New Energy | ||||
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Studio album by | ||||
Released | 29 September 2017 | |||
Recorded | 2016–2017 [1] [2] | |||
Genre | Electronic | |||
Length | 56:21 | |||
Label | Text | |||
Producer | Kieran Hebden | |||
Four Tet chronology | ||||
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Singles from New Energy | ||||
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New Energy is the ninth studio album by British electronic musician Kieran Hebden, released under his alias Four Tet on 29 September 2017 by Text Records. The album follows a more uptempo, listener-friendly style than previous Four Tet records while containing elements of those albums and a variety of musical styles as well as virtual instrument replications of culturally-tinged instruments. The album garnered critical acclaim, landing on several year-end lists by publications such as PopMatters , Q , Uncut , The Guardian , and Pitchfork , and reached number 48 on the UK Albums Chart.
Hebden produced 45 tracks over the course of ten months, and fourteen of them appear on New Energy. [2] He initially planned it to be a minimal ambient LP, but "it came out more complex then planned," he explained. [2] The album, apart from "Alap," "Two Thousand and Seventeen," "LA Trance," and "Daughter," departs from the glitch-y downtempo sound from his previous releases for a very uptempo, polished, listener-friendly style that's still "reflective enough to be more appropriate for home listening than club play," analyzed reviewer Paul Simpson. [3] Despite this, elements from past Four Tet albums come together on New Energy. [4] As writer Andy Beta stated, it has "the low-key warmth of 2003’s Rounds , the free jazz at the heart of 2005’s Everything Ecstatic , the friendly thump of 2012’s Pink ," and "the sprawl of 2015’s Morning/Evening ." [4]
New Energy takes on a wide variety of styles, such as minimal bass music ("Planet"), [4] ambient music ("Gentle Soul," "You Are Loved," and "Alap"), [4] [3] [5] neo-classical music ("10 Midi"), [4] [6] deep house ("SW9 9SL"), [6] new age dance music ("Lush"), [4] Indian classical music ("Alap"), [4] trip-hop ("Daughter"), [5] and UK garage ("SW9 9SL"). [5] Described by some reviewers as the album's only club track, [3] [4] "SW9 9SL" is named after the post code of Brixton Academy where Hebden performed at night-time events that were purely about community and people which he felt was "important." [7] The variety also extends to the record's palette of sounds, which consists of virtual instrument replications of acoustic instruments originating from all across the world. [8] Daniel Cole of XLR8R suggested this was an "extension of his Spotify playlist of music from Muslim countries he made earlier this year—in retaliation to the Trump travel ban." [8]
Four tracks from New Energy were issued before the full album was released: "Two Thousand and Seventeen" on 4 July 2017, [1] "Planet" on 2 August 2017, [9] [10] "SW9 9SL" on 25 August 2017, [11] and "Scientists" on 13 September 2017. [12] Text Records officially issued New Energy on 19 September 2017. [13] Hebden contributed the first 1,000 vinyl and CD copies of New Energy to the online shop of the charitable organization Oxfam. [14]
Aggregate scores | |
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Source | Rating |
AnyDecentMusic? | 7.6/10 [15] |
Metacritic | 86/100 [16] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Exclaim! | 9/10 [6] |
Financial Times | ![]() ![]() ![]() ![]() ![]() |
Louder Than War | 9/10 [18] |
The Observer | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 8.0/10 [4] |
Q | ![]() ![]() ![]() ![]() ![]() |
Resident Advisor | 3.5/5 [5] |
Uncut | 8/10 [21] |
XLR8R | 8.5/10 [8] |
New Energy received a five-star review from Q magazine, who called it Four Tet's best album and a "career-defining masterpiece." [20] Simpson claimed that the LP "still maintains the creativity and unpredictability that have always made [Four Tet's] work stand out." [3] Exclaim! stated that with New Energy, "the English producer's proclivity for irresistible hooks is delivered through a palette of strummed strings, wistful timbres and delectable breaks that make for a satisfying and evocative body of work." [6] Spin magazine's Andy Cush stated the album has "a desire to remove a listener from their surroundings and bring them someplace higher, no matter the means." [22]
Cole stated that it "finally feels like an album that is truly unique, and characteristic of Hebden’s style." [8] His main praise was its use of global instruments, reasoning that it "create[s] an open expanse, allowing room to breathe within the tracks, and a sense of stronger composure and musicianship on behalf of the producer." [8] The culturally-tinged instrumentation was also honored in a Dancing Astronaut review: "New Energy's serpentine instrumentation is a circuitous avoidance of sonic similarity, meditative and intricately-devised. Its tracks exude a panoptic enigma that is regenerated upon each new listen." [23] As Uncut explained the charm of the album, "Hebden's skill is to weave such ethnographic curiosities into the fabric of his own luminous electronica without it feeling like a dry curatorial exercise." [21]
Andrew Ryce honored it as "one of Hebden's most intimate and personal albums, with all the idiosyncrasies that come with that." [5] He also noted that "its tranquil spirit and moments of hope make it almost transgressive at a time when other artists are channeling 2017's climate of fear and frustration into dark, angry sounds." [5] Beta favorably reviewed the album, but also wrote that "at times, [Hebden's] attention to textures comes at the cost of exploring new terrain." [4] Some reviews of the LP criticized the album's overly-calm, unsurprising style. [5] [19] However, The 405 praised the relaxed aspect of the album, reasoning that while it has its "inborn drawbacks" and the entire record "is a consolidation rather than a progression," "its palate is so substantial and nourishing that such slight ambition is peripheral." [24] Spectrum Culture panned the record's simple structure, reasoning that it continues the aspect of Four Tet's discography where each release decreases the project's "scale, size and ambition." [25]
Publication | Accolade | Rank | Ref. |
---|---|---|---|
ABC News | 50 Best Albums of 2017 | 12 | |
AllMusic | Best of 2017: Favorite Electronic Albums | — | |
Clash | Albums of the Year 2017 | 21 | |
Double J | The 50 Best Albums of 2017 | 21 | |
Drowned in Sound | Favourite Albums of 2017 | 51 | |
Dummy | The 10 Best Albums of 2017 | 5 | |
Entertainment Weekly | The 25 Best Albums of 2017 | 23 | |
Exclaim! | Top 10 Dance and Electronic Albums of 2017 | 1 | |
Fopp | The Best in 2017 | 92 | |
The Guardian | The Best Albums of 2017 | 32 | |
Highsnobiety | The Most Underrated Albums of 2017 | — | |
Mixmag | The Top 50 Albums of 2017 | 4 | |
The Morning News | The Top Albums of 2017 | — | |
Piccadilly Records | End of Year Review 2017: Top 100 Albums | 67 | |
Pitchfork | The 20 Best Electronic Albums of 2017 | 14 | |
PopMatters | The 60 Best Albums of 2017 | 9 | |
Q | Best of the Best: 2017 in Music | 18 | |
Resident Advisor | 2017's Best Albums | — | |
XLR8R | Best of 2017: Releases | — | |
Uncut | Best Releases of 2017 | 36 |
All tracks written and produced by Kieran Hebden. [46]
No. | Title | Length |
---|---|---|
1. | "Alap" | 1:22 |
2. | "Two Thousand and Seventeen" | 4:12 |
3. | "LA Trance" | 5:47 |
4. | "Tremper" | 1:29 |
5. | "Lush" | 5:12 |
6. | "Scientists" | 4:59 |
7. | "Falls 2" | 1:12 |
8. | "You Are Loved" | 6:09 |
9. | "SW9 9SL" | 7:56 |
10. | "10 Midi" | 1:25 |
11. | "Memories" | 3:18 |
12. | "Daughter" | 4:55 |
13. | "Gentle Soul" | 1:12 |
14. | "Planet" | 7:19 |
Total length: | 56:21 |
Chart (2017) | Peak position |
---|---|
Dutch Albums (Album Top 100) [47] | 167 |
Scottish Albums (OCC) [48] | 70 |
UK Albums (OCC) [49] | 48 |
UK Dance Albums (OCC) [50] | 1 |
UK Independent Albums (OCC) [51] | 9 |
US Dance/Electronic Album Sales ( Billboard ) [52] | 10 |
Region | Date | Format(s) | Label |
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Various [13] | 19 September 2017 | Text |