Bull is a Grade II* listed sculpture by Robert Clatworthy, in Daneburry Avenue, Roehampton, London. [1]
The sculpture is a 1961 version of his plaster figure from 1959. It was commissioned by the London County Council at the behest of A. W. Cleeve Barr, one of the lead architects for the Alton Estate in Roehampton. [1]
Whitelands College is the oldest of the four constituent colleges of the University of Roehampton.
The Alton Estate is a large council estate situated in Roehampton, southwest London. One of the largest council estates in the UK, it occupies an extensive area of land west of Roehampton village and runs between the Roehampton Lane through-road and Richmond Park Golf Courses.
Mount Clare is a Grade I listed house built in 1772 in Minstead Gardens, Roehampton, in the London Borough of Wandsworth.
The White Lion is a Grade II listed public house in Putney, in the London Borough of Wandsworth.
The King's Head is a Grade II listed public house at 1 Roehampton High Street, Roehampton, London SW15 4HL.
The Montague Arms is a Grade II listed building at 3 Medfield Street, Roehampton, London. Previously a public house, it dates to the 17th century, although has been altered since.
Grove House is a Grade II* listed house at Roehampton Lane, Roehampton, London.
Fairacres is a Grade II listed four-storey apartment block at Roehampton Lane, Roehampton, London.
Putney Park House is a Grade II listed house at 69 Pleasance Road, Roehampton, London.
Robert Ernest Clatworthy RA was a British sculptor and teacher of art. He was head of the fine art department at the Central School of Art and Design in London from 1971 to 1975, and was elected a fellow of the Royal Academy of Arts in 1973.
Robert Burns is a bronze portrait statue of Robert Burns by John Steell. Four versions exist, in New York City, Dundee (Scotland), London (England), and Dunedin.
Holy Trinity is the Church of England parish church for Roehampton, located in Ponsonby Road, SW15 4LA.
Southlands College, in Roehampton in the London Borough of Wandsworth, is one of four colleges at the University of Roehampton and is the location of the University's Business School and its Department of Media, Culture and Language.
London Pride is a sculpture by the British artist Frank Dobson located on Queen's Walk on London's South Bank. The sculpture was given Grade II listed status in January 2016. The sculpture depicts two nude women, it sits on a slate platform, with an inscription carved by David Kindersley in front of the piece that reads:
'LONDON PRIDE / FRANK DOBSON CBE RA / 1886–1963 / Commissioned for / THE FESTIVAL OF BRITAIN 1951 / GIVEN BY MARY DOBSON 1987 / AND PLACED ON THE SOUTH BANK / Assisted generously by Lynton Property & Revisionary Plc and / The Henry Moore Foundation / ARTS COUNCIL OF GREAT BRITAIN'.
The Green Man is a public house in Putney in the London Borough of Wandsworth, on the edge of Putney Heath, parts of which date back to around 1700. The pub was once frequented by highwaymen and was a popular place for participants to fortify themselves before or after a duel on nearby Putney Heath.
The Drinking Fountain is a Grade II-listed monument at Roehampton Lane, Roehampton, London SW15.
The Neighbours is a sculpture by Siegfried Charoux. It was commissioned in 1957 using funds set aside by London County Council for public art in its housing projects and unveiled in 1959 at the Quadrant Estate in Islington, N5, London, near Clissold Park. It became Grade II listed building in April 1998.
The Bull and Mouth Inn was a coaching inn in the City of London that dated from before the Great Fire of London in 1666. It was located between Bull and Mouth Street in the north and Angel Street in the south. It was once an important arrival and departure point for coaches from all over Britain, but particularly for the north of England and Scotland. It became the Queen's Hotel in 1830 but was demolished in 1887 or 1888 when new post office buildings were built in St Martin's Le Grand.
The Watchers is a 1960 bronze sculpture by the British sculptor Lynn Chadwick depicting three abstracted figures whose form is inspired by the Moai.
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