). It was also the third number-one hit of the 1980s, a decade in which the pop singles chart would quickly be dominated by Jackson.
"Atomic" is a song by American rock band Blondie from their fourth studio album, Eat to the Beat (1979). Written by Debbie Harry and Jimmy Destri and produced by Mike Chapman, the song was released in February 1980 as the album's third single.
"Love Is a Stranger" is a song by the British pop duo Eurythmics. Originally released in late 1982, the single was commercially unsuccessful, but it was re-released in 1983, reaching the UK top 10. The single was re-released again in 1991, to promote Eurythmics' Greatest Hits album.
"Close to Me" is a song by English rock band the Cure, released in September 1985 as the second and final single from their sixth album, The Head on the Door.
"Fascination Street" is a song by English rock band the Cure from their eighth studio album, Disintegration (1989). It was issued as a single only in North America, as the band's American record company refused to release the band's original choice, "Lullaby", as the first single. The song became the band's first number-one single on the US Billboard then-newly created Modern Rock Tracks chart, staying on top for seven weeks.
"Lullaby" is a song by English rock band the Cure from their eighth studio album, Disintegration (1989). Released as a single on 10 April 1989, the song is the band's highest-charting single in their home country, reaching number five on the UK Singles Chart. It additionally reached number three in West Germany and Ireland while becoming a top-10 hit in several other European countries and New Zealand. The music video, directed by Tim Pope, won the British Video of the Year at the 1990 Brit Awards.
"Never Enough" is a song by English rock band the Cure, released as a single in September 1990 from their 1990 remix album, Mixed Up. The song topped the US Billboard Modern Rock Tracks chart, reached number three in Finland, and peaked within the top 20 in Germany, Ireland, New Zealand, Spain, and the United Kingdom.
"Need You Tonight" is a song by the Australian rock band INXS, released as the first single from their 1987 album, Kick, as well as the fourth song on the album. It is the only INXS single to reach No. 1 on the Billboard Hot 100. It also achieved their highest charting position in the United Kingdom, where the song reached number two on the UK Singles Chart; however, this peak was only reached after a re-release of the single in November 1988. On its first run on the UK charts in October 1987, it stalled at No. 58. It was one of the last songs recorded for the album, yet it would arguably become the band's signature song.
"Nathan Jones" is a song by American girl group the Supremes from their twenty-third studio album, Touch (1971). It was released on April 15, 1971, as the album's lead single. Produced by Frank Wilson and written by Kathy Wakefield and Leonard Caston, "Nathan Jones" was one of eight top-40 entries the Supremes recorded after its original frontwoman, Diana Ross, left the group for a solo career.
"Self Control" is a song by Italian singer Raf, released in 1984. It was written by Giancarlo Bigazzi, Steve Piccolo and Raf, and arranged by Celso Valli. The track topped the charts in Italy and Switzerland, and started the explosion and dominance of Italo disco-style recordings in continental European charts during the 1980s.
"Big Love" is a song written by Lindsey Buckingham and performed by British-American rock band Fleetwood Mac. The song first appeared on the band's 1987 album Tango in the Night. The song was the first single to be released from the album, reaching number 5 in the US and number nine in the UK. The single was also a hit on the American dance charts, where the song peaked at number 7.
"Shine" is a song by American singer-songwriter Luther Vandross, the first single from his greatest hits package The Ultimate Luther Vandross. The track samples Chic's song "My Forbidden Lover". "Shine" became a top-20 urban radio hit, and the club mixes of the song became popular on dance radio stations and clubs in the United States. The single was a top-50 hit in the United Kingdom but failed to chart on the US Billboard Hot 100 despite reaching number 31 on the Billboard Hot R&B/Hip Hop Songs chart. In 2007, British dance music duo Booty Luv released a cover version that reached the top 20 in several European countries.
"Bitter Tears" is a song by Australian rock band INXS, released as the third Australian and fourth UK single from their seventh studio album, X (1990). The song was written by Andrew Farriss and Michael Hutchence as part of the sessions for the X album. It peaked at number 30 on the UK Singles Chart and number 36 in Australia. The single was released to coincide with the band headlining the SummerXS concert at Wembley Stadium in July 1991, as documented in the Live Baby Live DVD.
