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The Music Man | |
---|---|
Directed by | Morton DaCosta |
Screenplay by | Marion Hargrove |
Based on | |
Produced by | Morton DaCosta |
Starring | |
Cinematography | Robert Burks |
Edited by | William H. Ziegler |
Music by | Meredith Willson Ray Heindorf |
Distributed by | Warner Bros. Pictures |
Release date |
|
Running time | 151 minutes |
Country | United States |
Language | English |
Box office | $15 million [1] |
The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ronny Howard, and Paul Ford.
Released by Warner Bros. on June 19, 1962, the film was one of the biggest hits of the year and was widely acclaimed by critics. It was nominated for six Academy Awards, including Best Picture, with composer Ray Heindorf winning Best Music, Scoring of Music, Adaptation or Treatment. The film also won the Golden Globe Award for Best Motion Picture – Musical or Comedy, and Preston and Jones were both nominated in their respective acting categories. In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [2]
In 1912, con man Professor Harold Hill arrives in fictional River City, Iowa, to swindle the citizens. A few traveling salesmen in the area have heard about Hill, who is known for a ploy in which he gets townspeople to pay to create boys' marching bands, with Hill faking his musical expertise and skipping town once he has their money.
Hill discovers that River City is the home of his former associate Marcellus Washburn; with Marcellus's help, Hill incites concern among River City's parents that their boys are being seduced into sin by the town's new pool table. He suggests that a marching band will keep young boys out of trouble. Anticipating that Marian Paroo, the town's librarian and piano teacher, is suspicious of his motives, Hill sets out to seduce her. Also suspicious is Mayor Shinn, owner of the billiard parlor, who orders the school board to obtain Hill's credentials. When they attempt to do so, Hill distracts them by teaching them to sing as a barbershop quartet. Thereafter, Hill tricks them into breaking into four-part harmony whenever they ask for his credentials.
Hill's wooing of Marian, who mistrusts him, has little effect, though he succeeds in winning the admiration of her mother and befriends her unhappy younger brother, Winthrop. When Marian discovers that Hill's claim to being a graduate of Gary Conservatory is a lie, she attempts to expose him, but is interrupted by the arrival of the Wells Fargo wagon. When Winthrop, after years of moody withdrawal, joins in the townspeople's singing and speaks effusively about his new cornet, Marian changes her mind about Hill. Hill tells the boys to learn to play via the Think System, in which they simply have to think of a tune over and over and will know how to play it without ever practicing on their instruments.
Meeting Marian at the traditional footbridge—the first time she has ever been there with a man—Hill learns that she knows of his deception but did not tell because she is in love with him. He is about to leave town when Charlie Cowell, a disgruntled anvil salesman who was run out of Brighton, Illinois, because Hill had conned the townspeople there, comes to River City and exposes Hill. Sought by an angry mob and pressed to leave town by Marcellus and Marian, Hill realizes he is in love with Marian and does not want to leave.
Hill is captured by the mob and brought before a town meeting to be tarred and feathered. Marian defends Hill; the townspeople, reminded of how he has brought so many of them together, relent. Mayor Shinn reminds the townspeople how much money Hill has taken with no apparent result. When he demands to know "Where's the band?" Hill is saved by the town's boys, who play Beethoven's Minuet in G. Although their technique is awful, the parents are enthralled. As the boys march out of the town hall, they are suddenly transformed in the townspeople's imagination into a band, playing and marching with perfection, led by Hill.
The members of the original Broadway cast who appear in the film are Robert Preston (Harold Hill), Pert Kelton (Mrs. Paroo), The Buffalo Bills (The School Board), Peggy Mondo (Ethel Toffelmier), and Adina Rice (Alma Hix). Paul Ford (Mayor Shinn) was a replacement during the original run. Susan Luckey (Zaneeta Shinn) and Harry Hickox (Charlie Cowell) both reprise their roles from the first national tour while Monique Vermont (Amaryllis) was a replacement. [3] [4]
Although Preston scored a great success in the original stage version of the show, he was not the first choice for the film version, mostly because he was not a major box office star. Jack L. Warner was notorious for wanting to film stage musicals with bigger stars than the ones who played the roles onstage. James Cagney and Bing Crosby [5] were offered the role of Harold Hill, but both turned it down. Warner also offered the part to Cary Grant, but he declined, saying "Nobody could do that role as well as Bob Preston." Grant also told Warner that he would not bother to see the film unless Preston was in it. [6] [7] [4] Warner then intended Frank Sinatra for the Harold Hill role, but was finally foiled by Meredith Willson. Willson reminded Warner that the author-composer had cast approval written into his contract, and threatened to cancel the entire project unless Preston played the lead. [7] [8]
Warner Bros. Records issued the soundtrack album in both stereophonic and monaural versions. [9]
Source: AllMusic [10]
During the recording of the soundtrack musical numbers in late 1961 and early 1962 to which the cast would later lip-sync on the soundstage, some sessions included work on the song "Chicken Fat", a.k.a. President Kennedy's "Youth Fitness Song", performed by Preston.
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Unusual for a musical film at the time, Morton DaCosta, who had directed the stage version of the musical, not only directed the film but produced it as well, ensuring that the film was faithful to the show. In addition to Preston, the actress Pert Kelton and the Buffalo Bills also reprised their stage roles. [3] [4] [7]
All of the show's songs were retained in their full versions with three exceptions: The opening "Rock Island" was slightly altered and edited; the middle verse of "My White Knight" was retained but the remainder of the song was replaced with a new song by Willson, "Being In Love"; "It's You" was initially heard as incidental music and later sung by the school board in abbreviated form in the fairground scene. [11]
Several phrases were altered for the film, as the writers felt they were too obscurely Midwestern to appeal to a broader audience; the minced oath "Jeely kly!" is Tommy Djilas's catchphrase in the play, while in the film he exclaims, "Great honk!" The word "shipoopi," which has no meaning and was concocted by Willson for the original Broadway show, was left unchanged.
When Amaryllis plays "Goodnight My Someone", she is playing the keys C, G, and E on the piano, but the notes actually heard are B, F#, and D#. Marian sings the song in B major.
Shirley Jones was pregnant while the film was in production. When she and Preston embraced during the footbridge scene, the baby—who would be born on January 4 and would be named Patrick Cassidy—kicked Preston. [12] The costume designers had to adjust her dresses several times to conceal her pregnancy.
For the final parade scene, Jack L. Warner selected the University of Southern California's marching band, the Spirit of Troy. Many junior high school students from Southern California were also included, forming the majority of the band. It took approximately eight hours of shooting over two days to film the scene. All the musical instruments for the production were specially made for the film by the RMC. Each instrument made for the movie carries this engraving, "Made by RMC for the filming of Meredith Willson's 'The Music Man' by Warner Bros." [13]
The film had its premiere in Mason City, Iowa, the home town of Meredith Willson, during the North Iowa Band Festival on June 19, 1962. [14]
The film received positive reviews and grossed $14,953,846 at the box office, [1] earning $8.1 million in US theatrical rentals. [15] It was the 3rd highest-grossing film of 1962.
Bosley Crowther in The New York Times wrote "It's here, and the rich, ripe roundness of it, the lush amalgam of the many elements of successful American show business that Mr. Willson brought together on the stage, has been preserved and appropriately made rounder and richer through the magnitude of film." [16]
Robert Landry of Variety wrote: "Call this a triumph, perhaps a classic, of corn, smalltown nostalgia and American love of a parade...DaCosta’s use of several of the original Broadway cast players is thoroughly vindicated...But the only choice for the title role, Robert Preston, is the big proof of showmanship in the casting. Warners might have secured bigger screen names but it is impossible to imagine any of them matching Preston’s authority, backed by 883 stage performances." [3]
Stanley Kauffmann of The New Republic wrote 'Robert Preston is a likable man whose likableness let him give one of the best phony performances of the postwar era, in that phony musical The Music Man'. [17]
Leo Charney reviewing for AllMovie wrote that the film "is among the best movie musicals, transforming Meredith Willson's Broadway hit into an energetic slice of Americana. Robert Preston's virtuoso portrayal of con man Harold Hill transfers from the stage (despite the studio's nervousness about casting no-name Preston), and the result is one of the most explosively vital performances in any movie musical." [18]
In 2005, The Music Man was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [2]
The film is recognized by American Film Institute in these lists:
The film won one award at the 35th Academy Awards and was nominated for five more. [21] [22] [23]
Award | Category | Year | Nominee | Result |
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Academy Awards | Best Picture | 1963 | Morton DaCosta | Nominated |
Best Art Direction (Color) | Paul Groesse, George James Hopkins | Nominated | ||
Best Costume Design (Color) | Dorothy Jeakins | Nominated | ||
Best Film Editing | William H. Ziegler | Nominated | ||
Best Musical Score (Adaptation or Treatment) | Ray Heindorf [23] | Won | ||
Best Sound Recording | George Groves | Nominated | ||
Golden Globe Awards | Best Motion Picture – Musical | 1963 | — | Won |
Best Director | Morton DaCosta | Nominated | ||
Best Actor – Motion Picture Musical or Comedy | Robert Preston | Nominated | ||
Best Actress – Motion Picture Comedy or Musical | Shirley Jones | Nominated | ||
Best Original Score | Meredith Willson | Nominated | ||
Directors Guild of America Awards | Outstanding Directing – Feature Film | 1963 | Morton DaCosta | Nominated |
Writers Guild of America Awards | Best Written Musical | 1963 | Marion Hargrove | Won |
The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. The plot concerns con man Harold Hill, who poses as a boys' band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band. Harold is no musician, however, and plans to skip town without giving any music lessons. Prim librarian and piano teacher Marian sees through him, but when Harold helps her younger brother overcome his lisp and social awkwardness, Marian begins to fall in love with him. He risks being caught to win her heart.
The Unsinkable Molly Brown is a 1964 American Western musical comedy film directed by Charles Walters and starring Debbie Reynolds, filmed in Panavision. The screenplay by Helen Deutsch is based on the book of the 1960 musical of the same name by Richard Morris. The song score was composed by Meredith Willson. The plot is a fictionalized account of the life of Margaret Brown, who survived the 1912 sinking of the RMS Titanic. Reynolds was nominated for the Academy Award for Best Actress for her portrayal of Brown.
The 1st Annual Grammy Awards were held on May 4, 1959. They recognized musical accomplishments by performers for the year 1958. Two separate ceremonies were held simultaneously on the same day; the first hotel in Beverly Hills, California, and the second in the Park Sheraton Hotel in New York City. Ella Fitzgerald, Count Basie, Domenico Modugno, Ross Bagdasarian, and Henry Mancini, each won 2 awards.
Robert Reiniger Meredith Willson was an American flautist, composer, conductor, musical arranger, bandleader, playwright, and writer. He is perhaps best known for writing the book, music, and lyrics for the 1957 hit Broadway musical The Music Man and "It's Beginning to Look a Lot Like Christmas" (1951). Willson wrote three other musicals, two of which appeared on Broadway, and composed symphonies and popular songs. He was twice nominated for Academy Awards for film scores.
Robert Preston Meservey was an American stage and film actor and singer. His best known role was Professor Harold Hill in the 1957 musical The Music Man for which he received the Tony Award for Best Actor in a Musical. He reprised the role in the 1962 film adaptation, for which he received a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy nomination.
This Is the Army is a 1943 American wartime musical comedy film produced by Jack L. Warner and Hal B. Wallis and directed by Michael Curtiz, adapted from a wartime stage musical with the same name, designed to boost morale in the U.S. during World War II, directed by Ezra Stone. The screenplay by Casey Robinson and Claude Binyon was based on the 1942 Broadway musical written by James McColl and Irving Berlin, with music and lyrics by Berlin. Berlin composed the film's 19 songs, and sang one of them.
The Buffalo Bills were a barbershop quartet formed in Buffalo, New York in 1947. The quartet won the 1950 International Championship and is best known for appearing in the 1957 Broadway production The Music Man and its 1962 film version. The quartet was in existence for 20 years, until their last performance in New York City in 1967.
George Harvey Presnell was an American actor and singer. He began his career in the mid-1950s as a classical baritone, singing with orchestras and opera companies throughout the United States.
"Till There Was You" is a show tune written by Meredith Willson, popularised by his 1957 stage production The Music Man and its 1962 movie musical adaptation, and further popularised by the Beatles cover.
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
"Seventy-Six Trombones" is a show tune and the signature song from the 1957 musical The Music Man, by Meredith Willson, a film of the same name in 1962 and a made-for-TV movie in 2003. The piece is commonly played by marching bands, military bands, and orchestras.
Pert L. Kelton was an American stage, movie, radio, and television actress. She was the original Alice Kramden in The Honeymooners with Jackie Gleason. During the 1930s, she was a prominent comedic supporting and leading actress in Hollywood films such as Gregory La Cava's Bed of Roses with Constance Bennett and Raoul Walsh's The Bowery with Wallace Beery and George Raft. She performed in a dozen Broadway productions between 1925 and 1968. Most famously, she created the role of 'Mrs. Paroo' in the original production of the musical The Music Man, which she reprised in the movie adaptation. In the early 1950s, her career was interrupted as a result of Hollywood blacklisting, leading to her departure from The Honeymooners.
Bed of Roses is a 1933 pre-Code romantic comedy film co-written and directed by Gregory La Cava and starring Constance Bennett. The picture was released by RKO Radio Pictures with a supporting cast featuring Joel McCrea and Pert Kelton.
"Shipoopi" is a song in the 1957 musical The Music Man by Meredith Willson. The song is sung by the character of Marcellus Washburn, a friend of con man "Professor" Harold Hill. It occurs in act 2 of the play during the dance committee's rehearsal which the town kids interrupt.
Samuel "Eddie" Hodges is an American former child actor and recording artist, who left show business as an adult.
The Music Man is a 2003 American made-for-television musical film directed by Jeff Bleckner with a teleplay by Sally Robinson. It is based on the 1957 musical of the same name by Meredith Willson, which in turn was based on a story by Willson and Franklin Lacey. The film stars Matthew Broderick and Kristin Chenoweth and features David Aaron Baker, Debra Monk, Victor Garber, and Molly Shannon. It was originally broadcast on ABC on February 16, 2003, as the eleventh episode of the forty-seventh season of The Wonderful World of Disney.
Annie Oakley is a 1935 American Western film directed by George Stevens and starring Barbara Stanwyck, Preston Foster, Melvyn Douglas and Moroni Olsen. The film is based on the life of Annie Oakley.
Jayne Houdyshell is an American actress. Known for being a prolific character actor in theater, film, and television, Houdyshell has received numerous accolades including a Tony Award, two Obie Awards, and a Drama Desk Award.
"Ya Got Trouble" is a patter song by Meredith Willson from the 1957 Broadway musical The Music Man, and its 1962 filmed version. It is one of the most popular and recognizable songs in the musical, and Robert Preston's performance in the film is admired. Willson considered eliminating a long piece of dialogue from his draft of The Music Man about the serious trouble facing River City parents. However, he realized it sounded like a lyric and transformed it into "Ya Got Trouble".
The Hit Parade is a 1937 American musical film directed by Gus Meins and written by Bradford Ropes, Samuel Ornitz and Harry Ruskin. The film stars Frances Langford, Phil Regan, Max Terhune, Edward Brophy, Louise Henry and Pert Kelton. The film was released on April 26, 1937, by Republic Pictures. Republic later reissued the film in 67 minute length as I'll Reach for a Star.