The Squeaker | |
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![]() U.S. theatrical poster | |
Directed by | William K. Howard |
Screenplay by |
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Based on | novel and play by Edgar Wallace |
Produced by | Alexander Korda |
Starring | |
Cinematography | Georges Périnal |
Edited by | Russell Lloyd |
Music by | Miklós Rózsa |
Production company | |
Distributed by | United Artists |
Release dates | |
Running time | 77 minutes |
Country | United Kingdom |
Language | English |
Box office | £42,858 (UK distributor) [3] |
The Squeaker is a 1937 British crime film directed by William K. Howard and starring Edmund Lowe, Sebastian Shaw and Ann Todd. [4] Lowe reprised his stage performance in the role of Inspector Barrabal. [5] The film is based on the 1927 novel The Squeaker and the 1928 play of the same name by Edgar Wallace. Wallace's son Bryan Edgar Wallace worked on the film's screenplay. The term "squeaker" is underworld slang for an informer, [6] analogous to the American term "squealer". [2] The film was released in the United States as Murder on Diamond Row. [6]
London's thieves are at the mercy of the Squeaker, a fence who is involved with every major jewellery robbery in the city. If the thieves refuse to split the loot with him, the Squeaker informs the police of their involvement. A disgraced former detective seizes the opportunity to clear his name if he can capture the Squeaker.
Kinematograph Weekly reported the film as a "runner up" at the British box office in February 1938. [7]
In a contemporary review for the Sunday Mirror , critic Walter Webster wrote:
The plot is highly ingenious. It is developed with fine expense and the background of Scotland Yard with Stewart Rome in charge is utterly convincing. This is good stuff with a glorious comedy performance by Alastair Sim as a Scotch reporter in London, Sebastian Shaw and Robert Newton in two splendid dramatic characterisations and Ann Todd at long last getting an opportunity to play an intelligent part in a film and doing so with great distinction. But it is Edmund Lowe as the detective who takes charge of the drama and gives it zest. He plays with polish and punch. [1]
Upon the film's American release as Murder on Diamond Row, critic Frank S. Nugent of The New York Times , wrote: "Rarely have we seen a murder out with less suspense or mystification. ... The lighting is poor, Tamara Desni's song and dance sequences are third rate and the cast—with the exception of Mr. Lowe and Alastair Sim as a 'journalist'—is hardly worth mentioning. I say, Mr. Korda, this won't do, you know." [2]