|Directed by||Thornton Freeland|
|Written by|| Arthur Wimperis |
Donovan Pedelty (scenario)
|Based on||novel by George Barr McCutcheon |
play by Winchell Smith and Byron Ongley
|Produced by||Herbert Wilcox|
|Starring|| Jack Buchanan |
|Cinematography|| Barney McGill |
Henry Harris (uncredited)
|Edited by|| David Lean (uncredited)|
Merrill G. White (uncredited)
|Music by|| Ray Noble |
Douglas Furber (lyrics)
Marr Mackie (uncredited)
Herbert Wilcox Productions (for) British & Dominions Film Corporation
|Distributed by||United Artists (UK)|
|January 1935 (UK)|
Brewster's Millions is a 1935 British musical comedy film directed by Thornton Freeland and starring Jack Buchanan, Lili Damita and Nancy O'Neil.  It is based on the 1902 novel and subsequent 1906 play, with the action relocated from the United States to Britain.
Jack Brewster, a pauper living in London and the heir to a fortune from his wealthy father, falls in love with Cynthia, a boarder in his boarding house "home." When Jack inherits his fortune, which includes £500,000 and the house, he falls prey to chorus girl Rosalie. His uncle then dies, leaving Jack six million pounds, on the condition that he become penniless in the next six months. At his house warming for his first inheritance, Jack learns of the second bequest, which require him not only to lose all his money, but to have no female entanglements and tell no one of its conditions. Jack goes on a wild spending spree, which includes producing a musical stage show starring Rosalie. He then takes the entire cast of the show on a yacht to Monte Carlo, in the hope of losing his money through gambling. Jack has nothing but good luck, however, as the show is a hit and he even wins at the gambling tables. Jack goes so far as to buy some seemingly worthless stock, which only turns out to be worth another fortune. Jack undergoes various indignities, such as being chased by kidnappers through a fiesta, which ends with him winding up as the rear end of a paper mache dragon. Throughout his spending spree, Cynthia becomes more detached and Rosalie more attached. As his "zero hour" approaches, Jack trades away his entire fortune, leaving him with nothing more than the suit he wears, despite the well-meaning attempts of friends to give him money. Finally meeting all the conditions of his uncle's will, Jack attains the £6,000,000, as well as the love of Cynthia.
The New York Times wrote, "take an inventive young man who is required to spend a quarter of a million dollars in six months, and you possess the germ of a successful farce. If this sounds a trifle uncertain, it is because the new British screen edition of "Brewster's Millions" leaves you with just that rueful impression. Instead of telling the story in the swift and eventful terms of screen comedy, the present gentlemen have used it simply as the libretto for a big, eye-filling musical photoplay in the combustible Hollywood style. There are songs, dances, girls and more girls, and a great fiesta scene featuring a mass dance called la caranga, which seems to be a compound of all the recent variations on the rumba. Although the English ladies of the ensemble are lovely, the tunes quite acceptable and Mr. Jack Buchanan an able and versatile performer, the film never comes off as musical comedy. Those song-and-dance interludes during which Mr. Buchanan abandons his money-spending campaign are useful chiefly to remind the audience that "Brewster's Millions" is still a sufficiently sturdy comedy to stand on its own feet. When the piece is being played straight, it is always bright and amusing in a slightly desperate British style...Mr. Buchanan is an engagingly frantic Brewster and he is assisted pleasantly enough by Lili Damita as the malicious chorus girl who wants to snare him and by Nancy O'Neil as his conservative sweetheart. But "Brewster's Millions" is more hilarious in theory than in practice in this British rendition";  while TV Guide noted, "the witty, energetic Buchanan has a field day with this craftily scripted comedy. The over-produced musical numbers and the elaborate Italian fiesta scenes are delights, as is every scene of this classic example of British wit." 
John Michael Bird was an English actor, director, writer and satirist. He performed in the television satire boom of the 1960s, appearing in That Was the Week That Was. His television work included many appearances with John Fortune. Bird had an acting career in film, television, theatre and radio for over 55 years. He appeared in films including Take A Girl Like You (1970) and Jabberwocky (1977) as well as in television shows such as Joint Account, Marmalade Atkins, El C.I.D. and Chambers. He also featured in the long-running Bremner, Bird and Fortune (1999–2010), on Channel 4, which was nominated for BAFTA TV Awards.
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Walter John Buchanan was a Scottish theatre and film actor, singer, dancer, producer and director. He was known for three decades as the embodiment of the debonair man-about-town in the tradition of George Grossmith Jr., and was described by The Times as "the last of the knuts." He is best known in America for his role in the classic Hollywood musical The Band Wagon in 1953.
Brewster's Millions is a comedic novel written by George Barr McCutcheon in 1902, originally under the pseudonym of Richard Greaves.
Edward Henry Abbot-Anderson, known professionally as Allan Aynesworth, was an English actor and producer. His career spanned more than six decades, from 1887 to 1949, and included the role of Algernon Moncrieff in the 1895 premiere of Oscar Wilde's The Importance of Being Earnest.
Oliver! is a 1968 British period musical drama film based on Lionel Bart's 1960 stage musical of the same name, itself an adaptation of Charles Dickens's 1838 novel Oliver Twist.
Brewster's Millions is a 1985 American comedy film directed by Walter Hill. The film stars Richard Pryor and John Candy. The screenplay by Herschel Weingrod and Timothy Harris was based on the 1902 novel of the same name by George Barr McCutcheon. It is the seventh film based on the story.
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Something Always Happens is a 1934 British romantic comedy film directed by Michael Powell and starring Ian Hunter and Nancy O'Neil. It was made as a Quota quickie.
Brewster's Millions is a lost 1921 American comedy film starring Fatty Arbuckle. It is an adaptation of the 1902 novel written by George Barr McCutcheon as well as the 1906 Broadway smash hit play of the same name starring Edward Abeles.
Goldie Gets Along is a 1933 American pre-Code comedy film directed by Malcolm St. Clair and starring Lili Damita, Charles Morton and Sam Hardy. The screenplay was written by William A. Drake, based on the 1931 novel of the same title by Hawthorne Hurst.
Brewster's Millions is a 1945 American comedy film, one of many film adaptations of the 1902 novel of the same name by George Barr McCutcheon and the subsequent smash-hit play adaptation by Byron Ongley and Winchell Smith. In the novel, Brewster is a stockbroker; in this version, he is portrayed as a returning soldier.
Thornton Freeland was an American film director who directed 26 British and American films in a career that lasted from 1924 to 1949.
Three on a Spree is a 1961 British comedy film directed by Sidney J. Furie and starring Jack Watling, Carole Lesley and John Slater. It is based on the 1902 novel Brewster's Millions by George Barr McCutcheon, which became the hit 1906 play written by Winchell Smith and Byron Ongley. It had been previously filmed by Edward Small in 1945.
The Dancing Mistress is a musical comedy with music by Lionel Monckton, book by James T. Tanner and lyrics by Adrian Ross and Percy Greenbank. It depicts the fortunes of a school dancing mistress who is dismissed and finds fortune and happiness in Switzerland. The piece ran in the West End of London in 1912 and 1913, and toured the British provinces in 1914.
Zip Goes a Million is a musical with a book and lyrics by Eric Maschwitz and music by George Posford, based on the 1902 novel Brewster's Millions. It premiered in London in 1951, starring George Formby, and ran for 544 performances.
Big is a 1988 American fantasy comedy-drama film directed by Penny Marshall and stars Tom Hanks as Josh Baskin, a pre-adolescent boy whose wish to be "big" transforms him physically into an adult. The film also stars Elizabeth Perkins, David Moscow, John Heard, and Robert Loggia, and was written by Gary Ross and Anne Spielberg. It was produced by Gracie Films and distributed by 20th Century Fox.
Miss Brewster's Millions is a 1926 American silent comedy film produced by Famous Players-Lasky and distributed by Paramount Pictures. Clarence G. Badger directed and the ever-popular Bebe Daniels starred. It was based on the 1902 novel by George Barr McCutcheon and a 1906 play adaptation of the same name by Winchell Smith and Byron Ongley, which had been filmed before in 1921 with Roscoe Arbuckle.
This is a summary of 1935 in music in the United Kingdom.