Walking Wounded | ||||
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Studio album by | ||||
Released | 6 May 1996 | |||
Recorded | 1995 | |||
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Genre | ||||
Length | 52:18 | |||
Label | ||||
Producer | ||||
Everything but the Girl chronology | ||||
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Singles from Walking Wounded | ||||
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Walking Wounded is the ninth studio album by English musical duo Everything but the Girl. It was released on 6 May 1996 and issued by Virgin Records and Atlantic Records. The album saw the duo adopting a more electronica-based style, following the success of the remixed version of "Missing" from their previous album, Amplified Heart (1994).
Four tracks from the album were released as singles, including the drum and bass-influenced "Walking Wounded" and the house-influenced "Wrong", which became top ten hits on the UK Singles Chart, as well as the downtempo track "Single", which set Tracey Thorn's emotionally direct vocal against breakbeats, organ and strings, [1] and "Before Today".
According to Pitchfork 's Ruth Saxelby, Walking Wounded draws on downtempo, drum and bass, and trip hop music, "compressing the wide open space of those then-nascent sounds into a pop format". [2] AllMusic critic Stephen Thomas Erlewine wrote that the album is informed musically by trip hop and techno, albeit eschewing the "free-form song structures" traditionally associated with those genres. [3] Treble writer Adam Blyweiss viewed it as a refinement of Everything but the Girl's earlier sophisti-pop sound that "replaced many of the duo's acoustics with reasonable digital facsimiles". [4]
Walking Wounded marked a change in the duo's approach to writing songs. Ben Watt produced various instrumental tracks, while Tracey Thorn wrote lyrics after listening to the completed tracks. [5] In producing the tracks, Watt utilised samples from "unusual" sources; [5] the song "Single", for instance, sampled Tim Buckley's "Song to the Siren" and Stan Tracey's "Starless and Bible Black". [6] Thorn later recalled: "We really believed in ourselves and that comes across in the sound. We'd finally got to the point where we realised what our strength was: the softness and warmth of my voice against urban beats; the warm and cold, the soft and hard contrast. We got it perfect on this record; it was our pop triumph." [5]
Walking Wounded was released on 6 May 1996 by Virgin Records in Europe, [7] and on 21 May 1996 by Atlantic Records in the United States. [8] It reached number four on the UK Albums Chart, becoming the duo's highest-charting album in the United Kingdom until 2023's Fuse , [9] and peaked at number 37 on the US Billboard 200. [10] Four singles were released from Walking Wounded: "Walking Wounded" on 8 April 1996, [11] "Wrong" on 17 June 1996, [12] "Single" on 23 September 1996, [13] and "Before Today" on 17 February 1997. [14] By February 1997, the album had sold 750,000 copies worldwide, according to Billboard . [15] It went on to sell over 1,300,000 copies worldwide. [16]
Walking Wounded was reissued by Edsel Records as a two-disc deluxe set on 4 September 2015. [17] On 8 November 2019, the album was re-released on vinyl by Buzzin' Fly Records. [18]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Chicago Tribune | [19] |
Entertainment Weekly | A [20] |
The Guardian | [21] |
Mojo | [22] |
NME | 6/10 [23] |
Pitchfork | 6.6/10 (1996) [24] 9.0/10 (2019) [2] |
Q | [25] |
Rolling Stone | [26] |
Spin | 9/10 [27] |
Writing for Entertainment Weekly , Jim Farber hailed the fusion of electronic and pop styles on Walking Wounded as "groundbreaking" and "at once abstract and immediate, untamed and accessible", while also crediting the "psychological resonance" of the lyrics for "putting EBTG way above the campiness of most neo-lounge acts." [20] Johnny Huston of Spin found that the album's songs are rooted in a "messy intimacy" uncommon in pop music, and that Everything but the Girl's balancing of "tradition and experimentation" and "softness and bite" makes Walking Wounded "more interesting" than the purely instrumental work of the duo's collaborators. [27] In The Guardian , Sheryl Garratt said that the duo had "intelligently" incorporated light drum and bass elements into their sound on an album she called "more a gentle updating" than "a reinvention". [21] Andy Crysell was more ambivalent in NME , expressing disappointment that the record did not constitute an "all-out conversion" to electronic music, although finding its songs "well-crafted and no doubt spectacularly meaningful". [23]
In his retrospective review for AllMusic, Stephen Thomas Erlewine said that Everything but the Girl, being "at its core ... a pop group", had in a sense "dilute[d]" trip hop and techno by adhering to pop song structures on Walking Wounded, yet they "found a way around that by seamlessly incorporating the rhythms into carefully crafted songs." [3] For Pitchfork, Ruth Saxelby discussed Walking Wounded in context with the rest of the group's oeuvre:
Each Everything but the Girl album has its own style and story, but the one on which Thorn and Watt's individual gifts shine brightest is the one on which they stripped everything back. They shared their knottiest feelings, created dialogue with skeletal new sounds, and made the record in a much more insular way than they ever had previously. Its timely sonics and emotionally wrought themes spoke as much to teenagers, myself included, as it did the band's adult contemporaries (Bristol drum 'n' bass head Roni Size gave it thumbs up). [2]
Walking Wounded was included in the book 1001 Albums You Must Hear Before You Die . [28]
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Before Today" | Ben Watt | Watt | 4:18 |
2. | "Wrong" | Tracey Thorn | Watt | 4:36 |
3. | "Single" | Thorn | Watt | 4:38 |
4. | "The Heart Remains a Child" | Thorn | Thorn | 3:50 |
5. | "Walking Wounded" | Watt | 6:05 | |
6. | "Flipside" | Watt | Watt | 4:33 |
7. | "Big Deal" | Thorn | Watt | 4:29 |
8. | "Mirrorball" | Thorn | Watt | 3:27 |
9. | "Good Cop Bad Cop" | Thorn | Watt | 4:54 |
10. | "Wrong" (Todd Terry remix) | Thorn | Watt | 4:45 |
11. | "Walking Wounded" (Omni Trio remix) | Watt |
| 6:43 |
Total length: | 52:18 |
No. | Title | Length |
---|---|---|
12. | "Corcovado" | 3:54 |
13. | "Before Today" (live) | 6:30 |
14. | "Single" (live) | 4:51 |
15. | "Wrong" (live) | 7:00 |
Total length: | 74:33 |
No. | Title | Length |
---|---|---|
1. | "Mirrorball" (demo) | 3:31 |
2. | "Flipside" (demo) | 3:56 |
3. | "Above the Law" (demo) | 4:24 |
4. | "Speeding Car Side On" (instrumental demo) | 4:02 |
5. | "Walking Wounded" (Dave Wallace remix) | 8:19 |
6. | "Wrong" (Mood II Swing dub) | 8:54 |
7. | "Wrong" (Deep Dish remix) | 4:03 |
8. | "Single" (Photek remix) | 5:18 |
9. | "Single" (Brad Wood Memphis remix) | 4:42 |
10. | "Before Today" (Nellee Hooper remix) | 5:42 |
11. | "Before Today" (Adam F remix) | 4:14 |
12. | "Before Today" (Chicane remix) | 6:25 |
13. | "Before Today" (Dillinja remix) | 4:57 |
14. | "Mirrorball" (DJ Jazzy Jeff Sole Full remix) | 4:28 |
15. | "Corcovado" (Knee Deep Classic Club Mix Ben Watt vocal re-edit) | 6:19 |
Total length: | 79:14 |
Credits are adapted from the album's liner notes. [6]
Everything but the Girl
Production
Design
Chart (1996–1997) | Peak position |
---|---|
Australian Albums (ARIA) [29] | 11 |
Austrian Albums (Ö3 Austria) [30] | 50 |
Belgian Albums (Ultratop Flanders) [31] | 43 |
Canada Top Albums/CDs ( RPM ) [32] | 19 |
Dutch Albums (Album Top 100) [33] | 52 |
French Albums (SNEP) [34] | 48 |
German Albums (Offizielle Top 100) [35] | 59 |
New Zealand Albums (RMNZ) [36] | 18 |
Norwegian Albums (VG-lista) [37] | 40 |
Scottish Albums (OCC) [38] | 18 |
Swedish Albums (Sverigetopplistan) [39] | 6 |
Swiss Albums (Schweizer Hitparade) [40] | 33 |
UK Albums (OCC) [41] | 4 |
US Billboard 200 [10] | 37 |
Chart (1996) | Position |
---|---|
Swedish Albums (Sverigetopplistan) [42] | 92 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [43] | Gold | 35,000^ |
New Zealand (RMNZ) [44] | Gold | 7,500^ |
United Kingdom (BPI) [45] | Platinum | 300,000^ |
^ Shipments figures based on certification alone. |
Tracey Thorn is an English singer, songwriter, and author. She is best known as a member of the duo Everything but the Girl, active from 1982 to 2000, and again from 2022. She was in the band Marine Girls from 1980 to 1983. Since 2007 she has been active as a solo artist, and as a writer of books and essays.
Everything but the Girl are an English musical duo formed in Kingston upon Hull in 1982, consisting of lead singer, songwriter, composer and occasional guitarist Tracey Thorn and guitarist, keyboardist, songwriter, composer, producer and singer Ben Watt. The group's early works have been categorized as sophisti-pop with jazz influences before undergoing an electronic music turn following the worldwide success of the 1994 hit single "Missing", remixed by Todd Terry.
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"Walking Wounded" is a song by English musical duo Everything but the Girl. Member Ben Watt wrote the song's lyrics while electronic music duo Spring Heel Jack composed the music and produced the track. The song appears on Everything but the Girl's ninth studio album, Walking Wounded (1996), in two different versions: the album version as track five and the Omni Trio remix as the final track. It was the duo's first single release on Virgin Records, as their previous label, Blanco y Negro, had dropped them before the Todd Terry remix of "Missing" became a worldwide hit.
Record is the fifth solo studio album by English singer and songwriter Tracey Thorn. It was recorded by Thorn with producer Ewan Pearson and a number of backing musicians, including singers Shura and Corinne Bailey Rae, drummer Stella Mozgawa, bassist Jenny Lee Lindberg, and guitarist Jono Ma. The album released by Merge Records on 2 March 2018 to mostly positive reviews from critics.
Fuse is the eleventh studio album by British duo Everything but the Girl, released on 21 April 2023 through Buzzin' Fly and Virgin Records. It is their first studio album in almost 24 years following Temperamental (1999). The album was preceded by the single "Nothing Left to Lose" on 10 January 2023, followed by "Caution to the Wind", "Run a Red Light", and "No One Knows We're Dancing", in February, March, and April respectively.
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