"Money (That's What I Want)" | ||||
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Single by Barrett Strong | ||||
B-side | "Oh I Apologize" | |||
Released | August 1959 | |||
Studio | Hitsville studio A (Detroit) | |||
Genre | Rhythm and blues | |||
Length | 2:39 | |||
Label | ||||
Songwriter(s) | ||||
Barrett Strong singles chronology | ||||
| ||||
Official audio | ||||
"Money (That's What I Want)" on YouTube |
"Money (That's What I Want)" is a rhythm and blues song written by Tamla founder Berry Gordy and Janie Bradford, which was the first hit record for Gordy's Motown enterprise. Barrett Strong recorded it in 1959 as a single for the Tamla label, distributed nationally on Anna Records. Many artists later recorded the tune, including the Beatles in 1963 and the Flying Lizards in 1979.
The song developed out of a spontaneous recording session at the Hitsville studio A in Detroit. [1] Berry Gordy and Barrett Strong began by improvising on piano and vocals and were joined by Benny Benjamin on drums and Brian Holland on tambourine. [1] Authors Jim Cogan and William Clark only identify the guitarist and bass guitarist as "two white kids walking home from high school [who] heard the music out on the street and wandered in to Hitsville [and] asked if they could play along." They add "Strong claimed he never saw the two boys who played bass and guitar again." [1] However, the guitarist has also been identified as Eugene Grew, who claimed that Barrett showed him what to play. [2]
Barrett begins with a bluesy piano riff, with the rest of the instruments gradually falling in. [1] The figure is a key element of the song and is repeated throughout the piece by the piano, bass guitar and guitar, with background vocals by the Rayber Voices. [1] Author Nick Talevski calls the song an "R&B classic" [3] and it is identified as having a "Detroit R&B sound" by Mark Lewisohn. [4] Music journalist Charles Shaar Murray describes "Money" as "one of the earliest Motown classics from the days when the label left some of R&B's rough edges in place." [5]
The song was originally recorded by Barrett Strong and released on Tamla in August 1959. [6] Anna Records was operated by Gwen Gordy, Anna Gordy and Roquel "Billy" Davis. Gwen and Anna's brother Berry Gordy had just established his Tamla label (soon Motown would follow) and licensed the song to the Anna label in 1960, which was distributed nationwide by Chicago-based Chess Records in order to meet demand; the Tamla record was a resounding success in the Midwestern United States.[ citation needed ]
In the US, the single became Motown's first hit in June 1960, making it to number two on the Hot R&B Sides chart and number 23 on the Billboard Hot 100. [7] The song was listed as number 288 on Rolling Stone 's "The 500 Greatest Songs of All Time". Greil Marcus has pointed out that "Money" was the only song that brought Strong's name near the top of the national music charts, "but that one time has kept him on the radio all his life." [8]
Personnel included: [9]
Singer Barrett Strong claimed that he co-wrote the song with Berry Gordy and Janie Bradford. [10] His name was removed from the copyright registration three years after the song was written, restored in 1987 when the copyright was renewed, and then excised again the following year. Gordy has stated that Strong's name was only included because of a clerical error. [2]
This section needs additional citations for verification .(July 2020) |
"Money (That's What I Want)" | |
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Song by the Beatles | |
from the album With the Beatles | |
Released |
|
Recorded | July 18, 1963 |
Studio | EMI, London |
Genre | Rock and roll [11] [12] |
Length | 2:47 |
Label |
|
Songwriter(s) | |
Producer(s) | George Martin |
Audio sample | |
19 seconds with refrain |
The Beatles recorded "Money" in seven takes on July 18, 1963. A series of piano overdubs was later added by producer George Martin. The song was released in November 1963 as the final track on their second UK album, With the Beatles and subsequently released in the US in April 1964 when it was included on The Beatles' Second Album . [13]
According to George Harrison, the group discovered Strong's version in Brian Epstein's NEMS record store (though not a hit in the UK, it had been issued on London Records in 1960). They had previously performed it during their audition at Decca Records on January 1, 1962, with Pete Best still on drums at the time. They also recorded it six times for BBC radio. A live version, taped at a concert date in Stockholm, Sweden, in October 1963, was included on Anthology 1 .[ citation needed ]
In 2018, the music staff of Time Out London ranked "Money (That's What I Want)" at number 25 on their list of the best Beatles songs. [14]
According to Neville Stannard: [15]
"Money" | ||||
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Single by the Flying Lizards | ||||
from the album The Flying Lizards | ||||
B-side | "Money B" | |||
Released | July 13, 1979 | |||
Genre | ||||
Length | 2:31 | |||
Label | Virgin | |||
Songwriter(s) | ||||
Producer(s) | David Cunningham | |||
The Flying Lizards singles chronology | ||||
| ||||
Official video | ||||
"Money" on YouTube |
In July 1979, the British band the Flying Lizards released a new wave version of the song, as a single and on their first album, The Flying Lizards . An unexpected hit, [19] this version peaked at number 5 in the UK chart and at number 50 on the Billboard Hot 100. It also peaked at number 22 on the US dance charts.
Chart (1979–1980) | Peak position |
---|---|
Australia (Kent Music Report) [20] | 11 |
Austria (Ö3 Austria Top 40) [21] | 23 |
Belgium (Ultratop 50 Flanders) [22] | 28 |
Canada Top Singles ( RPM ) [23] | 7 |
France (IFOP) [24] | 39 |
Netherlands (Dutch Top 40) [25] | 33 |
Netherlands (Single Top 100) [26] | 37 |
New Zealand (Recorded Music NZ) [27] | 5 |
UK Singles (OCC) [28] | 5 |
US Billboard Hot 100 [29] | 50 |
US Billboard Hot Dance Club Play [29] | 22 |
US Cash Box [30] | 34 |
Chart (1980) | Position |
---|---|
Australia (Kent Music Report) [31] [32] | 71 |
Canada (RPM Top Singles) [33] | 59 |
New Zealand (Recorded Music NZ) [34] | 32 |
The song has been covered by many artists, with several of the versions appearing in a variety of charts. In 1964, a single by the Kingsmen from their album The Kingsmen In Person reached no. 16 on the Billboard Hot 100, No. 6 on the US R&B charts, and No. 24 in Canada in 1964. [35] [36] [37] A version by Jennell Hawkins reached No. 17 in the R&B charts in 1962. [38] Junior Walker & the All Stars' cover from their album Road Runner reached No. 52 on the Hot 100 and number 35 on the R&B charts in 1966 [39] and Bern Elliott and the Fenmen reached No. 14 on the UK Singles Chart in November 1963. [40] The song was also a staple for British beat bands. [41] Charli XCX released a cover of the song as a bonus track on her second studio album, Sucker (2014). [42]
An instrumental cover of the song appears as the main gameplay theme of the Bally pinball table Junk Yard. [43]
William "Smokey" Robinson Jr. is an American R&B and soul singer, songwriter, record producer, and former record executive. He was the founder and frontman of the pioneering Motown vocal group the Miracles, for which he was also chief songwriter and producer. He led the group from its 1955 origins, when they were called The Five Chimes, until 1972, when he retired from the group to focus on his role as Motown Records vice president. Robinson returned to the music industry as a solo artist the following year. He left Motown in 1999.
Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of motor and town, has become a nickname for Detroit, where the label was originally headquartered.
Road Runner is a 1966 album by Junior Walker & the All-Stars. The band's second album, it reached #6 on Billboard's Top R&B Albums chart and #64 on Billboard's Top Albums chart, launching four hit singles. First released on record by Motown's Soul label in the US and Tamla/Motown internationally, it has been multiply reissued on cassette and compact disc. It has also been remastered and reissued in conjunction with the band's following studio record, Home Cookin', as Road Runner & Home Cookin'.
Mary Esther Wells was an American singer, who helped to define the emerging sound of Motown in the early 1960s.
The Miracles were an American vocal group formed in Detroit, Michigan in 1955. They were the first successful recording act for Motown Records and are considered one of the most important and most influential groups in the history of pop, soul, rhythm and blues and rock and roll music. The group's international fame in the 1960s, alongside other Motown acts, led to a greater acceptance of R&B and pop music in the U.S., with the group being considered influential and important in the development of modern popular music.
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
Brenda Holloway is an American soul singer who was a recording artist for Motown Records during the 1960s. Her best-known recordings are the hits "Every Little Bit Hurts", "When I'm Gone", and "You've Made Me So Very Happy". The last, which she co-wrote, was later widely popularized when it became a Top Ten hit for Blood, Sweat & Tears. She left Motown after four years, at the age of 22, and largely retired from the music industry until the 1990s, after her recordings had become popular on the British "Northern soul" scene.
Barrett Strong Jr. was an American singer and songwriter known for his recording of "Money ", which was the first hit single for the Motown record label. He is also known for his songwriting work in association with producer Norman Whitfield; together, they penned such songs as "I Heard It Through the Grapevine", "War", "Just My Imagination ", and "Papa Was a Rollin' Stone".
"Stubborn Kind of Fellow" is a 1962 song recorded by Marvin Gaye for the Tamla label. Co-written by Gaye and produced by William "Mickey" Stevenson, "Stubborn Kind of Fellow" became Gaye's first hit single, reaching the top 10 of the R&B chart and the top 50 of the Billboard Hot 100 in late 1962.
The Originals, often called "Motown's best-kept secret", were a successful Motown R&B and soul group during the late 1960s and the 1970s, most notable for the hits "Baby I'm for Real", "The Bells", and the disco classic "Down to Love Town." Formed in 1966, the group originally consisted of baritone singer Freddie Gorman, tenor/falsetto Walter Gaines, and tenors C. P. Spencer and Hank Dixon. Ty Hunter replaced Spencer when he left to go solo in the early 1970s. They had all previously sung in other Detroit groups, Spencer having been an original member of the (Detroit) Spinners and Hunter having sung with the Supremes member Scherrie Payne in the group Glass House. Spencer, Gaines, Hunter, and Dixon were also members of the Voice Masters. As a member of the Holland–Dozier–Gorman writing-production team, Gorman was one of the co-writers of Motown's first number 1 pop hit "Please Mr. Postman", recorded by the Marvelettes. In 1964 the Beatles released their version and in 1975 the Carpenters took it to number 1 again. In 2006, "Please Mr. Postman" was inducted into the Songwriters Hall of Fame.
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when The Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
That Stubborn Kinda Fellow is the second studio album by Marvin Gaye, released on the Tamla label in 1963. The second LP Gaye released on the label, it also produced his first batch of successful singles for the label and established Gaye as one of the label's first hit-making acts in its early years.
"Shop Around" is a song originally recorded by the Miracles on Motown Records' Tamla subsidiary label. It was written by Miracles lead singer Smokey Robinson and Motown Records founder Berry Gordy. It became a smash hit in 1960 when originally recorded by the Miracles, reaching number one on the Billboard R&B chart, number one on the Cashbox Top 100 Pop Chart, and number two on the Billboard Hot 100 chart. It was the Miracles' first million-selling hit record, and the first-million-selling hit for the Motown Record Corporation.
Marvin Earl Johnson was an American R&B singer, songwriter and pianist. He was influential in the development of the Motown style of music, primarily for the song "Come to Me," which was the first record issued by Tamla Records, the precursor to the famous label.
"My Cherie Amour" is a 1969 song by Motown singer-songwriter Stevie Wonder. The song reached number 4 on the Billboard pop chart in August to be Wonder's eighth top ten hit. The song was co-written by Wonder, Sylvia Moy, and Henry Cosby; Cosby also served as producer of the song. At the end of 1969, the song was ranked number 32 for the year.
Hi... We're the Miracles is the first album by the Miracles, Motown's first group, released on Motown's Tamla subsidiary label in January 1961. It was the first album released by the Motown Record Corporation. The album features several songs that played an important role in defining The Motown Sound and establishing songwriters Smokey Robinson and Berry Gordy.
Greatest Hits from the Beginning is a compilation double LP by the Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
"You've Made Me So Very Happy" is a song written by Brenda Holloway, Patrice Holloway, Frank Wilson and Berry Gordy, and was released first as a single in 1967 by Brenda Holloway on the Tamla label. The song was later a huge hit for jazz-rock band Blood, Sweat & Tears in 1969, and became a Gold record.
A Pocket Full of Miracles (TS306) is a 1970 album by Motown Records R&B group The Miracles, issued on its Tamla subsidiary label, one of three albums the group released that year. This album charted at #56 on the Billboard pop albums chart, and reached the top ten of the magazine's R&B albums chart, peaking at #10. It was released on September 30 of that year. Hit singles on the album included "Point It Out" and the topical Ashford & Simpson written-and-produced song "Who's Gonna Take the Blame", a sad, dark song about a girl that is turned out as a prostitute. Also included is the charting flip side "Darling Dear", B-side of "Point It Out", which reached #100 on the Billboard pop chart, and spawned a cover version by The Jackson Five.
"Come to Me" is the debut single by American singer Marv Johnson. This tune was the first single to be released on the newly formed Tamla Records label, which eventually became a subdivision of the famed Motown label. It also became Johnson's first hit single after the song was nationally distributed by United Artists. It was recorded at United Sound Systems.