In Times New Roman... | ||||
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Studio album by | ||||
Released | June 16, 2023 | |||
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Length | 47:37 | |||
Label | Matador | |||
Producer | Queens of the Stone Age | |||
Queens of the Stone Age chronology | ||||
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Singles from In Times New Roman... | ||||
In Times New Roman... is the eighth studio album by American rock band Queens of the Stone Age, released on June 16, 2023, through Matador Records. [3] It was announced in a video teaser on May 9, 2023, [6] and is the band's first album since Villains (2017). [7] The announcement occurred alongside the release of the lead single, "Emotion Sickness". [8] The band is currently touring North America and Europe in support of the record. [6] [9] In Times New Roman... marks the conclusion of the band's trilogy of albums released through Matador that began with ...Like Clockwork (2013).
The band produced the album with mixing handled by Mark Rankin, and recorded it at frontman Josh Homme's Pink Duck Studios in Burbank, California, [8] as well as at Rick Rubin's Shangri-La studio in Malibu, California. [3]
In an interview with NME ahead of the album's release, Homme spoke on how life events had an influence on the recording of In Times New Roman...:
"I think when you're dealing with the extreme ups and downs of life, you don't stop and go: 'I should really make a record.' Those things don't exist in that moment. If your roof is flooding, you don't say: 'We should make a record about this!' You have to stop yourself drowning in a flood. We recorded it probably two-and-a-half years ago, but it just sat there waiting to be finished. I didn't sing it until last November. I wasn't done living. Honestly, I was probably afraid. I wasn't ready. You need the flood to be over, and then you can decide whether you can accept the flood. I think with this being a record about acceptance, you need to actually get there yourself." [10]
Aggregate scores | |
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Source | Rating |
AnyDecentMusic? | 7.0/10 [11] |
Metacritic | 80/100 [12] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Classic Rock | ![]() ![]() ![]() ![]() ![]() |
The Daily Telegraph | ![]() ![]() ![]() ![]() ![]() |
Exclaim! | 7/10 [1] |
The Independent | ![]() ![]() ![]() ![]() ![]() |
Kerrang! | ![]() ![]() ![]() ![]() ![]() |
Louder Sound | ![]() ![]() ![]() ![]() ![]() |
NME | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 6.8/10 [19] |
Sputnikmusic | 3.7/5 [20] |
In Times New Roman... received a score of 80 out of 100 on review aggregator Metacritic based on 19 critics' reviews, indicating "generally favorable" reception. [12] Thomas Smith of NME described In Times New Roman... as "a grotty listen, using pain to encourage a rawness in their sound that's been absent since 2007's Era Vulgaris " and felt that "with enough fan-service for the die-hards; this is up there with their darkest, knottiest material to date, and will be appreciated all the more for it". [18] Fred Barrett of Slant Magazine wrote that while the album "abandons the glossy dance-rock of its predecessor, it doesn't do so in favor of exploring new styles, sounds, or textures". Barrett found that the album's highlights "prove that Queens of the Stone Age can still reliably deliver left-of-center alt-rock thrills [...] but after almost three decades of taking on every strand of rock music and embracing both the analog and the digital, it's disheartening, if perhaps understandable, that the band seems unsure of where to go next." [21]
Reviewing the album for Exclaim! , Spencer Nafekh-Blanchette wrote that "the band has moved away from their roots in some regards, but remain completely the same in others", elaborating that "the new LP takes their unique alternative rock to new dimensions, swapping uptempo rock n' roll jolts for a slow-yet-unnerving new groove. It's an album that's sure to please all listeners, but only truly satisfy real fans of the band." [1] Simon K. of Sputnikmusic opined that the band have "delivered something very familiar, but with just enough new things in it to make it somewhat fresh" and that the album "seems to trade in peaks and troughs for steadfast songwriting", despite finding that there are no "top-tier tracks you could stick on the quintessential Queens playlist". [20]
Writing for Pitchfork , Zach Schonfeld called it the band's "heaviest, angriest work since 2007's underrated Era Vulgaris", and felt that "Homme chips away the chrome-plated dance-rock machinations of 2017's Mark Ronson-produced Villains and tries to restore the band to a bluesy primitivity". Schonfeld also remarked that the album's "most compelling tracks deepen the anger with flashes of humor and wry introspection" and its "best songs [...] are hiding in the back half". [19]
All lyrics are written by Joshua Homme; all music is composed by Homme, Dean Fertita, Michael Shuman, Jon Theodore, Troy Van Leeuwen
No. | Title | Length |
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1. | "Obscenery" | 4:23 |
2. | "Paper Machete" | 3:22 |
3. | "Negative Space" | 3:53 |
4. | "Time & Place" | 4:26 |
5. | "Made to Parade" | 5:18 |
6. | "Carnavoyeur" | 3:56 |
7. | "What the Peephole Say" | 4:06 |
8. | "Sicily" | 4:41 |
9. | "Emotion Sickness" | 4:31 |
10. | "Straight Jacket Fitting" | 9:01 |
Total length: | 47:37 |
Queens of the Stone Age
Additional musicians
Technical
Visuals
Weekly charts
| Year-end charts
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Queens of the Stone Age is an American rock band formed in 1996 in Seattle, Washington. The band was founded by vocalist and guitarist Josh Homme, who has been the only constant member throughout multiple lineup changes. Since 2013, the lineup has consisted of Homme alongside Troy Van Leeuwen, Michael Shuman, Dean Fertita, and Jon Theodore. The band also has a large pool of contributors and collaborators. Queens of the Stone Age are known for their blues, Krautrock and electronica-influenced style of riff-oriented and rhythmic hard rock music, coupled with Homme's distinct falsetto vocals and unorthodox guitar scales.
Queens of the Stone Age is the debut studio album by American rock band Queens of the Stone Age, released by Loosegroove Records on September 22, 1998. It was primarily written and recorded in April 1998 by founding member Josh Homme and his former Kyuss bandmate Alfredo Hernández, with Hernández playing drums and Homme singing and playing the rest of the instruments. Homme also produced the album alongside Joe Barresi. Bassist Nick Oliveri, also a former member of Kyuss, would join the band by the time of the album's release. Queens of the Stone Age received generally positive reviews from critics, who placed it in the stoner rock genre and drew comparisons to krautrock bands such as Neu! and Can, as well as to Kyuss and other metal bands.
Songs for the Deaf is the third studio album by the American rock band Queens of the Stone Age, released on August 27, 2002, by Interscope Records. It features guest musicians including Dave Grohl on drums, and was the last Queens of the Stone Age album to feature Nick Oliveri on bass. Songs for the Deaf is a loose concept album, taking the listener on a drive through the California desert from Los Angeles to Joshua Tree, tuning into radio stations from towns along the way such as Banning and Chino Hills.
Rated R is the second studio album by American rock band Queens of the Stone Age. It was released on June 6, 2000, by Interscope Records. Rated R was the band's first album for the label, as well as their first to feature bassist Nick Oliveri and vocalist Mark Lanegan.
Lullabies to Paralyze is the fourth studio album by American rock band Queens of the Stone Age, released on March 22, 2005. The album debuted at #5 on the Billboard 200, and sold 97,000 copies in America during its first week of release, eventually topping over 342,000 copies as of March, 2007 according to Nielsen Soundscan. The album has been certified gold in the UK, where it has sold over 100,000 units. It is also the band's first album to be released after bassist Nick Oliveri was fired from the band. Singer/guitarist Josh Homme and singer Mark Lanegan are the only members from the previous album, Songs for the Deaf, to play on this album and it is the first album to feature drummer Joey Castillo and guitarist Troy Van Leeuwen.
Era Vulgaris is the fifth studio album by American rock band Queens of the Stone Age. Recorded from July 2006 to April 2007, it was released on July 20, 2007 in the United Kingdom and July 21 in the United States, being released on July 29 in other countries. The single "Sick, Sick, Sick" was released in May, followed by second single "3's & 7's" in early June, and third single "Make It wit Chu" in October. The album debuted at No. 14 on the U.S. Billboard 200 charts, selling 52,000 copies in its first week. It reached top ten positions in other countries, such as No. 7 in the UK, No. 5 in Canada, and No. 4 in Australia. It was the band's last album on Interscope Records.
The discography of Queens of the Stone Age, an American rock band, consists of eight studio albums, one live album, three extended plays, fourteen singles, three promotional singles and twenty music videos.
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Humbug is the third studio album by English rock band Arctic Monkeys, first released on 19 August 2009 through Domino Recording Company. The band started to write new material for the album towards the end of summer 2008 and finished it entirely in spring 2009. Like their previous release, Favourite Worst Nightmare (2007), Humbug was released first in Japan, followed by Australia, Brazil, Ireland, and Germany, on 21 August 2009. It was then released in the UK on 24 August 2009, in the US the following day, and in Greece on 31 August.
...Like Clockwork is the sixth studio album by American rock band Queens of the Stone Age, released on June 3, 2013, on Matador Records in the UK, and on June 4 in the United States. Self-produced by the band, it is the first Queens of the Stone Age album to feature full contributions from bassist Michael Shuman and keyboardist and guitarist Dean Fertita, who both joined the band in 2007 to tour in support of the band's fifth studio album, Era Vulgaris, and record its bonus tracks.
AM is the fifth studio album by English rock band Arctic Monkeys. It was produced by longtime collaborator James Ford and co-produced by Ross Orton at Sage & Sound Recording in Los Angeles and Rancho De La Luna in Joshua Tree, California, and released on 9 September 2013 through Domino Recording Company. The album was promoted by the singles "R U Mine?", "Do I Wanna Know?", "Why'd You Only Call Me When You're High?", "One for the Road", "Arabella", and "Snap Out of It". It features guest appearances by Josh Homme, Bill Ryder-Jones, and Pete Thomas.
Post Pop Depression is the seventeenth studio album by American rock singer Iggy Pop, released by Caroline International / Loma Vista Recordings on March 18, 2016. Produced by Josh Homme of Queens of the Stone Age, the album was recorded in secrecy and features contributions from Queens of the Stone Age keyboardist and guitarist Dean Fertita, and Arctic Monkeys drummer Matt Helders.
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