Come Sunday | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | January 10, 2012 | |||
Recorded | February 2–3, 2010 | |||
Genre | Jazz, gospel, spirituals | |||
Length | 42:15 | |||
Label | EmArcy | |||
Producer | Jean-Philippe Allard, Ruth Cameron, Charlie Haden | |||
Charlie Haden chronology | ||||
| ||||
Hank Jones chronology | ||||
|
Come Sunday is a studio album of Christian hymns and spirituals by the jazz double bassist Charlie Haden and the pianist Hank Jones. It was recorded only a few months before Jones's death in May 2010. [1] It was Haden and Jones's second album in this vein since 1994's Steal Away . Come Sunday peaked at number 4 on the Billboard Top Jazz Albums chart, 10 on the Billboard Top Christian Albums Chart and at 6 on Billboard Top Gospel Albums Chart. [2]
The album was positively reviewed by Thom Jurek at Allmusic who wrote that "Ultimately, Come Sunday might have fared a little better by replacing the carols with more hymns, because the former are so staid. But that's a small complaint. At its best, Come Sunday is lovely, elegant, and even stirring." Jurek also critiqued the quality of recording writing that its predecessor Steal Away writing that "...digital recording has been vastly improved upon since the 1990s. On Steal Away some of the warmth afforded a duo like this naturally was blunted because any sense of real depth was virtually unable to be captured on tape, reducing the sense of intimacy. On Come Sunday, it looms large; the studio room itself becomes an equal participant in these sessions – it reflects back everything, from the sounds of piano pedals and fingers on keys to bass strings being pulled and plucked. This is a huge plus; that spaciousness allows the listener to get front-pew close and hear the natural warmth in the playing." [1]
Mark F. Turner reviewed Come Sunday for All About Jazz and wrote that the album "...serves as a reminder of his [Jones's] lyrical touch, accompanied here by Haden's empathy and resonance. ...At 91, his melodicism and technical abilities continue to astound, whether swinging gracefully on "Down by the Riverside" or gently on "Bringing In The Sheaves," as Haden's workmanship guides with unassuming assurance. The two seemed to be enjoying themselves immensely, keeping the tunes pretty much intact but also illuminating their inner qualities, as the swanky cadence of "Give Me That Old Time Religion" silently echoes the song's sentiment, "It's good enough for me." ...From the duo's unobtrusive interpretations to the way in which the Jones and Haden communicate, the melodies contain a quiet magic whose crowning jewel is found in the beloved title track, written by the great Duke Ellington. It is an apropos sentiment to this moving release". [3]
Production
Norah Jones is an American singer, songwriter, and pianist. She has won several awards for her music and, as of 2023, had sold more than 50 million records worldwide. Billboard named her the top jazz artist of the 2000's decade. She has won nine Grammy Awards and was ranked 60th on Billboard magazine's artists of the 2000s decade chart.
Charles Edward Haden was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. Building on the work of his predecessor bassists Jimmy Blanton and Charles Mingus, Haden revolutionized the harmonic concept of bass playing in jazz, evolving a way of playing that sometimes complemented the soloist, and sometimes moved independently, to help liberate bass players from a strictly accompanying role, to becoming more direct participants in group improvisation.
Come Away with Me is the debut studio album by American recording artist Norah Jones, released on February 26, 2002, by Blue Note Records. Recording sessions took place at Sorcerer Sound Studio in New York City and Allaire Studios in Shokan, New York.
Henry Jones Jr. was an American jazz pianist, bandleader, arranger, and composer. Critics and musicians described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored him with the NEA Jazz Masters Award. He was also honored in 2003 with the American Society of Composers, Authors, and Publishers (ASCAP) Jazz Living Legend Award. In 2008, he was awarded the National Medal of Arts. On April 13, 2009, the University of Hartford presented Jones with an honorary Doctorate of Music for his musical accomplishments.
Memories of Us is an album by American country music artist George Jones, released in 1975 on the Epic Records label. It peaked at #43 on the Billboard Country Albums chart.
California Here I Come is a live album by jazz pianist Bill Evans. It was recorded in 1967, but not released on the Verve label until 1982 as a double LP. It peaked at number 12 on the Billboard Jazz Album charts in 1983 and was reissued on CD in 2004. The pieces were recorded at the Village Vanguard, where Evans had previously recorded the sets that appeared on the highly influential Waltz for Debby and Sunday at the Village Vanguard, both later comprised on the definitive collection The Complete Village Vanguard Recordings, 1961.
Maurice Jackson is an American scholar and political activist. He is currently an Associate Professor of History and African-American Studies and an Affiliated Professor of Performing Arts (Jazz) at Georgetown University in Washington, D.C., in addition to being a Visiting Professor at its Qatar campus.
So Much Guitar! is an album by American jazz guitarist Wes Montgomery, released by Riverside Records in 1961. It was reissued by Fantasy Records as a part of the Original Jazz Classics series.
Jasmine is a 2010 duet album by American pianist Keith Jarrett and bassist Charlie Haden. It was released on 12 May 2010. The album was recorded in March 2007 at Jarrett's home studio in Oxford Township, New Jersey during the recording of a documentary about Haden. Additional tracks from the same session, including alternate takes of "Where Can I Go Without You" and "Goodbye", were released in 2014 on Last Dance.
But Beautiful is a 1971 studio album by Nancy Wilson, with musical accompaniment by the Hank Jones Quartet. It entered the Billboard Top 200 chart on July 17, 1971, and remained for five weeks.
Blue Gardenia is the twenty-fifth studio album by Etta James, released through the record label Private Music. It was produced by John Snyder, who had worked with James on five of her previous studio albums. Blue Gardenia contains thirteen jazz standards from the 1930s, 1940s and 1950s. All of the standards were arranged by pianist Cedar Walton, with the exception of "Love Letters", which was arranged by Josh Sklair. Between November 2000 and February 2001, Snyder and Walton assembled musicians to record tracks while James was recovering from a flu; her vocals were added following her recovery. In addition to Walton, artists appearing on the album included Red Holloway on tenor saxophone and Dorothy Hawkins, James' mother, who provided vocals on the title track. Hawkins died in May 2002, less than a year after the album's release.
Steal Away is an album by pianist Hank Jones and bassist Charlie Haden that was recorded in 1994 and released on the Verve label. Jones and Haden followed Steal Away with a second album of spirituals, Come Sunday, recorded in 2010 and released in 2012.
A Portrait of Duke Ellington is an album featuring trumpeter Dizzy Gillespie and orchestra performing compositions associated with Duke Ellington, recorded in 1960 and released on the Verve label. All of the orchestral arrangements were provided by then Hi-Lo's accompanist – and sometimes arranger – Clare Fischer, hired on the basis of a previously recorded but unreleased album with strings, arranged by Fischer for erstwhile University of Michigan classmate Donald Byrd. Byrd played the tape for Gillespie; Gillespie liked what he heard. Unfortunately for Fischer, especially in light of the critical accolades given the eventual fruit of his, and Gillespie's, labor, Fischer's name was nowhere to be found on the finished LP; widespread awareness of his participation would have to await the CD reissue almost 2½ decades later.
Solo is a studio album by Cuban jazz performer Gonzalo Rubalcaba. It was released by Blue Note Records on March 7, 2006, and peaked at number 22 in the Billboard Top Jazz Albums chart. The album is titled Solo since no additional performers were included on the recording as in Rubalcaba's previous albums.
Charlie Haden/Jim Hall is an album by bassist Charlie Haden and guitarist Jim Hall recorded in 1990 at the Montreal International Jazz Festival by Jazz Beat and released on the Impulse! label in 2014 following the deaths of both artists.
Sophisticated Ladies is an album by Charlie Haden's Quartet West with guest vocalists Cassandra Wilson, Diana Krall, Melody Gardot, Norah Jones, Renee Fleming and Ruth Cameron, and a string orchestra arranged and conducted by Alan Broadbent which was released on the EmArcy label.
Merry Olde Soul is an album by vibraphonist/pianist Victor Feldman recorded in early 1961 and originally released on the Riverside label.
Burning Memories is a studio album by country music artist Ray Price. It was released in 1965 by Columbia Records. The cover photograph was credited to Don Hunstein.
On Tap, in the Can, or in the Bottle is an album by country music artist Hank Thompson and the Brazos Valley Boys. It was released in 1968 by Dot Records. Joe Allison was the producer.
Rambling Boy is an album by bassist Charlie Haden. It was recorded in January and April 2008 at various locations, and was released later that year by Decca and Emarcy Records. On the album, Haden is joined by his "Family & Friends," including members of his immediate family plus guest musicians.