Live and Dangerous | ||||
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Live album by | ||||
Released | 2 June 1978 | |||
Recorded |
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Genre | Hard rock, blues rock [2] | |||
Length | 76:27 | |||
Label | Vertigo Mercury (Canada) Warner Bros. (US) | |||
Producer | Thin Lizzy and Tony Visconti | |||
Thin Lizzy live albums chronology | ||||
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Singles from Live and Dangerous | ||||
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Live and Dangerous is a live double album by the Irish rock band Thin Lizzy, released in June 1978. It was recorded in London in 1976, and Philadelphia and Toronto in 1977, with further production in Paris. It was also the last Thin Lizzy album to feature guitarist Brian Robertson, [a] who left the band shortly after its release.
The band decided to release a live album after their producer Tony Visconti did not have enough time to work on a full studio session. They listened through various archive recordings from earlier tours and compiled the album from the best versions. Various studio overdubs were made to the live recordings during early 1978 in Paris; exactly how much of the album is overdubbed has been a contentious topic since its release. The album reached No. 2 in the UK Albums Chart, ultimately selling over half a million copies in the UK. It has continued to attract critical acclaim and it has appeared in several lists of the greatest live albums of all time.
By the mid-1970s, Thin Lizzy had stabilised around its founding members – singer and bassist Phil Lynott and drummer Brian Downey – and guitarists Scott Gorham and Brian Robertson. The band had scored hit singles and developed a strong live following, including headlining the Reading Festival. Robertson had briefly left the band in 1977 but subsequently returned. [2]
The group planned to make a new studio album at the start of 1978, helmed by producer Tony Visconti, with whom they had created the successful Bad Reputation . However, Visconti had a very tight schedule and had committed to producing albums for other artists, so Lynott suggested they instead spend two weeks together compiling a live album. [3]
The band and Visconti listened to over 30 hours of archive recordings, looking for the best performances. [3] The album's sleeve notes credit two concerts as its source: Hammersmith Odeon, London, England on 14 November 1976 (part of the tour for Johnny the Fox , released earlier that year), and Seneca College Fieldhouse, Don Mills, Toronto, Ontario, Canada on 28 October 1977 (part of the tour for Bad Reputation). [1]
Visconti later revealed that shows at the Tower Theater, Philadelphia on 20 and 21 October 1977, a week earlier than the Toronto gig, had also been recorded. [4] The band had listened to the Hammersmith tapes shortly after recording and agreed that the performances sounded better than the studio versions. [5] Thin Lizzy biographer Mark Putterford believes the majority of recordings on the finished album are from the Hammersmith show. [6] Visconti later said the performance of "Southbound" came from a soundcheck before one of the Philadelphia gigs, with the audience reaction dubbed from another song. [7]
On the album, the band segues immediately from "Cowboy Song" into "The Boys Are Back in Town", on the line "a cowboy's life is the life for me" – the last chord of the former was the first of the latter, although their studio versions were recorded as separate songs. [8] This segue remained a staple of the band's setlist for the rest of their career, and examples can be found on other live releases. The band had rearranged "Still in Love with You" to be slower and more emotional than the original studio version, and the version on Live and Dangerous was considered by Putterford the highlight of Lynott's musical career. [6] "That was us at our best," observed Gorham, "before the bad drugs came in." [9]
To promote the album, the group filmed a gig at the Rainbow Theatre, London on 29 March 1978 for a television broadcast. However, this was cancelled and the footage went unaired. [7]
"We are a very loud band ... how are you going to replace my guitar when it's so loud that it's going to bleed all over the bloody drum kit?"
The album was mixed and overdubbed at Studio Des Dames, Paris in January 1978. [1] [11] All sources agree that overdubbing took place on Live and Dangerous, although there is considerable disagreement about the extent of them. According to Visconti, the album was "75% recorded in the studio" with only the drums and audience noise remaining from the original live recordings. [3] [12] [13] Visconti later said the overdubs and production were essential in order that the listener could hear a professional sounding band. [6] He claims to have created some audience sounds from a keyboard-triggered tape loop in a similar manner to a Mellotron or sampling keyboard. Nevertheless, Visconti was happy with the production and believes the end result sounds authentic. [3]
However, manager Chris O'Donnell said the album was 75% live, with overdubs restricted to backing vocals and a few guitar solos to "clean the sound up". [6] Lynott said that there were a few necessary overdubs, but "anything else would have ruined the atmosphere on those recordings and made a mockery of putting out a live album". [14] Robertson has been particularly critical over Visconti's view. He has said the album is almost all live, and the sound levels on stage would make overdubbing impossible due to the lack of acoustic separation between instruments. He claims a recording of "Still In Love With You", featuring a guitar solo he felt was better than the one at the gig that was eventually released, could not be used due to phaser noise on the bass. From this, he concluded that if the bass could not be overdubbed, nothing else could either. [15]
O'Donnell hired Chalkie Davies, a photographer for New Musical Express for two weeks to photograph the band on a US tour in early 1978 in order to capture enough pictures suitable for the album artwork. The front cover, featuring Lynott in the foreground, was originally supposed to be the back cover as the group wanted equal coverage of all members. O'Donnell disagreed and reversed the front and back photographs at the last minute. The album had a working title of Thin Lizzy Live but Lynott decided that Live and Dangerous was better. [16]
Some pressings of the record sleeve include a montage photograph in the studio containing a mirror, straw, razor blade and a rolled up five pound note (as an overt reference to cocaine consumption). Lynott insisted on adding the picture over the rest of the band's objections. [17]
Live and Dangerous | ||||
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Video by | ||||
Released | 1980 | |||
Recorded | 29 March 1978 | |||
Venue | Rainbow Theatre, London | |||
Genre | Hard rock, blues rock | |||
Length | 50 minutes | |||
Label | VCL Video | |||
Director | Ken O'Neill | |||
Producer | Archie Gormley | |||
Thin Lizzy video chronology | ||||
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Live and Dangerous was released as a double album on 2 June 1978. [18] In the UK, it was released on Vertigo Records and reached a high of No. 2 in the UK album charts, held from the top spot by the Grease soundtrack album . It remained in the charts for 62 weeks [19] and eventually sold 600,000 copies. [20] It was also the first album to be released by Warner Bros. Records in America after the band left Mercury Records in that area. A single from the album, "Rosalie / Cowgirl's Song" backed with a live version of "Me And The Boys", which was a frequent encore but not included on the album, was released in April and reached No. 20 in the UK Singles Chart. [21]
The band began touring to promote the album, but after a one-off gig in Ibiza, Lynott and Robertson had an acrimonious argument. Robertson subsequently quit Thin Lizzy permanently to form Wild Horses with former Rainbow bassist Jimmy Bain. He was replaced by a returning Gary Moore, who had already been a band member in 1974 and 1977. [22]
The album was reissued on CD in 1989. [23] The March 1978 footage from the Rainbow Theatre concert was released a first time in 1980 on VHS by VCL Video and as a 60-minute edit by Castle Communications in 1994 and titled Live & Dangerous. [24] [25] The footage was released on DVD in 2007, with other group performances including a show from their farewell tour on 26 January 1983, and four Top of the Pops clips from the 1970s. [26]
In 2009, the live album Still Dangerous was released, which features material from the 20 October 1977 gig at Philadelphia that was used for some of Live and Dangerous. There is some overlap of tracks between the two albums, though Still Dangerous is completely live with no overdubs. [27]
In 2022, a deluxe box set of the album was released, containing the original live recordings that made up the album. These showed that there was far less overdubbing than previously claimed. [28] [29]
Aggregate scores | |
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Source | Rating |
Metacritic | 100/100 (super deluxe) [30] |
Review scores | |
Source | Rating |
AllMusic | [31] |
Classic Rock | 10/10 [32] |
Collector's Guide to Heavy Metal | 9/10 [33] |
Sputnikmusic | 5.0/5 [34] |
Stephen Thomas Erlewine of AllMusic described the album as "one of the best double live LPs of the 70s", and "a true live classic", containing more energy and power than the original studio albums. He also praised the "expert song selection". [31] Stuart Bailie in his review for Classic Rock magazine praised the quality of the music and played down rumours of studio overdubbing. [32] NME reviewer Tim Chester declared Live and Dangerous "the best live album we ever heard" despite the alleged overdubs, which he dismissed as irrelevant. [35] Canadian journalist Martin Popoff praised Live and Dangerous for "supercharging some of the old guitar-based tunes that were a bit stiff, dated or under-dressed on studio vinyl" and paired it with UFO's Strangers in the Night as critics' favourite live albums. [33]
Kerrang! magazine listed the album at No. 50 among the "100 Greatest Heavy Metal Albums of All Time". [36]
The album continues to attract critical praise. In 2010 Live and Dangerous was ranked number one in PlanetRock.com's The Greatest Live Album Top 40. [37] The following year, the British music magazine NME ranked Live and Dangerous at No. 1 in its 50 Greatest Live Albums of All Time. [35] In 2015, Rolling Stone put the album at No. 46 in its list of the greatest live albums. [10] The album is included in the 2011 revision of 1001 Albums You Must Hear Before You Die . [38]
No. | Title | Writer(s) | Length |
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1. | "Jailbreak" | Phil Lynott | 4:31 |
2. | "Emerald" | Brian Downey, Scott Gorham, Lynott, Brian Robertson | 4:18 |
3. | "Southbound" | Lynott | 4:44 |
4. | "Rosalie / Cowgirl's Song" | Bob Seger / Downey, Lynott | 4:00 |
No. | Title | Writer(s) | Length |
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5. | "Dancing in the Moonlight (It's Caught Me in Its Spotlight)" | Lynott | 3:50 |
6. | "Massacre" | Downey, Gorham, Lynott | 2:46 |
7. | "Still in Love with You" | Lynott | 7:40 |
8. | "Johnny the Fox Meets Jimmy the Weed" | Downey, Gorham, Lynott | 3:32 |
No. | Title | Writer(s) | Length |
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1. | "Cowboy Song" | Downey, Lynott | 4:40 |
2. | "The Boys Are Back in Town" | Lynott | 4:30 |
3. | "Don't Believe a Word" | Lynott | 2:05 |
4. | "Warriors" | Gorham, Lynott | 3:52 |
5. | "Are You Ready" | Downey, Gorham, Lynott, Robertson | 2:40 |
No. | Title | Writer(s) | Length |
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6. | "Suicide" | Lynott | 5:00 |
7. | "Sha La La" | Downey, Lynott | 4:18 |
8. | "Baby Drives Me Crazy" | Downey, Gorham, Lynott, Robertson | 6:36 |
9. | "The Rocker" | Eric Bell, Downey, Lynott | 3:58 |
A new remastered and expanded version of Live And Dangerous was released in 2011. As well as the full album, remastered by Andy Pearce and Matt Wortham, it featured two additional tracks from the period that were not originally included on the album (although they were later released on the Killers Live EP in 1981). The set also included a DVD with the Rainbow Theatre footage. The sleeve notes were written by Malcolm Dome and included a debate of exactly how much of the album was live and how much was overdubbed. [39] [40]
No. | Title | Writer(s) | Length |
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10. | "Opium Trail" | Downey, Gorham, Lynott | 4:43 |
11. | "Bad Reputation" | Downey, Gorham, Lynott | 6:04 |
DVD
Thin Lizzy
Additional musicians
Production
Chart (1978-1979) | Peak position |
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Australian Albums (Kent Music Report) [41] | 20 |
German Albums (Offizielle Top 100) [42] | 41 |
New Zealand Albums (RMNZ) [43] | 17 |
Swedish Albums (Sverigetopplistan) [44] | 27 |
UK Albums (OCC) [45] | 2 |
US Billboard 200 [46] | 84 |
Chart (2023) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [47] | 163 |
Belgian Albums (Ultratop Wallonia) [48] | 131 |
Dutch Albums (Album Top 100) [49] | 81 |
German Albums (Offizielle Top 100) [50] | 11 |
Irish Albums (OCC) [51] | 27 |
Japanese Hot Albums ( Billboard Japan ) [52] | 59 |
Scottish Albums (OCC) [53] | 7 |
Swiss Albums (Schweizer Hitparade) [54] | 27 |
Region | Certification | Certified units/sales |
---|---|---|
Ireland (IRMA) [55] | Gold | 25,000 [55] |
United Kingdom (BPI) [56] | Platinum | 300,000^ |
United Kingdom (BPI) [57] 2007 DVD | Gold | 25,000^ |
^ Shipments figures based on certification alone. |
Thin Lizzy are an Irish rock band formed in Dublin in 1969. The band initially consisted of bass guitarist, lead vocalist and principal songwriter Phil Lynott, drummer Brian Downey, guitarist Eric Bell and organist Eric Wrixon although Wrixon left after a few months. Bell left at the end of 1973 and was briefly replaced by Gary Moore, who himself was replaced in mid-1974 by twin lead guitarists: Scott Gorham, who remained with the band until their break-up in 1983, and Brian Robertson, who remained with the band until 1978 when Moore re-joined. Moore left a second time and was replaced by Snowy White in 1980, who was himself replaced by John Sykes in 1982. The line-up was augmented by keyboardist Darren Wharton in 1980.
Philip Parris Lynott was an Irish musician, songwriter, and poet. He was the co-founder, lead vocalist, bassist, and primary songwriter for the hard rock band Thin Lizzy. He was known for his distinctive pick-based style on the bass and for his imaginative lyrical contributions, including working-class tales and numerous characters drawn from personal influences and Celtic culture.
Brian David Robertson is a Scottish rock guitarist, best known as a former member of Thin Lizzy and Motörhead.
Jailbreak is the sixth studio album by Irish hard rock band Thin Lizzy. It was released on 26 March 1976, by Vertigo Records. The album proved to be the band's commercial breakthrough in the US, and the only Thin Lizzy album with a certification in that country. The singles taken from the album include "Jailbreak" and "The Boys Are Back in Town"; the latter is Thin Lizzy's biggest US hit, and won the 1976 NME Award for Best Single.
Johnny the Fox is the seventh studio album by Irish hard rock band Thin Lizzy, released in 1976. This album was written and recorded while bassist/vocalist Phil Lynott was recovering from a bout of hepatitis that put him off the road halfway through the previous Jailbreak tour. "Don't Believe a Word" was a British hit single. Johnny the Fox was the last Thin Lizzy studio album on which guitarist Brian Robertson featured as a full member of the band, as the personality clashes between him and Lynott resulted in Robertson being sacked, reinstated, and later sacked again.
Bad Reputation is the eighth studio album by the Irish rock band Thin Lizzy, released in 1977. As the front cover suggests, most of the tracks feature only three-quarters of the band, with guitarist Brian Robertson only credited on three tracks. He had missed most of their previous tour, following a hand injury sustained in a brawl, and this album turned out to be his last studio effort with Thin Lizzy. On 27 June 2011, a new remastered and expanded version of Bad Reputation was released.
Black Rose: A Rock Legend is the ninth studio album by Irish rock band Thin Lizzy. Released in 1979, it has been described as one of the band's "greatest, most successful albums". It was the first time that guitarist Gary Moore remained in Thin Lizzy long enough to record an album—after previous brief stints in 1974 and 1977 with the band. The album peaked at No. 2 on the UK charts-- making it the band's highest-charting album in the UK. It was their fourth consecutive album to be certified Gold by the BPI.
Chinatown is the tenth studio album by Irish band Thin Lizzy, released in 1980. It introduced guitarist Snowy White who would also perform on the next album as well as tour with Thin Lizzy between 1980 and 1982; he replaced Gary Moore as permanent guitarist. White had previously worked with Cliff Richard, Peter Green and Pink Floyd. Chinatown also featured eighteen-year-old Darren Wharton on keyboards, and he joined Thin Lizzy as a permanent member later that year.
Renegade is the eleventh studio album by Irish band Thin Lizzy, released in 1981. Though not his first appearance, this was the first album in which keyboard player Darren Wharton was credited as a permanent member, becoming the fifth member of the line-up. As such, he made a contribution as a songwriter on the opening track "Angel of Death". However, even though he had officially joined the band, his picture was omitted from the album sleeve. Renegade was the second and final album to feature guitarist Snowy White. By his own admission, White was more suited to playing blues than heavy rock and he quit by mutual agreement the following year. He went on to have a hit single with "Bird of Paradise" in 1983.
Life is a double live album by Irish rock band Thin Lizzy, released in 1983. This double album was recorded during their farewell tour in 1983, principally at the Hammersmith Odeon in London, UK. Phil Lynott had felt reluctantly that it was time to disband the group after the 1983 tour and to mark the occasion, former Thin Lizzy guitarists Eric Bell (1969–73), Brian Robertson (1974–78) and Gary Moore joined the band on stage at the end of these gigs to do some numbers. This was called "The All-Star Jam".
John James Sykes is an English guitarist, best known as a member of Whitesnake, Thin Lizzy and Tygers of Pan Tang. He has also fronted the hard rock group Blue Murder and released several solo albums.
"Sarah" is a pop song released in 1979 by Irish rock group Thin Lizzy, included on their album, Black Rose: A Rock Legend. The song was written by the band's frontman Phil Lynott and guitarist Gary Moore about Lynott's newborn daughter. The song was also issued as a single, and appeared on several compilation albums including Wild One: The Very Best of Thin Lizzy. The song was never performed live by Thin Lizzy, but it was adopted as a live favourite by Lynott's post-Thin Lizzy project, Grand Slam, and featured on Live in Sweden 1983, a recording of Lynott's solo band.
Funky Junction were an Irish rock band formed in 1972 specifically to record a single album of songs made famous by British band Deep Purple, which was released as Funky Junction Play a Tribute to Deep Purple in January 1973. Among the band's lineup were all three members of the early 1970s incarnation of Thin Lizzy.
"Still in Love with You" is a song originally recorded by Thin Lizzy. The studio version was first released on their 1974 album Nightlife, and went on to be a live favourite, showcasing the guitarists, including Brian Robertson, Scott Gorham, Gary Moore and John Sykes. Live versions were released on the albums Live and Dangerous, Life, BBC Radio One Live in Concert, The Peel Sessions and One Night Only.
Still Dangerous is a live album by Irish rock band Thin Lizzy. It was compiled from two live concerts by the band at the Tower Theater in Upper Darby Township, Pennsylvania, U.S., just outside of Philadelphia, at 20 and 21 October 1977 during the tour in support of their Bad Reputation album. No overdubs were made to any tracks so the album is completely live. The tracks "Cowboy Song", "The Boys Are Back in Town", "Massacre" and "Emerald" were previously released on the album Live and Dangerous, while "Opium Trail" and "Bad Reputation" were issued on the Killers Live EP in 1981.
"Do Anything You Want To" is a song by the Irish hard rock band Thin Lizzy. It was the second single released from their 1979 album Black Rose: A Rock Legend. It was recorded at Pathe Marconi EMI Studios in Paris, France.
"Hollywood (Down on Your Luck)" is a song by the Irish rock band Thin Lizzy, written by guitarist Scott Gorham and bassist/vocalist Phil Lynott, and released as a single in 1982. It was the only single to be released from their 1981 album Renegade.
"Yellow Pearl" is a song recorded by Thin Lizzy frontman Phil Lynott, originally for his 1980 solo album, Solo in Soho. It was written by Lynott and Midge Ure, who was a temporary member of Thin Lizzy at the time, as well as frontman of Ultravox. It was subsequently remixed and released again on Lynott's second album, The Philip Lynott Album. The remixed version was used as the theme music to the British music chart television programme Top of the Pops from 1981 to 1986.
"Cowboy Song" is a song by hard rock band Thin Lizzy that originally appeared on their 1976 album Jailbreak.
"The Farmer" is the debut single by Irish rock band Thin Lizzy, released on Parlophone in 1970. It is the only recording by the original four-piece line-up of Phil Lynott, Eric Bell, Brian Downey and Eric Wrixon.
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