| Love Songs | ||||
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| Compilation album by | ||||
| Released | February 2, 1999 | |||
| Recorded | May 10, 1957 – February 12, 1964 | |||
| Genre | Jazz | |||
| Length | 60:29 | |||
| Label | Sony | |||
| Producer | George Avakian, Bob Belden, Cal Lampley, Teo Macero, Seth Rothstein | |||
| Miles Davis chronology | ||||
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Love Songs is a compilation album by American jazz musician Miles Davis, released on February 2, 1999, by Sony Music Records. The songs it compiles were recorded between May 10, 1957, and February 12, 1964.
Robert Christgau, writing in The Village Voice , gave Love Songs an "A" and said that "Miles's quiet cool and taciturn affection for the limits of the melody at hand" summons a "consensual intimacy" that "definitely won't kill the mood." [1] Matt Robinson of All About Jazz felt that it explores Davis' "trademark poise and lyricism" that was best expressed in ballads and credited the compilation for "revealing a diversity even in the broad unity of the love song." [2] Q magazine gave it four out of five stars and stated, "The master of the art, Davis could push an entire universe of fragility into a simple love song and play the trumpet with such disarming candour it hurt". [3]
In a mixed review for Allmusic, Scott Yanow gave the album two-and-a-half stars and said that, because of "the slow tempos and the lack of variety in moods, this set is really designed more for background music than for close listening." [4] In The Rolling Stone Album Guide (2004), J. D. Considine gave Love Songs three-and-a-half out of five stars and found it "quite sweet" for a "theme-oriented collection". [5]
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| Chart | Peak chart position |
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| U.S. Top Jazz Albums (Billboard) | 1 [6] |
Sketches of Spain is a studio album by the jazz trumpeter and composer Miles Davis. It was released on 18 July 1960 through Columbia Records. The recording took place between November 1959 and March 1960 at the Columbia 30th Street Studio in New York City. An extended version of the second movement of Joaquín Rodrigo's Concierto de Aranjuez (1939) is included, as well as a piece called "Will o' the Wisp", from Manuel de Falla's ballet El amor brujo (1914–1915). Sketches of Spain is regarded as an exemplary recording of third stream, a musical fusion of jazz, European classical, and styles from world music.
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Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by the trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
Miles Davis at Fillmore is a 1970 live album by the jazz trumpeter Miles Davis and band, recorded at the Fillmore East, New York City on four consecutive days, June 17 through June 20, 1970, originally released as a double vinyl LP. The performances featured the double keyboard set-up Davis toured with for a few months, with Keith Jarrett and Chick Corea playing electronic organ and Fender Rhodes electric piano, respectively. The group opened for Laura Nyro at these performances.
Circle in the Round is a 1979 compilation album by jazz musician Miles Davis. It compiled outtakes from sessions across fifteen years of Davis's career that, with one exception, had been previously unreleased. All of its tracks have since been made available on album reissues and box sets.
In Concert is a live double album by the American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics."
Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.
Dark Magus is a live double album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 30, 1974, at Carnegie Hall in New York City, during the electric period in Davis' career. His group at the time included bassist Michael Henderson, drummer Al Foster, percussionist Mtume, saxophonist Dave Liebman, and guitarists Pete Cosey and Reggie Lucas; Davis used the performance to audition saxophonist Azar Lawrence and guitarist Dominique Gaumont. Dark Magus was produced by Teo Macero and featured four two-part recordings, titled with the Swahili numerals for numbers one through four.
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
The Paris Concert: Edition One is a live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded in Paris, France in 1979 and originally released on the Elektra/Musician label. Additional recordings from this concert were released as The Paris Concert: Edition Two.
Time Remembered is a live album by jazz pianist Bill Evans with Chuck Israels and Larry Bunker partially recorded at the Shelly Manne's club in Hollywood, California in May 1963, but not released until 1983 on the Milestone label as a 16-track double LP. It would be later reissued on CD in 1999, with only 13 tracks. The trio performances were recorded at the same sessions that produced At Shelly's Manne-Hole (1963) and were first released on Bill Evans: The Complete Riverside Recordings (1984). The four solo performances were recorded in a separate session in April 1962 in New York City. "Some Other Time" was recorded in December 1958, in New York City.
The Space Book is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1964 for the Prestige label, with his quartet including Jaki Byard on piano, Richard Davis on bass, and Alan Dawson on drums.
The Song Book is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1964 for the Prestige label.
The Voice That Is! is an album by American jazz vocalist Johnny Hartman featuring performances recorded in 1964 for the Impulse! label.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums—mostly consisting of, at that time, previously unreleased music—that Columbia released to bridge Davis' recording hiatus that ended with the Man with the Horn in July 1981.
Turn Out the Stars: The Final Village Vanguard Recordings is a six-CD box set live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded over four nights at the Village Vanguard in New York City in 1980 and released on CD on the Warner Bros. label in 1996. A concurrent LP release was made on Mosaic.
The Source is a live album by American saxophonist Jackie McLean featuring Dexter Gordon recorded at the Jazzhus Montmartre in 1973 and released on the SteepleChase label.
Inner Fires is a live album by jazz pianist Bud Powell recorded at Club Kavakos in 1953. Also appearing on the record were bassist Charles Mingus and drummer Roy Haynes. Some releases of the album include recordings of interviews with Powell from 1963, during his stay at the Bouffémount Sanatorium in France.
