51°24′17.92″N00°00′45.58″E / 51.4049778°N 0.0126611°E | |
Location | Bromley, Greater London, England |
---|---|
Designer | Sydney March |
Type | War memorial |
Material | Portland stone |
Height | 5 metres |
Completion date | 1921 |
Opening date | 20 March 1921 |
Dedicated to | Fallen parishioners of World War I |
The Bromley Parish Church Memorial commemorates the deceased parishioners of World War I. The war memorial was designed and constructed by British sculptor Sydney March, of the March family of artists.
The Bromley Parish Church Memorial was erected in the churchyard of Saint Peter and Saint Paul, also known as Bromley Parish Church, on Church Road in Bromley, Greater London, England. [1] [2] In addition to a memorial cross in the churchyard, there was also a bronze plaque in the church which recorded the names of the fallen parishioners. [3] The cross is made of Portland stone, a limestone quarried on the Isle of Portland in the English Channel. Its design is of the gothic period. The memorial cross is approximately five meters tall, with four carved figures. They represent Saint Michael, Saint George, Victory, and Peace. [3] In addition, there are several inscriptions at the base of the cross: "In memory of the Men from this Church and Parish who gave their lives in the War of 1914–1919," "Make them to be numbered with the Saints in glory everlasting," and "Their names are recorded on a tablet in the Church." [3] The memorial cross is positioned in a rose garden, surrounded by a high beech hedge. [4] [5]
The Bromley Parish Church Memorial commemorates the parishioners of St. Peter and St. Paul who lost their lives in World War I. [1] It was unveiled on 20 March 1921 by Major General Sir John Raynsford Longley, K.C.M.G., C.B. (1867–1953). Longley served in the military from 1902 to 1923, and then came out of retirement to serve during World War II. [6] The war memorial was dedicated by the Bishop of Rochester, Dr. John Reginald Harmer (1857–1944). [3] An Anglican bishop, he served as Bishop of Adelaide before accepting the see of Rochester. [7] After the unveiling and dedication of the memorial cross in the churchyard, the dignitaries and parishioners returned to the church where the bronze plaque was unveiled. This was followed by a service, led by the Vicar, the Reverend J. K. Wilson. [3]
On the night of 16 April 1941, heavy bombing inflicted damage on many churches. Bromley Parish Church was nearly completely destroyed; the only portion which survived was the 14th century tower. The bronze tablet inside St. Peter and St. Paul, which formed part of the Bromley Parish Church Memorial, was lost in the air raid. [3] However, the memorial cross in the churchyard survived. Bromley Parish Church was rebuilt after World War II. The foundation stone for the church was laid on 13 October 1949 by Queen Elizabeth, then a princess. On 14 December 1957, construction of the new church was completed. The new bells of the church incorporated some of the metal from the original. [8]
Both the memorial cross in the churchyard and the bronze plaque in the church were designed and made by British sculptor Sydney March. [3] [9] The son of George and Elizabeth March, he was born in 1876 in Stoneferry, East Yorkshire, England. He was the second of nine children, eight of whom chose careers as artists. [10] Sydney March exhibited thirteen times at The Exhibition of the Royal Academy of Arts. [11] He and his siblings established art studios at their family home of Goddendene in Locksbottom, Farnborough, Kent. [12] He was a prolific artist whose focus was war memorials, and sculptures of British royalty and contemporary figures. Sydney, together with his sister and brothers, completed the National War Memorial of Canada after the untimely death of their sibling, sculptor Vernon March, in 1930. [13] Other monuments for which Sydney March is renowned include the Royal Inniskilling Fusiliers South African War Memorial in Northern Ireland, [14] the United Empire Loyalist Monument in Canada, [15] and the Lancaster Monument in England. [16] His smaller-scale works include portrait busts of King Edward VII [17] and Cecil John Rhodes, [18] both in London's National Portrait Gallery.
Edward Hodges Baily was a prolific British sculptor responsible for numerous public monuments, portrait busts, statues and exhibition pieces as well as works in silver. He carved friezes for both the Marble Arch and Buckingham Palace in London. His numerous statues of public figures include that of Horatio Nelson on top of Nelson's Column and Charles Grey, 2nd Earl Grey on Grey's Monument in Newcastle upon Tyne. Throughout his career Baily was responsible for creating a number of monuments and memorials for British churches and cathedrals, including several in St Paul's Cathedral.
Sir Francis Leggatt Chantrey was an English sculptor. He became the leading portrait sculptor in Regency era Britain, producing busts and statues of many notable figures of the time. Chantrey's most notable works include the statues of King George IV ; King George III (Guildhall), and George Washington. He also executed four monuments to military heroes for St Paul's Cathedral, London. He left the Chantrey Bequest for the purchase of works of art for the nation, which was available from 1878 after the death of his widow.
Baron Pietro Carlo Giovanni Battista Marochetti was an Italian-born French sculptor who worked in France, Italy and Britain. He completed many public sculptures, often in a neo-classical style, plus reliefs, memorials and large equestrian monuments in bronze and marble. In 1848, Marochetti settled in England, where he received commissions from Queen Victoria. Marochetti received great recognition during his lifetime, being made a baron in Italy and was awarded the Legion of Honour by the French government.
Sir Thomas Brock was an English sculptor and medallist, notable for the creation of several large public sculptures and monuments in Britain and abroad in the late nineteenth and early twentieth centuries. His most famous work is the Victoria Memorial in front of Buckingham Palace, London. Other commissions included the redesign of the effigy of Queen Victoria on British coinage, the massive bronze equestrian statue of Edward, the Black Prince, in City Square, Leeds and the completion of the statue of Prince Albert on the Albert Memorial.
Sir George James Frampton, was a British sculptor. He was a leading member of the New Sculpture movement in his early career when he created sculptures with elements of Art Nouveau and Symbolism, often combining various materials such as marble and bronze in a single piece. While his later works were more traditional in style, Frampton had a prolific career in which he created many notable public monuments, including several statues of Queen Victoria and later, after World War I, a number of war memorials. These included the Edith Cavell Memorial in London, which, along with the Peter Pan statue in Kensington Gardens are possibly Frampton's best known works.
Sir William Goscombe John was a prolific Welsh sculptor known for his many public memorials. As a sculptor, John developed a distinctive style of his own while respecting classical traditions and forms of sculpture. He gained national attention with statues of eminent Victorians in London and Cardiff and subsequently, after both the Second Boer War and World War I, created a large number of war memorials. These included the two large group works, The Response 1914 in Newcastle upon Tyne and the Port Sunlight War Memorial which are considered the finest sculptural ensembles on any British monument.
Vernon March (1891–1930) was an English sculptor, renowned for major monuments such as the National War Memorial of Canada in Ottawa, Ontario, the Samuel de Champlain Monument in Orillia, Ontario, and the Cape Town Cenotaph, South Africa. Without the benefit of a formal education in the arts, he was the youngest exhibitor at The Exhibition of the Royal Academy of Arts.
William Birnie Rhind RSA (1853–1933) was a Scottish sculptor.
Joseph Hermon Cawthra (1886–1971), was an English monumental sculptor. During his lifetime he was considered among the leading classical sculptors working in Britain and received several commissions for public monuments, war memorials and architectural sculptures.
Gilbert Ledward, was an English sculptor.
Elsie March was an English sculptor and one of eight artists in her family. After the death of her brother Vernon March, she and her brothers completed the National War Memorial of Canada in Ottawa, Ontario. One of the family's three sculptors, her focus earlier in her career was metalwork and painting.
Sydney March (1876–1968) was an English sculptor. His primary focus was portrait busts and other sculptures of British royalty and contemporary figures, as well as war memorials. The second-born of eight artists in his family, he and his siblings completed the National War Memorial of Canada after the death of their brother Vernon March in 1930, who had created the winning design. It is the site in Ottawa of annual Remembrance Day ceremonies.
The Bromley War Memorial in Bromley, Greater London, England commemorates the fallen of World War I and World War II. It was designed by British sculptor Sydney March, of the March family of artists.
The Livesey Hall War Memorial, in Lewisham, Greater London, commemorates the fallen of World War I and World War II who had been employed by the South Suburban Gas Company of London. It is also a tribute to those employees who served in the wars. The monument was designed and executed by the British sculptor Sydney March, of the March family of artists.
St Mary the Virgin is a Gothic church in South London, built in the 12th century but with notable Gothic Revival modifications and additions in the mid-Victorian period to the designs of Sir George Gilbert Scott and his son John Oldrid Scott. It is dedicated to St Mary the Virgin. In its present form, this church is a hall church with an aisled nave of three vessels of similar heights under three parallel roofs
Charles d’Orville Pilkington Jackson RSA, FRBS, FRSA was a British sculptor prominent in Scotland in the 20th century. Throughout his career he worked closely with the architect Sir Robert Lorimer. He is most noteworthy for his creation of one of Scotland's most iconic landmarks, the statue of Robert the Bruce at Bannockburn.
David Watson Stephenson was a Scottish sculptor, executing portraits and monuments in marble and bronze.
The John Heminges and Henry Condell Memorial is a memorial to the actors John Heminges and Henry Condell – the editors of William Shakespeare's First Folio, published in 1623 – in the former churchyard of St Mary Aldermanbury on Love Lane, London EC2. The memorial is made from pink granite and is topped with a bust of Shakespeare by C. J. Allen, dated 1895.
{{cite web}}
: Missing or empty |url=
(help)