Transformer | ||||
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Studio album by | ||||
Released | November 8, 1972 | |||
Recorded | August 1972 | |||
Studio | Trident Studios, London, England | |||
Genre | Glam rock | |||
Length | 36:40 | |||
Label | RCA | |||
Producer | ||||
Lou Reed chronology | ||||
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Singles from Transformer | ||||
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Transformer is the second solo studio album by American recording artist Lou Reed. The album is considered an influential landmark of the glam rock genre, anchored by Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation and drugs. Produced by David Bowie and arranged by Mick Ronson, the album was released in November 1972 by RCA Records. Though Reed's self-titled debut solo album had been unsuccessful, Bowie had been an early fan of Reed's former band The Velvet Underground, and used his own fame to promote Reed, who had not yet achieved mainstream success. [1] [2]
Lewis Allan Reed was an American musician, singer and songwriter. He was the lead guitarist, singer and principal songwriter for the rock band the Velvet Underground and also had a solo career that spanned five decades. The Velvet Underground were not a commercial success during their existence, but are now regarded as one of the most influential bands in the history of underground and alternative rock music.
Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s performed by musicians who wore outrageous costumes, makeup, and hairstyles, particularly platform shoes and glitter. Glam artists drew on diverse sources across music and throwaway pop culture, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with nontraditional gender roles. "Glitter rock" was another term used to refer to a more extreme version of glam.
"Walk on the Wild Side" is a song by Lou Reed from his second solo album, Transformer (1972). It was produced by David Bowie and Mick Ronson, and released as a double A-side with "Perfect Day". The song received wide radio coverage, despite its touching on taboo topics such as transsexual people, drugs, male prostitution, and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. In 2010, Rolling Stone ranked it at number 223 in its list of the 500 greatest songs of all time.
As with its predecessor Lou Reed , Transformer contains songs Reed composed while in the Velvet Underground (here, four out of ten). "Andy's Chest" was first recorded by the band in 1969 and "Satellite of Love" demoed in 1970; these versions were released on VU and Peel Slowly and See, respectively. For Transformer, the original up-tempo pace of these songs was slowed down.
Lou Reed is the debut solo studio album by American musician Lou Reed, released in April 1972 by RCA Records, two years after he left the Velvet Underground. It was produced by Richard Robinson and Reed and features London session musicians as Reed's backing band, two of whom, Rick Wakeman and Steve Howe, were from the progressive rock band Yes. Wakeman recalled that during the recording sessions, "the lights had to be out so nobody could see." The album was recorded in Morgan Studios, London, between December 1971 and January 1972.
The Velvet Underground was an American rock band formed in 1964 in New York City by singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. The band was initially active between 1965 and 1973, and was briefly managed by the pop artist Andy Warhol, serving as the house band at the Factory and Warhol's Exploding Plastic Inevitable events from 1966 to 1967. Their debut album, The Velvet Underground & Nico, was released in 1967 to critical indifference and poor sales but has become critically acclaimed; in 2003, Rolling Stone called it the "most prophetic rock album ever made."
VU is an outtakes compilation album by the Velvet Underground. It was released in February 1985 by Verve Records.
"New York Telephone Conversation" and "Goodnight Ladies" [3] are known to have been played live during the band's summer 1970 residency at Max's Kansas City; the latter takes its title refrain from the last line of the second section ("A Game of Chess") of T. S. Eliot's modernist poem, The Waste Land : "Good night, ladies, good night, sweet ladies, good night, good night.", which is itself a quote from Ophelia in Hamlet .
Max's Kansas City was a nightclub and restaurant at 213 Park Avenue South in New York City, which became a gathering spot for musicians, poets, artists and politicians in the 1960s and 1970s. It was opened by Mickey Ruskin (1933–1983) in December 1965, and closed in 1981.
Thomas Stearns Eliot,, "one of the twentieth century's major poets" was also an essayist, publisher, playwright, and literary and social critic. Born in St. Louis, Missouri, in the United States, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25, settling, working, and marrying there. He became a British subject in 1927 at the age of 39, renouncing his American passport.
Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries. Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions of horror to World War I. Modernism also rejected the certainty of Enlightenment thinking, and many modernists rejected religious belief.
As in Reed's Velvet Underground days, the connection to artist Andy Warhol remained strong. According to Reed, Warhol told him he should write a song about someone vicious. When Reed asked what he meant by vicious, Warhol replied, "Oh, you know, like I hit you with a flower", [4] resulting in the song "Vicious".
Andy Warhol was an American artist, director and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertising that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental film Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).
"Vicious" is a song written by Lou Reed, released as a single in 1973 and originally featured on Transformer, Reed's second post-Velvet Underground solo album.
Transformer was produced by David Bowie and Mick Ronson, both of whom had been strongly influenced by Reed's work with the Velvet Underground. Bowie had obliquely referenced the Velvet Underground in the cover notes for his album Hunky Dory and regularly performed both "White Light/White Heat" and "I'm Waiting for the Man" in concerts and on the BBC during 1971–1973. He even began recording "White Light/White Heat" for inclusion on Pin Ups [ citation needed ], but it was never completed; Ronson ended up using the backing track for his solo album Play Don't Worry in 1974.
David Robert Jones, known professionally as David Bowie, was an English singer, songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996.
Michael Ronson was an English guitarist, songwriter, multi-instrumentalist, arranger, and producer. He achieved critical and commercial success working with David Bowie as one of the Spiders from Mars. He was a session musician—who recorded with Bowie followed by several albums with Ian Hunter, also Morrissey—as well as a sideman in touring bands with Van Morrison and Bob Dylan.
Hunky Dory is the fourth studio album by the English musician David Bowie, released on 17 December 1971 by RCA Records. It was his first release through RCA, which would be his label for the next decade. Hunky Dory has been described by AllMusic's Stephen Thomas Erlewine as having "a kaleidoscopic array of pop styles, tied together only by Bowie's sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class".
Mick Ronson (who was at the time the lead guitarist with Bowie's band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the string arrangement for "Perfect Day". Reed lauded Ronson's contribution in the Transformer episode of the documentary series Classic Albums , praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the album are now among Reed's best-known works, including "Walk on the Wild Side", "Perfect Day" and "Satellite of Love", and the album's commercial success elevated him from cult status to become an international star.
The Spiders from Mars were rock singer David Bowie's backing band in the early 1970s, and initially consisted of Mick Ronson on guitars, Trevor Bolder on bass guitar, and Mick Woodmansey on drums.
Trident Studios was a British recording facility, located at 17 St. Anne's Court in London's Soho district between 1968 and 1981. It was constructed in 1967 by Norman Sheffield, a drummer of former 1960s group the Hunters, and his brother Barry.
"Perfect Day" is a song written by Lou Reed in 1972. It was originally featured on Transformer, Reed's second post-Velvet Underground solo album, and as a double A-side with his major hit, "Walk on the Wild Side". Its fame was given a boost in the 1990s when it was featured in the 1996 film Trainspotting and after a star-studded version was released as a BBC charity single in 1997, reaching number one in the United Kingdom, Ireland, and Norway. Reed re-recorded the song for his 2003 album The Raven.
The cover art was from a Mick Rock photograph that inadvertently became over-exposed as he was printing it in the darkroom. Rock noticed the flaw but decided he liked the fortuitous effect enough to submit the image for the album cover. [5] Karl Stoecker (who also shot the first three Roxy Music album covers) took the back cover photo of a woman and a man. The man is portrayed by Ernie Thormahlen (a friend of Reed) and appears to have a noticeable erection, [6] , although Reed has said this was actually a banana which Thormahlen had stuffed down his jeans before the photo shoot.
The first single from the album, "Walk on the Wild Side", became an international success, despite its controversial subject matter. The song's lyrics mention transgender issues, sex acts, and drugs, causing it to be edited in some countries and banned in others. [2] It is now generally regarded by fans and critics as Reed's signature tune. "Satellite of Love" was issued as the second single in February 1973. In 2002, a 30th anniversary edition of the album was released; in addition to demos of "Hangin' Round" and "Perfect Day", it includes a hidden track featuring an advert for the album. Following Reed's death in October 2013, digital sales of Transformer, "Walk on the Wild Side", and "Perfect Day" all rose more than 300%, and "Walk on the Wild Side" cracked the new Billboard Rock Digital Songs chart at No. 38. [7]
Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Blender | ![]() ![]() ![]() ![]() ![]() |
Chicago Tribune | ![]() ![]() ![]() ![]() |
Christgau's Record Guide | B− [11] |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 8.4/10 [1] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Spin | ![]() ![]() ![]() ![]() ![]() |
Spin Alternative Record Guide | 8/10 [16] |
In a mixed review for Rolling Stone magazine, Nick Tosches highlighted four "quality" songs, including "Hangin' 'Round" and "Satellite of Love", which he felt express a stimulating sexuality, but dismissed most of the album as "artsyfartsy kind of homo stuff" that lacks assertiveness. [17] In a retrospective review for The Rolling Stone Album Guide (2004), Tom Hull wrote that Reed "wrote a bunch of clever new songs and tried to cash in on producer David Bowie's trendily androgynous glam rock, which worked well enough to break 'Walk on the Wild Side.'" [14]
In 1997, Transformer was named the 44th greatest album of all time in a 'Music of the Millennium [18] poll conducted in the United Kingdom by HMV, Channel 4, The Guardian and Classic FM. Transformer is also ranked No. 55 on NME 's list of "Greatest Albums of All Time." In 2003, the album was ranked number 194 on Rolling Stone magazine's list of the 500 greatest albums of all time. [19] It is also on Q magazine's list of "100 Greatest Albums Ever".
All tracks written by Lou Reed.
Side one | ||
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No. | Title | Length |
1. | "Vicious" | 2:55 |
2. | "Andy's Chest" | 3:17 |
3. | "Perfect Day" | 3:43 |
4. | "Hangin' 'Round" | 3:39 |
5. | "Walk on the Wild Side" | 4:12 |
Side two | ||
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No. | Title | Length |
6. | "Make Up" | 2:58 |
7. | "Satellite of Love" | 3:40 |
8. | "Wagon Wheel" | 3:19 |
9. | "New York Telephone Conversation" | 1:31 |
10. | "I'm So Free" | 3:07 |
11. | "Goodnight Ladies" | 4:19 |
Total length: | 36:40 |
30th anniversary edition Bonus Tracks | ||
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No. | Title | Length |
12. | "Hangin' 'Round" (acoustic demo) | 3:58 |
13. | "Perfect Day" (acoustic demo - includes a hidden track featuring an advert for the album) | 4:50 |
Adapted from the Transformer liner notes. [20]
Additional personnel
Production
Chart | Peak Position |
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Billboard 200 | 29 |
UK Albums Chart | 13 |
Region | Certification | Certified units/Sales |
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Australia (ARIA) [21] | Gold | 35,000^ |
France (SNEP) [22] | Gold | 100,000* |
Italy (FIMI) [23] | Gold | 50,000* |
United Kingdom (BPI) [24] | Platinum | 424,666 [25] |
^shipments figures based on certification alone |
The Velvet Underground is the self-titled third studio album by American rock band the Velvet Underground. Released in March 1969, it was their first record with Doug Yule, who was a replacement for John Cale. Recorded in 1968 at TTG Studios in Hollywood, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. In 2003, Rolling Stone magazine ranked the album number 314 in their list of the "500 Greatest Albums of All Time".
"Satellite of Love" is a song by Lou Reed. It is the second single from his 1972 album Transformer. At the time of its release, it achieved minor chart success (#119), though it later became a staple of his concerts and compilation albums.
The Blue Mask is the eleventh solo studio album by American musician Lou Reed. It was the first album released after Reed had left Arista Records and returned to RCA Records. The album was released around Reed's 40th birthday, and covers topics of marriage and settling down, alongside themes of violence, paranoia, and alcoholism.
"Queen Bitch" is a song written by David Bowie in 1971 for the album Hunky Dory.
"I'm Waiting for the Man" is a song by the American rock band the Velvet Underground, written by Lou Reed. It was first released on their 1967 debut album, The Velvet Underground & Nico.
Lou Reed Live is a live album by Lou Reed, released in 1975. It was recorded at the same concert as Rock 'n' Roll Animal ; on December 21, 1973, at Howard Stein's Academy of Music in New York. It features three songs from Transformer, one song from The Velvet Underground & Nico and two songs from Berlin. Between this album and the remastered Rock 'n' Roll Animal the entire show has been released, albeit in a different order than the original concert setlist.
Play Don't Worry is the second album by English guitar player and singer Mick Ronson, recorded in 1974 and released in January 1975 after his several projects in the early seventies together with David Bowie, Lou Reed and the band The Spiders from Mars. It contains mainly covers arranged by Ronson for his own sound, covering everyone from Pure Prairie League, The Velvet Underground and Little Richard. The backing track to "White Light/White Heat" was salvaged from David Bowie's Pin Ups sessions. The title track was co-written by Bob Sargeant, later producer to The Beat amongst others, who released an album First Starring Role in April 1974 which included Ronson on recorder and producing four tracks.
Walk on the Wild Side: The Best of Lou Reed is the first greatest hits compilation by Lou Reed, formerly of The Velvet Underground. It was issued by RCA Records after Reed's first contract with them ended in 1976. Issued on compact disc on October 25, 1990. The album cover features photos by Mick Rock of Reed and then-girlfriend Rachel Humphreys.
American Poet is an album of an early solo concert by Lou Reed, recorded live at the Hempstead Theatre, New York, on Boxing Day 1972 during the Transformer tour. The backing band are the Tots. It features material from the Velvet Underground's first album, The Velvet Underground & Nico, and Reed's first two 1972 solo albums, debut Lou Reed and Transformer. The version of "Berlin" is from that debut album. American Poet was released in 2001. It had previously been released as a bootleg recording.
NYC Man is a 2-CD anthology of Lou Reed's work. All songs of this career spanning collection were chosen, sequenced and remastered by Lou Reed himself.
"Sweet Jane" is a song by American rock band the Velvet Underground; it appears on their fourth studio album Loaded. The song was written by Lou Reed, the band's leader, who continued to incorporate the piece into live performances as a solo artist.
"White Light/White Heat" is a song released by the American rock band the Velvet Underground in November 1967, from their second studio album White Light/White Heat.
The Best of Lou Reed & The Velvet Underground is a compilation of some of Lou Reed's and some of The Velvet Underground's songs. It was released in 1995, but not in the U.S.
NYC Man: Greatest Hits is a compilation by Lou Reed. It's a single-disc version of his previous compilation NYC Man: The Ultimate Collection 1967–2003 with two new mixes of "Satellite of Love" and "Walk on the Wild Side".
"Andy's Chest" is a song written by Lou Reed, inspired by the 1968 attempt on Andy Warhol's life. In June 1968, radical feminist writer Valerie Solanas shot Warhol and Mario Amaya, art critic and curator, at Warhol's studio.