Temperamental | ||||
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Studio album by | ||||
Released | 27 September 1999 | |||
Genre | ||||
Length | 56:47 | |||
Label | ||||
Producer | ||||
Everything but the Girl chronology | ||||
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Singles from Temperamental | ||||
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Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Boston Phoenix | [3] |
Entertainment Weekly | B+ [4] |
Los Angeles Times | [5] |
NME | 1/10 [6] |
Pitchfork | 5.3/10 [7] |
Rolling Stone | [8] |
The Rolling Stone Album Guide | [1] |
Spin | 9/10 [9] |
Uncut | 8/10 [10] |
Temperamental is the tenth studio album by British musical duo Everything but the Girl. It was released on 27 September 1999 by Atlantic Records in the United States and Virgin Records in Europe. It was the last EBTG album before they entered a two-decades hiatus.
Temperamental was reissued by Edsel Records as a two-disc deluxe set on 4 September 2015. [11]
Tracey Thorn and Ben Watt recorded Temperamental in the immediate period following the birth of their twin daughters in 1998. Due to Thorn's preoccupation with motherhood, her level of involvement in the creation of the album was scaled back, with Watt taking on a more prominent role in writing lyrics and music. [12] [13] Thorn recorded most of her vocals during late-night studio sessions, after the twins had gone to sleep. [12] In her autobiography Bedsit Disco Queen (2013), she remarked that "in a sense, [she] ended up being guest vocalist on someone else's album". [12]
It has also been claimed that much of the material also deals with the duo's feelings towards that fame they had attained, following the success of Todd Terry’s remix of their 1994 track, "Missing" and the achievements of their previous album, Walking Wounded . According to Pitchfork's Laura Snapes, tracks like the final song "The Future of the Future (Stay Gold)" deal with, "pessimistic lyrics [that] spoke of alienation not just from other people, but from any sense of the past or the future." [14]
According to AllMusic critic Stephen Thomas Erlewine, Temperamental was a continuation of the musical direction pursued by Everything but the Girl on their previous album Walking Wounded (1996), merging electronica with elements of folk, jazz and pop. [2] He described the musical style of Temperamental as a minor refinement of that of Walking Wounded, eschewing its drum and bass and trip hop influences in favour of a more house-driven sound. [2] Salon writer Amanda Nowinski wrote that Temperamental retained drum and bass breakbeats but was mostly informed by "old-school" garage house, [15] while NME characterised the album as "a left-turn into deep house ambience and trip-hop grooves" that is "punctuated by vulnerable lyrics and vocal performances" from Tracey Thorn. [16] Michael White of The Quietus viewed it as "an aesthetic continuation of [Walking Wounded], synthesizing the most recent developments of clubland with the duo's intrinsic song-based approach". [17] Ben Watt incorporated production techniques that he had learned from his three years as a resident DJ at Bar Rumba and Notting Hill Arts Club into the album's songs, including cross-fading, back spinning, and filtering. [18] This reliance on dance music is notable on the album's first single, "The Future of the Future (Stay Gold)", that features Deep Dish and is composed upon a sample of the band's 1996 single "Stay Gold".
Stephen Thomas Erlewine observed that the songs on Temperamental "are essentially in the singer/songwriter vein" and described the album as a whole as "more of a meditative, reflective piece", while also observing a relative lack of pop hooks compared to Walking Wounded. [2] Michael White noted the contrast between the "swaggering urban rhythms" of the music and the deeply introspective nature of the lyrics. [17] "It's not as poppy as Walking Wounded," Tracey Thorn would later remark, while attributing the album's darker and less accessible nature to the circumstances surrounding its creation: "It's like going back to Amplified Heart : you can tell it's made by people who are in a stage of turmoil and change again." [13] Thorn, composing lyrics for Temperamental, found herself unable to articulate her feelings about motherhood and other significant changes occurring in her life at the time, and as a result she instead opted to write from a non-autobiographical standpoint. [13]
By the end of 1999, Temperamental had sold 115,000 copies in the United States, according to Billboard . [19] It sold over 500,000 copies worldwide [20] and was met with success in the dance market. Five singles were released off the album: "The Future of the Future (Stay Gold)" (US Dance No. 1, UK No. 31), "Five Fathoms" (US Dance No. 1, No. UK No. 27), "Blame", "Temperamental" (US Dance No. 1, UK No. 72) and "Lullaby of Clubland" (US Dance No. 3). [21] [22] The tracks were remixed by high profile DJs, such as Kruder and Dorfmeister, Hex Hector & Mac Quayle, Kenny Dope and Deep Dish, as well as Watt himself. Videos were made for "The Future of the Future" (dir. Huds), "Five Fathoms" (dir. Mark Szaszy) and "Temperamental" (dir. Mike Mills).
Everything but the Girl toured the album in the United States and Europe, playing gigs, festivals and TV shows such as Nulle part ailleurs and Late Night with Conan O'Brien. Their show played at Montreux Jazz Festival on July 15, 2000 remains the last EBTG concert in front of an audience. Since then, Thorn has stated several times that she has no intention of playing live due to anxiety and the band has no plans of playing live. [23] [24]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Five Fathoms" | Ben Watt | 6:24 |
2. | "Low Tide of the Night" | Watt | 4:45 |
3. | "Blame" |
| 6:18 |
4. | "Hatfield 1980" |
| 5:12 |
5. | "Temperamental" | Watt | 5:20 |
6. | "Compression" |
| 7:11 |
7. | "Downhill Racer" |
| 3:49 |
8. | "Lullaby of Clubland" | Watt | 5:30 |
9. | "No Difference" |
| 4:26 |
10. | "The Future of the Future (Stay Gold)" (with Deep Dish ) |
| 7:52 |
Total length: | 56:47 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Five Fathoms" | Ben Watt | 6:24 |
2. | "Low Tide of the Night" | Watt | 4:45 |
3. | "Blame" |
| 6:18 |
4. | "Hatfield 1980" |
| 5:12 |
5. | "Temperamental" | Watt | 5:20 |
6. | "Compression" |
| 7:11 |
7. | "Downhill Racer" |
| 3:49 |
8. | "Lullaby of Clubland" | Watt | 5:30 |
9. | "No Difference" |
| 4:26 |
10. | "The Future of the Future (Stay Gold)" (with Deep Dish ) |
| 7:52 |
11. | "Firewall" (b-side) | Watt | 5:26 |
12. | "Come In" (demo) | Watt | 4:59 |
13. | "Temperamental" (live at The Forum, London, 1999) | Watt | 6:02 |
Total length: | 73:14 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Five Fathoms" (Club 69 Future Club Mix) | Ben Watt | 9:18 |
2. | "Five Fathoms" (Kevin Yost's Enlightenment Mix) | Watt | 7:31 |
3. | "Temperamental" (Pull's Timewrap Mix) | Watt | 6:03 |
4. | "Temperamental" (Hex Hector & Mac Quayle Revers Drum Dub) | Watt | 5:51 |
5. | "Temperamental" (Wamdue Project Remix) | Watt | 14:55 |
6. | "Blame" (Fabio Remix) |
| 6:54 |
7. | "Blame" (J Majik VIP Remix) |
| 6:02 |
8. | "Downhill Racer" (Kenny Dope Remix) |
| 3:31 |
9. | "Lullaby of a Clubland" (Markus Schulz Tribal Journey) | Watt | 7:24 |
10. | "Lullaby of a Clubland" (Matty Heilbronn II Deep Club Mix) | Watt | 7:38 |
Total length: | 75:07 |
Credits for Temperamental adapted from liner notes. [25]
Everything but the Girl
Production
Design
Chart (1999) | Peak position |
---|---|
Australian Albums (ARIA) [26] | 3 |
Belgian Albums (Ultratop Flanders) [27] | 48 |
Canada Top Albums/CDs ( RPM ) [28] | 29 |
French Albums (SNEP) [29] | 18 |
German Albums (Offizielle Top 100) [30] | 65 |
New Zealand Albums (RMNZ) [31] | 17 |
Scottish Albums (OCC) [32] | 45 |
Swedish Albums (Sverigetopplistan) [33] | 14 |
UK Albums (OCC) [34] | 16 |
US Billboard 200 [35] | 65 |
Chart (2023) | Peak position |
---|---|
UK Dance Albums (OCC) [36] | 28 |
Tracey Thorn is an English singer and songwriter. She is best known as a member of the duo Everything but the Girl, active from 1982 to 2000, and again from 2022. She was in the band Marine Girls from 1980 to 1983. Since 2007 she has been active as a solo artist; and as a writer of books and essays.
Everything but the Girl are an English musical duo formed in Kingston upon Hull in 1982, consisting of lead singer, songwriter, composer and occasional guitarist Tracey Thorn and guitarist, keyboardist, songwriter, composer, producer and singer Ben Watt. The group's early works have been categorized as sophisti-pop with jazz influences before undergoing an electronic turn following the worldwide success of the 1994 hit single "Missing", remixed by Todd Terry.
Walking Wounded is the ninth studio album by British musical duo Everything but the Girl. It was released on 6 May 1996 by Atlantic Records in the United States and Virgin Records in Europe. The album saw the group adopting a more electronica-based style, following the success of the remixed version of "Missing" from their previous album, Amplified Heart.
Amplified Heart is the eighth studio album by English musical duo Everything but the Girl. It was released on 13 June 1994 by Blanco y Negro Records in the U.K. and on 19 July 1994 by Atlantic Records in the United States and Canada. The album was recorded and mixed in London from winter 1993 to 1994.
Benjamin Brian Thomas Watt is a British musician, singer, songwriter, author, DJ, and radio presenter, best known as a member of the duo Everything but the Girl.
Eden is the debut studio album by the British musical duo Everything but the Girl. It was released on 4 June 1984, by Blanco y Negro Records. The album contains the single "Each and Every One", which peaked at number 28 on the UK Singles Chart. The cover design was by lead singer Tracey Thorn's former colleague in Marine Girls, Jane Fox.
"Missing" is a song by English musical duo Everything but the Girl, taken from their eighth studio album, Amplified Heart (1994). It was written by the two band members, Tracey Thorn and Ben Watt, and was produced by Watt and John Coxon. It was taken as the second single off the album on 8 August 1994 by Blanco y Negro Records in the United Kingdom and by Atlantic Records in the United States. It initially did not achieve much success until it was remixed by Todd Terry and re-released in 1995, resulting in worldwide success, peaking at or near the top of the charts in many countries. The release of the remixed version of "Missing" gave an indication of the band's future experimentation with more electronic dance music on subsequent albums.
Idlewild is the fourth studio album by British musical duo Everything but the Girl. It was released on 29 February 1988 by Blanco y Negro Records and Sire Records.
Love Not Money is the second studio album by British band Everything but the Girl, which consisted of Tracey Thorn and Ben Watt. It was produced by Robin Millar, recorded at Powerplant Studios in London and was released in the UK on 15 April 1985 by Blanco y Negro Records. It spent nine weeks on the UK Albums Chart, peaking at number 10. In the United States, Sire Records issued the album with two additional tracks.
The Language of Life is the fifth studio album by British musical duo Everything but the Girl. It was released on 5 February 1990 by Atlantic Records and Blanco y Negro Records.
The Best of Everything but the Girl is a compilation album by English musical duo Everything but the Girl, released in 1996.
"Protection" is a collaboration between English trip hop collective Massive Attack and Tracey Thorn from English duo Everything but the Girl. The song appears on Massive Attack's second studio album, Protection (1994). Released as a single on 9 January 1995 by Wild Bunch and Circa, "Protection" reached number 14 on the UK Singles Chart, staying on the chart for four weeks, and also peaked at number 27 in New Zealand. Michel Gondry directed the accompanying music video. The song was also included on Everything but the Girl's compilation The Best of and Like the Deserts Miss the Rain.
Junk Science is the first studio album by electronic music duo Deep Dish. The album reached number 37 in the United Kingdom.
"I Didn't Know I Was Looking for Love" is a song written by Ben Watt and Tracey Thorn of Everything but the Girl. The band originally released the song in June 1993 as a track on their extended play (EP) of the same name, which reached number 72 on the UK Singles Chart. It was covered by English singer Karen Ramirez in 1998, whose version became a chart hit in several countries.
The discography of Everything but the Girl consists of eleven studio albums, eight compilation albums, five extended plays, thirty-one singles, and one video album.
Love and Its Opposite is the third solo studio album by former Everything but the Girl singer Tracey Thorn, released on 18 May 2010. The album was released on Thorn's husband Ben Watt's label Strange Feeling in the UK, and on Merge Records in North America. It was produced by Ewan Pearson, who also produced tracks on Thorn's previous album Out of the Woods. The album peaked at number 51 in the UK Albums Chart.
Tinsel and Lights is a Christmas album by British singer Tracey Thorn. It was released on 30 October 2012 on Buzzin' Fly Records and Merge Records. It is her fourth solo studio album.
"Walking Wounded" is a song by English musical duo Everything but the Girl. Member Ben Watt wrote the song's lyrics while electronic music duo Spring Heel Jack composed the music and produced the track. The song appears on Everything but the Girl's ninth studio album, Walking Wounded (1996), in two different versions: the album version as track five and the Omni Trio remix as the final track. It was the duo's first single release on Virgin Records, as their previous label, Blanco y Negro, had dropped them before the Todd Terry remix of "Missing" became a worldwide hit.
Record is the fifth solo studio album by English singer and songwriter Tracey Thorn. It was recorded by Thorn with producer Ewan Pearson and a number of backing musicians, including singers Shura and Corinne Bailey Rae, drummer Stella Mozgawa, bassist Jenny Lee Lindberg, and guitarist Jono Ma. The album released by Merge Records on 2 March 2018 to mostly positive reviews from critics.
Fuse is the eleventh studio album by British duo Everything but the Girl, released on 21 April 2023 through Buzzin' Fly and Virgin Records. It is their first studio album in almost 24 years following Temperamental (1999). The album was preceded by the single "Nothing Left to Lose" on 10 January 2023, followed by "Caution to the Wind", "Run a Red Light", and "No One Knows We're Dancing", in February, March, and April respectively.
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