"You Really Got Me" is a song written by Ray Davies for English rock band the Kinks. The song, originally performed in a more blues-oriented style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions of the song were recorded, with the second performance being used for the final single. Although it was rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, the myth has since been proven false.
"A Well Respected Man" is a song by the British band the Kinks, written by the group's lead singer and rhythm guitarist Ray Davies, and originally released in the United Kingdom on the EP Kwyet Kinks in September 1965. The song was released on the album Kinkdom in the United States. It was also released as a single in the US and Continental Europe.
Kinda Kinks is the second studio album by the English rock band the Kinks. It was released on 5 March 1965 in the United Kingdom by Pye Records. The original United States release, issued by Reprise Records on 11 August 1965, omits three tracks and substitutes the singles "Set Me Free" and "Ev'rybody's Gonna Be Happy". Recorded and released within two weeks after returning from a tour in Asia, Ray Davies and the band were not satisfied with the production.
The Kink Kontroversy is the third studio album by the English rock band the Kinks. It was released on 26 November 1965 in the United Kingdom by Pye Records. Issued in the United States by Reprise Records on 30 March 1966, it was the Kinks' first American album to feature an identical track listing to its British counterpart. It is a transitional work, with elements of both the earlier Kinks' styles and early indications of the future direction of Ray Davies' songwriting styles. The liner notes were written by Michael Aldred.
The Kinks, an English rock band, were active for over three decades between 1964 and 1997, releasing 24 studio and 4 live albums. The first 2 albums are differently released in UK and US partly due to the difference in popularity of the extended play format, and partly due to the US albums including the hit singles, and the UK albums not; after The Kink Kontroversy in 1965 the albums were the same. There have been somewhere between 100 and 200 compilation albums released worldwide.
"Where Have All the Good Times Gone" is a song written by Ray Davies and performed by the Kinks. It was released as the B-side to "Till the End of the Day," and then on their album The Kink Kontroversy.
"All Day and All of the Night" is a song by the English rock band the Kinks from 1964. Released as a single, it reached No. 2 on the UK Singles Chart and No. 7 on the US Billboard Hot 100 chart in 1965. The song was included on the Kinksize Hits EP in the UK and the Kinks' second American album, Kinks-Size (1965).
"See My Friends" is a song by the English rock band the Kinks, written by the group's singer and guitarist, Ray Davies. Released in July 1965, it reached number 10 on the Record Retailer chart. The song incorporates a drone-effect played on guitar, evoking a sound reminiscent of the Indian tambura.
"Sunny Afternoon" is a song by the Kinks, written by chief songwriter Ray Davies. The track later featured on the Face to Face album as well as being the title track for their 1967 compilation album. Like its contemporary "Taxman" by the Beatles, the song references the high levels of progressive tax taken by the British Labour government of Harold Wilson. Its strong music hall flavour and lyrical focus was part of a stylistic departure for the band, which had risen to fame in 1964–65 with a series of hard-driving, power-chord rock hits.
"Wonderboy" is a song by the English rock band the Kinks, released as a single in 1968. It stalled at number 36 in the UK charts, becoming the band's first single not to make the UK Top Twenty since their early covers. Despite this, it became a favourite of John Lennon of the Beatles, and, according to Ray Davies in his autobiography, X-Ray, "someone had seen John Lennon in a club and he kept on asking the disc jockey to play 'Wonder Boy' [sic] over and over again." Kinks guitarist Dave Davies praised the song, saying, "'Wonderboy' was a big one for us although it wasn't a hit. That was one song we really felt something for." However, bassist Peter Quaife's opinion towards the track was low, later stating that "[I] hated it ... it was horrible."
"Tired of Waiting for You" is a song by the English rock band the Kinks. It was released as a single on 15 January 1965 in the UK and on 17 February 1965 in the USA. The single reached number one in the UK and number six in the US. It then appeared on their second studio album, Kinda Kinks. It was the group's highest-charting single in the US - tied with "Come Dancing", which achieved the same chart position eighteen years later in 1983.
"Dedicated Follower of Fashion" is a 1966 song by British band the Kinks. It lampoons the contemporary British fashion scene and mod culture in general. Originally released as a single, it has been included on many of the band's later albums.
The Kinks Greatest Hits! is a compilation album by the English rock band the Kinks. Released in the United States in August 1966 by Reprise Records, the album mostly consists of singles issued by the group between 1964 and 1966. The band's first greatest hits album, it remained on the Billboard Top LPs chart for over a year, peaking at number 9, making it the Kinks' highest charting album in the US. The album was in print for decades and was the Kinks' only gold record in America until 1980.
"Set Me Free" is a song by Ray Davies, released first by the Kinks in 1965. Along with "Tired of Waiting for You", it is one of band's first attempts at a softer, more introspective sound. The song's B-side, "I Need You", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound. "Set Me Free" was heard in the Ken Loach-directed Up the Junction, a BBC Wednesday Play which aired in November 1965; this marked the first appearance of a Kinks song on a film or TV soundtrack.
"Till the End of the Day" is a song by the Kinks, written by Ray Davies and released as a single in 1965 and later on their album The Kink Kontroversy. It centres on a power chord, like many of the group's early hits, and was similarly successful, reaching number eight in the United Kingdom and number 50 in the United States, spending eight weeks or more in each chart.
"Mister Pleasant" is a song recorded by British rock group the Kinks in 1967, written by Ray Davies.
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit "Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK.
Kinks-Size is a studio album by the English rock band the Kinks, released as their second album in the United States. It was issued by Reprise Records in March 1965 in both mono and simulated stereo formats. It peaked at number 13 on the Billboard album chart in the third week of June 1965, the same week the Kinks began their first US tour. It is the Kinks' fourth-highest charting album on the Billboard album chart and the second-highest of their 1960s albums. The album ranked number 78 on Billboard's year-end album chart for 1965.
Kinkdom is a studio album by the English rock band the Kinks, released as their fourth album in the United States. It was issued by Reprise Records on 24 November 1965 in both mono and simulated stereo formats. It peaked at number 47 on the Billboard album chart.
"Starstruck" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song was recorded in July 1968. The song was issued as the album's lead single in continental Europe in November 1968 and in the United States in January 1969. The European release was accompanied by a promo film shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached No. 13 on the Veronica Top 40 and No. 9 on the Hilversum 3 Top 30.
