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Jain symbols are symbols based on the Jain philosophy.
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Jain symbols are symbols based on the Jain philosophy.
The four arms of the swastika symbolize the four states of existence as per Jainism: [1] [2] a
It represents the perpetual nature of the universe in the material world, where a creature is destined to one of those states based on their karma. In contrast to this circle of rebirth and delusion is the concept of a straight path, constituted by correct faith, understanding and conduct, and visually symbolized by the three dots above the running cross[ clarification needed ]swastika, which leads the individual out of the transient imperfect world to a permanent perfect state of enlightenment and perfection. This perfect state of liberation is symbolized by the crescent and dot at the top of the svastika. [1]
It also represents the four columns of the Jain Sangha: sadhus, sadhvis, sravakas and shravikas - monks, nuns and female and male laymen.
It also represents the four characteristics of the soul: infinite knowledge, infinite perception, infinite happiness, and infinite energy.
This symbol was adopted by all on the occasion of 2500 year completion of Bhagwan Mahaveer. [ citation needed ]
The hand with a wheel on the palm symbolizes Ahimsa in Jainism. The word in the middle is "ahiṃsā" (non-violence). The wheel represents the dharmachakra, which stands for the resolve to halt the saṃsāra through the relentless pursuit of Ahimsa.
In 1975, on the auspicious 2500th anniversary of the nirvana of the last Jain Tirthankara , Mahavira, the Jain community at large collectively chose one image as an emblem to be the main identifying symbol for Jainism. [3] Since then, this emblem is used in almost all of Jain magazines, on wedding cards, on Jain festival cards and in magazines with links to events related to Jain society.
The Jain emblem is composed of many fundamental concepts and symbols. The outline of the image represents the universe as described in Jain Agamas. It consists of three Loks (realms). The upper portion indicates heaven, the middle portion indicates the material world and the lower portion indicates hell.
The semi-circular topmost portion symbolizes siddhashila, which is a zone beyond the three realms. All of the siddhas or liberated bodiless creatures/souls reside on this forever, liberated from the cycle of life and death. The three dots on the top under the semi-circle symbolize the Ratnatraya – right belief, right knowledge, and right conduct. Every creature in this world can become free from the cycle of life and death. This gives the message that it is necessary to have the Ratnatraya in order to attain moksha.
In the top portion, the swastika symbol is present.
The symbol of hand in the lower portion shows fearlessness and symbolizes the feeling of ahimsa towards all the creatures in this world. The circle in the middle of the hand symbolizes saṃsāra and the 24 spokes represent the preachings from the 24 Tirthankaras, which can be used to liberate a soul from the cycle of reincarnation.
The meaning of the mantra at the bottom, Parasparopagraho Jivanam , is "All life is bound together by mutual support and interdependence."
In short, the Jain emblem represents many important concepts to show the path to enlightenment by following the basic principles of ahimsa, the Ratnatraya and Parasparopagraho Jivanam.
It is important that an emblem or symbol is used consistently in the same format to preserve its value and the meaning. There are many variations of the symbol in use currently. However, they do not show all the fundamental concepts embedded in the current emblem. For example, JAINA in North America uses a modified version of the standard Jain symbol. It replaces the swastika with Om because the swastika is associated with Nazi Germany there. [4]
The five colours of the Jain flag represent the Pañca-Parameṣṭhi and the five vows, small as well as great: [5]
In Jainism, Om is considered a condensed form of reference to the Pañca-Parameṣṭhi, by their initials A+A+A+U+M (o3 m). The Dravyasamgraha quotes a Prakrit line: [6]
oma ekākṣara pañca-parameṣṭhi-nāmā-dipam tatkathamiti cheta "arihatā asarīrā āyariyā taha uvajjhāyā muṇiyā"
AAAUM (or just "Om") is one syllable short form of the initials of the five parameshthis: "Arihant, Asharira, Acharya, Upajjhaya, Muni". [7]
The Om/AUM symbol is used in ancient Jain scriptures to represent the Navakar Mantra, [8] which is the most important prayer in the Jain religion. The Navakar Mantra honors the panch parmeshtis (or five supreme beings) in Jainism.
The Ashtamangala are a set of eight auspicious symbols. [9] There is some variation among different traditions concerning the eight symbols. [10]
In the Digambara tradition, the eight symbols are:
In the Śvētāmbara tradition, the eight symbols are:
Dharmachakra, Shrivatsa, Kalasha, Ashoka Tree and Nandavart.
Jainism, also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras, with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third tirthankara Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth tirthankara Mahavira, around 600 BCE. Jainism is considered an eternal dharma with the tirthankaras guiding every time cycle of the cosmology. The three main pillars of Jainism are ahiṃsā (non-violence), anekāntavāda (non-absolutism), and aparigraha (asceticism).
Om is a symbol representing a sacred sound, syllable, mantra, and an invocation in Hinduism. Its written representation is the most important symbol of Hinduism. It is the essence of the supreme Absolute, consciousness, Ātman,Brahman, or the cosmic world. In Indic traditions, Om serves as a sonic representation of the divine, a standard of Vedic authority and a central aspect of soteriological doctrines and practices. It is the basic tool for meditation in the yogic path to liberation. The syllable is often found at the beginning and the end of chapters in the Vedas, the Upanishads, and other Hindu texts.
Mahavira, also known as Vardhamana, was the 24th Tirthankara of Jainism. He was the spiritual successor of the 23rd Tirthankara Parshvanatha. Mahavira was born in the early 6th century BCE to a royal Jain family of ancient India. His mother's name was Trishala and his father's name was Siddhartha. They were lay devotees of Parshvanatha. Mahavira abandoned all worldly possessions at the age of about 30 and left home in pursuit of spiritual awakening, becoming an ascetic. Mahavira practiced intense meditation and severe austerities for twelve and a half years, after which he attained Kevala Jnana (omniscience). He preached for 30 years and attained moksha (liberation) in the 6th century BCE, although the year varies by sect.
The Ashtamangala is a sacred suite of Eight Auspicious Signs featured in a number of Indian religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" are yidam and teaching tools. Not only do these attributes point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities". Many cultural enumerations and variations of the Ashtamangala are extant.
The Ṇamōkāra mantra is the most significant mantra in Jainism, and one of the oldest mantras in continuous practice. This is the first prayer recited by the Jains while meditating. The mantra is also variously referred to as the Pancha Namaskāra Mantra, Namaskāra Mantra, Navakāra Mantra, Namaskāra Mangala or Paramesthi Mantra. It is dedicated to the Panch-Parmeshthi, namely the arihant, the siddhas, the acharyas, the upadhyaya and all the ascetics.
Jain rituals play an everyday part in Jainism. Rituals take place daily or more often. Rituals include obligations followed by Jains and various forms of idol worship.
Sambhavanatha was the third Jain tirthankara of the present age (Avasarpini). Sambhavanatha was born to King Jitari and Queen Susena at Shravasti. His birth date was the fourteenth day of the Margshrsha shukla month of the Indian calendar. Like all arihant, Sambhavanatha at the end of his life destroyed all associated karmas and attained moksha (liberation).
Nemināth, also known as Nemi and Ariṣṭanemi, is the twenty-second tirthankara of Jainism in the present age. Neminath lived 81,000 years before the 23rd Tirthankar Parshvanath. According to traditional accounts, he was born to King Samudravijaya and Queen Shivadevi of the Yadu dynasty in the north Indian city of Sauripura. His birth date was the fifth day of Shravan Shukla of the Jain calendar. Krishna, who was the 9th and last Jain Vasudev, was his first cousin.
The Pañca-Parameṣṭhi in Jainism is a fivefold hierarchy of religious authorities worthy of veneration.
This article contains the index of articles related to Jainism.
Jain philosophy or Jaina philosophy refers to the ancient Indian philosophical system of the Jain religion. It comprises all the philosophical investigations and systems of inquiry that developed among the early branches of Jainism in ancient India following the parinirvāṇa of Mahāvīra. One of the main features of Jain philosophy is its dualistic metaphysics, which holds that there are two distinct categories of existence: the living, conscious, or sentient beings (jīva) and the non-living or material entities (ajīva).
Sanskrit moksha or Prakrit mokkha refers to the liberation or salvation of a soul from saṃsāra, the cycle of birth and death. It is a blissful state of existence of a soul, attained after the destruction of all karmic bonds. A liberated soul is said to have attained its true and pristine nature of infinite bliss, infinite knowledge and infinite perception. Such a soul is called siddha and is revered in Jainism.
Parasparopagraho Jīvānām is a Jain aphorism from the Tattvārtha Sūtra [5.21]. It is translated as "Souls render service to one another". It is also translated as, "All life is bound together by mutual support and interdependence." These translations are virtually the same, because Jains believe that every living being, from a plant or a bacterium to human, has a soul and the concept forms the very basis of Jainism.
Jīva or Ātman is a philosophical term used within Jainism to identify the soul. As per Jain cosmology, jīva or soul is the principle of sentience and is one of the tattvas or one of the fundamental substances forming part of the universe. The Jain metaphysics, states Jagmanderlal Jaini, divides the universe into two independent, everlasting, co-existing and uncreated categories called the jiva (soul) and the ajiva. This basic premise of Jainism makes it a dualistic philosophy. The jiva, according to Jainism, is an essential part of how the process of karma, rebirth and the process of liberation from rebirth works.
Arihant is a jiva (soul) who has conquered inner passions such as attachment, anger, pride and greed. Having destroyed four inimical karmas, they realize pure self. Arihants are also called kevalins as they possess kevala jnana. An arihant is also called a jina ("victor"). At the end of their life, arihants destroy remaining karmas and attain moksha (liberation) and become siddhas. Arihantas have a body while siddhas are bodiless pure spirit. The Ṇamōkāra mantra, the fundamental prayer dedicated to Pañca-Parameṣṭhi, begins with Ṇamō arihantāṇaṁ, "obeisance to the arihants".
According to the Jain cosmology, the Śalākāpuruṣa "illustrious or worthy persons" are 63 illustrious beings who appear during each half-time cycle. They are also known as the triṣaṣṭiśalākāpuruṣa. The Jain universal or legendary history is a compilation of the deeds of these illustrious persons. Their life stories are said to be most inspiring.
Panch Kalyanaka are the five chief auspicious events that occur in the life of tirthankara in Jainism. They are commemorated as part of many Jain rituals and festivals.
Jain art refers to religious works of art associated with Jainism. Even though Jainism has spread only in some parts of India, it has made a significant contribution to Indian art and architecture.
A kalasha, also called Pūrṇa-Kalaśa, Pūrṇa-Kumbha, Pūrṇa-Ghaṭa, also called ghat or ghot or kumbh, is a metal pot with a large base and small mouth. It is employed in the rituals in Hindu, Jain, and Buddhist traditions as a ceremonial offering to the deity or to an honoured guest and as an auspicious symbol used to decorate shrines and buildings.
This article incorporates text from this source, which is in the public domain.
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