List of pitch intervals

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Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others. For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to Pythagorean, which has pure fifths (3:2, 702 cents). The Pythagorean A (at the left) is at 792 cents, G# (at the right) at 816 cents; the difference is the Pythagorean comma. Equal temperament by definition is such that A and G# are at the same level.
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1/4-comma meantone produces the "just" major third (5:4, 386 cents, a syntonic comma lower than the Pythagorean one of 408 cents).
1/3-comma meantone produces the "just" minor third (6:5, 316 cents, a syntonic comma higher than the Pythagorean one of 294 cents). In both these meantone temperaments, the enharmony, here the difference between A and G#, is much larger than in Pythagorean, and with the flat degree higher than the sharp one. Meantone comparison.png
Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others. For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to Pythagorean, which has pure fifths (3:2, 702 cents). The Pythagorean A (at the left) is at 792 cents, G (at the right) at 816 cents; the difference is the Pythagorean comma. Equal temperament by definition is such that A and G are at the same level. 14-comma meantone produces the "just" major third (5:4, 386 cents, a syntonic comma lower than the Pythagorean one of 408 cents). 13-comma meantone produces the "just" minor third (6:5, 316 cents, a syntonic comma higher than the Pythagorean one of 294 cents). In both these meantone temperaments, the enharmony, here the difference between A and G, is much larger than in Pythagorean, and with the flat degree higher than the sharp one.
Comparison of two sets of musical intervals. The equal-tempered intervals are black; the Pythagorean intervals are green. Music intervals frequency ratio equal tempered pythagorean comparison.svg
Comparison of two sets of musical intervals. The equal-tempered intervals are black; the Pythagorean intervals are green.

Below is a list of intervals expressible in terms of a prime limit (see Terminology), completed by a choice of intervals in various equal subdivisions of the octave or of other intervals.

Contents

For commonly encountered harmonic or melodic intervals between pairs of notes in contemporary Western music theory, without consideration of the way in which they are tuned, see Interval (music) § Main intervals.

Terminology

List

ColumnLegend
TETX-tone equal temperament (12-tet, etc.).
Limit3-limit intonation, or Pythagorean.
5-limit "just" intonation, or just.
7-limit intonation, or septimal.
11-limit intonation, or undecimal.
13-limit intonation, or tridecimal.
17-limit intonation, or septendecimal.
19-limit intonation, or novendecimal.
Higher limits.
MMeantone temperament or tuning.
SSuperparticular ratio (no separate color code).
List of musical intervals
CentsNote (from C)Freq. ratioPrime factorsInterval nameTETLimitMS
0.00C [2] 1 : 11 : 1 Loudspeaker.svg play Unison, [3] monophony, [4] perfect prime, [3] tonic, [5] or fundamental 1, 123M
0.03 65537 : 6553665537 : 216 Loudspeaker.svg play Sixty-five-thousand-five-hundred-thirty-seventh harmonic 65537S
0.40C 7 rightside up.png 4375 : 437454×7 : 2×37 Loudspeaker.svg play Ragisma [3] [6] 7S
0.72E 7 rightside up.png 7 rightside up.png 7 rightside up.png 7 rightside up.png Llpd-3.svg +2401 : 240074 : 25×3×52 Loudspeaker.svg play Breedsma [3] [6] 7S
1.00 21/120021/1200 Loudspeaker.svg play Cent [7] 1200
1.20 21/100021/1000 Loudspeaker.svg play Millioctave 1000
1.95 B++32805 : 3276838×5 : 215 Loudspeaker.svg play Schisma [3] [5] 5
1.96 3:2÷(27/12)3 : 219/12 Grad, Werckmeister [8]
3.99 101/100021/1000×51/1000 Loudspeaker.svg play Savart or eptaméride301.03
7.71 B 7 upside down.png 225 : 22432×52 : 25×7 Loudspeaker.svg play Septimal kleisma, [3] [6] marvel comma7S
8.11 B DoubleSharp.svg 15625 : 1555256 : 26×35 Loudspeaker.svg play Kleisma or semicomma majeur [3] [6] 5
10.06 A DoubleSharp.svg DoubleSharp.svg ++2109375 : 209715233×57 : 221 Loudspeaker.svg play Semicomma, [3] [6] Fokker's comma [3] 5
10.85 C 53 upside down.png 160 : 15925×5 : 3×53 Loudspeaker.svg play Difference between 5:3 & 53:3253S
11.98C 29 rightside up.png 145 : 1445×29 : 24×32 Loudspeaker.svg play Difference between 29:16 & 9:529S
12.50 21/9621/96 Loudspeaker.svg play Sixteenth tone 96
13.07B 7 upside down.png 7 upside down.png 7 upside down.png 1728 : 171526×33 : 5×73 Loudspeaker.svg play Orwell comma [3] [9] 7
13.47C 43 rightside up.png 129 : 1283×43 : 27 Loudspeaker.svg play Hundred-twenty-ninth harmonic43S
13.79 D Doubleflat.svg 7 rightside up.png 126 : 1252×32×7 : 53 Loudspeaker.svg play Small septimal semicomma, [6] small septimal comma, [3] starling comma7S
14.37 C121 : 120112 : 23×3×5 Loudspeaker.svg play Undecimal seconds comma [3] 11S
16.67 C [lower-alpha 1] 21/7221/72 Loudspeaker.svg play 1 step in 72 equal temperament 72
18.13 C 19 upside down.png 96 : 9525×3 : 5×19 Loudspeaker.svg play Difference between 19:16 & 6:519S
19.55 D Doubleflat.svg -- [2] 2048 : 2025211 : 34×52 Loudspeaker.svg play Diaschisma, [3] [6] minor comma5
21.51 C+ [2] 81 : 8034 : 24×5 Loudspeaker.svg play Syntonic comma, [3] [5] [6] major comma, komma, chromatic diesis, or comma of Didymus [3] [6] [10] [11] 5S
22.64 21/5321/53 Loudspeaker.svg play Holdrian comma, Holder's comma, 1 step in 53 equal temperament 53
23.46 B+++531441 : 524288312 : 219 Loudspeaker.svg play Pythagorean comma, [3] [5] [6] [10] [11] ditonic comma [3] [6] 3
25.00 21/4821/48 Loudspeaker.svg play Eighth tone 48
26.84 C 13 rightside up.png 65 : 645×13 : 26 Loudspeaker.svg play Sixty-fifth harmonic, [5] 13th-partial chroma [3] 13S
27.26 C 7 upside down.png 64 : 6326 : 32×7 Loudspeaker.svg play Septimal comma, [3] [6] [11] Archytas' comma, [3] 63rd subharmonic7S
29.2721/4121/41 Loudspeaker.svg play 1 step in 41 equal temperament 41
31.19 D 7 rightside up.png 56 : 5523×7 : 5×11 Loudspeaker.svg play Undecimal diesis, [3] Ptolemy's enharmonic: [5] difference between (11 : 8) and (7 : 5) tritone11S
33.33C Half up arrow.png /D Half down arrow.png Half down arrow.png [lower-alpha 1] 21/3621/36 Loudspeaker.svg play Sixth tone 36, 72
34.28 C 17 rightside up.png 51 : 503×17 : 2×52 Loudspeaker.svg play Difference between 17:16 & 25:2417S
34.98 B 7 upside down.png 7 upside down.png -50 : 492×52 : 72 Loudspeaker.svg play Septimal sixth tone or jubilisma, Erlich's decatonic comma or tritonic diesis [3] [6] 7S
35.70 D 7 rightside up.png 7 rightside up.png 49 : 4872 : 24×3 Loudspeaker.svg play Septimal diesis, slendro diesis or septimal 1/6-tone [3] 7S
38.05 C 23 rightside up.png 46 : 452×23 : 32×5 Loudspeaker.svg play Inferior quarter tone, [5] difference between 23:16 & 45:3223S
38.71 21/3121/31 Loudspeaker.svg play 1 step in 31 equal temperament 31
38.91 C+45 : 4432×5 : 4×11 Loudspeaker.svg play Undecimal diesis or undecimal fifth tone 11S
40.00 21/3021/30 Loudspeaker.svg play Fifth tone 30
41.06 D Doubleflat.svg 128 : 12527 : 53 Loudspeaker.svg play Enharmonic diesis or 5-limit limma, minor diesis, [6] diminished second, [5] [6] minor diesis or diesis, [3] 125th subharmonic5
41.72 D 41 upside down.png 7 rightside up.png 42 : 412×3×7 : 41 Loudspeaker.svg play Lesser 41-limit fifth tone41S
42.75 C 41 rightside up.png 41 : 4041 : 23×5 Loudspeaker.svg play Greater 41-limit fifth tone41S
43.83 C 13 upside down.png 40 : 3923×5 : 3×13 Loudspeaker.svg play Tridecimal fifth tone13S
44.97 C 19 upside down.png 13 rightside up.png 39 : 383×13 : 2×19 Loudspeaker.svg play Superior quarter-tone, [5] novendecimal fifth tone19S
46.17 D 37 upside down.png 19 rightside up.png Doubleflat.svg -38 : 372×19 : 37 Loudspeaker.svg play Lesser 37-limit quarter tone37S
47.43 C 37 rightside up.png 37 : 3637 : 22×32 Loudspeaker.svg play Greater 37-limit quarter tone37S
48.77 C 7 upside down.png 36 : 3522×32 : 5×7 Loudspeaker.svg play Septimal quarter tone, septimal diesis, [3] [6] septimal chroma, [2] superior quarter tone [5] 7S
49.98 246 : 2393×41 : 239 Loudspeaker.svg play Just quarter tone [11] 239
50.00 C Arabic music notation half sharp.svg /D Three quarter flat.svg 21/2421/24 Loudspeaker.svg play Equal-tempered quarter tone 24
50.18 D 17 upside down.png 7 rightside up.png 35 : 345×7 : 2×17 Loudspeaker.svg play ET quarter-tone approximation, [5] lesser 17-limit quarter tone17S
50.72 B 7 upside down.png ++59049 : 57344310 : 213×7 Loudspeaker.svg play Harrison's comma (10 P5s - 1 H7) [3] 7
51.68 C 17 rightside up.png 34 : 332×17 : 3×11 Loudspeaker.svg play Greater 17-limit quarter tone17S
53.27 C33 : 323×11 : 25 Loudspeaker.svg play Thirty-third harmonic, [5] undecimal comma, undecimal quarter tone11S
54.96 D 31 upside down.png -32 : 3125 : 31 Loudspeaker.svg play Inferior quarter-tone, [5] thirty-first subharmonic31S
56.55 B 23 rightside up.png 23 rightside up.png +529 : 512232 : 29 Loudspeaker.svg play Five-hundred-twenty-ninth harmonic23
56.77 C 31 rightside up.png 31 : 3031 : 2×3×5 Loudspeaker.svg play Greater quarter-tone, [5] difference between 31:16 & 15:831S
58.69 C 29 upside down.png 30 : 292×3×5 : 29 Loudspeaker.svg play Lesser 29-limit quarter tone29S
60.75 C 29 rightside up.png 7 upside down.png 29 : 2829 : 22×7 Loudspeaker.svg play Greater 29-limit quarter tone29S
62.96 D 7 rightside up.png -28 : 2722×7 : 33 Loudspeaker.svg play Septimal minor second, small minor second, inferior quarter tone [5] 7S
63.81 (3 : 2)1/1131/11 : 21/11 Loudspeaker.svg play Beta scale step18.75
65.34 C 13 upside down.png +27 : 2633 : 2×13 Loudspeaker.svg play Chromatic diesis, [12] tridecimal comma [3] 13S
66.34 D 19 rightside up.png 7 rightside up.png 133 : 1287×19 : 27 Loudspeaker.svg play One-hundred-thirty-third harmonic19
66.67 C Sims flagged arrow down.svg /C Half down arrow.png [lower-alpha 1] 21/1821/18 Loudspeaker.svg play Third tone 18, 36, 72
67.90 D 13 rightside up.png Doubleflat.svg -26 : 252×13 : 52 Loudspeaker.svg play Tridecimal third tone, third tone [5] 13S
70.67 C [2] 25 : 2452 : 23×3 Loudspeaker.svg play Just chromatic semitone or minor chroma, [3] lesser chromatic semitone, small (just) semitone [11] or minor second, [4] minor chromatic semitone, [13] or minor semitone, [5] 27-comma meantone chromatic semitone, augmented unison5S
73.68 D 23 upside down.png -24 : 2323×3 : 23 Loudspeaker.svg play Lesser 23-limit semitone23S
75.00 21/1623/48 Loudspeaker.svg play 1 step in 16 equal temperament, 3 steps in 4816, 48
76.96 C 23 rightside up.png +23 : 2223 : 2×11 Loudspeaker.svg play Greater 23-limit semitone23S
78.00 (3 : 2)1/931/9 : 21/9 Loudspeaker.svg play Alpha scale step15.39
79.31 67 : 6467 : 26 Loudspeaker.svg play Sixty-seventh harmonic [5] 67
80.54 C 7 upside down.png -22 : 212×11 : 3×7 Loudspeaker.svg play Hard semitone, [5] two-fifth tone small semitone11S
84.47 D 7 rightside up.png 21 : 203×7 : 22×5 Loudspeaker.svg play Septimal chromatic semitone, minor semitone [3] 7S
88.80 C 19 upside down.png 20 : 1922×5 : 19 Loudspeaker.svg play Novendecimal augmented unison19S
90.22 D−− [2] 256 : 24328 : 35 Loudspeaker.svg play Pythagorean minor second or limma, [3] [6] [11] Pythagorean diatonic semitone, Low Semitone [14] 3
92.18 C+ [2] 135 : 12833×5 : 27 Loudspeaker.svg play Greater chromatic semitone, chromatic semitone, semitone medius, major chroma or major limma, [3] small limma, [11] major chromatic semitone, [13] limma ascendant [5] 5
93.60 D 19 rightside up.png -19 : 1819 : 2×9Novendecimal minor second Loudspeaker.svg play 19S
97.36 D↓↓128 : 12127 : 112 Loudspeaker.svg play 121st subharmonic, [5] [6] undecimal minor second11
98.95 D 17 upside down.png 18 : 172×32 : 17 Loudspeaker.svg play Just minor semitone, Arabic lute index finger [3] 17S
100.00 C/D21/1221/12 Loudspeaker.svg play Equal-tempered minor second or semitone 12M
104.96 C 17 rightside up.png [2] 17 : 1617 : 24 Loudspeaker.svg play Minor diatonic semitone, just major semitone, overtone semitone, [5] 17th harmonic, [3] limma[ citation needed ]17S
111.45 255(5 : 1)1/25 Loudspeaker.svg play Studie II interval (compound just major third, 5:1, divided into 25 equal parts)25
111.73 D- [2] 16 : 1524 : 3×5 Loudspeaker.svg play Just minor second, [15] just diatonic semitone, large just semitone or major second, [4] major semitone, [5] limma, minor diatonic semitone, [3] diatonic second [16] semitone, [14] diatonic semitone, [11] 16-comma meantone minor second5S
113.69 C++2187 : 204837 : 211 Loudspeaker.svg play Apotome [3] [11] or Pythagorean major semitone, [6] Pythagorean augmented unison, Pythagorean chromatic semitone, or Pythagorean apotome 3
116.72 (18 : 5)1/1921/19×32/19 : 51/19 Loudspeaker.svg play Secor 10.28
119.44 C 7 upside down.png 15 : 143×5 : 2×7 Loudspeaker.svg play Septimal diatonic semitone, major diatonic semitone, [3] Cowell semitone [5] 7S
125.00 25/4825/48 Loudspeaker.svg play 5 steps in 48 equal temperament48
128.30 D 13 upside down.png 7 rightside up.png 14 : 132×7 : 13 Loudspeaker.svg play Lesser tridecimal 2/3-tone [17] 13S
130.23 C 23 rightside up.png +69 : 643×23 : 26 Loudspeaker.svg play Sixty-ninth harmonic [5] 23
133.24 D27 : 2533 : 52 Loudspeaker.svg play Semitone maximus, minor second, large limma or Bohlen-Pierce small semitone, [3] high semitone, [14] alternate Renaissance half-step, [5] large limma, acute minor second[ citation needed ]5
133.33 C Half up arrow.png /D Half up arrow.png [lower-alpha 1] 21/922/18 Loudspeaker.svg play Two-third tone 9, 18, 36, 72
138.57 D 13 rightside up.png -13 : 1213 : 22×3 Loudspeaker.svg play Greater tridecimal 2/3-tone, [17] Three-quarter tone [5] 13S
150.00 C Llpd+1 1/2 .svg /D Llpd- 1/2 .svg 23/2421/8 Loudspeaker.svg play Equal-tempered neutral second 8, 24
150.64 D↓ [2] 12 : 1122×3 : 11 Loudspeaker.svg play 34 tone or Undecimal neutral second, [3] [5] trumpet three-quarter tone, [11] middle finger [between frets] [14] 11S
155.14 D 7 rightside up.png 35 : 325×7 : 25 Loudspeaker.svg play Thirty-fifth harmonic [5] 7
160.90 D−−800 : 72925×52 : 36 Loudspeaker.svg play Grave whole tone, [3] neutral second, grave major second[ citation needed ]5
165.00 D [2] 11 : 1011 : 2×5 Loudspeaker.svg play Greater undecimal minor/major/neutral second, 4/5-tone [6] or Ptolemy's second [3] 11S
171.43 21/721/7 Loudspeaker.svg play 1 step in 7 equal temperament 7
175.00 27/4827/48 Loudspeaker.svg play 7 steps in 48 equal temperament48
179.70 71 : 6471 : 26 Loudspeaker.svg play Seventy-first harmonic [5] 71
180.45 E Doubleflat.svg −−−65536 : 59049216 : 310 Loudspeaker.svg play Pythagorean diminished third, [3] [6] Pythagorean minor tone3
182.40 D- [2] 10 : 92×5 : 32 Loudspeaker.svg play Small just whole tone or major second, [4] minor whole tone, [3] [5] lesser whole tone, [16] minor tone, [14] minor second, [11] half-comma meantone major second5S
200.00 D22/1221/6 Loudspeaker.svg play Equal-tempered major second 6, 12M
203.91 D [2] 9 : 832 : 23 Loudspeaker.svg play Pythagorean major second, Large just whole tone or major second [11] (sesquioctavan), [4] tonus, major whole tone, [3] [5] greater whole tone, [16] major tone [14] 3S
215.89 D 29 rightside up.png 145 : 1285×29 : 27 Loudspeaker.svg play Hundred-forty-fifth harmonic29
223.46 E Doubleflat.svg [2] 256 : 22528 : 32×52 Loudspeaker.svg play Just diminished third, [16] 225th subharmonic5
225.00 23/1629/48 Loudspeaker.svg play 9 steps in 48 equal temperament16, 48
227.79 73 : 6473 : 26 Loudspeaker.svg play Seventy-third harmonic [5] 73
231.17 D 7 upside down.png [2] 8 : 723 : 7 Loudspeaker.svg play Septimal major second, [4] septimal whole tone [3] [5] 7S
240.00 21/521/5 Loudspeaker.svg play 1 step in 5 equal temperament 5
247.74 D 13 upside down.png 15 : 133×5 : 13 Loudspeaker.svg play Tridecimal 54 tone [3] 13
250.00 D Arabic music notation half sharp.svg /E Three quarter flat.svg 25/2425/24 Loudspeaker.svg play 5 steps in 24 equal temperament24
251.34 D 37 rightside up.png 37 : 3237 : 25 Loudspeaker.svg play Thirty-seventh harmonic [5] 37
253.08 D125 : 10853 : 22×33 Loudspeaker.svg play Semi-augmented whole tone, [3] semi-augmented second[ citation needed ]5
262.37 E↓64 : 5526 : 5×11 Loudspeaker.svg play 55th subharmonic [5] [6] 11
268.80 D 23 rightside up.png 13 rightside up.png 299 : 25613×23 : 28 Loudspeaker.svg play Two-hundred-ninety-ninth harmonic23
266.87 E 7 rightside up.png [2] 7 : 67 : 2×3 Loudspeaker.svg play Septimal minor third [3] [4] [11] or Sub minor third [14] 7S
274.58 D [2] 75 : 643×52 : 26 Loudspeaker.svg play Just augmented second, [16] Augmented tone, [14] augmented second [5] [13] 5
275.00 211/48211/48 Loudspeaker.svg play 11 steps in 48 equal temperament48
289.21 E 13 rightside up.png 13 : 1113 : 11 Loudspeaker.svg play Tridecimal minor third [3] 13
294.13 E [2] 32 : 2725 : 33 Loudspeaker.svg play Pythagorean minor third [3] [5] [6] [14] [16] semiditone, or 27th subharmonic3
297.51 E 19 rightside up.png [2] 19 : 1619 : 24 Loudspeaker.svg play 19th harmonic, [3] 19-limit minor third, overtone minor third [5] 19
300.00 D/E23/1221/4 Loudspeaker.svg play Equal-tempered minor third 4, 12M
301.85 D 7 upside down.png -25 : 21 [5] 52 : 3×7 Loudspeaker.svg play Quasi-equal-tempered minor third, 2nd 7-limit minor third, Bohlen-Pierce second [3] [6] 7
310.26 6:5÷(81:80)1/422 : 53/4 Loudspeaker.svg play Quarter-comma meantone minor thirdM
311.98 (3 : 2)4/934/9 : 24/9 Loudspeaker.svg play Alpha scale minor third 3.85
315.64 E [2] 6 : 52×3 : 5 Loudspeaker.svg play Just minor third, [3] [4] [5] [11] [16] minor third, [14] 13-comma meantone minor third5MS
317.60 D++19683 : 1638439 : 214 Loudspeaker.svg play Pythagorean augmented second [3] [6] 3
320.14 E 7 rightside up.png 77 : 647×11 : 26 Loudspeaker.svg play Seventy-seventh harmonic [5] 11
325.00 213/48213/48 Loudspeaker.svg play 13 steps in 48 equal temperament48
336.13 D 17 rightside up.png 7 upside down.png -17 : 1417 : 2×7 Loudspeaker.svg play Superminor third [18] 17
337.15 E+243 : 20035 : 23×52 Loudspeaker.svg play Acute minor third [3] 5
342.48 E 13 rightside up.png 39 : 323×13 : 25 Loudspeaker.svg play Thirty-ninth harmonic [5] 13
342.86 22/722/7 Loudspeaker.svg play 2 steps in 7 equal temperament 7
342.91 E 7 upside down.png -128 : 10527 : 3×5×7 Loudspeaker.svg play 105th subharmonic, [5] septimal neutral third [6] 7
347.41 E [2] 11 : 911 : 32 Loudspeaker.svg play Undecimal neutral third [3] [5] 11
350.00 D Llpd+1 1/2 .svg /E Llpd- 1/2 .svg 27/2427/24 Loudspeaker.svg play Equal-tempered neutral third 24
354.55 E+27 : 2233 : 2×11 Loudspeaker.svg play Zalzal's wosta [6] 12:11 X 9:8 [14] 11
359.47 E 13 upside down.png [2] 16 : 1324 : 13 Loudspeaker.svg play Tridecimal neutral third [3] 13
364.54 79 : 6479 : 26 Loudspeaker.svg play Seventy-ninth harmonic [5] 79
364.81 E−100 : 8122×52 : 34 Loudspeaker.svg play Grave major third [3] 5
375.00 25/16215/48 Loudspeaker.svg play 15 steps in 48 equal temperament16, 48
384.36 F−−8192 : 6561213 : 38 Loudspeaker.svg play Pythagorean diminished fourth, [3] [6] Pythagorean 'schismatic' third [5] 3
386.31 E [2] 5 : 45 : 22 Loudspeaker.svg play Just major third, [3] [4] [5] [11] [16] major third, [14] quarter-comma meantone major third5MS
397.10 E 23 rightside up.png 7 rightside up.png +161 : 1287×23 : 27 Loudspeaker.svg play One-hundred-sixty-first harmonic23
400.00 E24/1221/3 Loudspeaker.svg play Equal-tempered major third 3, 12M
402.47 E 19 rightside up.png 17 rightside up.png 323 : 25617×19 : 28 Loudspeaker.svg play Three-hundred-twenty-third harmonic19
407.82 E+ [2] 81 : 6434 : 26 Loudspeaker.svg play Pythagorean major third, [3] [5] [6] [14] [16] ditone 3
417.51 F 7 rightside up.png + [2] 14 : 112×7 : 11 Loudspeaker.svg play Undecimal diminished fourth or major third [3] 11
425.00 217/48217/48 Loudspeaker.svg play 17 steps in 48 equal temperament48
427.37 F [2] 32 : 2525 : 52 Loudspeaker.svg play Just diminished fourth, [16] diminished fourth, [5] [13] 25th subharmonic5
429.06 E 41 rightside up.png 41 : 3241 : 25 Loudspeaker.svg play Forty-first harmonic [5] 41
435.08 E 7 upside down.png [2] 9 : 732 : 7 Loudspeaker.svg play Septimal major third, [3] [5] Bohlen-Pierce third, [3] Super major Third [14] 7
444.77 F↓128 : 9927 : 9×11 Loudspeaker.svg play 99th subharmonic [5] [6] 11
450.00 E Arabic music notation half sharp.svg /F Llpd- 1/2 .svg 29/2429/24 Loudspeaker.svg play 9 steps in 24 equal temperament24
450.05 83 : 6483 : 26 Loudspeaker.svg play Eighty-third harmonic [5] 83
454.21 F 13 rightside up.png 13 : 1013 : 2×5 Loudspeaker.svg play Tridecimal major third or diminished fourth13
456.99 E [2] 125 : 9653 : 25×3 Loudspeaker.svg play Just augmented third, augmented third [5] 5
462.35 E 7 upside down.png 7 upside down.png -64 : 4926 : 72 Loudspeaker.svg play 49th subharmonic [5] [6] 7
470.78 F 7 rightside up.png + [2] 21 : 163×7 : 24 Loudspeaker.svg play Twenty-first harmonic, narrow fourth, [3] septimal fourth, [5] wide augmented third,[ citation needed ] H7 on G7
475.00 219/48219/48 Loudspeaker.svg play 19 steps in 48 equal temperament48
478.49 E+675 : 51233×52 : 29 Loudspeaker.svg play Six-hundred-seventy-fifth harmonic, wide augmented third [3] 5
480.00 22/522/5 Loudspeaker.svg play 2 steps in 5 equal temperament 5
491.27 E 17 rightside up.png 85 : 645×17 : 26 Loudspeaker.svg play Eighty-fifth harmonic [5] 17
498.04 F [2] 4 : 322 : 3 Loudspeaker.svg play Perfect fourth, [3] [5] [16] Pythagorean perfect fourth, Just perfect fourth or diatessaron [4] 3S
500.00 F25/1225/12 Loudspeaker.svg play Equal-tempered perfect fourth 12M
501.42 F 19 rightside up.png +171 : 12832×19 : 27 Loudspeaker.svg play One-hundred-seventy-first harmonic19
510.51 (3 : 2)8/1138/11 : 28/11 Loudspeaker.svg play Beta scale perfect fourth 18.75
511.52 F 43 rightside up.png 43 : 3243 : 25 Loudspeaker.svg play Forty-third harmonic [5] 43
514.29 23/723/7 Loudspeaker.svg play 3 steps in 7 equal temperament 7
519.55 F+ [2] 27 : 2033 : 22×5 Loudspeaker.svg play 5-limit wolf fourth, acute fourth, [3] imperfect fourth [16] 5
521.51 E+++177147 : 131072311 : 217 Loudspeaker.svg play Pythagorean augmented third [3] [6] (F+ (pitch))3
525.00 27/16221/48 Loudspeaker.svg play 21 steps in 48 equal temperament16, 48
531.53 F 29 rightside up.png +87 : 643×29 : 26 Loudspeaker.svg play Eighty-seventh harmonic [5] 29
536.95 F+15 : 113×5 : 11 Loudspeaker.svg play Undecimal augmented fourth [3] 11
550.00 F Arabic music notation half sharp.svg /G Three quarter flat.svg 211/24211/24 Loudspeaker.svg play 11 steps in 24 equal temperament24
551.32 F [2] 11 : 811 : 23 Loudspeaker.svg play eleventh harmonic, [5] undecimal tritone, [5] lesser undecimal tritone, undecimal semi-augmented fourth [3] 11
563.38 F 13 upside down.png +18 : 132×9 : 13 Loudspeaker.svg play Tridecimal augmented fourth [3] 13
568.72 F [2] 25 : 1852 : 2×32 Loudspeaker.svg play Just augmented fourth [3] [5] 5
570.88 89 : 6489 : 26 Loudspeaker.svg play Eighty-ninth harmonic [5] 89
575.00 223/48223/48 Loudspeaker.svg play 23 steps in 48 equal temperament48
582.51 G 7 rightside up.png [2] 7 : 57 : 5 Loudspeaker.svg play Lesser septimal tritone, septimal tritone [3] [4] [5] Huygens' tritone or Bohlen-Pierce fourth, [3] septimal fifth, [11] septimal diminished fifth [19] 7
588.27 G−−1024 : 729210 : 36 Loudspeaker.svg play Pythagorean diminished fifth, [3] [6] low Pythagorean tritone [5] 3
590.22 F+ [2] 45 : 3232×5 : 25 Loudspeaker.svg play Just augmented fourth, just tritone, [4] [11] tritone, [6] diatonic tritone, [3] 'augmented' or 'false' fourth, [16] high 5-limit tritone, [5] 16-comma meantone augmented fourth5
595.03 G 19 rightside up.png 19 rightside up.png 361 : 256192 : 28 Loudspeaker.svg play Three-hundred-sixty-first harmonic19
600.00 F/G 26/12 21/2=2 Loudspeaker.svg play Equal-tempered tritone 2, 12M
609.35 G 13 rightside up.png 7 rightside up.png 91 : 647×13 : 26 Loudspeaker.svg play Ninety-first harmonic [5] 13
609.78 G [2] 64 : 4526 : 32×5 Loudspeaker.svg play Just tritone, [4] 2nd tritone, [6] 'false' fifth, [16] diminished fifth, [13] low 5-limit tritone, [5] 45th subharmonic5
611.73 F++729 : 51236 : 29 Loudspeaker.svg play Pythagorean tritone, [3] [6] Pythagorean augmented fourth, high Pythagorean tritone [5] 3
617.49 F 7 upside down.png [2] 10 : 72×5 : 7 Loudspeaker.svg play Greater septimal tritone, septimal tritone, [4] [5] Euler's tritone [3] 7
625.00 225/48225/48 Loudspeaker.svg play 25 steps in 48 equal temperament48
628.27 F 23 rightside up.png +23 : 1623 : 24 Loudspeaker.svg play Twenty-third harmonic, [5] classic diminished fifth[ citation needed ]23
631.28 G [2] 36 : 2522×32 : 52 Loudspeaker.svg play Just diminished fifth [5] 5
646.99 F 31 rightside up.png +93 : 643×31 : 26 Loudspeaker.svg play Ninety-third harmonic [5] 31
648.68 G↓ [2] 16 : 1124 : 11 Loudspeaker.svg play ` undecimal semi-diminished fifth [3] 11
650.00 F Llpd+1 1/2 .svg /G Llpd- 1/2 .svg 213/24213/24 Loudspeaker.svg play 13 steps in 24 equal temperament24
665.51 G 47 rightside up.png 47 : 3247 : 25 Loudspeaker.svg play Forty-seventh harmonic [5] 47
675.00 29/16227/48 Loudspeaker.svg play 27 steps in 48 equal temperament16, 48
678.49 A Doubleflat.svg −−−262144 : 177147218 : 311 Loudspeaker.svg play Pythagorean diminished sixth [3] [6] 3
680.45 G−40 : 2723×5 : 33 Loudspeaker.svg play 5-limit wolf fifth, [5] or diminished sixth, grave fifth, [3] [6] [11] imperfect fifth, [16] 5
683.83 G 19 rightside up.png 95 : 645×19 : 26 Loudspeaker.svg play Ninety-fifth harmonic [5] 19
684.82 E 23 rightside up.png 23 rightside up.png 23 rightside up.png DoubleSharp.svg ++12167 : 8192233 : 213 Loudspeaker.svg play 12167th harmonic23
685.71 24/7 : 1 Loudspeaker.svg play 4 steps in 7 equal temperament
691.20 3:2÷(81:80)1/22×51/2 : 3 Loudspeaker.svg play Half-comma meantone perfect fifthM
694.79 3:2÷(81:80)1/321/3×51/3 : 31/3 Loudspeaker.svg play 13-comma meantone perfect fifthM
695.81 3:2÷(81:80)2/721/7×52/7 : 31/7 Loudspeaker.svg play 27-comma meantone perfect fifthM
696.58 3:2÷(81:80)1/451/4 Loudspeaker.svg play Quarter-comma meantone perfect fifthM
697.65 3:2÷(81:80)1/531/5×51/5 : 21/5 Loudspeaker.svg play 15-comma meantone perfect fifthM
698.37 3:2÷(81:80)1/631/3×51/6 : 21/3 Loudspeaker.svg play 16-comma meantone perfect fifthM
700.00 G27/1227/12 Loudspeaker.svg play Equal-tempered perfect fifth 12M
701.89 231/53231/53 Loudspeaker.svg play 53-TET perfect fifth 53
701.96 G [2] 3 : 23 : 2 Loudspeaker.svg play Perfect fifth, [3] [5] [16] Pythagorean perfect fifth, Just perfect fifth or diapente, [4] fifth, [14] Just fifth [11] 3S
702.44 224/41224/41 Loudspeaker.svg play 41-TET perfect fifth 41
703.45 217/29217/29 Loudspeaker.svg play 29-TET perfect fifth 29
719.90 97 : 6497 : 26 Loudspeaker.svg play Ninety-seventh harmonic [5] 97
720.00 23/5 : 1 Loudspeaker.svg play 3 steps in 5 equal temperament5
721.51 A Doubleflat.svg 1024 : 675210 : 33×52 Loudspeaker.svg play Narrow diminished sixth [3] 5
725.00 229/48229/48 Loudspeaker.svg play 29 steps in 48 equal temperament48
729.22 G 7 upside down.png -32 : 2124 : 3×7 Loudspeaker.svg play 21st subharmonic, [5] [6] septimal diminished sixth 7
733.23 F 23 rightside up.png 17 rightside up.png DoubleSharp.svg +391 : 25617×23 : 28 Loudspeaker.svg play Three-hundred-ninety-first harmonic23
737.65 A 7 rightside up.png 7 rightside up.png +49 : 327×7 : 25 Loudspeaker.svg play Forty-ninth harmonic [5] 7
743.01 A Doubleflat.svg 192 : 12526×3 : 53 Loudspeaker.svg play Classic diminished sixth [3] 5
750.00 G Arabic music notation half sharp.svg /A Three quarter flat.svg 215/24215/24 Loudspeaker.svg play 15 steps in 24 equal temperament24
755.23 G99 : 6432×11 : 26 Loudspeaker.svg play Ninety-ninth harmonic [5] 11
764.92 A 7 rightside up.png [2] 14 : 92×7 : 32 Loudspeaker.svg play Septimal minor sixth [3] [5] 7
772.63 G25 : 1652 : 24 Loudspeaker.svg play Just augmented fifth [5] [16]
775.00 231/48231/48 Loudspeaker.svg play 31 steps in 48 equal temperament48
781.79 π  : 2 Loudspeaker.svg play Wallis product
782.49 G 7 upside down.png - [2] 11 : 711 : 7 Loudspeaker.svg play Undecimal minor sixth, [5] undecimal augmented fifth, [3] Fibonacci numbers 11
789.85 101 : 64101 : 26 Loudspeaker.svg play Hundred-first harmonic [5] 101
792.18 A [2] 128 : 8127 : 34 Loudspeaker.svg play Pythagorean minor sixth, [3] [5] [6] 81st subharmonic3
798.40 A 29 rightside up.png 7 rightside up.png +203 : 1287×29 : 27 Loudspeaker.svg play Two-hundred-third harmonic29
800.00 G/A28/1222/3 Loudspeaker.svg play Equal-tempered minor sixth 3, 12M
806.91 G 17 rightside up.png 51 : 323×17 : 25 Loudspeaker.svg play Fifty-first harmonic [5] 17
813.69 A [2] 8 : 523 : 5 Loudspeaker.svg play Just minor sixth [3] [4] [11] [16] 5
815.64 G++6561 : 409638 : 212 Loudspeaker.svg play Pythagorean augmented fifth, [3] [6] Pythagorean 'schismatic' sixth [5] 3
823.80 103 : 64103 : 26 Loudspeaker.svg play Hundred-third harmonic [5] 103
825.00 211/16233/48 Loudspeaker.svg play 33 steps in 48 equal temperament16, 48
832.18 G 23 rightside up.png +207 : 12832×23 : 27 Loudspeaker.svg play Two-hundred-seventh harmonic23
833.09 51/2+1 : 2 φ  : 1 Loudspeaker.svg play Golden ratio (833 cents scale)
833.11 233 : 144233 : 24×32 Loudspeaker.svg play Golden ratio approximation (833 cents scale) 233
835.19 A+81 : 5034 : 2×52 Loudspeaker.svg play Acute minor sixth [3] 5
840.53 A 13 rightside up.png [2] 13 : 813 : 23 Loudspeaker.svg play Tridecimal neutral sixth, [3] overtone sixth, [5] thirteenth harmonic 13
848.83 A 19 rightside up.png 209 : 12811×19 : 27 Loudspeaker.svg play Two-hundred-ninth harmonic19
850.00 G Llpd+1 1/2 .svg /A Llpd- 1/2 .svg 217/24217/24 Loudspeaker.svg play Equal-tempered neutral sixth 24
852.59 A↓+ [2] 18 : 112×32 : 11 Loudspeaker.svg play Undecimal neutral sixth, [3] [5] Zalzal's neutral sixth11
857.09 A 7 rightside up.png +105 : 643×5×7 : 26 Loudspeaker.svg play Hundred-fifth harmonic [5] 7
857.14 25/725/7 Loudspeaker.svg play 5 steps in 7 equal temperament 7
862.85 A−400 : 24324×52 : 35 Loudspeaker.svg play Grave major sixth [3] 5
873.50 A 53 rightside up.png 53 : 3253 : 25 Loudspeaker.svg play Fifty-third harmonic [5] 53
875.00 235/48235/48 Loudspeaker.svg play 35 steps in 48 equal temperament48
879.86 A↓ 7 upside down.png 128 : 7727 : 7×11 Loudspeaker.svg play 77th subharmonic [5] [6] 11
882.40 B Doubleflat.svg −−−32768 : 19683215 : 39 Loudspeaker.svg play Pythagorean diminished seventh [3] [6] 3
884.36 A [2] 5 : 35 : 3 Loudspeaker.svg play Just major sixth, [3] [4] [5] [11] [16] Bohlen-Pierce sixth, [3] 13-comma meantone major sixth5M
889.76 107 : 64107 : 26 Loudspeaker.svg play Hundred-seventh harmonic [5] 107
892.54 B 19 rightside up.png 19 rightside up.png 19 rightside up.png Doubleflat.svg 6859 : 4096193 : 212 Loudspeaker.svg play 6859th harmonic19
900.00 A29/1223/4 Loudspeaker.svg play Equal-tempered major sixth 4, 12M
902.49 A 19 upside down.png 32 : 1925 : 19 Loudspeaker.svg play 19th subharmonic [5] [6] 19
905.87 A+ [2] 27 : 1633 : 24 Loudspeaker.svg play Pythagorean major sixth [3] [5] [11] [16] 3
921.82 109 : 64109 : 26 Loudspeaker.svg play Hundred-ninth harmonic [5] 109
925.00 237/48237/48 Loudspeaker.svg play 37 steps in 48 equal temperament48
925.42 B Doubleflat.svg [2] 128 : 7527 : 3×52 Loudspeaker.svg play Just diminished seventh, [16] diminished seventh, [5] [13] 75th subharmonic5
925.79 A 23 rightside up.png 19 rightside up.png +437 : 25619×23 : 28 Loudspeaker.svg play Four-hundred-thirty-seventh harmonic23
933.13 A 7 upside down.png [2] 12 : 722×3 : 7 Loudspeaker.svg play Septimal major sixth [3] [4] [5] 7
937.63 A55 : 325×11 : 25 Loudspeaker.svg play Fifty-fifth harmonic [5] [20] 11
950.00 A Arabic music notation half sharp.svg /B Three quarter flat.svg 219/24219/24 Loudspeaker.svg