Samavasarana

Last updated

Samavasarana of Tirthankara Samavasarana.jpg
Samavasarana of Tirthankara

In Jainism, Samavasarana or Samosharana ("Refuge to All") is the divine preaching hall of the Tirthankara, stated to have more than 20,000 stairs in it. The word samavasarana is derived from two words, sama, meaning general and avasara, meaning opportunity. It is an important feature in Jain art. [1] The Samavasarana seems to have replaced the original Jain stupa as an object of worship. [2]

Contents

Samavasarana

Samosharana of Tirthankara Rishabha (Ajmer Jain temple) Lord Risbabhdev in Samosharan on Mount Kailash.jpg
Samosharana of Tirthankara Rishabha (Ajmer Jain temple)

In samavasarana, the tirthankara sits on a throne without touching it (about two inches above it). [3] Around the tirthankara sit the ganadharas (chief disciples). Living beings sit in the following order: [4]

According to Jain texts, there would be four wide roads with four huge columns, Manasthamba (literally, pride pillar), one in each side. [5] The total size of the hall varies depending upon the height of the people in that era. The size of Rishabhadeva's samavasarana was 12 km2 (4.6 sq mi). [6]

Effects

Samavasarana Tirthankara Samosharan.jpg
Samavasarana

In samavasarana, a tirthankara sits facing the east, but appears to be looking in all directions. [4] Tirthankara sits on a soft cushion while preaching the Jain philosophy in plain terms. [7] All humans and animals can understand the discourse. Jain scriptures say that all creatures who listen would become less violent and less greedy. [8] The speech of the tirthankara is distinctly heard by every one present. [4]

See also

Related Research Articles

<span class="mw-page-title-main">Mahavira</span> Final tirthankara of Jainism

Mahavira, also known as Vardhamana, was the founder of Jainism and the 24th Tirthankara. He was the spiritual successor of the 23rd Tirthankara Parshvanatha. Mahavira was born in the early 6th century BCE to a royal Jain family of ancient India. His mother's name was Trishala and his father's name was Siddhartha. They were lay devotees of Parshvanatha. Mahavira abandoned all worldly possessions at the age of about 30 and left home in pursuit of spiritual awakening, becoming an ascetic. Mahavira practiced intense meditation and severe austerities for twelve and a half years, after which he attained Kevala Jnana (omniscience). He preached for 30 years and attained moksha (liberation) in the 6th century BCE, although the year varies by sect.

<i>Tirthankara</i> In Jainism, a saviour and supreme spiritual teacher of the dharma

In Jainism, a Tirthankara is a saviour and supreme spiritual teacher of the dharma. The word tirthankara signifies the founder of a tirtha, a fordable passage across saṃsāra, the sea of interminable birth and death. According to Jains, tirthankaras are the supreme preachers of dharma, who have conquered saṃsāra on their own and made a path for others to follow. After understanding the true nature of the self or soul, the Tīrthaṅkara attains kevala jnana (omniscience). A Tirthankara provides a bridge for others to follow them from saṃsāra to moksha (liberation).

<span class="mw-page-title-main">Ādi purāṇa</span>

Ādi purāṇa is a 9th-century CE Sanskrit poem composed by Jinasena, a Digambara monk. It deals with the life of Rishabhanatha, the first Tirthankara.

<span class="mw-page-title-main">Parshvanatha</span> 23rd Tirthankara in Jainism

Parshvanatha, or Pārśva and Pārasanātha, was the 23rd of 24 Tirthankaras of Jainism. He gained the title of Kalīkālkalpataru.

In Jainism, godliness is said to be the inherent quality of every soul. This quality, however, is subdued by the soul's association with karmic matter. All souls who have achieved the natural state of infinite bliss, infinite knowledge, infinite power and infinite perception are regarded as God in Jainism. Jainism rejects the idea of a creator deity responsible for the manifestation, creation, or maintenance of this universe. Instead, souls who have reached Heaven for their merits and deeds influence the Universe for a fixed period until they undergo reincarnation and continue the cycle of enlightenment. According to Jain doctrine, the universe and its constituents have always existed. All constituents and actions are governed by universal natural laws and "perfect soul".

<span class="mw-page-title-main">Rishabhanatha</span> First Tirthankara of Jainism

Rishabhanatha, also Rishabhadeva, Rishabha or Ikshvaku, is the first tirthankara of Jainism. He was the first of twenty-four teachers in the present half-cycle of time in Jain cosmology, and called a "ford maker" because his teachings helped one cross the sea of interminable rebirths and deaths. The legends depict him as having lived millions of years ago. He was the spiritual successor of Sampratti Bhagwan, the last Tirthankara of previous time cycle. He is also known as Ādinātha, as well as Adishvara, Yugadideva, Prathamarajeshwara and Nabheya. He is also known as Ikshvaku, establisher of the Ikshvaku dynasty. Along with Mahavira, Parshvanath, Neminath, and Shantinath, Rishabhanatha is one of the five Tirthankaras that attract the most devotional worship among the Jains.

A manastambha is a pillar that is often constructed in front of Jain temples or large Jain statues. In North India, they are topped by four Tirthankara images.

<span class="mw-page-title-main">Nabhi</span> Father of Rishabhanatha

King Nabhi or Nabhi Rai was the 14th or the last Kulakara of avasarpini. He was the father of Rishabhanatha, the first tirthankara of present avasarpini. According to Jain text Ādi purāṇa, Nabhirāja lived for 1 crore purva and his height was 525 dhanusha.

<span class="mw-page-title-main">Ganadhara</span> Disciples of Jain Tirthankara

In Jainism, the term Ganadhara is used to refer the chief disciple of a Tirthankara. In samavasarana, the Tīrthankara sat on a throne without touching it. Around, the Tīrthankara sits the Ganadharas. According to Digambara tradition, only a disciple of exceptional brilliance and accomplishment (riddhi) is able to fully assimilate, without doubt, delusion, or misapprehension, the anekanta teachings of a Tirthankara. The presence of such a disciple is mandatory in the samavasarana before Tirthankara delivers his sermons. Ganadhara interpret and mediate to other people the divine sound (divyadhwani) which the Jains claim emanates from Tirthankara's body when he preaches.

<span class="mw-page-title-main">Gautama Swami</span> Mahaviras Ganadhara

Gautama Swami, born as Indrabhuti Gautama was the first Ganadhara of Mahavira, the 24th and last Jain Tirthankara of present half cycle of time. He is also referred to as Guru Gautama, Gautama Ganadhara, and Ganadhara Gautama Swami.

According to the Jain cosmology, the Śalākāpuruṣa "illustrious or worthy persons" are 63 illustrious beings who appear during each half-time cycle. They are also known as the triṣaṣṭiśalākāpuruṣa. The Jain universal or legendary history is a compilation of the deeds of these illustrious persons. Their life stories are said to be most inspiring.

<span class="mw-page-title-main">Digambara</span> One of the two major schools of Jainism

Digambara is one of the two major schools of Jainism, the other being Śvetāmbara (white-clad). The Sanskrit word Digambara means "sky-clad", referring to their traditional monastic practice of neither possessing nor wearing any clothes.

<span class="mw-page-title-main">Jain sculpture</span> Images depicting Tirthankaras (teaching gods)

Jain sculptures or Jain idols are the images depicting Tirthankaras. These images are worshiped by the followers of Jainism. The sculpture can depict any of the twenty-four tirthankaras with images depicting Parshvanatha, Rishabhanatha, or Mahāvīra being more popular. Jain sculptures are an example of Jain art. There is a long history of construction of Jain sculptures. Early examples include Lohanipur Torsos which has been regarded to be from the Maurya period, and images from the Kushan period from Mathura.

Panch Kalyanaka are the five chief auspicious events that occur in the life of tirthankara in Jainism. They are commemorated as part of many Jain rituals and festivals.

<span class="mw-page-title-main">Jain art</span> Works of art associated with Jainism

Jain art refers to religious works of art associated with Jainism. Even though Jainism has spread only in some parts of India, it has made a significant contribution to Indian art and architecture.

<span class="mw-page-title-main">Bharata (Jainism)</span> King in Jainism

In Jainism, Bharata was the first chakravartin of the Avasarpini. He was the eldest son of Rishabhanatha, the first tirthankara. He had two sons from his chief-empress Subhadra, named Arkakirti and Marichi. He is said to have conquered all six parts of the world and to have engaged in a fight with Bahubali, his brother, to conquer the last remaining city of the world.

<span class="mw-page-title-main">Samantabhadra (Jain monk)</span> 2nd-century CE Indian Jain monk

Samantabhadra was a Digambara acharya who lived about the later part of the second century CE. He was a proponent of the Jaina doctrine of Anekantavada. The Ratnakaranda śrāvakācāra is the most popular work of Samantabhadra. Samantabhadra lived after Umaswami but before Pujyapada.

<span class="mw-page-title-main">Marudevi</span>

Marudevī was the mother of the first Jain Tirthankara, Rishabhanatha and the queen of King Nabhi.

In Jainism, kulakara refers to the wise men who teach people how to perform the laborious activities for survival. According to Jain Cosmology, when the third ara (epoch) of the avasarpani was nearing its end, felicities due to ten type of Kalpavriksha started declining. The number of the sages who thus appeared is said to be fourteen, the last of whom was Nabhirai, the father of the first tirthankara, ऋषभदेव.

<span class="mw-page-title-main">Kumbharia Jain temples</span> Jain temples in the state of Gujarat

The Kumbharia Jain temples is a group of five Jain temples in the Kumbhariya, Banaskantha district in Gujarat, India. Constructed from 1062 to 1231 CE during the reign of the Chaulukya dynasty, they are noted for their elaborate architecture.

References

Citation

  1. Wiley 2009, p. 184.
  2. Shah, Umakant Premanand (1987). Jaina-rūpa-maṇḍana. Abhinav Publications. pp. 15–17. ISBN   978-81-7017-208-6.
  3. Jain 2008, p. 95.
  4. 1 2 3 Jain 2008, p. 96.
  5. Jain 2008, p. 93.
  6. "APPENDIX 14". jainworld.com.
  7. Jain 2008, p. 98.
  8. Pramansagar 2008, p. 39-43.

Sources

Further reading