Spy vs Spy | ||||
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Studio album by | ||||
Released | 1989 | |||
Recorded | August 1988 | |||
Studio | Power Station, New York City | |||
Genre | ||||
Length | 40:32 | |||
Label | Elektra/Musician | |||
Producer | John Zorn | |||
John Zorn chronology | ||||
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Spy vs Spy: The Music of Ornette Coleman is the fifth studio album by American composer and saxophonist/multi-instrumentalist John Zorn, featuring the compositions of Ornette Coleman performed in the brief, intense style of Zorn's hardcore miniatures.
The liner notes thank Ornette and Denardo Coleman, Mick Harris of Napalm Death, Ted Epstein of Blind Idiot God, Pil of Lip Cream (a Japanese thrashcore group), The Accused, Craig Flanagan, DRI, CBGB, and "the New York-London-Tokyo Hardcore Triangle". [1] The cover artwork was created by indie comics personality Mark Beyer (of Amy and Jordan fame). The album itself approaches free jazz from the perspective of hardcore punk, particularly taking note of the contemporary innovations of thrashcore and grindcore. Zorn would later pursue these preoccupations in the thrash jazz group Naked City.
Like some classic free jazz albums ( Free Jazz , Ascension , Archie Shepp's Mama Too Tight ), different saxophonists improvise simultaneously in stereo. Tim Berne appears on the left channel, while John Zorn is recorded on the right channel. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz | [3] |
The AllMusic review by Scott Yanow awarded the album 3½ stars, stating: "The performances are concise with all but four songs being under three minutes and seven under two, but the interpretations are unremittingly violent. The lack of variety in either mood or routine quickly wears one out". [2]
The album was included in the book 1001 Albums You Must Hear Before You Die . [4]
All compositions by Ornette Coleman.
No. | Title | Length |
---|---|---|
1. | "W.R.U." | 2:38 |
2. | "Chronology" | 1:08 |
3. | "Word for Bird" | 1:14 |
4. | "Good Old Days" | 2:44 |
5. | "The Disguise" | 1:18 |
6. | "Enfant" | 2:37 |
7. | "Rejoicing" | 1:38 |
8. | "Blues Connotation" | 1:05 |
9. | "C. & D." | 3:05 |
10. | "Chippie" | 1:08 |
11. | "Peace Warriors" | 1:20 |
12. | "Ecars" | 2:28 |
13. | "Feet Music" | 4:45 |
14. | "Broad Way Blues" | 3:42 |
15. | "Space Church" | 2:28 |
16. | "Zig Zag" | 2:54 |
17. | "Mob Job" | 4:24 |
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as "one of our most important composers" and in 2020 Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
This Is Our Music is the fifth album by saxophonist Ornette Coleman, recorded in 1960 and released on Atlantic Records in March 1961. It is the first with drummer Ed Blackwell replacing his predecessor Billy Higgins in the Coleman Quartet, and is the only one of Coleman's Atlantic albums to include a standard, in this case a version of "Embraceable You" by George and Ira Gershwin.
Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins and subsequent CD reissues of Free Jazz.
The Big Gundown is the third studio album by American composer and saxophonist/multi-instrumentalist John Zorn. It comprises radically reworked covers of tracks by the Italian film composer Ennio Morricone.
Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in 1985 by Geffen Records.
Intensity is a 1960 jazz album by saxophonist Art Pepper playing with pianist Dolo Coker, bassist Jimmy Bond and drummer Frank Butler. The album was released in 1963.
Tribute is an album by American jazz drummer Paul Motian recorded in May 1974 and released on ECM later that year—Motian's second for the label. The quintet features alto saxophonist Carlos Ward, guitarists Paul Metzke and Sam Brown, and bassist Charlie Haden.
Soapsuds, Soapsuds is an album of duets by saxophonist/trumpeter Ornette Coleman and bassist Charlie Haden recorded in 1977 and released on the Artists House label.
Chappaqua Suite is a free jazz album by alto saxophonist Ornette Coleman which was recorded in 1965 for Columbia Records.
New York Is Now! is an album by the American jazz saxophonist and composer Ornette Coleman released on the Blue Note label in 1968.
Tone Dialing is an album recorded in 1995 by the American jazz composer and saxophonist Ornette Coleman and his Prime Time ensemble. It was released in September 1995 by Coleman's Harmolodic record label, in partnership with Verve/PolyGram. It was the Harmolodic label's first release, and "the first disc fully devoted to Coleman's music in eight years."
Colors: Live from Leipzig is a live album by the American jazz composer and saxophonist Ornette Coleman and German pianist Joachim Kühn recorded in 1996 and released on the Harmolodic/Verve label.
Sound Museum: Hidden Man is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Sound Museum: Three Women is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Broken Shadows is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1971, at the same sessions that produced Science Fiction, but not released on the Columbia label until 1982.
Closeness is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label. Haden’s duet partners are pianist Keith Jarrett, alto saxophonist Ornette Coleman, harpist Alice Coltrane and drummer Paul Motian.
The Golden Number is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label in 1977. Haden’s duet partners are trumpeter Don Cherry, tenor saxophonist Archie Shepp, pianist Hampton Hawes and alto saxophonist Ornette Coleman. Hawes died shortly before the album’s release, and Haden dedicated the work to him in the liner notes.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
Inference is a live album by pianist Marilyn Crispell and saxophonist Tim Berne which was recorded during the Toronto Jazz Festival in 1992 and released on the Music & Arts label.
Live in Paris 1971 is a live album by Ornette Coleman. It was recorded in November 1971 in Paris, and was released by Jazz Row in 2007. On the album, which was recorded one day before The Belgrade Concert, Coleman is joined by saxophonist Dewey Redman, bassist Charlie Haden, and drummer Ed Blackwell.