Psyence Fiction | ||||
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Studio album by | ||||
Released | 24 August 1998 | |||
Recorded | August 1996 – 1998 | |||
Studio |
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Genre | ||||
Length | 54:59 | |||
Label | Mo' Wax | |||
Producer | Unkle | |||
Unkle chronology | ||||
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Singles from Psyence Fiction | ||||
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Psyence Fiction is the debut studio album by English electronic music act Unkle, released on 24 August 1998 by Mo' Wax. The album was produced by Unkle, at the time consisting of James Lavelle and DJ Shadow. The music on Psyence Fiction was primarily composed by DJ Shadow. Lavelle recruited numerous guest musicians to contribute to the album's recording.
Unkle started planning their debut album in 1995. [1] A month of recording in Los Angeles produced 15 finished tracks, but apart from "Berry Meditation", which would be issued as a non-album single, Unkle founder James Lavelle scrapped the tracks, finding them unrepresentative of his vision for the project. [2] In August 1996, Unkle, by now composed of Lavelle and DJ Shadow, began production on the material that would ultimately appear on Psyence Fiction. [2] Inspired by The Verve's 1995 album A Northern Soul , Lavelle wished to move Unkle in a more song-oriented musical direction: "My frustration was that I didn't want to make weird instrumental hip hop records. We could've easily achieved that but I wanted songs. Listening to Richard Ashcroft was a revelation because I thought, 'If I could bring that ilk of singer in with what I was hearing from Shadow I'll crack it'." [2] Unkle recorded "Lonely Soul", a collaboration with Verve lead singer Ashcroft, in September 1996. [2]
In July 1997, Unkle worked on "Rabbit in Your Headlights" with Thom Yorke, who performed vocals on the song. [2] It was originally intended as a collaboration with Yorke's band Radiohead, but Yorke saw the track as an opportunity "to do something completely different" from his band's music, according to Lavelle. [2] In August, Alice Temple recorded vocals for "Bloodstain", and French musician Atlantique, a friend and early collaborator of Lavelle's, recorded vocals and music for "Chaos". [2] [3] The following month, Mark Hollis of Talk Talk contributed piano to "Chaos", while Wil Malone arranged and conducted strings for "Lonely Soul" and "Celestial Annihilation". [2] Unkle recorded "Guns Blazing (Drums of Death Part 1)" in October with Kool G Rap, who was the only guest performer on Psyence Fiction selected by DJ Shadow rather than Lavelle. [2] Badly Drawn Boy, whom Lavelle at one point considered recruiting as Unkle's lead singer on the album, recorded vocals for "Nursery Rhyme / Breather" in February 1998. [2] In February and March, Unkle recorded "The Knock (Drums of Death Part 2)", with Mike D of the Beastie Boys performing vocals and Jason Newsted of Metallica playing bass guitar and theremin on the track. [2]
The individual tracks on Psyence Fiction were recorded at different studios in California and London. Vocals were recorded at The Site in San Rafael, the Record Plant in Hollywood, and the London studios Strongroom and Milo, while strings were recorded at CTS in London. [3] The tracks were likewise mixed at different studios, including the Record Plant, Strongroom, and the London facilities Metropolis, RAK, and Matrix. [3]
Psyence Fiction was widely anticipated by music journalists and audiences, [4] particularly due to its high-profile cast of musical collaborators. [5] Given DJ Shadow's prominent role in its production, it was viewed as a de facto follow-up to his debut album Endtroducing..... , which had been released in 1996 to widespread acclaim. [6] Psyence Fiction was released in the United Kingdom on 24 August 1998 by Lavelle's label Mo' Wax. [7] It peaked at number four on the UK Albums Chart. [8] In the United States, it was released by Mo' Wax and London Records on 29 September 1998, [9] reaching number 107 on the Billboard 200 and topping the Heatseekers Albums chart. [10] [11] London Records executives were satisfied with the album's American sales, though DJ Shadow was disappointed by its Billboard 200 chart peak. [12]
"Rabbit in Your Headlights" was issued as the first single from Psyence Fiction on 12 October 1998. [13] "Be There", a remix of the instrumental track "Unreal" featuring newly recorded vocals by Ian Brown, [14] was released as the album's second single on 8 February 1999, [15] peaking at number eight on the UK Singles Chart. [16] Too weary to commit to further touring, and with his partnership with Lavelle having grown strained, DJ Shadow left Unkle during the promotional cycle for the album. [17]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | B+ [19] |
The Guardian | ![]() ![]() ![]() ![]() ![]() |
NME | 6/10 [21] |
Pitchfork | 9.8/10 [22] |
Q | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Select | 4/5 [26] |
Spin | 8/10 [27] |
Psyence Fiction was released to mixed reviews from critics, [5] with many finding that the album had failed to live up to its hype. [5] [25] NME writer John Mulvey wrote that DJ Shadow's music "rarely gels with Lavelle's chosen singers or even comes to terms with the song (as opposed to groove) format of much of the material". [21] Caroline Sullivan of The Guardian said that while the album successfully sustains its "foreboding" mood, "its strength is also its weakness: somewhere amid the sprawl of bad dreams it turns into nothing more than meandering tunes with spooky keyboards attached." [20] The A.V. Club 's Joshua Klein criticised Unkle's decision to eschew hip hop for a "more conventional alt-rock outline", concluding that "Psyence Fiction can be chalked up as an ambitious failure; its principals can put it on their résumés, but cultural historians needn't put in their books." [28] Robert Christgau gave the album a one-star honourable mention rating, deeming it "not beautiful (or weird) enough for its own beats". [29]
Among more positive reviews, Barry Walters of Spin found the music "chaotic but never overwhelming" and described Psyence Fiction as "the illest soundclash since the last time a b-boy crashed a George Romero film festival and refused to turn off his boom-box". [27] Reviewing the record for Rolling Stone , Lorraine Ali called it "neither a lofty concept album nor the sonic equivalent of cinema", but concluded that "it is Shadow and Lavelle's striving for such greatness that makes Unkle a compelling work in progress." [24] Entertainment Weekly critic David Browne wrote that the album's best songs "are like a soundtrack for a surreal, melancholy art film that exists in Shadow's and Lavelle's heads." [19] Gareth Grundy of Select said that "Shadow's signature production provides Psyence Fiction with coherence", and that Unkle's vision is "thrillingly realised" throughout. [26]
In 2003, Lavelle stated that the hype surrounding Psyence Fiction had overshadowed its musical content, and that he felt it was released at a time "when people wanted [him] to fail." [5] DJ Shadow said in 2010 that he viewed the album fondly despite finding it "somehow flawed." [30]
In the years since the release of Psyence Fiction, "its stature has grown", according to The Age . [5] AllMusic editor Stephen Thomas Erlewine wrote that the album "gains momentum on repeated listens" due to "Shadow's imagination and unpredictable highlights", calling it "a superstar project that doesn't play it safe and actually has its share of rich, rewarding music." [18] In a retrospective piece for The Vinyl Factory, Eliot Wilder expressed similar sentiments and noted that Psyence Fiction had "gained cult status for its chaotic collages and maverick collaborations", adding that "it feels today like the kind of crazy, alt-star-strewn mash fest that it is." [6] Chris DeVille of Stereogum said that it foreshadowed music by "likeminded ecumenical collectives like Gorillaz and Handsome Boy Modeling School", and that "in terms of quality alone, it's worthy of remembering as one of the best albums of its era." [31] Psyence Fiction was included in lists of the best trip hop albums by Fact (at number 45) [32] and Slant Magazine (at number nine). [33]
In June 2013, Mo' Wax launched a Kickstarter campaign titled "Urban Archaeology: 21 Years of Mo'Wax", part of which included a deluxe CD re-release of Psyence Fiction. [34] As of late 2020, the Psyence Fiction album has not been released to the campaign's contributors.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Guns Blazing (Drums of Death Part 1)" | 5:01 | |
2. | "Unkle Main Title Theme" | Davis | 3:24 |
3. | "Bloodstain" |
| 5:57 |
4. | "Unreal" |
| 5:10 |
5. | "Lonely Soul" |
| 8:56 |
6. | "Getting Ahead in the Lucrative Field of Artist Management" | 0:56 | |
7. | "Nursery Rhyme / Breather" |
| 4:45 |
8. | "Celestial Annihilation" |
| 4:44 |
9. | "The Knock (Drums of Death Part 2)" |
| 3:58 |
10. | "Chaos" | Atlantique Khanh | 4:42 |
11. | "Rabbit in Your Headlights" |
| 6:20 |
12. | "Outro (Mandatory)" | 1:06 | |
Total length: | 54:59 |
No. | Title | Writer(s) | Length |
---|---|---|---|
0. | "Intro (Optional)" (CD pregap hidden track) | 2:19 | |
13. | "Guns Blazing (Drums of Death Part 1)" (instrumental) | Davis | 4:00 |
14. | "The Knock (Drums of Death Part 2)" (instrumental) | Davis | 3:52 |
Total length: | 65:10 |
No. | Title | Writer(s) | Length |
---|---|---|---|
13. | "Be There" (featuring Ian Brown) |
| 5:15 |
Total length: | 60:14 |
Credits are adapted from the album's liner notes. [3]
Unkle
Additional musicians
Production
Design
Chart (1998) | Peak position |
---|---|
Australian Albums (ARIA) [37] | 15 |
Belgian Albums (Ultratop Flanders) [38] | 22 |
Dutch Albums (Album Top 100) [39] | 60 |
European Top 100 Albums ( Music & Media ) [40] | 28 |
French Albums (SNEP) [41] | 39 |
German Albums (Offizielle Top 100) [42] | 77 |
New Zealand Albums (RMNZ) [43] | 33 |
Norwegian Albums (VG-lista) [44] | 18 |
Scottish Albums (OCC) [45] | 7 |
UK Albums (OCC) [8] | 4 |
UK Dance Albums (OCC) [46] | 1 |
UK Independent Albums (OCC) [47] | 1 |
US Billboard 200 [10] | 107 |
US Heatseekers Albums (Billboard) [11] | 1 |
Chart (1998) | Position |
---|---|
UK Albums (OCC) [48] | 130 |
Unkle is a British musical outfit founded in 1992 by James Lavelle. Originally categorised as trip hop, the group once included producer DJ Shadow and have employed a variety of guest artists and producers.
Mo' Wax was a British record label founded by James Lavelle in 1992. The label was not co-founded by Tim Goldsworthy, as is often reported. Steve Finan became co-owner shortly after.
Endtroducing..... is the debut studio album by American music producer DJ Shadow, released on September 16, 1996, by Mo' Wax. It is an instrumental hip hop work composed almost entirely of samples from vinyl records. DJ Shadow produced Endtroducing over two years, using an Akai MPC60 sampler and little other equipment. He edited and layered samples to create new tracks of varying moods and tempos.
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Meiso is the third studio album by Japanese hip hop producer DJ Krush. It was released on July 21, 1995 in Japan by Sony Music Entertainment.
"Rabbit in Your Headlights" is a song by British electronic duo Unkle. It was released as the lead single from their debut album Psyence Fiction (1998). The song features vocals from Radiohead singer Thom Yorke.
James Lavelle is an English electronic musician, record label owner and curator. He founded the Mo'Wax record label in 1992, and has been the only constant member of UNKLE. He directed the 2014 edition of the Meltdown festival on London's South Bank, and curated the 2016 exhibition "Daydreaming with Stanley Kubrick" at Somerset House. He is the subject of 2016 documentary film The Man from Mo'Wax.
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"Be There" is a song by British electronic group Unkle. It was produced by member DJ Shadow and written by him along with British musician Ian Brown, who is also featured on the song on vocals. The song is featured on 1999 bonus tracks editions of Psyence Fiction, and was released as the second single from the album. The track is, essentially, a vocal version of the instrumental track "Unreal" from Psyence Fiction.
Jim Abbiss is a British music producer, best known for his work on records including the debut album of Editors, Arctic Monkeys' Mercury Music Prize winning debut album, Whatever People Say I Am, That's What I'm Not, Kasabian's Kasabian and Empire, Ladytron's Witching Hour and Ladytron, Sneaker Pimps' debut Becoming X, and Adele's 19, and 21.
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The discography of Unkle, a British electronic group, consists of five studio albums, two compilation albums, two live albums, two remix albums, five mix albums, two mixtapes, eight extended plays (EPs), sixteen singles, twelve promotional singles and fifteen music videos.
The discography of DJ Shadow, an American music producer and disc jockey, consists of seven studio albums, six live albums, six compilation albums, two remix albums, two mix albums, five extended plays, twenty-eight singles and fourteen music videos. He released his debut single – a split release featuring his track "Lesson 4" and "Real Deal" by American hip hop ensemble Lifers Group – in 1991. After signing to Mo' Wax Records in 1993, he released the singles "In/Flux" and "Lost and Found (S.F.L.)", both of which became minor hits in the United Kingdom. Shadow attained his first top 75 single in 1995 with "What Does Your Soul Look Like", which peaked at number 59 in the UK. In November 1996, his debut studio album Endtroducing..... was released to critical acclaim. It peaked at numbers 17 and 75 in the UK and the Netherlands respectively, later being certified gold by the British Phonographic Industry (BPI). The album's first single, "Midnight in a Perfect World", charted at number 54 in the UK. "Stem", the album's second single, became a top fifteen hit in Ireland. Remix singles of the Endtroducing..... tracks "What Does Your Soul Look Like " and "The Number Song" were also issued. The compilation album Preemptive Strike peaked at number 118 on the United States Billboard 200, becoming Shadow's first album to chart in the country. It produced one single, "High Noon", which peaked at number 22 in the UK.
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Joshua Paul Davis, better known by his stage name DJ Shadow, is an American DJ and record producer. His debut studio album, Endtroducing....., was released in 1996.
Elliott Omar Power-Taiwo, simply known as Elliott Power, is an English recording artist and commercial director born and raised in West London. Power released his debut single, "Sink/Swim", in 2013 on Marathon Artists. His debut album, Once Smitten, was released in 2016 as a Marathon Artists and Mo' Wax collaboration. In 2015, Power's songs "Sword Souls" and "On The Windrush" were remixed by UNKLE and featured on Global Underground #GU41: James Lavelle Presents UNKLE Sounds - Naples compilation. In 2022, Power received a nomination for a Primetime Emmy Award for Outstanding Commercial for Skate Nation Ghana, a film he co-directed alongside Bafic and Justyna Obasi.
The Man From Mo'Wax is a 2016 documentary film about DJ and record label boss James Lavelle.
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