St Peter and St Paul, Bromley | |
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Bromley Parish Church | |
51°24′18″N0°00′47″E / 51.4050°N 0.0131°E Coordinates: 51°24′18″N0°00′47″E / 51.4050°N 0.0131°E | |
Location | Church Road, Bromley, Kent BR2 0EG |
Country | United Kingdom |
Denomination | Church of England |
Website | bromleyparishchurch.org |
History | |
Dedicated | 1957 |
Architecture | |
Architect(s) | J. Harold Gibbons |
Years built | 1949 |
Administration | |
Diocese | Rochester |
Archdeaconry | Bromley and Bexley |
Deanery | Bromley |
Parish | Bromley |
Clergy | |
Vicar(s) | Rev. James Harratt |
Laity | |
Organist/Director of music | Frank Roddy, Dr William McVicker |
Treasurer | Becky Chantry |
Churchwarden(s) | Martin Cleveland Anne Horner-Tree |
Verger | Garvin Shorter |
Flower guild | Jan Walpole |
Listed Building – Grade II* | |
Designated | 10 January 1955 |
Reference no. | 1084373 |
St Peter and St Paul is a church in the town of Bromley, Borough of Bromley, in south east London. Known familiarly as Bromley Parish Church, it is not far from Bromley High Street and approximately halfway between Bromley North and Bromley South railway stations. The church is part of the Diocese of Rochester within the Church of England. Largely destroyed by bombing during the Second World War, St Peter and St Paul was rebuilt in the 1950s. It has been Grade II* listed since 1955. [1]
The pre-World War II church, generally in the Perpendicular style [2] with a square embattled tower having a turret at one of the angles, had its north aisle rebuilt in 1792 and was completely refurbished and enlarged in 1830. [3] Virtually the whole church—with the exception of the tower—was demolished by a bomb on the night of 16 April 1941. Arthur Gresley Hellicar (1835–1905) was Vicar of Bromley from 1865 to 1905.
On St Edward the Confessor’s Day, 13 October 1949, the foundation stone of the new church was laid by then Princess Elizabeth (later Queen Elizabeth II). Eight years later, the last phase of rebuilding was complete and on 14 December 1957 the new church was consecrated by the Bishop of Rochester, Christopher Maude Chavasse. The present church incorporates the medieval tower and much of the flint and fragments of the original stone building.
Several of the modern windows (including two illustrated below) were designed by M. E. Aldrich Rope, a prolific Arts and Crafts stained glass artist. [4] The Baptistery window is by Clare Dawson, [5] her pupil and co-worker.
The organ, built in 1991 by J. W. Walker & Sons Ltd, was designed to support congregational worship, to accompany a traditional choir, and as a recital instrument for use alone or with other instruments. It has three manuals and pedals, 40 speaking stops, six couplers, and three tremulants, and comprises 55 ranks with 2,708 pipes. The manual and pedal actions of the organ are mechanical; the stop control is electro-magnetic with a solid state capture combination action. The instrument was made and first assembled in Walker's workshops in Brandon, before being dismantled and installed in the church—it weighs approximately 12 tons. The organ cases, gallery woodwork and carved pipeshades were designed by David Graebe.
The Specification is below;
PEDAL ORGAN (30 notes)
16' Open Diapason
16' Subbass
10⅔' Quint
8' Principal
8' Bass Flute
4' Choral Bass
IV Mixture
32' Contra Trombone (ext.)
16' Trombone
8' Trumpet
Choir to Pedal
Great to Pedal
Swell to Pedal
CHOIR ORGAN (58 notes)
8' Open Diapason
8' Stopped Diapason
4' Principal
4' Open Flute
2⅔' Nasard
2' Gemshorn
13⁄5' Tierce
III Fourniture
8' Trumpet
8' Cromorne
Swell to Choir
GREAT ORGAN (58 notes)
16' Bourdon
8' Open Diapason
8' Chimney Flute
4' Principal
4' Harmonic Flute
2' Fifteenth
IV Fourniture
16' Double Trumpet
8' Trumpet
V Cornet (from middle C)
Choir to Great
Swell to Great
SWELL ORGAN (58 notes)
8' Diapason
8' Voila da Gamba
8' Voix Celeste
8' Stopped Flute
4' Gemshorn
2' Flageolet
IV Mixture
16' Bassoon
8' Trumpet
8' Hautboy
Famous people buried at St Peter and St Paul have included:
An organ stop is a component of a pipe organ that admits pressurized air to a set of organ pipes. Its name comes from the fact that stops can be used selectively by the organist; each can be "on", or "off".
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