Recollections of the Big Band Era | ||||
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Studio album by | ||||
Released | 1974 | |||
Recorded | November 29, 1962, December 11, 13, 14, 20 & 29, 1962 & January 3 & 4, 1963 | |||
Studio | Universal Recording Corp. (Chicago) | |||
Genre | Jazz | |||
Length | 74:18 (CD Reissue) | |||
Label | Atlantic (recorded by Reprise) | |||
Duke Ellington chronology | ||||
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Recollections of the Big Band Era is an album by American pianist, composer and bandleader Duke Ellington recorded in 1962 and 1963 by Bruce Swedien at Universal Recording Corporation in Chicago for the Reprise label but not released until 1974 on the Atlantic label. [1] The album features performances of compositions associated with big bands led by artists such as Count Basie, Fletcher Henderson, Louis Armstrong, Cab Calloway and others by the Duke Ellington's Orchestra. The 1989 CD reissue included 11 bonus tracks that originally appeared on Will Big Bands Ever Come Back? which was released on Reprise in 1965. [2]
The AllMusic review by Bruce Eder awarded the album 3 stars and stated: "The material is done in a smooth, swinging style, more laid-back than what the Count Basie orchestra of the same period would have done with this same stuff but with enough fire and boundless elegance to make it more than worthwhile... this is sort of a concept album, and a rather good one at that". [3]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
One O'Clock Jump is a 1957 album by the Count Basie Orchestra, arranged by Ernie Wilkins and featuring vocalist Joe Williams on seven of the ten tracks.
Ella and Basie! is a 1963 studio album by Ella Fitzgerald, accompanied by Count Basie and his orchestra, with arrangements by Quincy Jones and Benny Carter. It was later reissued with slightly different cover art as On the Sunny Side of the Street.
Count Basie Swings, Joe Williams Sings is an album by pianist/bandleader Count Basie and vocalist Joe Williams recorded in 1955 and originally released on the Clef label.
April in Paris is an album by pianist/bandleader Count Basie and His Orchestra, his first released on the Verve label, recorded in 1955 and 1956.
Duke Ellington Meets Coleman Hawkins is a jazz album by Duke Ellington and Coleman Hawkins that was recorded on August 18, 1962 and released in February 1963 by Impulse! Records.
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
I Dig the Duke! I Dig the Count! is a 1962 album by Mel Tormé, recorded in tribute to Duke Ellington and Count Basie.
The Popular Duke Ellington is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra rerecorded in 1966 and released on the RCA label in 1967.
Afro-Bossa is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1963.
Piano in the Background is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1960.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
The Cosmic Scene is a 1958 album by American pianist, composer and bandleader Duke Ellington. Featuring a nonet rather than his usual big band, the album was credited as "Duke Ellington's Spacemen" and was recorded and released on the Columbia label. It was reissued by Mosaic Records in 2007.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Ellington '55 is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label in 1953 and 1954 and released in 1955. The album features the Ellington Orchestra's performances of popular big band compositions and was reissued on CD with two bonus tracks in 1999.
Masterpieces by Ellington is the first LP album by American pianist, composer, and bandleader Duke Ellington, recorded for the Columbia label in 1950. It was one of the earliest 12-inch LPs to take advantage of the extended time available and consisted of four tracks, three of them "concert arrangements" of Ellington standards and one, "The Tattooed Bride," a recent tone poem.
Ellington Uptown is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1951 & 1952. The album was re-released on CD in 2004 with additional tracks recorded in 1947 and originally released as the Liberian Suite EP.
Sinatra at the Sands is a live album by Frank Sinatra accompanied by Count Basie and his orchestra, and conducted and arranged by Quincy Jones, recorded live in the Copa Room of the former Sands Hotel and Casino in Las Vegas in 1966.
The Complete Town Hall Concert is a live album by the American bassist, composer and bandleader Charles Mingus, recorded at The Town Hall in New York City and first released on the United Artists label in 1962 as Town Hall Concert. The album was rereleased with additional tracks on the Blue Note label in 1994 as The Complete Town Hall Concert.
Breakfast Dance and Barbecue is a live album by pianist, composer and bandleader Count Basie and his Orchestra with vocalist Joe Williams featuring tracks recorded at a Disc Jockey convention in Florida in 1959 and originally released on the Roulette label.