This is a list of public art in and around Trafalgar Square in the City of Westminster, London.
Charing Cross, at the junction of Strand and Whitehall, was the site of the first public monument in what is now the City of Westminster, [1] the cross commissioned by Edward I late in the 13th century in memory of his queen, Eleanor of Castile. Destroyed by order of the Long Parliament in 1647, [2] the Eleanor cross was replaced after the Restoration by the equestrian statue of Charles I by Hubert Le Sueur, the oldest public sculpture now standing in the borough. [3] In 1865 a facsimile of the cross was erected in the forecourt of Charing Cross railway station. Charing Cross was declared the official centre of London in 1831 [4] and a plaque marking this status was installed near Le Sueur's statue in 1955. [5]
Immediately to the north of Charing Cross lies Trafalgar Square, one of London's most famous public spaces. [6] Conceived as part of John Nash's urban improvements, the square was initially developed from the 1820s onwards. [7] Its centrepiece, Nelson's Column, was constructed in 1839–1842. Charles Barry's 1840 redesign of the square provided plinths for equestrian monuments to George IV and William IV, but sufficient funds were never raised for the latter statue. [8] Most of the memorials since added have had a military or naval flavour, an exception being the statue of the physician Edward Jenner, erected in 1858 but moved to Kensington Gardens only four years later. Another work which originally stood on the square is Hamo Thornycroft's statue of General Gordon; this was removed during World War II and reinstalled on the Victoria Embankment in 1953.
Since 1999 the formerly empty fourth plinth on Trafalgar Square has become London's most prominent showcase for temporary new sculpture. [9]
Image | Title / subject | Location and coordinates | Date | Artist / designer | Architect / other | Type | Designation | Notes |
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More images | Statue of Charles I | Charing Cross 51°30′26″N0°07′40″W / 51.5073°N 0.1277°W | 1633 | Hubert Le Sueur | Christopher Wren | Equestrian statue | Grade I | The earliest Renaissance-style equestrian statue in England. Originally commissioned in 1630 by Charles I's Lord High Treasurer, Lord Richard Weston, for his estate in Roehampton. Erected on the site of the Charing Cross in 1674–1675, when it was set on its current pedestal. [10] The reliefs were carved by Joshua Marshall, Master Mason to Charles II. [11] |
Image | Title / subject | Location and coordinates | Date | Artist / designer | Architect / other | Type | Designation | Notes |
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More images | Queen Eleanor Memorial Cross Eleanor of Castile | Forecourt of Charing Cross railway station 51°30′30″N0°07′31″W / 51.5084°N 0.1254°W | 1865 | Thomas Earp | Edward Middleton Barry | Memorial with sculpture | Grade II* | A replica of the original Eleanor cross at Charing, with some details inspired by the Oxford Martyrs' Memorial. It stands some distance away from the original location of the Charing Cross. [12] |
More images | Platform murals | Charing Cross tube station | 1979 | David Gentleman | — | Murals | — | The murals on the Northern line platforms depict the construction of the medieval Charing Cross; they are reproduced from woodcuts by Gentleman at twenty times their original size. [13] The murals for the Jubilee and Bakerloo lines feature photographs of Nelson's Column and paintings in the National Gallery. [14] |
Image | Title / subject | Location and coordinates | Date | Artist / designer | Architect / other | Type | Designation | Notes |
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Commerce | Norway House | 1914 | Louis Frederick Roselieb | Metcalfe & Greig | [15] | |||
Transport | Norway House | 1914 | Louis Frederick Roselieb | Metcalfe & Greig | [15] | |||
Industry | Norway House | 1914 | Louis Frederick Roselieb | Metcalfe & Greig | [15] | |||
Communications | Norway House | 1914 | Louis Frederick Roselieb | Metcalfe & Greig | [15] | |||
Asia and Britannia | Brazilian Embassy | 1918 | Ernest George Gillick | H. W. Stock and A. T. Bolton | Caryatids | Grade II | [16] | |
Statue of Olaf II of Norway | Norway House | Gustav Lærum | Johannes Thorvaldsen Westbye (Modification of building by Metcalfe & Grieg) | Statue in niche |
Image | Title / subject | Location and coordinates | Date | Artist / designer | Architect / other | Type | Designation | Notes |
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More images | Memorial to Edith Cavell | St Martin's Place 51°30′33″N0°07′38″W / 51.5093°N 0.1272°W | 1920 | George Frampton | — | Pylon with sculpture | Grade I | Unveiled 17 March 1920 by Queen Alexandra. The earliest World War I memorial project in England; plans for it began soon after Cavell's death in 1915. The inscription FOR KING AND COUNTRY was felt to be a travesty of Cavell's beliefs; in 1924 another was added with her words, PATRIOTISM IS NOT ENOUGH/ I MUST HAVE NO HATRED OR/ BITTERNESS FOR ANYONE. [17] |
The architectural sculpture of the National Portrait Gallery, on St Martin's Place and Irving Street, is the work of the sculptor Frederick C. Thomas. [18] The three busts over the original main entrance are of the principal supporters of the foundation of the gallery, [19] and the remaining busts are of other biographical writers, historians and portraitists. [18] The architect Ewan Christian's original design for the gallery included a frieze of figures from British history on the top storey, but this was abandoned to save money. [20]
Image | Title / subject | Location and coordinates | Date | Artist / designer | Architect / other | Type | Designation | Notes |
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Royal Arms | St Martin's Place façade (over entrance) | 1893 | c.Frederick Thomas | Ewan Christian | Relief in lunette | Grade I | [19] | |
Mosaic | St Martin's Place façade entrance | 1893 | c.Diespeker & Co. | Ewan Christian | Mosaic | Grade I | [19] | |
Bust of Thomas Carlyle | St Martin's Place façade (over entrance) | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [18] | |
Bust of Philip Stanhope, 5th Earl Stanhope | St Martin's Place façade (over entrance) | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [21] | |
Bust of Thomas Babington Macaulay, 1st Baron Macaulay | St Martin's Place façade (over entrance) | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [21] | |
Bust of James Granger | St Martin's Place façade (facing north) | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [21] | |
Bust of William Faithorne | St Martin's Place façade (facing north) | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [22] | |
Bust of Edmund Lodge | St Martin's Place façade (facing north) | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [22] | |
Bust of Thomas Fuller | St Martin's Place façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [23] | |
Bust of Edward Hyde, 1st Earl of Clarendon | St Martin's Place façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [23] | |
Bust of Horace Walpole | St Martin's Place façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [23] | |
Bust of Hans Holbein the Younger | Irving Street façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [24] | |
Bust of Anthony van Dyck | Irving Street façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [25] | |
Bust of Peter Lely | Irving Street façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [25] | |
Bust of Godfrey Kneller | Irving Street façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [25] | |
Bust of Louis-François Roubiliac | Irving Street façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [26] | |
Bust of William Hogarth | Irving Street façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [27] | |
Bust of Joshua Reynolds | Irving Street façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [27] | |
Bust of Thomas Lawrence | Irving Street façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [27] | |
Bust of Francis Leggatt Chantrey | Irving Street façade | 1893 | c.Frederick Thomas | Ewan Christian | Roundel | Grade I | [28] | |
More images | The Doors | Irving Street façade | 2023 | Tracey Emin | Jamie Fobert Architects | Bronze panels | Grade I | 45 portrayals of women, intended to counterbalance the male figures represented in the gallery's exterior sculpture. [29] [30] |
Image | Title / subject | Location and coordinates | Date | Artist / designer | Architect / other | Type | Designation | Notes |
---|---|---|---|---|---|---|---|---|
More images | Statue of George IV | North-eastern plinth, Trafalgar Square 51°30′30″N0°07′39″W / 51.5083°N 0.1276°W | 1830 | Francis Legatt Chantrey | Charles Barry | Equestrian statue | Grade II | Originally intended to be the crowning feature of Marble Arch, the decorative scheme of which was cut back after George IV's death. The statue still had no home after Chantrey's death in 1843 and in December of that year it was erected in the newly laid-out Trafalgar Square. [31] |
More images | Statue of Horatio Nelson, 1st Viscount Nelson | Centre of Trafalgar Square 51°30′28″N0°07′40″W / 51.5077°N 0.1279°W | 1839–1842 | Edward Hodges Baily | William Railton | Statue on column | Grade I | Nelson is shown without an eyepatch, but his portrayal in this statue is not idealised by the standards of the time. The figure is given stability by the coil of rope behind. Portland stone was chosen over bronze as the statue "would [then] not be resorted to as plunder in revolutions". [32] |
More images | The Battle of Trafalgar or The Death of Nelson | South face of pedestal of Nelson's Column | 1846–1849 | John Edward Carew | — | Bas-relief | Grade I | Nelson is depicted immediately after receiving his mortal wound; Captain Hardy turns back towards him whilst sailors to the left take aim at the marksman who dealt the fatal blow. Inscribed at the bottom ENGLAND EXPECTS EVERY MAN WILL DO HIS DUTY . [33] |
More images | The Battle of the Nile | North face of pedestal of Nelson's Column | 1846–1850 | William F. Woodington | — | Bas-relief | Grade I | Nelson has been taken below deck after being wounded in the head during the attack on the French fleet in Abu Qir Bay. Captain Edward Berry stands by his side. [34] |
More images | The Bombardment of Copenhagen | East face of pedestal of Nelson's Column | 1846–1854 | John Ternouth | — | Bas-relief | Grade I | Nelson, on board his flagship HMS Elephant, applies his seal to an ultimatum directed at the Crown Prince of Denmark. The city of Copenhagen is visible in the background. [35] |
More images | The Battle of Cape St Vincent | West face of pedestal of Nelson's Column | 1846–1854 | Musgrave Watson and William F. Woodington | — | Bas-relief | Grade I | Nelson is on board a Spanish ship, the San Nicolas. A Spanish officer kneels in front of Nelson, surrendering the swords of his fellow officers. Watson died in 1847 before he could complete the work. [36] |
More images | Statue of Charles James Napier | South-western plinth, Trafalgar Square 51°30′28″N0°07′43″W / 51.5077°N 0.1286°W | 1855 | George Gammon Adams | — | Statue | Grade II | Unveiled 26 November 1856. Napier holds a scroll out in his right hand, a gesture which symbolises the giving of government to Sindh. The statue was much criticised, The Art Journal calling it "perhaps the worst piece of sculpture in England". [37] |
More images | Statue of Henry Havelock | South-eastern plinth, Trafalgar Square 51°30′28″N0°07′39″W / 51.5079°N 0.1274°W | 1861 | William Behnes | — | Statue | Grade II | Unveiled 10 April 1861. The pedestal is inscribed at the front with a quotation from one of Havelock's pre-battle speeches, and to the rear with a list of British and Indian regiments commanded by him during the Indian Mutiny. This was the first statue ever to be modelled from a photograph. [38] |
More images | Four lions | At the foot of Nelson's Column | 1867 | Edwin Landseer | — | Statues | Grade I | Unveiled 31 January 1867. Landseer, an animal painter with no previous experience in sculpture, was assisted by Carlo Marochetti. [39] |
More images | Bust of John Jellicoe, 1st Earl Jellicoe | Balustrade of Trafalgar Square 51°30′30″N0°07′40″W / 51.5083°N 0.1278°W | 1948 | Charles Wheeler | Edwin Lutyens | Bust | Grade II* | The Jellicoe and Beatty memorials were unveiled on 21 October 1948 (Trafalgar Day) by the Duke of Gloucester. Each memorial consists of a fountain (adapted from those designed by Charles Barry and installed in 1845) with two bronze sculptural groups and, up against the north wall of the square, a bust of the admiral in question. [40] |
Jellicoe Memorial Fountain | Western fountain of Trafalgar Square 51°30′29″N0°07′42″W / 51.5080°N 0.1284°W | 1948 | Charles Wheeler | Edwin Lutyens | Fountain with two sculptural groups | Grade II* | For both memorial fountains Lutyens retained Barry's cusped quatrefoil-shaped basins and added the vase-shaped central fountains. In the Jellicoe fountain, one of the bronze groups comprises a mermaid with two merchildren and dolphins perched on a shell; the other has a triton with a merchild and dolphins on a shell. [40] | |
More images | Bust of David Beatty, 1st Earl Beatty | Balustrade of Trafalgar Square 51°30′30″N0°07′40″W / 51.5084°N 0.1277°W | 1948 | William McMillan | Edwin Lutyens | Bust | Grade II* | During the 2003 refurbishment of the square the busts were moved to the eastern side of the new steps; they previously faced their associated fountains. [40] A square plaque near the centre of the square marks the dedication of the fountains and busts: THESE FOUNTAINS AND/ THE BUSTS AGAINST THE/ NORTH WALL OF THE/ SQUARE WERE ERECTED/ BY PARLIAMENT TO THE/ MEMORY OF THE ADMIRALS OF/ THE FLEET EARL JELLICOE/ AND EARL BEATTY TO THE/ END THAT THEIR ILLUSTRIOUS/ SERVICES TO THE STATE/ MIGHT NEVER BE FORGOTTEN [41] |
Beatty Memorial Fountain | Eastern fountain of Trafalgar Square 51°30′29″N0°07′40″W / 51.5081°N 0.1277°W | 1948 | William McMillan | Edwin Lutyens | Fountain with two sculptural groups | Grade II* | One bronze sculptural group consists of a mermaid riding on a dolphin and holding smaller dolphins under her arms, with a shoal of small sharks in the rear; the other has an equivalent grouping with a triton in place of the mermaid. [40] | |
Drinking fountain | East terrace wall of Trafalgar Square | 1960 | Stephen Dykes Bower | Charles Barry | Drinking fountain | Grade II* | Commissioned by the Metropolitan Drinking Fountain Association. [42] | |
More images | Bust of Andrew Cunningham, 1st Viscount Cunningham of Hyndhope | Balustrade of Trafalgar Square 51°30′30″N0°07′41″W / 51.5083°N 0.1280°W | 1967 | Franta Belsky | — | Bust | Grade II* | Unveiled 2 April 1967 by the Duke of Edinburgh. The bust contains a half-pint bottle of Guinness and a note written by the sculptor. [43] |
Endangered Species and portrait heads | Grand Buildings, Strand and Northumberland Avenue | 1991 | c.Barry Baldwin | Sidell Gibson and Associates | Reliefs | — | ||
Tile murals | Subway under Trafalgar Square | 1992 | FreeForm Arts Trust | — | Tile murals | — | A scheme depicting scenes from the history of Trafalgar Square. [44] [45] |
The architectural sculpture of the National Gallery was originally intended for John Nash's Marble Arch. Construction of the latter was begun in 1827 but ceased after the death of George IV in 1830. [46]
Image | Title / subject | Location and coordinates | Date | Artist / designer | Architect / other | Type | Designation | Notes |
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More images | Statue of James II | Lawn in front of the south façade 51°30′31″N0°07′45″W / 51.5085°N 0.1291°W | 1686 | Peter van Dievoet and Laurens van der Meulen for the Workshop of Grinling Gibbons | — | Statue | Grade I | Commissioned by the royal servant Tobias Rustat for a site outside the Palace of Whitehall. One of three statues of Stuart monarchs commissioned by him, the others being those of Charles II at the Chelsea Royal Hospital and Windsor Castle. It was erected on the present site in 1946. [47] |
Minerva | East façade | 1826 | c.John Flaxman ; completed by Edward Hodges Baily | William Wilkins | Architectural sculpture | Grade I | Conceived as a figure of Britannia brandishing a trident and a shield bearing the head of Nelson. When Flaxman died in 1826 the work was continued by Baily; he also recarved the shield and replaced the trident with a spear. [48] | |
Europe and Asia | Main portico, south façade | 1827–1830 | c.John Charles Felix Rossi | William Wilkins | Sculptural group | Grade I | This group previously represented Europe and Asia Exalting Wellington. The relief of the Duke of Wellington's head which originally occupied the central shield now hangs inside the National Gallery's offices. [46] | |
Victories and Trophies | East and west entrance porticoes, south façade | 1827–1830 | c.Attributed to Edward Hodges Baily | William Wilkins | Statues in niches | Grade I | These figures' weapons were removed and in some cases replaced by artistic implements. [46] [49] | |
More images | Statue of George Washington | Lawn in front of the south façade 51°30′31″N0°07′39″W / 51.5087°N 0.1276°W | 1921 | Gorham Manufacturing Company, after Jean-Antoine Houdon | — | Statue | Grade II | Unveiled 30 June 1921. A bronze cast of Houdon's 1796 marble statue for the Virginia State Capitol. The state of Virginia offered the cast to London in 1914 to mark the centenary of the Treaty of Ghent, and thus of Anglo-American peace. [50] |
Image | Title / subject | Location and coordinates | Date | Artist / designer | Architect / other | Type | Designation | Notes |
---|---|---|---|---|---|---|---|---|
Royal coat of arms | Portico of St Martin-in-the-Fields | 1721–1726 | c.Christopher Cass, Senior | James Gibbs | Pediment relief | Grade I | [51] | |
More images | John Law Baker Memorial Drinking Fountain | Churchyard of St Martin-in-the-Fields 51°30′31″N0°07′35″W / 51.5087°N 0.1263°W | 1886 | ? | — | Drinking fountain with sculpture | Grade II | A truncated fluted column with lion's-head fountains on two sides, their basins now filled in. Inscribed IN MEMORY OF JOHN LAW BAKER/ FORMERLY OF THE MADRAS ARMY/ BORN 1789—DIED 1886. [52] |
More images | William Gilson Humphry Memorial Drinking Fountain | Adelaide Street, adjacent to corner with Duncannon Street 51°30′31″N0°07′34″W / 51.5087°N 0.1260°W | 1886 | ? | — | Drinking fountain | Grade II | A basic granite drinking fountain set into the churchyard wall of St Martin's, where Humphry was vicar from 1815 until his death in 1886. Restored with a replica bronze lion mash spout in about 1989, but this is no longer visible on the memorial. [53] |
St Martin's School War Memorial | St Martin-in-the-Fields Church Path 51°30′33″N0°07′35″W / 51.5091°N 0.1263°W | after 1918 | ? | George Ledwell Taylor | Relief tablet | Grade II* | [54] | |
More images | A Conversation with Oscar Wilde | Adelaide Street, near St Martin-in-the-Fields 51°30′32″N0°07′33″W / 51.5088°N 0.1259°W | 1998 | Maggi Hambling | — | Memorial with sculpture | — | Unveiled 30 November 1998. A bronze sculpture of Wilde's head and hand (complete with cigarette) emerges from a granite, coffin-shaped plinth. Inscribed with a quotation from Lady Windermere's Fan (1892): We are all/ in the gutter/ but some of us/ are looking at/ the stars. [55] |
More images | Christ Child | Portico of St Martin-in-the-Fields 51°30′32″N0°07′38″W / 51.5088°N 0.1271°W | 1999 | Michael Chapman | — | Sculpture | — | A relief of a newborn baby with the umbilical cord still uncut, seemingly emerging from a block of Portland stone. The inscription running around the sides reads IN THE BEGINNING/ WAS THE WORD—AND THE/ WORD BECAME FLESH/ AND LIVED AMONG US/ St John 1:1,14. [56] |
Poem Natalie Skilbeck | St Martin-in-the-Fields Church Path 51°30′32″N0°07′34″W / 51.5090°N 0.1261°W | 2008 | Tom Perkins(lettering) | Eric Parry | Inscription around balustrade | — | The balustrade of a light well is inscribed with a poem by Andrew Motion in stainless steel letters, individually cast. [57] Natalie Skilbeck was a traveller on her gap year killed in a road accident in Mauritius in 2004. [58] |
Image | Title / subject | Location and coordinates | Date | Artist / designer | Architect / other | Type | Designation | Notes |
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More images | Statue of Bartolomeu Dias | South Africa House, Trafalgar Square | 1934 | Coert Steynberg | Herbert Baker | Statue in niche | Grade II* | [59] |
More images | Winged springbok | South Africa House, Trafalgar Square | 1934 | Charles Wheeler | Herbert Baker | Architectural sculpture | Grade II* | [60] |
Charing Cross is a junction in Westminster, London, England, where six routes meet. Since the early 19th century, Charing Cross has been the notional "centre of London" and became the point from which distances from London are measured. Clockwise from north, the routes that meet at Charing Cross are: the east side of Trafalgar Square leading to St Martin's Place and then Charing Cross Road; the Strand leading to the City; Northumberland Avenue leading to the Thames Embankment; Whitehall leading to Parliament Square; The Mall leading to Admiralty Arch and Buckingham Palace; and two short roads leading to Pall Mall.
Trafalgar Square is a public square in the City of Westminster, Central London, established in the early 19th century around the area formerly known as Charing Cross. The square's name commemorates the Battle of Trafalgar, the British naval victory in the Napoleonic Wars over France and Spain that took place on 21 October 1805 off the coast of Cape Trafalgar.
Ewan Christian (1814–1895) was a British architect. He is most frequently noted for the restorations of Southwell Minster and Carlisle Cathedral, and the design of the National Portrait Gallery. He was Architect to the Ecclesiastical Commissioners from 1851 to 1895. Christian was elected A RIBA in 1840, FRIBA in 1850, RIBA President 1884–1886 and was awarded the Royal Gold Medal in 1887.
The fourth plinth is the northwest plinth in Trafalgar Square in central London. It was originally intended to hold an equestrian statue of William IV, but remained empty due to lack of funds. For over 150 years, its use was debated; in 1998, the Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA) commissioned three contemporary sculptures to be displayed temporarily on the plinth. Shortly afterwards, Chris Smith, Secretary of State for Culture, Media and Sport, commissioned Sir John Mortimer to seek opinions from public art commissioners, critics and members of the public as to its future. Mortimer's final report recommended that there continue to be a rolling programme of commissioned temporary artworks rather than settle permanently on one figure or idea.
The equestrian statue of Charles I at Charing Cross, London, England, is a work by the French sculptor Hubert Le Sueur, probably cast in 1633 during Charles’ lifetime. It is the oldest bronze statue in London and is considered the central point of the city.
A statue of William Shakespeare, by the sculptor Giovanni Fontana after an original by Peter Scheemakers, has formed the centrepiece of Leicester Square Gardens in London since 1874.
Boadicea and Her Daughters is a bronze sculptural group in London representing Boudica, queen of the Celtic Iceni tribe, who led an uprising in Roman Britain. It is located to the north side of the western end of Westminster Bridge, near Portcullis House and Westminster Pier, facing Big Ben and the Palace of Westminster across the road. It is considered the magnum opus of its sculptor, the English artist and engineer Thomas Thornycroft. Thornycroft worked on it from 1856 until shortly before his death in 1885, sometimes assisted by his son William Hamo Thornycroft, but it was not erected in its current position until 1902.
The Queen Eleanor Memorial Cross is a memorial to Eleanor of Castile erected in the forecourt of Charing Cross railway station, London, in 1864–1865. It is a fanciful reconstruction of the medieval Eleanor cross at Charing, one of twelve memorial crosses erected by Edward I of England in memory of his first wife. The Victorian monument was designed by Edward Middleton Barry, also the architect of the railway station, and includes multiple statues of Queen Eleanor by the sculptor Thomas Earp. It does not occupy the original site of the Charing Cross, which is now occupied by Hubert Le Sueur's equestrian statue of Charles I, installed in 1675.
The equestrian statue of Ferdinand Foch stands in Lower Grosvenor Gardens, London. The sculptor was Georges Malissard and the statue is a replica of another raised in Cassel, France. Foch, appointed Supreme Commander of the Allied Forces on the Western Front in the Spring of 1918, was widely seen as the architect of Germany's ultimate defeat and surrender in November 1918. Among many other honours, he was made an honorary Field marshal in the British Army, the only French military commander to receive such a distinction. Following Foch's death in March 1929, a campaign was launched to erect a statue in London in his memory. The Foch Memorial Committee chose Malissard as the sculptor, who produced a replica of his 1928 statue of Foch at Cassel. The statue was unveiled by the Prince of Wales on 5 June 1930. Designated a Grade II listed structure in 1958, the statue's status was raised to Grade II* in 2016.
The Gladstone Memorial on the Strand, London is a bronze sculpture of the British statesman, created by Hamo Thornycroft between 1899-1905. The statue was erected as the national memorial to Gladstone and shows him in the robes of the Chancellor of the Exchequer. The figure stands on a plinth surrounded by allegorical figures depicting four of the Virtues, Courage, Brotherhood, Education and Aspiration. The memorial is a Grade II listed structure.