Faith | ||||
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Studio album by | ||||
Released | 17 April 1981 [1] | |||
Recorded | September 1980 – March 1981 | |||
Studio | Morgan, London | |||
Genre | ||||
Length | 36:54 | |||
Label | Fiction | |||
Producer |
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The Cure chronology | ||||
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Singles from Faith | ||||
Faith is the third studio album by English rock band the Cure, released on 17 April 1981 by Fiction Records. The album saw the band continuing in the gloomy vein of their previous effort Seventeen Seconds (1980). This stylistic theme would conclude with their next album Pornography (1982).
Preceded by the single "Primary", the album was well-received by critics and was a commercial success in the UK, peaking at number fourteen on the UK Albums Chart and staying on the chart for eight weeks.
Following the tour for Seventeen Seconds , the Cure returned to Morgan Studios on 27 September 1980 to record a new album, minus Matthieu Hartley, who had departed due to disagreement with the musical direction of the band. During this session, recordings of songs "All Cats Are Grey" and "Primary" were attempted, but neither ended up on the album. Robert Smith was hoping the tracks would sound "funereal", but instead he said "they just sounded dull". Several other studios were tried: Red Bus, Trident, The Roundhouse and Abbey Road. [3]
Much of Faith was written in the studio. Tolhurst says: "We had been on the road constantly, switching between recording an album and touring." [4] At least two songs on the album, "All Cats Are Grey" and "The Drowning Man", were inspired by the Gormenghast novels of Mervyn Peake. Faith was the first album by the Cure to feature a six-string bass guitar; "All Cats Are Grey" (for which drummer Laurence Tolhurst has claimed a rare lyric-writing credit) [5] features Smith on keyboards and piano, with no guitar at all.
The instrumental piece "Carnage Visors" (i.e., an antonym for "rose-coloured spectacles"; originally available only on the long-play cassette release) is the soundtrack to Carnage Visors, a short film by Ric Gallup, Simon Gallup's brother, that was screened at the beginning of shows in place of a support band on the 1981 Picture Tour, and featured animation of several dolls in different positions and stances. [3] The film has since disappeared, and only Smith, Lol Tolhurst and Simon Gallup own copies of it, though during a televised interview in the mid-1980s, the host of the program surprised the band by playing a clip of the film on set. [6]
The album's cover, designed by former and future member Porl Thompson, is a veiled picture of the church Bolton Priory, in the fog. [3]
Faith was released on 17 April 1981. [1] It reached No. 14 in the UK Albums Chart. [7] The album was remastered in 2005 as part of Universal Music's Deluxe Edition series. The new edition featured "Carnage Visors", demos and live tracks as well as the non-album single "Charlotte Sometimes". It also included a few never-before-released tracks (in demo form, all instrumentals). In 2021, a 40th anniversary vinyl picture disc was released for Record Store Day. [8]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Blender | [10] |
Entertainment Weekly | B+ [11] |
The Guardian | [12] |
Mojo | [13] |
Pitchfork | 8.8/10 [14] |
The Rolling Stone Album Guide | [15] |
Smash Hits | 7/10 [16] |
Sounds | [17] |
Uncut | [18] |
Faith divided critics upon release. Sounds reviewer John Gill wrote that while the more uptempo songs "Primary" and "Doubt" were reminiscent of the Cure's previous work, with a "sense of strong, haunting melody", the remainder of the album marked a stark departure for the band; he noted a "Neu!-ish sense of smudged melody, soft tones flowing around a languorous, groaning bass", and found that the band's new sound evoked 1960s acts such as Pink Floyd and the Doors. Gill remarked that "listening to Faith requires a personal act of involvement, the reward being a sense of belonging." [17]
Melody Maker deemed the record "impressive", praising its "richness and deceptive power". Writer Adam Sweeting described Faith as "a sophisticated exercise in atmosphere and production", adding, "It's gloomy but frequently majestic, never using brute force where auto-suggestion will do. You may not love it, but you'll become addicted to it." [19] David Hepworth of Smash Hits said that "despite some rather stilted lyrics", the Cure "continue to develop one of the most individual and pleasing styles around." [16] NME 's review of the album, written by Ray Lowry, was accompanied by a picture of the band and a caption reading: "Gloomy? Gothic? Us?". Lowry wrote that the album "says absolutely nothing meaningful" and dismissed it as "just the modern face of Pink Floydism." [20] Record Mirror 's Mike Nicholls found that "The Cure remain stuck in the hackneyed doom-mongering that should have died with Joy Division" and panned Faith as "hollow, shallow, pretentious, meaningless, self-important and bereft of any real heart or soul". [21]
In a retrospective review, Chris True of AllMusic called Faith "a depressing record, certainly, but also one of the most underrated and beautiful albums the Cure put together." [9] In 2010, Fact ranked the album as one of the 20 best "goth records ever made". [22]
All lyrics are written by Robert Smith; all music is composed by The Cure (Smith, Simon Gallup and Lol Tolhurst)
No. | Title | Length |
---|---|---|
1. | "The Holy Hour" | 4:25 |
2. | "Primary" | 3:35 |
3. | "Other Voices" | 4:28 |
4. | "All Cats Are Grey" | 5:28 |
No. | Title | Length |
---|---|---|
1. | "The Funeral Party" | 4:14 |
2. | "Doubt" | 3:11 |
3. | "The Drowning Man" | 4:50 |
4. | "Faith" | 6:43 |
No. | Title | Length |
---|---|---|
5. | "Carnage Visors: The Soundtrack" | 27:51 |
No. | Title | Length |
---|---|---|
1. | "Faith" (Robert Smith home instrumental demo 8/80) | 2:56 |
2. | "Doubt" (Robert Smith home instrumental demo 8/80) | 1:09 |
3. | "Drowning" (group home instrumental demo 9/80) | 1:52 |
4. | "The Holy Hour" (group home demo 9/80) | 4:48 |
5. | "Primary" (Morgan studio out-take 9/80) | 4:22 |
6. | "Going Home Time" (Morgan studio guide vox out-take 9/80) | 3:31 |
7. | "The Violin Song" ('Faith' studio guide vox out-take 2/81) | 3:38 |
8. | "A Normal Story" ('Faith' studio guide vox out-take 2/81) | 3:04 |
9. | "All Cats Are Grey" (live "somewhere", "Summer 1981") | 5:37 |
10. | "The Funeral Party" (live "somewhere", "Summer 1981") | 4:38 |
11. | "Other Voices" (live "somewhere", "Summer 1981") | 4:45 |
12. | "The Drowning Man" (live "Australasia", "Summer 1981") | 5:48 |
13. | "Faith" (live at Capitol Theatre, Sydney, August 1981) | 10:23 |
14. | "Forever" (live "somewhere", "Summer" 1981) | 9:19 |
15. | "Charlotte Sometimes" | 4:13 |
The Cure
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
New Zealand (RMNZ) [40] | Gold | 7,500^ |
United Kingdom (BPI) [41] | Silver | 60,000^ |
^ Shipments figures based on certification alone. |
The Cure are an English rock band formed in Crawley, West Sussex in 1976. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history. The band's current line-up features Smith and Gallup alongside longtime members, Roger O'Donnell (keyboards), Perry Bamonte (guitar), Jason Cooper (drums) and Reeves Gabrels (guitar).
Seventeen Seconds is the second studio album by English rock band the Cure, released on 18 April 1980 by Fiction Records. The album marked the first time frontman Robert Smith co-produced with Mike Hedges. After the departure of original bassist Michael Dempsey, Simon Gallup became an official member along with keyboardist Matthieu Hartley. The single "A Forest" was the band's first entry in the top 40 of the UK Singles Chart.
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989.
Wish is the ninth studio album by English rock band the Cure, released on 21 April 1992 by Fiction Records in the United Kingdom and Elektra Records in the United States. Wish was the most commercially successful album in the band's career, debuting at number one in the UK and number two in the US, where it sold more than 1.2 million copies.
Kiss Me, Kiss Me, Kiss Me is the seventh studio album by English rock band the Cure, released on 26 May 1987 by Fiction Records. The album was recorded at Studio Miraval in Correns, France.
Pornography is the fourth studio album by English rock band the Cure, released on 4 May 1982 by Fiction Records. Preceded by the non-album single "Charlotte Sometimes", it was the band's first album with new producer Phil Thornalley, and was recorded at RAK Studios from January to April 1982. The sessions saw the band on the brink of collapse, with heavy drug use, band in-fighting, and frontman Robert Smith's depression fueling the album's musical and lyrical content. Pornography represents the conclusion of the Cure's early dark, gloomy musical phase, which began with their second album Seventeen Seconds (1980).
Japanese Whispers is the second compilation album by British group The Cure. It was released in late 1983 by Fiction Records. The title is a pun on the children's game Chinese whispers.
The Top is the fifth studio album by English rock band the Cure, released on 4 May 1984 by Fiction Records. The album entered the UK Albums Chart at number ten on 12 May. Shortly after its release, the Cure embarked on a major tour of the United Kingdom, culminating in a three-night residency at the Hammersmith Odeon in London.
The Head on the Door is the sixth studio album by English rock band the Cure. It was released on 13 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Galore: The Singles 1987–1997 is the second singles compilation by The Cure and was released on 28 October 1997. It contains singles from the years 1987–1997. The song "Wrong Number" is the only new song on the album. The album cover features Isabel Caroline Slark photographed by Ralph John Perou c.1997.
Mixed Up is a remix album by English rock band the Cure, released on 20 November 1990 by Fiction Records. The songs are remixes of some of their hits, reflecting the popularity of remixing of existing songs and dance culture of the late 1980s and early 1990s. In 2018, a sequel was released titled Torn Down.
Greatest Hits is a greatest hits album by English rock band the Cure. It was first released in Japan on 7 November 2001, before being released in the UK and Europe on 12 November and then in the US the day after. The band's relationship with longtime label Fiction Records came to a close, and the Cure were obliged to release one final album for the label. Lead singer Robert Smith agreed to release a greatest hits album under the condition that he could choose the tracks himself. The band also recorded a special studio album released as a bonus disc to some versions of the album. The disc, titled Acoustic Hits, consists of the eighteen songs from the North American release re-recorded using acoustic instruments.
Standing on a Beach is a greatest hits album by English rock band the Cure, released in the United States on 15 May 1986 by Elektra Records and in the United Kingdom on 19 May 1986 by Fiction Records, marking a decade since the band's founding in 1976. The album's titles are both taken from the opening lyrics of the Cure's debut single, "Killing an Arab".
Simon Johnathon Gallup is an English musician who is best known as bassist for The Cure, which he first joined in 1979 and for which he has played through most of the band's history. Gallup is the second longest-serving member of the band after group leader Robert Smith.
"In Between Days" is a song by the English rock band The Cure, released on 19 July 1985 as the first single from the band's sixth album The Head on the Door.
"Close to Me" is a song by English rock band the Cure, released in September 1985 as the second and final single from their sixth album, The Head on the Door.
"Why Can't I Be You?" is a song by the English rock band the Cure, released as the lead single on the 6 April 1987 from their album Kiss Me, Kiss Me, Kiss Me.
"Charlotte Sometimes" is a song by English rock band the Cure, recorded at producer Mike Hedges' Playground Studios and released as a non-album single on 9 October 1981 by Polydor Records, following the band's third studio album Faith. The titles and lyrics to both sides were based on the book Charlotte Sometimes by Penelope Farmer.
The Cure: "Reflections" refers to a set of shows in which The Cure played their first three albums Three Imaginary Boys, Seventeen Seconds and Faith in full at the VividLive festival at the Sydney Opera House on 31 May and 1 June 2011. All three albums were played in their entirety on both nights, along with several other tracks from the same era.