The Elder Scrolls V: Skyrim: Original Game Soundtrack

Last updated

The Elder Scrolls V: Skyrim: Original Game Soundtrack
The Elder Scrolls V Skyrim Original Game Soundtrack.jpg
Soundtrack album by
Jeremy Soule
ReleasedNovember 11, 2011 (2011-11-11)
Genre Video game music, Classical music, Nordic folk music, plainchant
Length3:35:44
LanguageDragon-tongue
Label Bethesda Softworks
Producer Jeremy Soule
Todd Howard
Mark Lampert
Jeremy Soule chronology
Dead Rising 2 (Original Soundtrack)
(2010)		The Elder Scrolls V: Skyrim: Original Game Soundtrack
(2011)		 Deep Black Soundtrack
(2012)
The Elder Scrolls series soundtracks chronology
The Elder Scrolls IV: Oblivion: Original Game Soundtrack
(2006)		The Elder Scrolls V: Skyrim: Original Game Soundtrack
(2011)		 The Elder Scrolls Online: Original Game Soundtrack
(2014)

The Elder Scrolls V: Skyrim: Original Game Soundtrack is the soundtrack album for the 2011 role-playing video game The Elder Scrolls V: Skyrim from Bethesda Softworks, composed by Jeremy Soule. Soule composed the soundtracks for the previous two games in The Elder Scrolls series, Morrowind and Oblivion , and re-used some motifs from those scores in his compositions for Skyrim. The soundtrack was lauded by audiences and critics and was ranked among the best game soundtracks of the year. The game theme song, "Dragonborn", featuring lyrics in a fictional dragon language, was particularly noted.

Contents

Composition and style

For this game, Skyrim director Todd Howard wanted the soundtrack to shift away from the melodic tunes from the previous two games in the series and instead go in a more aggressive direction. Writing for Game Rant, Emma Majoris says that "Soule understood the assignment perfectly" and managed to stray further and further from traditional methods while tying non-melodic components together with hints of musicality. [1] Majoris said that it is clear that Soule is an old-school composer who takes inspiration from masters in the past, in particular Tchaikovsky, and brings them into the present to mix with his own electroacoustic style. [1] For the game's now-famous theme song, Howard envisioned a choir of chanting barbarians. [1] The game's writer and soundtrack's lyricist, Emil Pagliarulo, invented a fictional dragon language, Dragon-tongue, and the "barbarian" choir sings in this language in unison. [1] [2] Per Howard's request, Pagliarulo constructed the language so that the song would rhyme in both Dragon-tongue and, when translated, in English. [1] [2] Emily Reese of YourClassical writes that Soule used both live and synthetic instruments to blend plainchant, Nordic folk music, and classical tradition to create a highly expressive soundtrack for the game world. [3] Michiel Kamp and Mark Sweeney found that Soule's work is reminiscent of Nordic composers such as Edvard Grieg and Jean Sibelius, specifically in two ways: First, the Nordic countries these composers sought to represent in their work is the model for the land of Skyrim and its inhabitants, the Nords, and second, that Soule's attempt to render natural landscape sonically is similar to Grieg's efforts to do the same. [4] Kotaku's Kirk Hamilton noted that much of Soule's work recalls that of Ottorino Respighi. [5]

Soule incorporated motifs from compositions for previous Elder Scrolls games, for instance on "Dragonborn" - which borrows from "Nerevar Rising" from Morrowind as well as elements from music in Oblivion (portions of "Dragonborn" even being essentially an orchestral and choral arrangement of "Nerevar Rising" rather than a variation on it), "Unbroken Road"- the string melody of which is also heard in Oblivion, "The Jerall Mountains" - which also borrows from Oblivion, and "One They Fear" - which combines both the motif of Skyrim's "Dragonborn" with the theme from the previous two Elder Scrolls games. [6] [7]

In their review of the album, Josh Barron analyzed the composition of numerous individual songs from the album. "Dragonsreach" utilizes low strings, taiko drums, and male choir to "emanate power" and portray "masculinity". "Awake", opens with strings then introduces timpani as it plays motifs of the main theme. "Secunda" incorporates light piano textures and harp. "Distant Horizons" showcases dissonant strings and an oboe melody. On "White River", Soule uses French horn and strings to emulate rushing rivers and waterfalls. At 1:32, Barron found the piece similar to La mer by Debussy. "Death or Sovngarde", one of the combat cues for the game, features a full orchestra as well as a choir and is filled with brass chords and drum rhythms. "Blood and Steel" similarly features brass and drums for a bombastic sound. It incorporates motifs from the main theme and ends abruptly. "Ancient Stones", a town theme with lighter textures and a joyful sound, is the first track on which the dulcimer appears. "City Gates" features lower strings in contrast to the higher registers of "Ancient Stones" and brings in cello. "Solitude" features a soprano soloist and "Streets of Whiterun" features a cello melody. "Journey’s End" consists of very lush, flowing orchestration, primarily of strings in a very classical form as used by composers such as Bach. The tavern songs differ from the rest of the soundtrack. They all feature a medieval music style and include instruments invented during the Dark Ages such as the lute and ancient flutes. "Around the Fire" includes a full ensemble of fiddle, lute, flute, and drums. Some pieces included on the album are short ambient or incidental pieces, such as the stumbling strings and percussion of "Caught Off Guard" or "Tooth and Claw" with urgent string and drum rhythms. "Masser", by contrast, is a long, choral-based ambient track. The final track on the album, "Skyrim Atmospheres", consists entirely of ambient sound effects. The ambient piece "Frostfall" features cello and other lower register strings as well as vocals which are similar to those used in Howard Shore's The Lord of the Rings . "Standing Stones" opens with an ominous male choral and suspended strings. At the 0:49 mark of the track, the dissonant strings contrast with female vocals. "Tundra" uses similar techniques and also includes Middle Eastern style instrumentation. "Aurora" is filled with contrasts, mixing dissonance and consonance, quiet openings and dramatic buildups. "Sovngarde" incorporates motifs from "Dragonborn" and opens with a male-voice Nordic chant. "Wind Guide You" starts off in a dark tone then changes to a simultaneously warm yet ominous sound through strings and choir. [6]

Reception and analysis

Professional ratings
Review scores
SourceRating
Video Game Music OnlineStar full.svgStar full.svgStar full.svgStar full.svgStar full.svg [6]


Robert Ramsey of Push Square called the soundtrack one of the best realized soundtracks ever seen for gaming. [8] Kirk Hamilton of Kotaku included the album among the best video game music of 2011. He wrote that the "soundtrack is bold and supremely confident, and is inextricably tied to the game it accompanies" and that more than any other game yet at the time the music made him want to immediately boot up the game. [5] He singled out three tracks as his favorites: "The One They Fear", which reprises the chorus from "Dragonborn" and according to Hamilton "feels as shouty, Nordic, and flat-out masculine as anything else on the soundtrack"; "Secunda", which Hamilton opined feels more like a track for Minecraft than a Bethesda game and evokes memories of the first time Hamilton saw northern lights; and "Far Horizons", which Hamilton felt summarizes Skyrim more than anything else – in Hamilton's opinion, the song "perfectly captures the soul of Skyrim" and was the most iconic video game track of 2011. [5] Kyle E. Miller from RPGFan wrote that while the soundtrack was not very original, it establishes and maintains an appealing atmosphere. Miller concluded that "Soule composes masterful music for wandering, and this could be the soundtrack for a winter hike or stroll across tundra-like meadows. Don’t expect swelling emotion or fantastic melodies, and you won’t be disappointed." [9] He found the opening piece, "Dragonborn", the most memorable, but still highlighted several other tracks: "Awake," "Distant Horizons," "Far Horizons," "Sky Above, Voice Within", "Ancient Stones", and "Frostfall" as examples of Soule's perfecting the wanderer's soundtrack; "The Bannered Mare" and "Around the Fire" as pleasant, if perfunctory, inn songs; "Shadows and Echoes" as an example of the typical minimalist, bass-heavy dungeon tracks; "One They Fear" as a battle-song as well as an example of tracks which echo the main theme; and the final track "Skyrim Atmospheres", which encompasses the entire world of Skyrim and, at over forty minutes long, takes up the entirety of Disc 4. [9] Shane Scarborough of EIP Gaming called the soundtrack "truly remarkable" and worthy of a blockbuster film. [10] Josh Barron of VGMO rated the album five stars out of five. He said that while he knew he wouldn't be disappointed with the soundtrack, the music completely exceeded his expectations across three discs. He added that for those who enjoy sound effects and atmospheric textures from the game, the fourth disc is an additional bonus. [6]

In the article "Musical Landscapes in Skyrim", Michiel Kamp and Mark Sweeney compared Soule's use of sound to 19th century interest in landscapes, arguing that the visual design of Skyrim blends with the musical scoring to create "happy accidents" that more closely resemble actual world experience with nature than is possible for any other visual media. [11] They note that Carl Dahlaus's concepts of Naturklang – that is, a sense of stasis that, paradoxically, contains an inner drive created by ostinatos and a proto-minimalist rhythmic repetition of "cells" – and Kangfläche – that is, a "sound-sheet" which is static externally but internally filled with constant motion, where not only rhythm but unresolved harmonic notes (seconds and fourths) prevent the music from becoming "dull and lifeless" – he used to explain the music of Grieg also apply to Soule's work on Skyrim. [4] In the main theme – "Dragonborn" – the rhythmic string ostinatos in the "A" sections of the track exhibit Naturklang, while the wash of string harmony in the "B" sections accomplishes Kangfläche. The woodwinds playing in the "B" sections are reminiscent of other static pieces such as the bird calls in Beethoven's Symphony No. 6 or the "Forest Murmurs" sequence in Wagner's Siegfried. [4] Archetypal of both Naturklang and Kangfläche is "Unbroken Road", which combines the aforementioned elements as well as using reverb to enhance the slow pacing and impress on the listener that they are in a wide landscape. [4] Both Grieg and Soule attempted to sonically depict the natural world. Exemplary of Soule's attempts at this are the inclusion of sporadic herding calls and woodwinds, the "pastoral" combination of horns and string accompaniment briefly found in "Awake", or the long, high-tessitura violin lines such as those in the theme for "From Past to Present", "which create a sense of vertical space." [4] Horn calls are pervasive throughout the soundtrack because they perform two functions: The horn often accompanies the trope of a heroic, warrior-like culture, yet also is associated with pastoralism and the leaping fourths and fifths traditional to horn calls help create a sense of time and space. [4] Kamp and Sweeney identified several elements that Soule uses as exploration cues in the game: String-based instrumentation with themes presented in octaves, extreme tessitura on string instruments and use of horn calls and melodies, harmonically open-ended phrases and cues with an ultimately static sense of a home pitch center, mixtures of diatonic harmony and "folk"/modal procedures, washes of harmonic accompaniment to create static harmonies, themes built up through repetition of smaller motifs and accompaniments based on ostinatos, only a few "main" themes with many subtle variations, reverb and long-held chord clusters, and ABA structure with "blossoming" A sections and contrasting B sections. [4] These exploration cues contain elements similar to those used by Grieg and Sibelius, and are used to attempt the same as those composer - paint a Nordic landscape using music. Soule's cues tend toward stasis, as exemplified in "Under the Ancient Sun" but are also present in more cyclical tracks such as "Unbroken Road". [4] "Unbroken Road", according to Kamp and Sweeney, also is more like a Caspar David Friedrich landscape painting or a Grieg tone poem than a natural landscape. [4]

Iain Hart noted that the use of male choral singing throughout the soundtrack invokes modern imaginations of Vikings, which is overtly reflects the game music's Scandinavian inspirations and reflection of Scandinavian nationalist symphonic music. [7]

Concert performances

In 2016, the live music production company Senbla announced a partnership with Bethesda for an orchestral performance of music from the album soundtrack, scheduled for November 16 at the London Palladium. [12] However, following that announcement, Soule posted on his Facebook page that he was not involved at all, and his scores were not being used for the concert. According to Soule, "For the record, this concert has nothing to do with me, nor are they using any of my original scores. They had to transcribe whatever notation they are performing by ear from the recordings. This is a flawed process as transcriptions are always fraught with errors." [13] In commemoration of the 10-year anniversary of the game and accompanying soundtrack, an official concert, performed by the London Symphony Orchestra and the London Voices Choir, was performed on November 11, 2021, at the Alexandra Palace Theatre. [14] A recording of the concert was released through Bethesda on November 12, 2021. [15]

Track list

All music by Jeremy Soule and all lyrics Emil Pagliarulo. [1] [16]

Disc 1
No.TitleLength
1."Dragonborn"3:55
2."Awake"1:31
3."From Past to Present"5:04
4."Unbroken Road"6:23
5."Ancient Stones"4:44
6."The City Gates"3:46
7."Silent Footsteps"2:51
8."Dragonsreach"2:20
9."Tooth and Claw"1:48
10."Under an Ancient Sun"3:39
11."Death or Sovngarde"3:00
12."Masser"6:04
13."Distant Horizons"3:52
14."Dawn"3:56
15."The Jerall Mountains"3:16
16."Steel on Steel"1:42
17."Secunda"2:03
18."Imperial Throne"2:16
Disc 2
No.TitleLength
19."Frostfall"3:24
20."Night Without Stars"0:41
21."Into Darkness"2:52
22."Kyne's Peace"3:48
23."Unbound"1:32
24."Far Horizons"5:29
25."A Winter's Tale"3:19
26."The Bannered Mare"2:28
27."The Streets of Whiterun"4:01
28."One They Fear"3:07
29."The White River"3:29
30."Silence Unbroken"2:21
31."Standing Stones"6:35
32."Beneath the Ice"4:12
33."Tundra"3:46
34."Journey's End"4:07
Disc 3
No.TitleLength
35."Before the Storm"1:05
36."A Chance Meeting"3:09
37."Out of the Cold"3:00
38."Around the Fire"3:08
39."Shadows and Echoes"2:18
40."Caught Off Guard"1:10
41."Aurora"7:18
42."Blood and Steel"2:09
43."Towers and Shadows"2:21
44."Seven Thousand Steps"1:04
45."Solitude"2:10
46."Watch the Skies"2:16
47."The Gathering Storm"2:51
48."Sky Above, Voice Within"3:56
49."Death in the Darkness"2:33
50."Shattered Shields"2:38
51."Sovngarde"3:35
52."Wind Guide You"9:02
Disc 4
No.TitleLength
53."Skyrim Atmospheres"42:38
Total length:03:35:44

Skyrim Vinyl Soundtrack (JUN/KUN Limited Edition)

All tracks are written by Jeremy Soule and Emil Pagliarulo

Side A
No.TitleLength
1."Dragonborn"3:55
2."Under An Ancient Sun"3:41
3."From Past To Present"5:04
4."Ancient Stones"4:45
5."The City Gates"3:46
Side B
No.TitleLength
6."Dragonsreach"2:20
7."Sky Above, Voice Within"3:56
8."Solitude"2:10
9."Aurora"7:21
10."Far Horizons"5:31
Total length:42:29

[17] [18]

Elder Scrolls V: Skyrim - Ultimate Edition

All music by Jeremy Soule and all lyrics Emil Pagliarulo

Side A
No.TitleLength
1."Dragonborn"3:56
2."Awake"1:30
3."From Past to Present"5:03
4."Unbroken Road"6:21
5."Ancient Stones"4:42
6."The City Gates"3:45
7."Silent Footsteps"2:50
Side B
No.TitleLength
8."Dragonsreach"2:19
9."Tooth and Claw"1:47
10."Under an Ancient Sun"3:35
11."Death or Sovngarde"2:57
12."Masser"6:04
13."Distant Horizons"3:50
14."Dawn"3:56
15."The Jerall Mountains"3:15
Side C
No.TitleLength
16."Steel on Steel"1:41
17."Secunda"2:03
18."Imperial Throne"2:15
19."Frostfall"3:22
20."Night Without Stars"0:41
21."Into Darkness"2:50
22."Kyne's Peace"3:47
23."Unbound"1:32
24."Far Horizons"5:28
Side D
No.TitleLength
25."A Winter's Tale"3:19
26."The Bannered Mare"2:25
27."The Streets of Whiterun"4:01
28."One They Fear"3:08
29."The White River"3:28
30."Silence Unbroken"2:20
31."Standing Stones"6:37
Side E
No.TitleLength
32."Beneath the Ice"4:12
33."Tundra"3:46
34."Journey's End"4:07
35."Before the Storm"1:03
36."A Chance Meeting"3:10
37."Out of the Cold"3:01
38."Around the Fire"3:09
39."Shadows and Echoes"2:18
Side F
No.TitleLength
40."Caught Off Guard"1:10
41."Aurora"7:18
42."Blood and Steel"2:09
43."Towers and Shadows"2:21
44."Seven Thousand Steps"1:05
45."Solitude"2:10
46."Watch the Skies"2:16
47."The Gathering Storm"2:53
48."Sky Above, Voice Within"3:56
Side G
No.TitleLength
49."Death in the Darkness"2:36
50."Shattered Shields"2:38
51."Sovngarde"3:33
52."Wind Guide You"9:02
Total length:2:52:40

Side H

BLANK/ETCHED

The Elder Scrolls V: Skyrim - Atmospheres

All music is composed by Jeremy Soule

Side A
No.TitleLength
1."Skyrim Atmospheres Part 1"21:27
Side B
No.TitleLength
2."Skyrim Atmospheres Part 2"21:33
Total length:43:10

Release history

Release formats for The Elder Scrolls V: Skyrim: Original Game Soundtrack
RegionDateLabelFormatCatalog
United StatesNovember 11, 2011 Bethesda Softworks box set CD; digital
United StatesJanuary 31, 2013Bethesdadigital; streaming
United StatesAugust 20, 2018 iam8bit; Bethesda double LP 8BIT-8083
United StatesOctober 3, 2017Spacelab9; Bethesdabox set LPSL9-2040-1-9
Australia; New ZealandNovember 17, 2017Spacelab9; Bethesdabox set LPSL9-2040-1-9
United States; CanadaNovember 24, 2017Spacelab9; BethesdaLPSL9-2045-1-4
United States; Canada2019Spacelab9; BethesdaLPSL9-2045-NYCC
United States; Canada2019Spacelab9; BethesdaLPSL9-2045-Ebay
United StatesOctober 3, 2019Spacelab9; Bethesdabox set LPSL9-2040_OC
United States2020Spacelab9; Bethesdabox set LPSL9-2040-1-9-CLR
EuropeSeptember 18, 2020Spacelab9; Bethesdabox set LPSL9-2040-1-9
United StatesJuly 2020Spacelab9; Bethesdabox set LPSL9-2040_GT
United StatesDecember 3, 2020Spacelab9; Bethesdabox set LPSL9-2040_GS
United States2021Spacelab9; Bethesdabox set LPSL9-2040_GSI
United States2021Spacelab9; Bethesdabox set LPSL9-2040_DB
AustraliaAugust 1, 2021Spacelab9; Bethesdabox set LP

Related Research Articles

The Elder Scrolls is a series of action role-playing video games primarily developed by Bethesda Game Studios and published by Bethesda Softworks. The series focuses on free-form gameplay in an open world. Morrowind, Oblivion and Skyrim all won Game of the Year awards from multiple outlets. The series has sold more than 58 million copies worldwide.

<i>The Elder Scrolls III: Bloodmoon</i> 2003 video game

The Elder Scrolls III: Bloodmoon is the second expansion pack for the 2002 video game The Elder Scrolls III: Morrowind, developed by Bethesda Game Studios and released for Windows in 2003. The expansion was later released as part of the Morrowind: Game of the Year Edition for the Xbox in 2004. The expansion adds a landmass to the game, Solstheim, a setting modelled on Norse mythology. The primary questline of Bloodmoon involves the investigation of the Bloodmoon Prophecy that foretells the return of the demigod Hircine. A secondary features a new faction, the East Empire Company, which tasks the player to establish a mining colony. Bloodmoon also provides the player with the ability to become a werewolf, a feature closely embedded in the main storyline and quests. The expansion features more detailed environments, including weather shaders such as snowfall and blizzards.

<i>The Elder Scrolls III: Morrowind</i> 2002 video game

The Elder Scrolls III: Morrowind is an open-world action role-playing video game developed by Bethesda Game Studios and published by Bethesda Softworks. It is the third installment in The Elder Scrolls series, following 1996's The Elder Scrolls II: Daggerfall, and was released in 2002 for Microsoft Windows and Xbox. The main story takes place on Vvardenfell, an island in the Dunmer province of Morrowind, part of the continent of Tamriel. The central quests concern the demigod Dagoth Ur, housed within the volcanic Red Mountain, who seeks to gain power and break Morrowind free from Imperial reign.

<i>The Elder Scrolls IV: Oblivion</i> 2006 video game

The Elder Scrolls IV: Oblivion is an open-world action role-playing video game developed by Bethesda Game Studios, and co-published by Bethesda Softworks, 2K Games and Ubisoft. It is the fourth installment in The Elder Scrolls series, following 2002's The Elder Scrolls III: Morrowind, and was released for Microsoft Windows and Xbox 360 in 2006, followed by PlayStation 3 in 2007. Taking place within the fictional province of Cyrodiil, the game's main story focuses on the player character's efforts to thwart a fanatical cult known as the Mythic Dawn that plans to open portal gates to a demonic realm known as Oblivion.

<span class="mw-page-title-main">Jeremy Soule</span> American composer

Jeremy Soule is an American composer of soundtracks for film, television, and video games. He has composed soundtracks for over 60 games and over a dozen other works during his career, including The Elder Scrolls, Guild Wars, Icewind Dale, and the Harry Potter series.

<span class="mw-page-title-main">Todd Howard</span> American video game designer, director, and producer

Todd Andrew Howard is an American video game designer, director, and producer. He serves as director and executive producer at Bethesda Game Studios, where he has led the development of the Fallout and The Elder Scrolls series.

Emil Pagliarulo is an American video game designer who works at Bethesda Game Studios.

<i>The Elder Scrolls V: Skyrim</i> 2011 video game

The Elder Scrolls V: Skyrim is an action role-playing video game developed by Bethesda Game Studios and published by Bethesda Softworks. It is the fifth main installment in The Elder Scrolls series, following The Elder Scrolls IV: Oblivion (2006), and was released worldwide for Microsoft Windows, PlayStation 3, and Xbox 360 on November 11, 2011.

<span class="mw-page-title-main">Creation Engine</span> Video game engine

Creation Engine is a 3D video game engine created by Bethesda Game Studios based on the Gamebryo engine. The Creation Engine has been used to create role-playing video games such as The Elder Scrolls V: Skyrim, Fallout 4, and Fallout 76. A new iteration of the engine, Creation Engine 2, was used to create Starfield. The Creation Engine has been tailor-made for large-scale open-world RPGs.

"I used to be an adventurer like you. Then I took an arrow in the knee...", or simply "arrow in the knee", is an Internet meme that originated from The Elder Scrolls V: Skyrim, an action role-playing video game developed by Bethesda Game Studios and published by Bethesda Softworks. Originally a procedurally generated line of dialogue conceived by Senior Bethesda game designer Emil Pagliarulo and spoken by non-player characters (NPC's) who act as guards, the phrase became unexpectedly popular among Skyrim players. The phrase and its variations, such as "arrow to the knee", have since found popular reference outside of the game's original context, as well as media unrelated to The Elder Scrolls franchise.

<i>The Elder Scrolls V: Skyrim – Dawnguard</i> Expansion for the video game The Elder Scrolls V: Skyrim

The Elder Scrolls V: Skyrim – Dawnguard is a downloadable content add-on for the action role-playing open world video game The Elder Scrolls V: Skyrim. It was developed by Bethesda Game Studios and published by Bethesda Softworks. The Xbox 360 version of Dawnguard was launched in English-speaking territories on June 26, 2012, and in France, Germany, Italy, and Spain in mid-July 2012. It was released on Microsoft Windows via Steam on August 2, 2012. Due to performance issues, the PlayStation 3 release of Dawnguard was delayed until February 26, 2013.

<i>The Greatest Video Game Music</i> 2011 compilation album by London Philharmonic

The Greatest Video Game Music, performed by the London Philharmonic Orchestra, features classical orchestrations of video game themes including those from Super Mario Bros., Call of Duty, Metal Gear Solid, Final Fantasy, Halo, World of Warcraft, Angry Birds and many more. A sequel, The Greatest Video Game Music 2, was released a year later.

<i>The Elder Scrolls V: Skyrim – Dragonborn</i> Video game add-on

The Elder Scrolls V: Skyrim – Dragonborn is the third and final add-on for the action role-playing open world video game The Elder Scrolls V: Skyrim. It was developed by Bethesda Game Studios and released by Bethesda Softworks on the Xbox Live Marketplace on December 4, 2012. The Microsoft Windows version was released on February 5, 2013, and the PlayStation 3 version was released on February 12, 2013.

<i>The Elder Scrolls V: Skyrim – Hearthfire</i> 2012 Skyrim Expansion

The Elder Scrolls V: Skyrim – Hearthfire is the second downloadable content add-on for the action role-playing open world video game The Elder Scrolls V: Skyrim. The game was developed by Bethesda Game Studios and published by Bethesda Softworks. The Xbox 360 version of Hearthfire launched on September 4, 2012. It was released on Microsoft Windows via Steam on October 5, 2012. It was released for the PlayStation 3 on February 19, 2013, in North America and February 20, 2013, in Europe.

<span class="mw-page-title-main">Malukah</span> Mexican video game musician

Judith de los Santos, known professionally as Malukah, is a Mexican composer and singer-songwriter known for her cover versions of music from video games or TV series and movies, which she publishes on YouTube. She became known to an international audience when a video of her cover of the song The Dragonborn Comes from the game The Elder Scrolls V: Skyrim became a viral video in November 2011. Since then she has contributed to several video game soundtracks, composed and produced original music, and performed live.

Dragonborn may refer to:

Skyrimmodding refers to the community-made modifications for the 2011 fantasy role-playing video game The Elder Scrolls V: Skyrim. One of the most modded video games of all time, it has nearly 70,000 mod submissions on Nexus Mods and 28,000 in the Steam Workshop. Many of these mods were created for utility reasons, patching numerous bugs left in the game by Bethesda Softworks, while also improving the game's usability and character movement. Other mods add new quests and characters, or update the game's graphics and animations. As the vanilla game has a reputation for outdated mechanics, it is common for players to mod Skyrim even prior to their first playthrough.

"Dragonborn" is the theme song for the soundtrack of the 2011 role-playing video game The Elder Scrolls V: Skyrim from Bethesda Softworks, composed by the American composer Jeremy Soule. The composition is Nordic-influenced classical in style and features a chorus singing lyrics in a fictional language, Dragon-tongue, that was created by Emil Pagliarulo for the game. The composition borrows heavily from "Nerevar Rising", the theme from The Elder Scrolls III: Morrowind, as well as elements from music in The Elder Scrolls IV: Oblivion, both of which were also composed by Soule. "Dragonborn" was lauded by critics and audiences alike. It is featured in orchestral performances and spawned numerous covers, many of which combine the song with an in-game, English-language composition "The Dragonborn Comes". One such cover, by Lindsey Stirling and Peter Hollens, holds the Guinness World Record for most viewed cover version of a video game soundtrack.

References

  1. 1 2 3 4 5 6 Majoris, Emma (November 7, 2021). "7 Things You Didn't Know About Skyrim's Soundtrack". Game Rant. Archived from the original on January 6, 2022. Retrieved January 6, 2022.
  2. 1 2 Wlihelm, Parker (August 19, 2021). "How Bethesda Game Studios made Skyrim's Dragon language". Elder Scrolls. Bethesda Softworks. Archived from the original on January 9, 2022. Retrieved January 9, 2022.
  3. ↑ Reese, Emily (August 8, 2012). "The Music of Skyrim on Top Score". YourClassical . Archived from the original on January 6, 2022. Retrieved January 6, 2022.
  4. 1 2 3 4 5 6 7 8 9 Kamp, Michiel; Sweeney, Mark (2019). "Musical Landscapes in Skyrim". In Gibbons, William; Reale, Steven (eds.). Music in the Role-Playing Game: Heroes & Harmonies. New York and Milton Park: Routledge. ISBN   978-1-351-25318-5. Archived from the original on October 9, 2022. Retrieved September 10, 2022.
  5. 1 2 3 Hamilton, Kirk (December 21, 2011). "The Best Game Music of 2011: Skyrim". Kotaku . Archived from the original on January 9, 2022. Retrieved January 9, 2022.
  6. 1 2 3 4 Barron, Josh (August 1, 2012). "The Elder Scrolls V -Skyrim- Original Game Soundtrack". VGMO -Video Game Music Online-. Archived from the original on January 6, 2022. Retrieved January 6, 2022.
  7. 1 2 Hart, Iain (2021). "Semiotics in Game Music". In Fritsch, Melanie; Summers, Tim (eds.). The Cambridge Companion to Video Game Music. Cambridge: Cambridge University Press. pp. 220–237. ISBN   978-1-316-99944-8. Archived from the original on October 9, 2022. Retrieved September 10, 2022.
  8. ↑ Ramsey, Robert (April 30, 2017). "In Case You Missed It, Skyrim's Glorious Soundtrack Is Now on Spotify". Push Square . Archived from the original on January 7, 2022. Retrieved January 7, 2022.
  9. 1 2 Miller, Kyle E. (February 22, 2012). "The Elder Scrolls V: Skyrim Original Game Soundtrack | RPGFan". RPGFan. Archived from the original on January 9, 2022. Retrieved January 9, 2022.
  10. ↑ Scarborough, Shane (September 10, 2013). "Skyrim Song Lyrics: Song of the Dragonborn". EIP Gaming. Retrieved January 9, 2022.
  11. ↑ Gibbons, William; Reale, Steven (2019). "Prologue: The Journey Begins". In Gibbons, William; Reale, Steven (eds.). Music in the Role-Playing Game: Heroes & Harmonies. New York and Milton Park: Routledge. ISBN   978-1-351-25318-5. Archived from the original on October 24, 2022. Retrieved September 10, 2022.
  12. ↑ Ingram, Bryan (September 30, 2016). "Skyrim Concert Coming With Skyrim Remaster [Update] -". mxdwn Games. Archived from the original on September 6, 2022. Retrieved September 6, 2022.
  13. ↑ Pereira, Chris (September 30, 2016). "Skyrim Composer Warns Fans to Be "Wary" of That New Concert". GameSpot. Archived from the original on September 5, 2022. Retrieved September 6, 2022.
  14. ↑ Yang, George (August 19, 2021). "Elder Scrolls V: Skyrim Concert Will Be Held On November 11". GameSpot. Archived from the original on September 6, 2022. Retrieved September 6, 2022.
  15. ↑ "Skyrim 10th Anniversary Concert by London Philharmonic Orchestra & London Voices Choir". Archived from the original on September 6, 2022. Retrieved September 6, 2022– via Apple Music.
  16. ↑ Hall, Charlie (December 5, 2017). "Skyrim has a new collector's edition vinyl soundtrack". Polygon . Archived from the original on January 7, 2022. Retrieved January 7, 2022.
  17. ↑ Hall, Charlie (December 5, 2017). "Skyrim has a new collector's edition vinyl soundtrack". Polygon . Archived from the original on August 11, 2022. Retrieved September 6, 2022.
  18. ↑ "Skyrim Vinyl Soundtrack (JUN/VUL Limited Edition)". iam8bit. Archived from the original on September 6, 2022. Retrieved September 6, 2022.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.