| Trio '65 | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | June 1965 | |||
| Recorded | February 3, 1965 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
| Genre | Jazz | |||
| Length | 37:29 | |||
| Label | Verve | |||
| Producer | Creed Taylor | |||
| The Bill Evans Trio chronology | ||||
| ||||
Trio '65 is a studio album by American jazz pianist Bill Evans and his Trio, released in 1965.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Penguin Guide to Jazz Recordings | [2] |
Writing for AllMusic, music critic Scott Yanow wrote of the album: "Although all eight of the selections heard on this Verve release have been recorded on other occasions by pianist Bill Evans, these renditions hold their own." [1]
| Chart (2022) | Peak position |
|---|---|
| Belgian Albums (Ultratop Flanders) [3] | 128 |
| German Albums (Offizielle Top 100) [4] | 38 |
| Swiss Albums (Schweizer Hitparade) [5] | 42 |
Portrait in Jazz is the fifth studio album by American jazz pianist Bill Evans as a leader, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian.
Explorations is an album by jazz pianist Bill Evans that was originally released on Riverside label in 1961. The album won the Billboard Jazz Critics Best Piano LP poll for 1961.
Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time.
Bill Evans at the Montreux Jazz Festival is a 1968 album by the American jazz pianist Bill Evans, recorded live at that year's Montreux Jazz Festival. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.
How My Heart Sings! is an album recorded by jazz musician Bill Evans in 1962, at the same time as Moon Beams.
At Shelly's Manne-Hole is a live album by American jazz pianist Bill Evans, released in 1963 as his last recording for the Riverside label. The trio featured Chuck Israels, who followed Scott LaFaro on bass in autumn 1961, and Larry Bunker on drums, who just joined the reformed trio, after Paul Motian had left. An additional eight performances recorded during the trio's May, 1963 engagement at Shelly's Manne-Hole were released on the album Time Remembered.
I Will Say Goodbye is an album by American jazz pianist Bill Evans, recorded in 1977 but not released until 1980.
Bill Evans Trio with Symphony Orchestra is an album by American jazz pianist Bill Evans and his trio, released in 1966. The group is accompanied by an orchestra arranged and conducted by Claus Ogerman.
From Left to Right is an album by American jazz pianist Bill Evans, released in 1971.
Jazzhouse is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until the 1980s on the Milestone label. The same concert also produced the album You're Gonna Hear From Me.
You're Gonna Hear From Me is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until 1988 on the Milestone label. The same concert also produced the album Jazzhouse.
Montreux III is a live album by jazz pianist Bill Evans with bassist Eddie Gómez, recorded at the Montreux Jazz Festival in Switzerland in 1975 and released on the Fantasy label. The album was the third of Evans' Montreux concert recordings to be released, following Montreux II (1970) and the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968).
Half Moon Bay is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Bach Dancing and Dynamite Society, in Half Moon Bay, California in 1973 and released on the Milestone label in 1998.
The Paris Concert: Edition One is a live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded in Paris, France in 1979 and originally released on the Elektra/Musician label. Additional recordings from this concert were released as The Paris Concert: Edition Two.
Time Remembered is a live album by jazz pianist Bill Evans with Chuck Israels and Larry Bunker partially recorded at the Shelly Manne's club in Hollywood, California in May 1963, but not released until 1983 on the Milestone label as a 16-track double LP. It would be later reissued on CD in 1999, with only 13 tracks. The trio performances were recorded at the same sessions that produced At Shelly's Manne-Hole (1963) and were first released on Bill Evans: The Complete Riverside Recordings (1984). The four solo performances were recorded in a separate session in April 1962 in New York City. "Some Other Time" was recorded in December 1958, in New York City.
The Last Waltz: The Final Recordings is an 8-CD box set live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded during a nine night residency at Keystone Korner in San Francisco in 1980 and released on the Milestone label in 2000. Additional recordings from this concert series were released as Consecration: The Final Recordings Part 2 released in 2002.
Letter to Evan is a live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded at Ronnie Scott's Jazz Club in 1980 about two months before his death. It was released on the Dreyfus Jazz label.
Everybody Likes Hampton Hawes is the third album by pianist Hampton Hawes recorded in 1956 and released on the Contemporary label.
Lee Konitz Meets Jimmy Giuffre is an album by American jazz saxophonist Lee Konitz and saxophonist, composer and arranger Jimmy Giuffre which was released on the Verve label in 1959.
Andy Laverne at Maybeck, subtitled Maybeck Recital Hall Series Volume 28 is a solo piano album by American pianist Andy LaVerne recorded at the Maybeck Recital Hall in 1993 and released on the Concord Jazz label. The album was the 28th of 42 piano recitals recorded at the hall and released on Concord.
