John Bacon was a British sculptor who worked in the late 18th century. Bacon has been reckoned the founder of the British School of sculpture. He won numerous awards, held the esteem of George III, and examples of his works adorn St Paul's Cathedral and Westminster Abbey in London, Christ Church, Oxford, Pembroke College, Oxford, Bath Abbey and Bristol Cathedral.
Sir William Hamo Thornycroft was an English sculptor, responsible for some of London's best-known statues, including the statue of Oliver Cromwell outside the Palace of Westminster. He was a keen student of classical sculpture and was one of the youngest artists to be elected to the Royal Academy, in 1882, the same year the bronze cast of Teucer was purchased for the British nation under the auspices of the Chantrey Bequest.
Sir Joseph Edgar Boehm, 1st Baronet, was an Austrian-born British medallist and sculptor, best known for the "Jubilee head" of Queen Victoria on coinage, and the statue of the Duke of Wellington at Hyde Park Corner. During his career Boehm maintained a large studio in London and produced a significant volume of public works and private commissions. A speciality of Boehm's was the portrait bust; there are many examples of these in the National Portrait Gallery. He was often commissioned by the Royal Family and members of the aristocracy to make sculptures for their parks and gardens. His works were many, and he exhibited 123 of them at the Royal Academy from 1862 to his death in 1890.
Sir Richard Westmacott was a British sculptor.
Baron Pietro Carlo Giovanni Battista Marochetti was an Italian-born French sculptor who worked in France, Italy and Britain. He completed many public sculptures, often in a neo-classical style, plus reliefs, memorials and large equestrian monuments in bronze and marble. In 1848, Marochetti settled in England, where he received commissions from Queen Victoria. Marochetti received great recognition during his lifetime, being made a baron in Italy and was awarded the Legion of Honour by the French government.
Sir Thomas Brock was an English sculptor and medallist, notable for the creation of several large public sculptures and monuments in Britain and abroad in the late nineteenth and early twentieth centuries. His most famous work is the Victoria Memorial in front of Buckingham Palace, London. Other commissions included the redesign of the effigy of Queen Victoria on British coinage, the massive bronze equestrian statue of Edward, the Black Prince, in City Square, Leeds and the completion of the statue of Prince Albert on the Albert Memorial.
John Henry Foley, often referred to as J. H. Foley, was an Irish sculptor, working in London. He is best known for his statues of Daniel O'Connell for the O'Connell Monument in Dublin, and of Prince Albert for the Albert Memorial in London and for a number of works in India.
Johannes Michel or John Michael Rysbrack, original name Jan Michiel Rijsbrack, often referred to simply as Michael Rysbrack, was an 18th-century Flemish sculptor, who spent most of his career in England where he was one of the foremost sculptors of monuments, architectural decorations and portraits in the first half of the 18th century. His style combined the Flemish Baroque with Classical influences. He operated an important workshop whose output left an important imprint on the practice of sculpture in England.
Sir William Goscombe John was a prolific Welsh sculptor known for his many public memorials. As a sculptor, John developed a distinctive style of his own while respecting classical traditions and forms of sculpture. He gained national attention with statues of eminent Victorians in London and Cardiff and subsequently, after both the Second Boer War and World War I, created a large number of war memorials. These included the two large group works, The Response 1914 in Newcastle upon Tyne and the Port Sunlight War Memorial which are considered the finest sculptural ensembles on any British monument. Although as a young man he adopted the first name Goscombe, taken from the name of a village in Gloucestershire near his mother's home, he was actively engaged with his native Wales and Welsh culture throughout his career.
The equestrian statue of William III is a historic statue in the centre of Queen Square in Bristol, England. It is a Grade I listed building.
John Bacon (1777–1859), also known as John Bacon the Younger, or Junior, to distinguish him from his equally famous father, was an English sculptor.
The statue of James II is a bronze sculpture located in the front garden of the National Gallery in Trafalgar Square, London, United Kingdom. Probably inspired by French statues of the same period, it depicts James II of England as a Roman emperor, wearing Roman armour and a laurel wreath. It originally also depicted him holding a baton. It was produced by the workshop of Grinling Gibbons. The execution was most likely, according to contemporary accounts, the work of the Flemish sculptors Peter van Dievoet from Brussels and Laurens van der Meulen from Mechlin, rather than of Gibbons himself. The statue has been relocated several times since it was first erected in the grounds of the old Palace of Whitehall in 1686, only two years before James II was deposed.
The equestrian statue of Ferdinand Foch stands in Lower Grosvenor Gardens, London. The sculptor was Georges Malissard and the statue is a replica of another raised in Cassel, France. Foch, appointed Supreme Commander of the Allied Forces on the Western Front in the Spring of 1918, was widely seen as the architect of Germany's ultimate defeat and surrender in November 1918. Among many other honours, he was made an honorary Field marshal in the British Army, the only French military commander to receive such a distinction. Following Foch's death in March 1929, a campaign was launched to erect a statue in London in his memory. The Foch Memorial Committee chose Malissard as the sculptor, who produced a replica of his 1928 statue of Foch at Cassel. The statue was unveiled by the Prince of Wales on 5 June 1930. Designated a Grade II listed structure in 1958, the statue's status was raised to Grade II* in 2016.
The statue of Charles II stands in the Figure, or Middle, Court of the Royal Hospital, Chelsea, London. The sculptor was Grinling Gibbons, and the statue was executed around 1680–1682. The king founded the Royal Hospital in 1682 as a home for retired army veterans. The statue is a Grade I listed structure.
The statue of Robert Clayton stands at the entrance to the North Wing of St Thomas' Hospital, Lambeth, London. The sculptor was Grinling Gibbons, and the statue was executed around 1700–1714. Sir Robert was a banker, politician and Lord Mayor of London. As President of St Thomas', he was responsible for the complete rebuilding of the hospital, and associated church in the late 17th century. The statue was designated a Grade I listed structure in 1979.
The statue of Charles James Fox stands at the north end of Bloomsbury Square in the London borough of Camden. Erected in 1816, the sculptor was Richard Westmacott. It commemorates the Whig politician who died in 1806. Fox is shown in the garb of a Roman senator. The statue is a Grade II* listed structure.
The statue of Edward VI by Peter Scheemakers at St Thomas' Hospital, Lambeth, London is one of two statues of the king at the hospital. Both commemorate Edward's re-founding of the hospital in 1551. It was moved to its current location inside the North Wing of the hospital in the 20th century. The sculpture was designated a Grade II* listed structure in 1979.
The Memorial to Arthur Sullivan by William Goscombe John stands in Victoria Embankment Gardens in the centre of London. It was designated a Grade II listed structure in 1958.
The Gladstone Memorial on the Strand, London is a bronze sculpture of the British statesman, created by Hamo Thornycroft between 1899-1905. The statue was erected as the national memorial to Gladstone and shows him in the robes of the Chancellor of the Exchequer. The figure stands on a plinth surrounded by allegorical figures depicting four of the Virtues, Courage, Brotherhood, Education and Aspiration. The memorial is a Grade II listed structure.
